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Huge rally at Peterborough city hall protests proposed cuts to arts and social services organizations

Around 400 people gathered outside Peterborough City Hall on November 12, 2024 to protest a proposed 25 per cent across-the-board cut in the City of Peterborough's 2025 draft budget to grants to community organizations. (Photo: Paul Rellinger / kawarthaNOW)

Representatives and supporters of several Peterborough arts and service organizations rallied outside Peterborough City Hall late Tuesday afternoon (November 12) in protest of a proposed 25 per cent cut in the city’s draft 2025 budget to the community grants annually provided to them.

On page 206 of the lengthy draft city budget document, it’s noted that “all grant programs are proposed to be funded at 75 per cent of their 2024 budgeted amount,” with funding for Sustainable Peterborough eliminated completely.

The cuts to community grants — part of the city’s draft $411 million budget that will be reviewed by councillors starting November 18 — represent a savings of $286,000.

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Under the banner “Community, Not Cuts,” some 250 people gathered outside city hall, many carrying placards decrying the city staff-recommended cuts.

“I’ve been in the arts for 40 years and I’ve put together a lot of budgets,” said Electric City Culture Council (EC3) executive director Su Ditta, one of the rally speakers.

“I believe strongly that if city staff and city councillors sat down together and put their minds to it, they could take small amounts away from every department and not grab the low-hanging fruit of these incredible 75 organizations.”

“Write your city councillors. Talk to them on the phone. Remind them that you voted for them. Remind them that you pay taxes too. And remind them that if they’re looking for value for the dollar, they don’t get any better than investing in these arts and social service groups.”

VIDEO: Rally at Peterborough City Hall – November 12, 2024 by Phillip Jolicoeur

Sneha Wadhwani, coordinator of the BIPOC peer support program offered through the Community Race Relations Committee of Peterborough, also addressed the crowd.

“Intimate partner violence was declared an epidemic by the City of Peterborough last year and then realized ‘Oh, we’re going to cut 25 per cent of funding that goes to the Kawartha Sexual Centre’,” she said of one of the organizations facing a grant cut, drawing cries of “Shame!” from the crowd.

In that crowd was Anne Elliott, a member of the Women’s Art Association of Peterborough, which was instrumental in the founding of the Art Gallery of Peterborough.

“I’m here because I’m passionate about the arts and their importance in bringing joy to people’s lives, helping people with their mental health, and improving the atmosphere within our community,” she said.

“It’s particularly frustrating to think that the City of Peterborough might not be supporting the arts in whatever way it can. It’s the support of the city that brings other funding to these organizations.”

“Do they (councillors) want a community that doesn’t have access to an art school, a symphony orchestra, an art gallery? I hope this (rally) makes them stop and think on their way into their meetings.”

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Prior to the rally, Ditta told kawarthaNOW that the proposed cuts “are the most serious that the City of Peterborough has ever seen.”

“They range anywhere from a 25 per cent (cut) of grants to arts organizations, in the social services category, and in the community investment and project grants category, as well as separate documents that propose up to 100 per cent (funding) cuts to the Art Gallery of Peterborough, and to EC3 and all its programs.”

The elimination of city funding for the Art Gallery of Peterborough, along with a long list of other possible funding reductions, are included in the 2025 draft budget as “discretionary” service eliminations or reductions that would be required to limit the property tax rate increase, currently proposed at 7.8 per cent, to five per cent as requested by council

“Of course, arts lovers want there to be a robust ecology of music, dance, theatre, writing, film, poetry, circus arts … all of the fabulous disciplines that are represented in the city. But those organizations and the venues where they perform — Showplace, Market Hall, The Theatre On King, the AGP (Art Gallery of Peterborough), Artspace — also play a really vital role in the vitality of the downtown.”

Supporters of local arts and social services organizations gathered outside Peterborough City Hall on November 12, 2024 to protest a proposed 25 per cent across-the-board cut in the City of Peterborough's 2025 draft budget to grants to community organizations. (Photo: Paul Rellinger / kawarthaNOW)
Supporters of local arts and social services organizations gathered outside Peterborough City Hall on November 12, 2024 to protest a proposed 25 per cent across-the-board cut in the City of Peterborough’s 2025 draft budget to grants to community organizations. (Photo: Paul Rellinger / kawarthaNOW)

Ditta said recently released statistics from the Ontario Arts Council show that for every one dollar spent by government on the arts, $25 is returned to the economy.

“It (grant cuts) will ultimately reduce the revenue side of the budget,” assesses Ditta, adding “You’re cutting off your nose to spite your face.”

“Sports, recreation, the arts and really critical social services are all important parts of a healthy city. If you look at page two of the city’s strategic plan, it describes very clearly how they’re all important to a healthy city. I think there are times — maybe this is one of them — when the city could slow down some capital expenditures (to the benefit of arts and social services organizations).”

Still, Ditta believes “the majority of councillors, including the mayor, understand that it’s not smart economics to cut arts funding. It’s not a smart mental health move. It’s not smart in terms of the health and vitality of the downtown. It’s not smart in terms of attracting tourists, doctors, and high-end businesses.”

“Smart cities make long-term investments in the arts. They don’t put their arts organizations in a situation where, every year, they drop everything they’re doing for three weeks to a month to fight (for grant money),” said Ditta.

“It’s time the City of Peterborough, with a visionary mayor who says he wants to make Peterborough a modern, contemporary city, understands that whether or not support for the arts is legally discretionary, in terms of the health and welfare of the city, it’s not smart management to make (financial support) discretionary and put them (arts and service organizations) through this every year.”

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Over the days leading up to the rally, a number of arts and cultural organizations strongly expressed their dismay via emails and social media posts while urging supporters and the public at large to speak out against any cuts in city grant funding.

In a statement, the Peterborough Folk Festival board of directors asks residents to “imagine a city without the Peterborough Folk Festival, Market Hall, Showplace, The Theatre On King, Musicfest, ReFrame (Film Festival), the New Canadians Centre, Community Care, the Kawartha Sexual Assault Centre, the Peterborough Symphony Orchestra, Public Energy or New Stages … and that’s just 12 of the 75 (organizations that would be impacted).”

The festival board’s statement adds “With no staff to cut and non-discretionary costs escalating, any reduction in the city grant will lead to direct reductions in (folk festival) programming.”

Terming the proposed community grants reduction “unwarranted and shortsighted,” the statement notes a savings of just .07 of one per cent would be realized.

“The blanket 25 per cent (proposed) cut was made without any consultations or feasibility studies, and has forced 75 arts and service organizations into survival mode. These cuts will be far more damaging to the city than the dollars they save.”

A speaker addresses the crowd outside Peterborough City Hall on November 12, 2024 to protest a proposed 25 per cent across-the-board cut in the City of Peterborough's 2025 draft budget to grants to community organizations. (Photo: Paul Rellinger / kawarthaNOW)
A speaker addresses the crowd outside Peterborough City Hall on November 12, 2024 to protest a proposed 25 per cent across-the-board cut in the City of Peterborough’s 2025 draft budget to grants to community organizations. (Photo: Paul Rellinger / kawarthaNOW)

Meanwhile, Market Hall executive director Chad Hogan, speaking on behalf of the downtown venue’s board, notes in an email to members and supporters that, if approved, a 25 per cent cut in its community grant will see “increased community rental costs, increased ticket prices, reduced economic impact for downtown and fewer artists visiting our city.”

