Ashburnham Realty's concept plan for a proposed 17-storey mixed-use high-rise on Crescent Street behind the Art Gallery of Peterborough and near the shore of Little Lake. The development would include 210 market-rent units and ground floor commercial space. (Graphic: Unity Design Studio Inc.)
Peterborough city council has endorsed zoning by-law and official plan amendments to allow Ashburnham Realty to develop a 17-storey mixed-use high-rise on Crescent Street behind the Art Gallery of Peterborough and near the shore of Little Lake.
During council’s general committee meeting on Monday night (January 26), which also served as a public meeting under the Planning Act, councillors considered a staff report from Blair Nelson, the city’s commissioner of infrastructure, planning, and growth management, about the application for the 17-storey building with up to 225 dwelling units and ground floor commercial space.
The staff report recommended changes to the latest submitted concept plan that includes an increased building setback of three metres to the parking structure to accommodate landscaping, a reduced tower floor plate area of 1,000 square metres, and flexibility for a maximum building height of 20 storeys to facilitate the reduced tower floor plate area.
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Nine existing properties located along Crescent Street, Lake Street, and George Street would be included in Ashburnham Realty’s proposed development: 195, 199, 203, 215, and 223 Crescent Street, 131 and 137 Lake Street, and 362 George Street South.
Most of the properties are single detached dwellings, with two properties at the intersection of Lake and Crescent Streets containing apartments. They include 111 metres of frontage on Crescent Street, 55 metres of frontage on Lake Street, and 8.5 metres of frontage on George Street South, with a total lot area of around 6,600 square metres (1.6 acres).
A public house on the proposed development was hosted by EcoVue Consulting Services Inc. last September 23 at the Art Gallery of Peterborough. That version of the development included a portion of the second and third floor that could potentially be used as a new location for gallery, although city council subsequently decided not to pursue that option. Around 100 people attended the open house.
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At Monday night’s public meeting, city planner Ian Walker provided council with a presentation on the proposed development, including details of the application, the results of the open house, and staff recommendations for the development, including the potential for the building to be as high as 20 storeys to accommodate changes recommended by staff.
Mayor Jeff Leal asked Walker if he was aware that Ashburnham Realty owner Paul Bennett had sent correspondence to members of council “that he’d like to stick with the 17 floors for this project,” and Walker responded that he was.
Walker’s presentation was followed by three public delegations, including two residents from the neighbourhood who spoke against the development, as well as Kent Randall of EcoVue Consulting Services on behalf of Ashburnham Realty.
Randall told council that Ashburnham Realty does not want to increase the height of the building beyond 17 storeys. Instead, the number of units will be reduced from 225 to 210 to accommodate increased step-backs at the fourth and sixth storeys, along with a reduction in the tower floor plate for floors nine to 17, and a modified ground floor commercial area.
He noted that the proposed development would be market rental units, not condominiums as in an earlier iteration of the proposed development, but would not include any affordable housing.
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Although it is not part of the application, Randall said that Ashburnham Realty’s design could incorporate a “possible linear park” in front of the development, which would require the permanent closure of Crescent Street to traffic north of Romaine Street. He added that city staff are working on “potential redesigns for that strip” and a linear park with the closure of Crescent Street “would be perfect as far as we’re concerned.”
He said that while Ashburnham Realty can work with some of the staff-recommended changes, including increased step-backs at the fourth-floor podium and increased minimum commercial space on the ground floor along Crescent Street, the applicant is requesting to keep the maximum building height at 17 storeys, to increase the maximum tower floor plate area from the staff recommendation of 1,000 square metres to 1,115 square metres, and to reduce the west side lot setback to 1.5 metres from the staff-recommended three metres.
“Since we provided that to the public, the 17 storeys, (and) we’ve gone through all these different design iterations to come to that point, we’d like to press forward with that,” Randall said.
A number of councillors asked questions of Randall, including councillor Matt Crowley, who asked what the “shovels in the ground” date would be if the application is approved. Randall said the applicant “is hoping fall of this year.”
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After Randall’s delegation, council had a brief debate on the application.
Mayor Jeff Leal said he wanted “to commend Mr. Bennett” for staying to the commitment of 17 storeys, referring to the proposed East City development beside Mark Street United Church when the building increased from 10 to 17 storeys.