Noting Market Hall hosted 33 community groups/fundraisers, sold 24,000 tickets to more than 150 events, welcomed close to 7,000 residents to free events and hosted more than 5,000 visitors to the city over the past year, Hogan wrote “Cutting our budget, and the budgets of other arts and social services, will have far-reaching, negative impacts we don’t want to see in our city.”

In his plea, Folk Under The Clock artistic director Mike Barker, who has staged the majority of his concerts at Market Hall since 1986, asks “Have you enjoyed an arts or cultural event downtown? How important are these events to your love of the city?”

“There are many studies that have shown that when arts and culture thrive, the community is healthy. Downtown restaurants, hotels, and shops have benefited from patrons attending events at Market Hall. We know our patrons have come from all over Ontario and internationally. They spend money downtown.”

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And in a lengthy statement, New Stages Theatre writes that the potentially impacted arts and service organizations “have gone into survival mode … scrambling to attend emergency meetings. Seventy-five executive directors and artistic directors are having to stand up and defend, once again, their (organizations’) contributions to the social and economic fabric of the city.”

“Last year, New Stages’ city grant leveraged 8.5 times is economic value back into the community, with money going to local businesses and residents, including staff and artists, venues, print shops, hotels, restaurants, bookkeepers/accountants, set builders, etc. At minimum, you’ll see a 25 per cent reduction in artistic programming and services in the city across the board, likely much worse. Some will need to change direction. Some will need to close.”

On Tuesday, the Women’s Art Association of Peterborough sent a letter to Mayor Leal and members of council, urging council “to maintain current funding levels” for the arts sector “which is so vital to who we are as a community.”

Supporters of local arts and social services organizations gathered outside Peterborough City Hall on November 12, 2024 to protest a proposed 25 per cent across-the-board cut in the City of Peterborough's 2025 draft budget to grants to community organizations. (Photo: Paul Rellinger / kawarthaNOW)
Supporters of local arts and social services organizations gathered outside Peterborough City Hall on November 12, 2024 to protest a proposed 25 per cent across-the-board cut in the City of Peterborough’s 2025 draft budget to grants to community organizations. (Photo: Paul Rellinger / kawarthaNOW)

Another letter, penned by artist Ann Jaeger, noted “Artists can’t help but think the city considers its cultural slice of the budget pie as a kind of expendable slush fund to balance its operating budget. Artists are rightly angry when the city spends $4.4 million on a fair-weather-only pickleball court, or over $60 million on a new sports arena, but considers stable arts funding a bridge too far.”

Ditta notes, if there is a silver lining, it can be found in the “extraordinary” coming together of arts and community service organizations to fight the proposed cuts.

“Lots of times, arts leaders have written letters to councillors and what not, but this time they’re asking their members and subscribers to do so. They’re issuing emergency bulletins and coming to the rally. But the other piece, which is equally important, is the coalition that’s been formed between arts group and social services groups.”

“These groups have come together to say ‘We’re not discretionary. We’re the best investment you can make. We’re cheap, we’re effective, we’re efficient, we deliver and you’re nuts to cut us.”

Tuesday’s afternoon rally preceded an evening public meeting on the draft 2025 budget where city council’s general committee heard from 36 delegations, including arts and social services organizations — almost all objecting to the proposed cuts.

 

This story has been updated to revise the number of rally participants from 400 to 250 to reflect an estimate from rally organizers.

‘For too many individuals and families, basic necessities like food are out of reach’: Salvation Army Peterborough

The Salvation Army Peterborough is aiming to raise $540,000 through its annual "Hope for All Seasons" fundraising campaign and $125,000 through its annual Christmas kettle campaign. Funds raised will support the charitable organization's Christmas assistance program as well as year-round programs including the breakfast program, food bank, and emergency assistance. (Photo: Salvation Army Peterborough / Facebook)

Prior to 2024, it would be a rare occasion for the Salvation Army Peterborough to dish out more than 100 morning meals in one day through its breakfast program.

“Now, on most days, it has become the norm,” JoAnne Leach, the Salvation Army’s Christmas support worker, told kawarthaNOW.

So far this year, Salvation Army Peterborough has experienced a 33 per cent increase in the number of breakfast meals being served compared to the same time period last year. The numbers for September alone were more than double what they were in September 2023.

“With the increased homelessness in our community, we anticipate the numbers for those seeking assistance this Christmas to be up as well,” Leach said. “These are tough times, and we are striving to provide support to those who come to us for help.”

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In response, Salvation Army Peterborough is launching its “Hope for All Seasons” campaign to support the breakfast program and its food bank, which is also seeing increased demand.

The Hope for All Seasons campaign is “urgently” calling for donations to sustain the Salvation Army’s mission.

“Our main hope would be to reach or surpass our fundraising goal of $540,000 through our Hope for All Seasons campaign,” Leach said. “The breakfast program we run five mornings a week is totally funded by donations, and with the cost of groceries increasing and the number of people coming to access our food programs, the need for financial support is stronger than ever,” she said.

“For too many individuals and families, basic necessities like food are out of reach.”

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Leach said a year ago that the organization reported a 74 per cent increase in the number of people using the food bank during the course of 12 months. Looking back at the last five years, there’s been a steady upward trend.

“We have to plan for a continuation of this upward trend,” she noted.

While Salvation Army has a number of programs offering a hand up for people experiencing hardship in the community, the greatest strain is on the food bank and breakfast program as rising homelessness and significant increases in the cost of groceries seriously affects expenses.

“We need the support we receive from our fundraising efforts to make it happen,” Leach said.

Almost 75 per cent of the organization’s annual budget to support the services provided year-round comes in during the Christmas season through both the Hope for All Seasons fundraising campaign and the Christmas kettle campaign.

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Salvation Army Peterborough hopes the $540,000 will be raised through the mailout appeal, and it is aiming to collect $125,000 through the Christmas kettles located throughout the city.

While the familiar round kettle bubble is still available for donations of cash and coins, each kettle stand is also equipped with a Tip Tap machine for people who want to donate using their debit or credit card. Tip Tap options are in $5, $10, and $20 denominations and can be tapped multiple times for donations of higher amounts. There are also cards located at the top of the kettle stand with QR codes for people who prefer to donate online using their phones. Income tax receipts can be arranged for those who request them.

There are also activities happening throughout the season to help with fundraising, Leach noted in a media release.

“One of which is the Teddy Bear Toss, taking place at the Peterborough Petes game on December 5. It is enjoyable for our band to see people walking in with teddy bears of all shapes and sizes while we serenade them with Christmas carols before the game,” she said.

“The great thing is that as a community, we can make a difference. Food and toy drives are great fundraisers for schools, businesses, churches, and even individuals to consider, or they can be creative with their own fundraisers. They can donate money, food, toys, or become volunteers,” Leach said.

“While many who come to our food programs are visible in their suffering, others might be your next-door neighbours, people we know who might be keeping their situation to themselves.”

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Those in need of Christmas assistance for food and/or toys can contact the Salvation Army Peterborough by calling 705-742-4391. Appointments for Christmas assistance registration are available now through November 29. Toy and food support pick-up will happen December 10 through 20.

People using the food bank can make appointments. Meanwhile, the breakfast program that offers meals each morning from Monday to Friday is a first-come, first-served event with an expanding lineup, the Salvation Army noted.

Financial donations can be dropped off or sent by mail to 219 Simcoe St., Peterborough, ON, K9H 2H6, or by calling 705-742-4391 ext. 257.

Donations of new, unwrapped toys can be placed in the large bin near Old Navy at Lansdowne Place on Lansdowne Street. They can also be dropped off at The Salvation Army church located at 219 Simcoe St., Monday through Friday from 9 a.m. to 3:30 p.m.

Salvation Army Peterborough is also looking for volunteers for the Christmas kettle campaign. According to a media release, with generally five shifts per day per kettle, some days may require up to 30 volunteers as Christmas approaches. Those interested in volunteering can contact volunteer coordinator Brian Lee at brian.lee@salvationarmy.ca or 705-742-4391 ext. 225.

18-year-old singer-songwriter Georgia Rose finds success in first year of ‘dream job’ on stage

Peterborough singer-songwriter Georgia Rose performing at Jethro's Bar + Stage in downtown Peterborough in October 2024. Having won third place in the 2024 Peterborough's Got Talent and first place in the Kawartha Lakes Alliance of Singer-Songwriters Youth Song Contest, the 18-year-old self-taught artist is having a successful first year in her professional music career. She will be performing both covers and original songs at the Women's Business Network of Peterborough's annual holiday gala fundraiser at the Holiday Inn on December 4, 2024. (Photo: Andy Carroll)

If you didn’t manage to score a ticket to Taylor Swift’s The Eras Tour in Toronto, you can use the money you saved to support the Women’s Business Network of Peterborough’s annual holiday fundraising gala at the Holiday Inn on Wednesday, December 4th and catch Peterborough’s up-and-coming Georgia Rose.

A Swiftie herself, the 18-year-old singer-songwriter has been quickly making a name for herself in the region as she has won local awards for her music, is currently working on her first video and her first single, and is regularly performing at gigs across the region.

Given this success, you might be surprised to know that songwriting and playing guitar are both relatively newfound talents and passions for Georgia. Despite being musically inclined her whole life — she participated in Kindermusik and learned to play the ukulele, recorder, clarinet, and tenor saxophone throughout elementary and high school — upon first getting a guitar for her 10th birthday, she didn’t immediately gravitate towards the instrument and stopped playing after just one lesson.

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“I think I just didn’t have the patience at the time and I was doing the typical beginner, simpler songs, but I just didn’t want to start there,” Georgia says, noting she was already gravitating towards pop music from a young age. “I wanted to learn the stuff that I was listening to.”

When she picked up her guitar again in 2022, it was out of the desire to write songs. However, she never got back into taking lessons again and is entirely self-taught, mainly through YouTube tutorials. Similarly, she has never taken a vocal lesson.

“It took a little bit to learn how to switch from different chords, but I already had a background in rhythm and melody,” she recalls. “When I learned to play songs, I had to sing along with them to get the melody. I know some people struggle with playing and singing at the same time but, for me, I learned by doing both at the same time.”

Georgia Rose is an 18-year-old singer-songwriter who only began playing guitar and writing original songs in 2022. Inspired by Taylor Swift's songwriting and humble beginnings, she performs covers along with original music. (Photo: Artemis Chartier)
Georgia Rose is an 18-year-old singer-songwriter who only began playing guitar and writing original songs in 2022. Inspired by Taylor Swift’s songwriting and humble beginnings, she performs covers along with original music. (Photo: Artemis Chartier)

Georgia has always loved writing in general and is currently studying English at Trent University. Her passion for songwriting, however, is largely inspired by her favourite musician, Taylor Swift, as she admires how she is able to “perfectly put things into words.”

“Sometimes I’ll write a song that’s not based on my life and it’s just an activity, a hobby, or something creative for my mind to do,” Georgia says, adding she has written more than 40 partial or complete songs.

“Then there’s also the therapeutic side where, in order for me to get over something, I just need to write and I need to make something out of it. Once you have something to look back on, you can put that experience behind you.”

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Georgia is also inspired by Taylor Swift’s “humble beginnings,” which mirror her own recent experience playing in pubs and bars. Though she says she’s “always been a pretty shy person,” Georgia chose to “shake it off” and, at the end of 2023, got on stage in front of an audience for the first time at the Black Horse Pub in downtown Peterborough.

“I was definitely very nervous but the music community I found is very supporting,” she says. “Once I got off stage, there were other musicians coming up and saying, ‘That was really great’ and ‘You should definitely come back’. I think that encouragement and support is what drove me. Even today, it’s really nice to have a community of people who want you to succeed.”

Georgia saw the same community support earlier this year when she placed third in the Peterborough’s Got Talent competition in April, which she labels as “probably the best experience of this year.”

“I actually met my boyfriend there, so that was a really great night,” she says. “I honestly did not expect to even place in the top three because there’s just so much talent there, so there was a shock that was really cool.”

Georgia Rose placed first in the Kawartha Lakes Alliance of Singer-Songwriters Youth Song Contest for her original song "Where Did We Go?" and is currently shooting a music video for the song. Along with the contest's second and third place winners, she will be opening for Boreal at the Pie-Eyed Monk in Lindsay on November 21, 2024. (Photo courtesy of Georgia Rose)
Georgia Rose placed first in the Kawartha Lakes Alliance of Singer-Songwriters Youth Song Contest for her original song “Where Did We Go?” and is currently shooting a music video for the song. Along with the contest’s second and third place winners, she will be opening for Boreal at the Pie-Eyed Monk in Lindsay on November 21, 2024. (Photo courtesy of Georgia Rose)

Then in September, Georgia came in first place in the Kawartha Lakes Alliance of Singer-Songwriters Youth Song Contest for her original song “Where Did We Go?”.

“It got a bunch of the participants in the contest together to just share each other’s music and talk about songwriting,” says Georgia. “That was the even bigger prize: to connect with young songwriters who have the same ideas and passions that I do. And I think it’s a great community and a great way to connect.”

For her prize, Georgia is currently recording a music video for her song, which will be largely filmed outdoors and will be coming out next year.

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The release of the music video is one of many exciting things to look forward to next year from Georgia, who will also be releasing her first single “Summer Weather” early in 2025.

In the meantime, she is available for gigs either as herself or by embracing her idol at Taylor Swift-themed events, as recently done for birthday parties and for the Fresh Radio Soirée held in October. For Georgia, that day, as T-Swift would say, was a fairytale.

“It’s honestly a great experience to watch all these little kids look up to you and come up and dance with you,” she says. “It’s really great to do my favourite thing. I normally just sing Taylor Swift songs in the car or while cleaning my room and the fact I get to do that while people are watching and enjoying it — it’s a dream job.”

Georgia Rose during a photoshoot in March 2024 with John Lewis. In October, she performed on YourTV's "Making Music" program hosted by Lewis. (Photo courtesy of Georgia Rose)
Georgia Rose during a photoshoot in March 2024 with John Lewis. In October, she performed on YourTV’s “Making Music” program hosted by Lewis. (Photo courtesy of Georgia Rose)

In addition to her performance at the WBN holiday gala on December 4, Georgia will also be performing at the Pie-Eyed Monk in Lindsay on November 21 with her fellow Youth Song Contest winners (second-place winners Gavin Clause and Kaleb Cramm and third-place winners Caden and Cavan Mabe) to open for Boreal.

She also has a three-hour gig at The Black Horse on November 30 and a stint at the Merry Millbrook Christmas on December 7.