The mayor added that the application meets a number of city policies and objectives, that the rental apartments would draw younger people to the community, and that the development would increase the assessed value of the property and therefore increase the city’s tax revenue.
In response to comments from one of the neighbourhood residents who presented to council, that a waterfront high-rise would have a negative impact on tourism, councillor Gary Baldwin asked city staff to provide an opinion. Both Blair Nelson, the city’s commissioner of infrastructure, planning and growth management, and Darryl Julott, the city’s economic development director, said they did not foresee a direct impact on tourism.
After some additional discussion, council voted on an amended motion that included Ashburnham Realty’s requests for changes to the staff recommendations.
The motion carried 9-0, which was a unanimous vote as councillors Alex Bierk and Kevin Duguay did not participate in the discussion or vote. Earlier in the meeting, Bierk said he had a financial relationship with Ashburnham Realty and Duguay said he was the original planning consultant for the project prior to his election to council.
Items endorsed by general committee will proceed to the regular city council meeting on Monday (February 2) to be considered for approval.
The Women's Business Network of Peterborough presented a cheque for $4,410 to the YWCA Peterborough Haliburton on January 22, 2026 in support of the non-profit organization's programs and safe spaces for women and children escaping the effects of gender-based violence. (Photo courtesy of YWCA Peterborough Haliburton)
The Women’s Business Network of Peterborough (WBN) has donated $4,410 to YWCA Peterborough Haliburton in support of the non-profit organization’s programs and safe spaces for women and children escaping the effects of gender-based violence.
The funds were raised in December at WBN’s annual holiday gala, which included a turkey dinner, a circus arts performance, a raffle with items donated by local businesses, and a “Magical Mini Festival of Trees” raffle.
For more than 31 years, WBN has supported YWCA Peterborough Haliburton, including through its annual holiday gala.
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“We are so grateful for the amazing ongoing support from the entire membership included in the WBN,” said Tina Thornton, YWCA Peterborough Haliburton’s philanthropy director, in a media release. “We look forward to this signature community event each year as an opportunity to connect with the incredibly generous members of our business community. This annual support allows YWCA Peterborough Haliburton to provide life-saving supports for 100 per cent of the women who include YWCA on their journey to recovery.”
The proceeds donated by WBN will support YWCA Peterborough Haliburton’s “HER Journey of Care,” a care model that offers clients an organic and individualized journey towards healing from the effects of gender-based violence, through services such as the emergency shelter at Crossroads in Peterborough, the START program, Transitional Housing and Outreach programming, Family Court support, supportive counselling, and more. For more information, visit ywcapeterborough.org.
WBN is a networking organization for women in the Peterborough area who want to enhance and expand their business contacts and grow their businesses, including through monthly member meetings from September to June. For more information, visit wbnptbo.ca.
Councillor Alex Bierk speaks against the proposed ban on councillors taking their phones into council chambers during a discussion of the proposed new procedure by-law at council's general committee meeting on January 26, 2026. (kawarthaNOW screenshot of City of Peterborough video)
Peterborough city council has voted to endorse a new procedure by-law that, in part, bans councillors from taking their phones into council chambers.
A requirement of the Municipal Act, a procedure by-law governs the rules for calling, holding, and regulating municipal council and committee meetings. In Peterborough, it’s been the practice of council to consider amendments to the procedure by-law at least once during a council’s four-year term.
Meeting as general committee on Monday night (January 26), councillors considered a report from the city’s legislative services commissioner David Potts and city clerk John Kennedy that detailed proposed changes to the procedure by-law and included a draft version of the amended by-law.
The amendments were developed by a working group that included Mayor Jeff Leal, councillor Andrew Beamer as chair of general committee, and councillor Lesley Parnell as chair of planning committee, along with city staff including city CAO Jasbir Raina, Potts, Kennedy, and deputy city clerk Natalie Garnett.
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According to the report from Potts and Kennedy, the working group met “on several occasions to discuss procedural considerations,” consulted the Ombudsman’s Office, and reviewed the practices of other municipalities including Caledon, Cambridge, Chatham-Kent, Guelph, Pickering, Richmond Hill, St. Catharines, Whitby, and Windsor.
The report states the amendments to the existing by-law strengthen the authority of a meeting chair in “maintaining order, decorum, and the effective conduct of meetings,” including new restrictions on councillors raising points of order.