All the while, she keeps a busy schedule as she is always penning new music while studying full time and, of course, remains hopeful she’ll be dancing the night away with Taylor Swift at an Eras Tour show in Toronto.

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“I have saved up and, even if I have to buy a scalper ticket, I’ll do anything to be there,” Georgia says. “Even if it’s in the nose bleeds, that would just be a dream.”

If the pattern of her first year on stage is anything to go by, it might not be long until we’ll all be fighting for tickets to see Georgia Rose on her very own world tour.

For more information on Georgia Rose, visit her website at georgiarosemusic.ca.

Upcoming holiday market for people and pets supports Northumberland County-based dog rescue

K9Crusaders, a Northumberland County not-for-profit dog rescue, is presenting its annual holiday market on November 16, 2024 at the Columbus Community Centre in Cobourg. The event not only raises funds for the volunteer-run organization to support the care of rescued dogs while they wait to find their forever homes, but also connects foster dogs with their forever families. (Photo: K9Crusaders / Facebook)

From raising money to support dog rescue efforts to finding new foster families for pups, K9Crusaders is wagging its tail in anticipation of its upcoming holiday market in Cobourg.

The Northumberland County-based dog rescue presents its annual Christmas affair from 11 a.m. to 4 p.m. on Saturday (November 16) at the Columbus Community Centre, which is located at 232 Spencer St. E. in Cobourg. The event features a variety of vendors showcasing services and treats for people and pets alike.

Helen Firing of K9Crusaders tells kawarthaNOW the rescue requires foster homes and funds, and hopes the event provides opportunities to meet both needs.

“Besides funds, the other top need of any rescue is foster families,” Firing said. “All our rescued dogs need a home base to decompress and heal while we complete their vet workups.”

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Many of its canines need neutering and dental work. The rescue pays for all the medical treatments and food. Fostering duration can range from a few weeks to a few months, depending on the dog, Firing noted.

“We ask foster families to be willing to get their fosters to and from their vet appointments at our partner vet in Port Hope and to bring them out to events like our holiday market to meet prospective adopters,” she said. “It’s a very rewarding experience. It’s not uncommon for what we call a foster fail to occur, which is when the foster family fall hard for their little visitor and opt to adopt themselves. It’s a win-win either way.”

The “Warm Wishes and Wet Kisses Holiday Market” celebrates the holiday season and support the rescue at the same time. Leashed dogs are welcome to at the event.

There will be home-baked goods for humans and a festive biscuit wreath for canines. Visitors can shop the “holiday dog” Christmas table and prize table. Many local vendors will be on hand, including K9 Pantry with dog treats and pottery by Mack’s Mugs.

Other vendors include Jig-Sea Beach Glass, with its artwork created using beachcombed finds, and Little Glass Frog, which produces original stained-glass pieces. Patrons can also shop the Pooch’s Cupboard, Newfygirl Creations, Flaming Serpent, Noble Nibbles, and more.

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K9Crusaders welcomes back pet photographer, Dorothy Puddester of Hooves and Paws Photography, who is donating her time and talent to capture canine visitors against a holiday backdrop.

Meanwhile, Katrina Evans, owner of Kat’s in the Doghouse Pet Grooming in Port Hope, is offering $10 nail trims for pups and will donate all of the money collected to the rescue.

K9Crusaders will be present to share more information about fostering, adoption, and volunteering for the rescue. Several adoptable pups will be making appearances throughout the day.

“Because we are a 100 per cent volunteer-run organization, we rely heavily on events such as our holiday market to raise funds to support the care of our rescued dogs while they wait to find their forever homes,” K9Crusaders noted in a media release.

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“Like pretty much everywhere, the COVID-19 pandemic affected rescue work a lot,” Firing said. “Pet lovers stuck at home decided to add a four-legged friend, but once the world opened back up, they went back to work, leaving a dog alone at home when it was used to being around its people all the time.”

“This, and the fact that many pandemic puppies were under-socialized because of the lockdown, led to behaviour problems, which in turn led to many people looking to surrender their ‘bad’ dogs. Shelters and then rescues were overrun and it’s a problem we are still dealing with,” she explained.

Firing said the best outcome of the event would be finding new homes for its pups.

“Our holiday market has in the past made many a love connection between our foster dogs and their forever families and that is always the best thing to come out of this.”

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Established in 2013, K9Crusaders is a not-for-profit all-breed dog rescue that helps rehabilitate and rehome canines, many transferred from high-kill shelters in Quebec.

Many of the rescued animals in care are seniors and those with high medical needs. Some of the dogs remain with the rescue as compassionate care fosters to live out their days surrounded by love and supported medically by the rescue.

K9Crusaders is always looking for volunteers and fosters, as well as donations of both funds and supplies. For more information, visit the website at www.k9c.ca.

Northumberland Orchestra Society issues appeal for community support as it faces imminent insolvency

The Northumberland Orchestra Society performing at Trinity United Church in Cobourg as the Northumberland Orchestra and Choir. The group's choir was forced to fold largely due to budget constraints and the community symphony orchestra, which now focuses on performing instrumental music, is facing imminent insolvency. (Photo: Northumberland Orchestra Society)

After 46 years, Northumberland County’s first and foremost community symphony orchestra is facing imminent insolvency and is appealing to the community for support.

The Cobourg-based Northumberland Orchestra Society was previously known as the Northumberland Orchestra and Choir, until the group’s choir was forced to fold in 2023 largely due to budget constraints.

According to a media release, those same constraints have seen the not-for-profit organization pare down its operating budget over the past few years, to the point where it now only includes costs for rentals of rehearsal and concert space, flyer printing, and three paid positions for professional musicians.

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“We’ve been chipping away at our expenses each year, and have sadly had to say goodbye to many of our professional principal musicians who provided leadership, guidance, and coaching to our community players,” states Northumberland Orchestra Society’s board president Marie Narini. “But there is only so much we can cut before we bleed out.”

The group attributes the decline in revenues to the long-term impact of the pandemic, as the orchestra has never recovered its pre-pandemic membership or audience base.

“Ironically, the pandemic hurt our membership and audience numbers, and yet there’s a growing need year to year for creative outlets and community connections as people are increasingly experiencing burnout in their lives,” says the group’s concertmaster, Peterborough-based violinist Victoria Yeh. “We’re hoping that the broader community will recognize the important role we play and will reach out to support us at this pivotal time.”

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Originally founded in 1978 under the guiding vision of Dr. Phillip Schaus when enthusiastic local musicians united to form a symphony orchestra, the Northumberland Orchestra was joined a year later by the local choral society as the newly constituted Northumberland Philharmonic Choir.

Performing for many years as the Northumberland Orchestra and Choir, its past concerts have included collaborations with the Sultans of String, Molly Johnson, Quartetto Gelato, Anastasia Rizikov, the Hispanic Society of Northumberland, the Kawartha Lakes Singers, and the Oriana Singers.

With the exception of the three paid positions for professional musicians, the Northumberland Orchestra Society consists of amateur volunteer musicians from all walks of life, including current and retired university professors, lawyers, school teachers, and entrepreneurs, who come together on Thursday evenings to learn new music and rehearse for public concerts.

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With the loss of the choir last year, the Northumberland Orchestra Society is currently focused on performing instrumental music under artistic director and conductor Patrick Headley, including its upcoming “Christmas Tour” concert at 3 p.m. on Sunday, December 15th at Trinity United Church in Cobourg.

Tickets for the concert are $35 for adults, $32 for seniors, $19 for students, and free for children 12 and under. Tickets are available at the Concert Hall at Victoria Hall box office by calling 855-372-2210 or online at tickets.cobourg.ca.

In addition to buying tickets for the December concert, those who wish to support the Northumberland Orchestra Society can join the group as a musician member, donate a silent auction item, buy a program ad, or make a tax-deductible donation by emailing Marie Narini at info@northumberlandmusic.ca.

Rally planned for Peterborough city hall Tuesday afternoon to protest proposed cuts to community organizations

A rally is taking place on November 12, 2024 at Peterborough city hall to protest a proposed 25 per cent reduction in funding to arts and social services organizations in the city's 2025 draft budget. The rally will take place at 4 p.m., prior to a public meeting at 6 p.m. where where city council's general committee will hear from members of the community about the draft 2025 budget. (Graphic: Community Race Relations Committee of Peterborough)

Community organizations are coming together to protest a proposed 25 per cent across-the-board cut to arts and social services organizations in the City of Peterborough’s 2025 draft budget.

An ad hoc coalition has organized a rally at 4 p.m. at city hall on Tuesday (November 12), which will take place prior to a public meeting at 6 p.m. where city council’s general committee will hear from members of the community about the draft 2025 budget.

Organized by Community Race Relations Committee of Peterborough, The Centre for Gender and Social Justice, OPIRG Peterborough, BLM Nogojiwanong, and community members, the rally will feature a lineup of speakers and will be followed by a community debrief session at Dreams of Beans.

The city’s draft 2025 budget is proposing a 25 per cent cut to the city’s community projects grants and community investment grants program, including existing service grants to Hutchison House and Kawartha Food Share, as well as a 25 per cent across-the-board cut of city funding for 15 organizations.

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The organizations whose budgets would be cut by 25 per cent are Artspace, Kawartha Sexual Assault Centre, Peterborough AIDS Resource Network, Community Care Peterborough, Peterborough Musicfest, Peterborough Folk Festival, Native Learning Program, Community Race Relations Committee, Council for Person with Disabilities, Showplace Performance Centre, Peterborough Lions Club, Peterborough GreenUP, New Canadians Centre, Market Hall Performing Arts Centre, and Peterborough Drug Strategy.

In addition, Sustainable Peterborough’s entire $39,738 budget would also be eliminated, as the organization — currently under the auspices of Peterborough & The Kawarthas Economic Development (PKED) — is dissolving at the end of this year along with PKED.

In total, 75 organizations would be affected by the proposed 25 per cent funding cut.

Not including the elimination of Sustainable Peterborough’s budget, the total savings to the city from all the reductions would be $298,153, which represents only .0007 per cent — less than one per cent of one per cent — of the city’s $411 million operating budget, yet would have a potentially devastating impact according to local organizations.

Artspace, New Stages Theatre, Peterborough Symphony Orchestra, Peterborough Musicfest, Electric City Culture Council, and Peterborough Folk Festival are among the organizations that have issued public statements so far expressing their dismay and concern about the proposed cuts.

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All of these organizations have pointed out that the economic benefit to the city from investment in the arts far exceeds the size of the investment, and also has an immeasurable benefit to the quality of life of city residents.

“For every dollar invested in the arts, $25 is generated in economic impact,” reads a statement from Peterborough Musicfest. “In 2024 alone, city arts funding produced an estimated $38 million in economic benefits. Beyond numbers, arts programming fosters mental health, community engagement, and inclusion. Free and accessible events are increasingly vital as living costs rise, providing our city with invaluable spaces for connection.”

A statement from New Stages Theatre notes that the city did not consult with any of the organizations that would be affected by the cuts.

“The blanket (25 per cent reduction) was made without any consultations or feasibility studies to assess the impact this would have on individual organizations,” reads the statement. “75 arts and service organizations have gone into survival mode. 75 boards of directors are scrambling to attend emergency meetings. 75 EDs and ADs are having to stand up and defend, once again, their contributions to the social and economic fabric of the city.”

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A statement from the Peterborough Symphony Orchestra notes that a 25 per cent cut to the budget of Showplace Performance Centre, the orchestra’s main performance venue, will also affect the orchestra’s financial viability.

“Our rental fees will almost certainly increase. We have already seen a nearly $2,000 increase in the rental fee and associated charges from last weekend’s concert (November 2) over years previous. This year alone, we project a $6,000 increase in production costs in the current funding scenario; and it will be more difficult if the city also reduces its support to Showplace.”

The Peterborough Folk Festival states that a 25 per cent reduction in municipal funding will lead to future reductions in provincial and federal support. As several other organizations have noted, granting agencies such as the Ontario Arts Council and the Ontario Trillium Foundation evaluate organizations on the basis of the municipal and community support they receive.

The folk festival also notes that, since it is run entirely by volunteers with no paid staff, any budget cuts will affect the festival’s ability to pay for non-discretionary costs such as stage and equipment rentals, mandatory insurance and policing, and food and accommodation for musicians — all of which have been increasing.

“For example, hotel rooms for visiting musicians cost $120 in 2023, $150 in 2024, and will be $180 in 2025,” the Peterborough Folk Festival states. “City police costs were $1,420 in 2023, $4,021 in 2024, and will be over $5,000 in 2025.”

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The festival adds that a 25 per cent reduction in the city’s funding will result in a corresponding reduction in festival programming.

“The festival will not have the funds to book the bigger-name artists that have attracted record audiences in recent years. As a result, festival attendance will decline — particularly the out-of-town music lovers who travel to Peterborough to enjoy the bigger-name performers, leading to a direct reduction in tourism. We may also be forced to make tough decisions like discontinuing the PFF Emerging Artist Award that began in 2001 and the shuttle busses that we sponsored for the last two festivals.”

Several arts and social service organizations have indicated that their representatives will be attending Tuesday evening’s general committee meeting to address council about the proposed cuts.

Earlier on Tuesday afternoon, prior to the 6 p.m. public meeting, general committee will hear presentations on the 2025 budgets for Peterborough Police Services, Peterborough County/City Paramedics Service, and the Downtown Business Improvement Area, and receive reports on the 2025 budgets for Peterborough Public Health, Fairhaven Long-Term Care Home, Otonabee Region Conservation Authority, and Peterborough Humane Society.

 

This story has been updated with additional details about the rally, including an earlier start time.

encoreNOW – November 11, 2024

encoreNOW for November 11, 2024 features (from left to right, top and bottom) Impros vs. Joes on November 15, "What's in Your Songbook" on November 17, "The Wizard of Oz" from November 22 to 24, Russell deCarle on November 23, "Rapunzel - A Merry (Hairy) Holiday Panto" from November 22 to December 22, and "Raven Mother" on November 26. (kawarthaNOW collage)

encoreNOW is a bi-weekly column by Paul Rellinger where he features upcoming music, theatre, film, and performing arts events and news from across the Kawarthas.

This week, Paul highlights the Impros vs. Joes improv comedy showcase at the Gordon Best Theatre, New Stages’ season-opening production of What’s In Your Songbook at Market Hall, the return of The Wizard of Oz to Lindsay’s Academy Theatre, former Prairie Oyster frontman Russell deCarle with his trio at the Gordon Best, the Capitol Theatre’s beloved festive season panto in Port Hope, and Raven Mother at Market Hall featuring the Dancers of Damelahamid.