Under the current procedure by-law, councillors can raise a point of order at any time for reasons including a breach of rules, improper language, out-of-scope discussion, and irregular proceedings. If the chair rules against a point of order, a councillor can challenge the chair’s decision and council will vote on the challenge.
Under the proposed procedure by-law, no councillor (other than the chair) can interrupt another councillor who is speaking, including by raising a point of order. Instead, a councillor must signal they wish to raise a point of order, and the chair will then decide whether or not to let the point of order proceed after the original speaker has finished speaking. The chair’s decision is final and cannot be challenged.
In addition, the proposed procedure by-law softens the wording on whether the chair is required to refer to Robert’s Rules of Order for guidance on any procedural issues that are not covered by the by-law. The current by-law says the chair “shall” refer to Robert’s Rules of Order, whereas the new by-law says the chair “may.”
The proposed amendments also place new restrictions for how long councillors can speak on a motion. The current by-law allows councillors to speak twice on the same motion for a maximum of five minutes each during general committee meetings and council meetings. The proposed by-law changes that to three minutes for council meetings.
“These revisions are intended to promote focused discussion, ensure equitable participation, and support the timely advancement of meeting business,” the report from Potts and Kennedy states.
As for public delegations, a maximum of 10 delegations will be allowed per council agenda under the proposed by-law. Under the current by-law, a maximum of 10 delegations are allowed per topic or report on the agenda. Neither by-law restricts the number of delegations during a public meeting under provincial legislation.
Under the proposed by-law, each councillor can only ask one question when a delegate finishes speaking, and the delegate’s answer to the councillor cannot exceed 90 seconds. Neither restriction exists under the existing procedure by-law.
“This approach maintains opportunities for meaningful public input while balancing the need for orderly and effective meeting proceedings,” the report states.
Another change in the proposed procedure by-law is that a motion to reconsider a council decision (requiring a two-thirds vote to be approved) cannot be introduced at the same meeting where the decision was made. Under the current by-law, a motion to reconsider can be made during the same meeting.
Other changes in the proposed by-law include a new land acknowledgement, additional criteria for introducing items under “Other Business,” and a new rule that councillors cannot change their vote after it has been cast — even if the councillor voted in error.
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However, the most contentious proposed change to the current procedure by-law states that councillors must “not be in possession of any electronic device that could facilitate a communication” other than if they are participating in a meeting virtually. Although the by-law does not define an “electronic device,” the report from Potts and Kennedy describes “personal or (city) issued devices.”
“Members must communicate only through, and at the discretion of, the chair,” the report states. “These restrictions reflect the principle that the public must be able to observe all decision-making activity during open meetings.”
At Monday night’s general committee meeting, several councillors expressed concerns about the proposed procedure by-law.
Councillor Alex Bierk, who requested that each change in the proposed by-law be separated out for a separate vote, said the proposed by-law contains “fundamental changes to how we function as elected officials.”
“I’m pleading with you to defer the vote on this procedural by-law as written and leave the work to the next term of council,” he said. “These are not just simply housekeeping edits. This by-law introduces a ban on personal electronic devices, drastically reduces how often and how long councillors can speak, and expands the authority of the chair.”
He called the ban on cellphones “vindictive and imperialistic.”
“It creates a problem where no problem has been demonstrated. We have had no findings from the Ombudsman, no pattern of public complaints, and no evidence that council is conducting business electronically at the horseshoe (the table in council chambers). For me, as someone who has received threats in this room and as a parent of young children who are at home right now, having my phone on my person is a basic matter of safety and family responsibility.”
Calling the proposed ban “an overreach” and “not a proportionate response to any proven issue,” Bierk said that other municipalities regulate electronic devices as a way of “stopping side conversations or improper debate, not banning councillors from possessing their phones all together.”
“What is being proposed here is far more extreme than what is typically happening anywhere else and again is being done without any evidence of any real problem to solve,” he added.
With a municipal election set for October, Bierk also suggested that it was inappropriate for council to make the changes so close to the end of their term.
“We should not be adopting one of the most restrictive procedural rules in the province in the final months of this term and imposing it on the next council without their consent,” he said.
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In her comments, councillor Joy Lachica said she wanted to hear the motivation “to isolate councillors” by banning phones while city staff and the public in chambers would be able to retain their phones, especially in situations where councillors may need to be contacted by their family in case of an emergency.