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Improv comedy hilarity returns courtesy of the klusterfork gang

Linda Kash provides an unconventional restaurant perk for diner Janet Van Der Graaff, pre-dinner waxing, during klusterfork's "School's Out!" improv show at the Market Hall in July 2023. Kash and Van Der Graaff are two of the improv professionals who will perform in klusterfork's "Impros vs. Joes" improv comedy show at the Gordon Best Theatre in downtown Peterborough on November 15, 2024, along with klusterfork's "Keep Me Up" improv workshop students. (Photo: Andy Carroll)
Linda Kash provides an unconventional restaurant perk for diner Janet Van Der Graaff, pre-dinner waxing, during klusterfork’s “School’s Out!” improv show at the Market Hall in July 2023. Kash and Van Der Graaff are two of the improv professionals who will perform in klusterfork’s “Impros vs. Joes” improv comedy show at the Gordon Best Theatre in downtown Peterborough on November 15, 2024, along with klusterfork’s “Keep Me Up” improv workshop students. (Photo: Andy Carroll)

Even when she’s not trying to be funny, Linda Kash is, well, funny.

Each time we’ve chatted, I’ve come away with a smile on my face, her exuberance and zest for life as clear as her conviction that anyone, with guidance, can be funny in his or her own.

It’s that belief that prompted Kash, with her late husband Paul, to start the Peterborough Academy of Performing Arts in 2007 with the aim of teaching improv and acting skills to kids, teens and adults. Twelve years later, that same ambition anchored her co-founding, with Pat Maitland and Ian Burns, of klusterfork entertainment, which continues to host workshops for adults focused on various aspects of “the funny business.”

But klusterfork doesn’t stop there — from time to time, it brings the novices to a stage before an audience looking to be entertained. The result has been an evening of unscripted hilarity where anything can happen and invariably does.

On Friday (November 15) at the Gordon Best Theatre atop The Only Café on Hunter Street West, “Impros vs. Joes” will make with the funny. Uniting improv veterans Janet van de Graaf, Kerry Griffin, Kash and Maitland with a group of klusterfork workshop students, various scenarios will see offbeat, wacky, and plain entertaining insanity ensue.

At the Gordon Best a few years back, for a feature article I was writing, I immersed myself in the improv comedy experience. My fellow performers — all seasoned improv vets — were over-the-top encouraging and helpful, but it was truly one of the most nerve-wracking experiences of my life.

I like to think of myself as a funny guy but being spontaneously funny on cue, before people paying to be entertained, produced pressure I’ve rarely felt. I had a great time, and even got a few laughs, but I was way out of my league.

So it is that I have nothing but admiration for the improv newbies that will go toe-to-toe with the pros. Based on my experience, I know their audience will be rooting for them, and more notably, the improv pros will have their back. As Kash told me, improv comedy is a team sport in every sense of the term.

Tickets to the 8 p.m. show, with features musical accompaniment by Danny Bronson, cost $20 at www.klusterfork.com and at the door.

 

New Stages Theatre opens a new season that’s true to its mandate

Peterborough's New Stages Theatre is getting unscripted with some of musical theatre's brightest stars in "What's in Your Songbook" at Market Hall Performing Arts Centre on Sunday, November 17. Music director Ryan deSouza will host an intimate and interactive evening with performers Hailey Gillis and Mike Nadajewski to share songs, laughs, and behind-the-scenes stories about life on the stage in Canada. (kawarthaNOW collage)
Peterborough’s New Stages Theatre is getting unscripted with some of musical theatre’s brightest stars in “What’s in Your Songbook” at Market Hall Performing Arts Centre on Sunday, November 17. Music director Ryan deSouza will host an intimate and interactive evening with performers Hailey Gillis and Mike Nadajewski to share songs, laughs, and behind-the-scenes stories about life on the stage in Canada. (kawarthaNOW collage)

The prospect of cold temperatures and snow on the horizon aside, I love the fall season for two reasons.

One, as a sports fan, pro hockey, basketball and football is in full swing and, two, as my profession has allowed me to do for decades, I get to share word of the new fall-winter seasons being launched by local arts groups.

Speaking to the latter, New Stages Theatre is presenting nine all-Canadian productions into next June in a determined bid to fulfill its stated mandate: bring the best of professional theatre to the region.

With artistic director Mark Wallace at the helm, New Stages is presenting the second production of its 2024-25 on Sunday (November 17) at Market Hall with What’s In Your Songbook.

Billed as “a charming and interactive evening of songs, laughs, and behind-the-scenes stories about life on stage in Canada,” it’s hosted by music director Ryan deSouza, a frequent New Stages collaborator who’s no stranger to Shaw Festival audiences, and features Hailey Gillis and Mike Nadajewski.

Gillis won acclaim as the star of the Toronto smash hit Natasha Pierre and the Great Comet of 1812 while Nadajewski has headlined both the Shaw and Stratford festivals.

Tickets to the 7 p.m. performance cost $44 ($24 for students, arts workers, and the underwaged) and are available at tickets.markethall.org.

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Follow the yellow brick road for a classic at Lindsay’s Academy Theatre

The cast and crew of "The Wizard of Oz" rehearsing for the musical theatre production running from November 22 to 24, 2024 at the Flato Academy Theatre in Lindsay. (Photo: Flato Academy Theatre / Facebook)
The cast and crew of “The Wizard of Oz” rehearsing for the musical theatre production running from November 22 to 24, 2024 at the Flato Academy Theatre in Lindsay. (Photo: Flato Academy Theatre / Facebook)

There are timeless classics and then there’s The Wizard of Oz.

Way back in 1900, Frank Baum’s children’s novel The Wonderful Wizard of Oz was published — the first of 14 books in his Oz series published over the next 20 years. Numerous film and stage adaptations followed, the most popular, of course, being the 1939 film The Wizard of Oz with Judy Garland, Ray Bolger, Jack Haley, and Bert Lahr portraying the lead characters.

The adventures of Dorothy, The Scarecrow, The Cowardly Lion, and The Tin Man were re-envisioned in 1974 in the form of The Wiz — the stage musical winning Tony Award acclaim and the film version starring Diana Ross and, in his first role, a very young Michael Jackson. If it seems like The Wizard of Oz has been with us forever, that’s because it has.

Lindsay’s Academy Theatre brain trust is certainly well aware of the story’s enduring appeal, staging The Wizard of Oz from November 22 to 24. That’s a smart move. When the name of the game is putting bums in the seats, it’s never a bad idea to present something suitable for all ages.

Directed by Beth Wilson with choreography by Alana Collver, the story follows Dorothy and her new friends as they travel down the yellow brick road in a quest to find the Wizard of Oz while they battle the Wicked Witch of the West — and discover the power of believing in themselves along the way.

No, Dorothy isn’t in Kansas anymore but Lindsay is a pretty good substitute. Performances are November 22 to 24 at 7 p.m., with 2 p.m. matinees November 23 and 24. Visit www.flatoacademytheatre.com to order tickets.

 

Life post-Prairie Oyster is good for Market Hall-bound Russell deCarle

VIDEO: “Mean Streak” – Russell deCarle

Blessed, and relatively rare, are those who can reflect on five decades of performing music at a high level but still be excited for what tomorrow will bring.

As the co-founder of Prairie Oyster, Russell deCarle certainly has his share of fine musical memories. The country music band had two periods of activity — from 1974 to 1978 and then from 1982 to 2014 — but it was the second coming that brought considerable commercial success in the form of eight albums, six Juno Awards, and a hay wagon full of Canadian Country Music Awards.