Calling the proposed ban “draconian,” Lachica said it would contravene the Ontario Human Rights Code in terms of family status and asked for the rationale for the ban.
In response to Lachica’s comment, the city’s director of legal services Alan Barber said possessing a phone is not a “protected ground” under the Ontario Human Rights Code, and pointed out there will be a “workaround” to contact councillors in case of an emergency.
Councillor Keith Riel put forward a motion to defer approval of the proposed by-law and to have staff return with a report describing the reason for each change, adding that no councillors were consulted other those who were part of the working group.
Commenting on Riel’s motion, councillor Bierk noted that city staff did not provide councillor Lachica with a rationale for the phone ban and said “We’re creating a solution to a problem that doesn’t exist,” adding that he had never received any comments from anyone about the inappropriate use of phones during council meetings.
“We are not children — I’m 44 years old,” he said, pointing out that councillors already have access to their emails, text messages, and Microsoft Teams to consult with city staff on the computers that are available to each councillor in chambers.
He suggested it would be more reasonable to instruct councillors not to conduct council business on personal electronic devices, rather than banning them outright.
“Good luck policing that,” Bierk said. “You are going to have to strip-search me, and I welcome it.”
Councillor Matt Crowley said he recognized the issues behind the proposed phone ban but supported the deferral, noting that he preferred to read documents on his iPad rather than on paper. Councillors Kevin Duguay and Lesley Parnell said they would not support the deferral.
Bierk asked city clerk John Kennedy what the working group found with respect to how other municipalities deal with councillor phones. Kennedy said that, in St. Catharines, devices must be placed on silent mode during closed session meetings. He did not provide any information about municipalities that ban the use of phones.
Council then voted on Riel’s motion to defer the proposed procedure by-law, which lost 5-6. Councillors Lachica, Bierk, Crowley, Riel, and Gary Baldwin voted in favour, with Mayor Leal and councillors Don Vassiliadis, Dave Haacke, Beamer, Parnell, and Duguay voting against.
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With debate resuming on the main motion, Mayor Leal referred to his time as a Cabinet minister in the provincial government and noted that all personal and work devices are banned during Cabinet meetings.
Councillor Duguay said he had received questions from members of the public as to why councillors are on their phones during council meetings, saying “This has been brought up more than once.” He added the issue has been raised at Association of Municipalities of Ontario (AMO) meetings “more and more often.”
“We may be one of the first communities to introduce (a motion banning phones in chambers), but we will not be the only community to introduce the motion,” Duguay said.
Councillor Haacke put forward a motion to change the number of questions that councillors can ask a delegate from one to two, which was carried by a unanimous vote of 11-0 and added to the main motion.
Councillor Crowley asked Barber whether there is a reason the use of personal electronic devices should not be allowed during council meetings. Barber replied that there a number of reasons, including that city staff do have access to personal devices to respond to Freedom of Information (FOI) requests from the public, but said the most important issue was one of public perception.
“The electors should have the confidence to know that is it those elected officials making the decision in real time, and that the decision that the elected official is making is not being influenced by somebody from the outside,” Barber said. “Whether that happens or not, I do not know, but the perception is as important as the reality for people who vote.”
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Mayor Leal proposed a motion to amend the section on calling the vote (a.k.a. putting the question) to allow councillors to speak once on a motion after a vote has been called. As council had already voted in December against a motion from councillor Bierk that included that change, a two-thirds vote would be required to reconsider the decision. The mayor’s motion to reconsider the decision lost 5-6, with councillors Vassiliadis, Beamer, Parnell, Duguay, and Baldwin voting against it.
Councillor Bierk then put forward a motion to propose changing the wording of the by-law with respect to banning phones from “not be in possession of any electronic device” to “not to use any electronic device” during council meetings.
Councillor Parnell spoke against the motion, stating that not being in possession of electronic devices “protects us,” claiming that important information has been leaked in closed session “whether willingly or accidentally,” although she did not provide details.
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“There can be no risk of anybody questioning any of us if we don’t have our devices,” she said, noting that the public observing council won’t know why councillors are using their phones if they are allowed in chambers.
Bierk’s motion lost 4-7, with councillors Lachica, Bierk, Crowley, and Riel voting in favour.