As deCarle told me last week, that’s all swell and dandy but he’s living in the now, and that sees him continuing his late-in-life journey as a solo performer. That’s worked out pretty well for the Janetville-area resident. He’s recorded four albums since 2012, the latest being The End of the Road, and habitually sells out any venue in which he chooses to perform.

On Saturday, November 23rd, the venue of choice will be the Gordon Best Theatre on Hunter Street West, where’s he’ll be joined by his friend and opener Lotus Wight. The 7:30 pm show marks deCarle’s first performance in the city since February 2019 when he brought his music to Market Hall.

Joining deCarle will be guitarist Steve Briggs and bassist Russ Boswell, the former by his side for some 20 years now and the latter a studio recording fixture for him. As for the music, deCarle will serve up a generous helping of his solo material — “telling my own story” as he puts it. But who knows? Maybe a Prairie Oyster song will slip into the mix.

Tickets to the show cost $30 in advance or $35 at the door, with advance tickets available at thegordonbest.com.

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"Rapunzel: A Merry (Hairy) Panto" runs from November 22 to December 23, 2024 at the Capitol Theatre in Port Hope, with a "nice" version appropriate for families and a "naughty" version with more risqué content for adults only. (Graphic: Capitol Theatre)
“Rapunzel: A Merry (Hairy) Panto” runs from November 22 to December 23, 2024 at the Capitol Theatre in Port Hope, with a “nice” version appropriate for families and a “naughty” version with more risqué content for adults only. (Graphic: Capitol Theatre)

With ho-ho-ho and all the festive hub-bub on the horizon, I putting my foot down once again: Die Hard is not a Christmas movie. Yes, it’s set during the Christmas season but it’s as close to being a Christmas movie as Saving Private Ryan is to being a romance.

There. I said it. Feels good. Now onto something that is overflowing with seasonal goodness.

For quite awhile now, the Christmas panto presented by Port Hope’s Capitol Theatre has been a treasured must-attend tradition for people from across the region. Now that tradition is being paid its due again with the November 22 to December 23 staging of Rapunzel: A Merry (Hairy) Panto.

Written by Second City creative director Carly Heffernan and directed by Cherissa Richards, the world premiere offers a different take on the classic fairy tale. You know the story. Bored and lonely, Rapunzel turns to her long braid as her only means of castle escape. When a dim-witted prince discovers her plight, a string of events follow that will unravel the familiar story in a surprising way.

As is common with North American pantos, there are two versions of the production: a “nice” one appropriate for families and a “naughty” one with more risqué content for adults only.

Naughty performances are at 7:30 p.m. on November 22, 23, 27 and 28, and December 1, 11 to 14, 18 to 22, with the November 29 performance at 8 p.m. and a 2 p.m. matinee on December 10. You can bring the kids to the family version at 2 p.m. on November 23 and 24, and December 1, 7, 8, 14, 22 and 23. There’s also a 7:30 p.m. family performance on November 24 and a 3 p.m. staging on November 30.

Tickets are $48 adults, $40 for those aged 13 to 30, and $22 for children 12 and under. Visit capitoltheatre.com to order tickets.

 

Honouring late Elder Margaret Harris through dance at Market Hall

VIDEO: “Raven Mother” by The Dancers of Damelahamid

It seems like yesterday that Public Energy revealed its 2024-25 lineup and now here we are, on the cusp of the performing arts organization’s third show of the new season.

Set for Tuesday, November 26th at Market Hall in downtown Peterborough, Raven Mother by the Dancers of Damelahamid honours the work of late Elder Margaret Harris. A respected Cree Elder from northern Manitoba, she dedicated her life to revitalizing Indigenous dance on the northwest coast and co-founded the group Dancers of Damelahamid in 1967 with her husband Kenneth Harris, a former Gitxsan chief.

Performed by the Dancers of Damelahamid, Raven Mother is heralded “as a tangible remembrance of a woman’s spirit, marking the shift between generations that has sparked a new role for our daughters as the force to hold their grandmother’s vision.”

According to Public Energy, this is Dancers of Damelahamid’s most ambitious work to date — the culmination of generations of artistic and cultural work in which movement, song, regalia, sculpture and design are interwoven with the narrative.

With Raven Mother, Public Energy remains true to form, not only presenting an entertaining piece but giving its audience reflective pause for thought around societal issues and the affiliated challenges faced by those they effect.

Tickets for the 7:30 p.m. performance are pay-what-you-can-priced at $5 to $50, with a suggested price of $25. Visit tickets.markethall.org to order.

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Encore

  • OK, it’s a bit down the road but Peterborough Performs V: Musicians United To End Homelessness is a go for March 26, 2025, 7 to 11 p.m., at Showplace. Featuring 14 Peterborough music acts performing on two stages, the event remains an important fundraiser for United Way partner agencies that provide shelter and relief for the homeless. To date, close to $110,000 has been raised for just that. More details will follow as they pertain to who’s performing and the affiliated virtual auction. In the meantime, monitor the United Way’s social media pages for ticket information, with tickets set to go on sale soon — just in time for the perfect Christmas stocking stuffer for the live music lover in your midst.
  • It’s great to see that the Peterborough Arts Awards presentation is returning, set for February 13, 2025 as the highlight of the Mayor’s Luncheon for the Arts at the Canadian Canoe Museum. The awards were halted for five years due to the pandemic and its subsequent hangover. Nominations are open until December 16 for five categories: Outstanding Emerging Artist, Outstanding Mid-Career Artist, Outstanding Senior Artists, Outstanding Achievement by an Indigenous Artist, Arts Champion and Arts Catalyst. Presented by the Electric City Culture Council (EC3), each award comes with a cash prize. Nomination guidelines and forms are available at ecthree.org/peterborough-arts-awards-2024/.

Trent Valley Archives Theatre’s new play depicts the John Barry’s perilous six-week voyage from Ireland to Canada in 1825

Trent Valley Archives Theatre's second history play is a fictionalized account of the perilous six-week journey of the John Barry, the last of the nine Peter Robinson emigrant transport ships to leave Ireland for Canada in 1825. Written by Ed Schroeter and Gerry McBride based on the journals of the ship's surgeon, "Crossing Over" will be performed from May 29 to 31, 2025, at Market Hall Performing Arts Centre in downtown Peterborough. Tickets are available now for the production, which is a fundraiser for Trent Valley Archives. (AI-generated image via Freepik)

After its successful inaugural production Tide of Hope this past May, Trent Valley Archives Theatre is bringing more history to life in May 2025 with a sequel called Crossing Over.

Like its predecessor, the subject matter of Crossing Over is the 19th-century emigration of over 2,500 poor Catholic families from Ireland to what is now eastern Ontario, initiated and administered by 19th-century Upper Canada politician Peter Robinson.

The production is one of several events taking place in 2025 to commemorate the 200th anniversary of the arrival of the Irish settlers to Peterborough County and Kawartha Lakes in 1825.

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While Tide of Hope was set in Ireland and based on the life of David Nagle, an Irish land agent who was forced to flee to Upper Canada when Irish rebels branded him a traitor, Crossing Over is set on the John Barry, the last of the nine Peter Robinson emigrant transport ships to leave Ireland — and the ship Nagle and his wife were on.

Crossing Over was written by Tide of Hope playwright Ed Schroeter and Tide of Hope director Gerry McBride, with Peterborough historical researcher Don Willcock as the script consultant.

Although it is a fictionalized account of the John Barry’s perilous six-week journey across the Atlantic, the play draws upon a detailed journal of the voyage by ship surgeon William Burnie.

Similar to the ship depicted in this AI-generated image, the John Barry was a three-masted schooner that was used as a merchant ship, convict transport, and emigrant transport from 1819 to 1841. On May 25, 1825, the ship departed from the seaport town of Cobh on the south coast of County Cork, destined for Quebec, with 253 men, women, and children on board. (AI-generated image via Freepik)
Similar to the ship depicted in this AI-generated image, the John Barry was a three-masted schooner that was used as a merchant ship, convict transport, and emigrant transport from 1819 to 1841. On May 25, 1825, the ship departed from the seaport town of Cobh on the south coast of County Cork, destined for Quebec, with 253 men, women, and children on board. (AI-generated image via Freepik)

According to Burnie’s journal, the John Barry sailed out of the harbour of the seaport town of Cobh on the south coast of County Cork on May 25, 1825. Destined for Quebec, there were 253 men, women, and children on board.

Of the nine Robinson settler ships that crossed the Atlantic, the John Barry experienced the worst voyage. The passengers, already weakened by malnutrition and disease, lived in cramped and unhygienic conditions and had to adjust to shipboard rations that included food items which they were unfamiliar with — and in some cases even threw overboard in the belief they were being poisoned.

The ship regularly encountered bad weather, with male passengers forced to pump water out of the ship several times a day, and disaster struck when the ship ran aground 200 miles east of Quebec City, terrifying the passengers. During the voyage, 15 people died from illness and other causes and were buried at sea, and 15 babies were born.

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“This story of tremendous courage in the face of the unknown is narrated by John Keleher, an experienced seaman and Peter Robinson settler,” reads a description of the play, which features some of the immigrant families that were on the John Barry, including the Hagertys, Nagles, Owens, Regans, Ryans, Slatterys, Sullivans, and Youngs.

“Prepare yourself for the ride of your life — storms, seasickness, scarlet fever, family feuds, petty larceny, plots and counterplots, rotting potatoes, mutiny, and the lash,” the description promises.

The play will be staged for four performances from May 29 to 31, 2025 at Market Hall Performing Arts Centre in downtown Peterborough, with evening performances at 7:30 p.m. and a Saturday matinee performance at 2 p.m. Suitable for audiences 14 and older, Crossing Over runs for around 80 minutes with a 20-minute intermission.

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In response to audience feedback from Trent Valley Archives Theatre’s inaugural play, co-producers Mary and Greg Conchelos said the theatre company is changing the performance schedule for Crossing Over to move the matinee to Saturday and to stage an additional show on Saturday evening.

“We hope these changes will better accommodate our audience,” the Conchelos said.

Like Tide of Hope, Crossing Over is a fundraiser for Trent Valley Archives, an award-winning organization which works to the identification and care of documents relating to people, places, and events connected to the Trent Valley.

Tickets are $30 ($40 for cabaret table seating) and are available now in person at the Market Hall Performing Arts Centre box office from noon to 5 p.m. Monday to Friday, by calling 705-749-1146 or emailing boxoffice@markethall.org, or online at tickets.markethall.org/robinson25.

 

kawarthaNOW is proud to be a platinum media sponsor for Crossing Over.

Cobourg’s Cornerstone Family Violence Prevention Centre participating in annual ‘Wrapped in Courage’ campaign

First organized by the Ontario Association of Interval & Transition Houses in 2013, the annual Wrapped in Courage campaign encourages community members to wear a purple scarf to show their support for survivors of gender-based violence within their community and beyond. Each Fair Trade scarf is unique, handcrafted by marginalized artisans. In the Kawarthas region, the scarves are available for purchase from Cornerstone Family Violence Prevention Centre in Cobourg and YWCA Peterborough Haliburton in Peterborough. (Photo: Hamro Village)

Last year in Ontario, on average, every six days a woman or child lost their lives as a result of gender-based violence.

Cornerstone Family Violence Prevention Centre in Cobourg is sharing this statistic to raise awareness about the prevalence in society of femicide and gender-based violence.

The Northumberland County agency is again participating in “Wrapped in Courage,” an annual province-wide campaign first organized by the Ontario Association of Interval & Transition Houses in 2013.

November is “Woman Abuse Prevention Month” and Cornerstone is among the gender-based violence agencies across Ontario calling on community members to join the movement to shed light on the high rates of femicide and other forms of gender-based violence.

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Uuder the theme of “Threads of Action to End Gender-Based Violence,” the Wrapped in Courage campaign encourages community members to wear a purple scarf to show their support for survivors of gender-based violence within their community and beyond.

“The Wrapped in Courage campaign raises awareness about gender-based violence and shows support as a community to survivors of gender-based violence,” Cayne Fordham, Cornerstone’s manager of fundraising and communications, told kawarthaNOW.

“We hope to continue our work together to end gender-based violence in our community. Wearing a purple scarf is a way to show support to survivors and create awareness. We each hold the threads to weave us towards awareness and safety for survivors.”

VIDEO: The Wrapped in Courage Purple Scarf

November 25 is the “International Day for the Elimination of Violence Against Women” and the first day of the “16 Days of Activism Against Gender-Based Violence.”

The Wrapped in Courage purple scarves and flags represent symbols of the courage needed by communities in supporting survivors of violence and ending the epidemic of intimate partner violence, gender-based violence and femicide across Ontario, Cornerstone stated in a media release.

“They signal a commitment to ending violence in our community and let survivors know they are not alone.”

The agency is concerned about the high rates of femicide and other forms of gender-based violence across Ontario, noting there were more than 52 femicides reported by the Ontario Association of Interval & Transition Houses since November 2023.

“These femicides are preventable tragedies which devastate communities and families.”

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Cornerstone is one of the 21 gender-based violence agencies across Ontario, and two in the Kawarthas region, selling Wrapped in Courage purple scarves, which are Fair Trade and handcrafted by marginalized artisans.

Northumberland County residents can order a Wrapped in Courage scarf by emailing cfordham@cornerstonenorthumberland.ca. In the Peterborough area, the scarves are available from YWCA Peterborough Haliburton by calling 705-743-3526 or emailing info@ywcapeterborough.org.

For more information about the Wrapped in Courage campaign, visit wrappedincourage.ca.

No serious injuries after head-on crash on Highway 7 east of Peterborough

While both of their vehicles are a write-off, neither driver was seriously injured in this head-on collision on Highway 7 just east of Peterborough on November 8, 2024. (Police-supplied photo)

Despite significant damage to both of their vehicles, neither driver was seriously injured in a head-on crash on Highway 7 just east of Peterborough on Friday morning (November 8).

At around 10:45 a.m., Peterborough County Ontario Provincial Police (OPP), fire services, and emergency medical services responded to the scene of a head-on collision between two vehicles on Highway 7 between Keene Road and Drummond Line.

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After speaking with the drivers of both vehicles, police determined that a westbound sport utility vehicle (SUV) had crossed over the centre line into the eastbound lanes, where it collided with another SUV travelling eastbound.

Both drivers were transported to Peterborough Regional Health Centre for treatment of minor injuries.

As a result of the collision, Highway 7 was closed for around two hours while emergency crews investigated the collision and coordinated the clean-up of debris.

 

This story has been updated to correct the date of the collision.

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