Addressing an earlier concern raised by councillor Lachica, Mayor Leal put forward a motion to add a new land acknowledgement into the proposed procedure by-law. The mayor noted that a video under development will be included with the new land acknowledgement, and agreed with Lachica’s request that the land acknowledgement be included at every council meeting. Leal’s motion was carried unanimously with an 11-0 vote.
Council then voted on the individual items in the proposed by-law. The item on banning electronic devices was carried 7-4, with councillors Lachica, Bierk, Crowley, and Riel voting against. Other items were carried by different votes. The most common vote was 8-3, with councillors Lachica, Bierk, and Riel voting against.
Items endorsed by general committee will proceed to the regular city council meeting on Monday (February 2) to be considered for approval.
The original version of this story has been updated to include information about a proposed restriction on the number of delegations per meeting.
Cobourg deputy police chief Jeff Haskins pictured during a media conference in 2022. (kawarthaNOW screenshot of Cobourg Police Services video)
Just over a month after Cobourg police chief Paul VandeGraaf announced his retirement this June, deputy chief Jeff Haskins has announced he will also be retiring this year.
According to a media release issued on Monday (January 26), Cobourg Police Service Board chair Adam Bureau has accepted the deputy chief’s intention to retire in August.
Like VandeGraaf, Haskins has had a 35-year career in policing, including the past four years in Cobourg. He was sworn in as deputy chief of the Cobourg Police Service in November 2021 after serving with the Durham Regional Police Service.
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“On behalf of the Cobourg Police Service Board, I want to thank Deputy Chief Haskins for his dedicated service and leadership,” Bureau said in the release. “We are grateful for his many contributions to the Cobourg Police Service, its members, and the broader community. After a distinguished 35-year career in policing, we wish him every success and happiness in his well-deserved retirement.”
During his time with Cobourg police, Haskins led several initiatives including the body-worn camera program, the Downtown Action Plan, and the high visibility cruiser pilot.
Along with a strong focus on member wellness and operational effectiveness, he was also a champion for modernization efforts including facility improvements and technology-driven enhancements.
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“It has been a privilege to serve this organization and community during what has been one of the most professionally rewarding chapters of my career,” Haskins said. “I am deeply grateful to the Cobourg Police Service Board for their trust and confidence, and to Chief Paul VandeGraaf for his leadership, guidance, and support.”
“Most importantly, I thank the sworn officers and civilian professionals of the Cobourg Police Service whose professionalism, resilience, and unwavering commitment to public safety continue to inspire me. As I approach this transition, I remain fully committed to supporting continuity and stability within the service through the remainder of my tenure.”
The Cobourg Police Service Board has already initiated a nationwide search for the next Cobourg police chief, and will now be searching for a new deputy chief as well.
Through its new "Rethink Therapy" awareness campaign, Five Counties Children's Centre is encouraging families to see that therapy happens everywhere, not just at Five Counties Children’s Centre with a clinician or staff member. Small everyday actions help children build connection, confidence, and their abilities for life. (Photo courtesy of Five Counties Children’s Centre)
Some families who come to Five Counties Children’s Centre may think their child’s therapy only happens in a treatment room or with one of our clinicians. The fact is, this kind of thinking sells families short and leads to missed opportunities.
Every month, Five Counties Children’s Centre provides a story about the work of the charitable organization. This month’s story is by Ashley Parsons, Occupational Therapist, Five Counties Children’s Centre.
Parents and caregivers know their child and their daily lives best. They are their child’s greatest strength, resource, advocate. and ally.
This is very true for children and youth with physical, developmental, or communication needs who come to Five Counties for treatment.
Parents, guardians, grandparents (and even older siblings) are key members of the treatment team. Each plays an invaluable role in a child’s success.
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This simple but powerful message — therapy happens everywhere — is at the root of the new Rethink Therapy campaign that Five Counties is promoting to its families.
Rethink Therapy seeks to inform families that therapy isn’t limited to within the walls of Five Counties or at scheduled appointments. Therapy can happen any time of day, as part of everyday tasks, family routines, and playful activities.
Using the Rethink Therapy approach, Five Counties staff support and coach families to better understand how everyday activities can become, or are already, like therapy for their child.
One of the promotional items that Five Counties Children’s Centre is using to reinforce the message to its parents/caregivers that therapy happens everywhere, including in everyday activities they do with their child. (Photo courtesy of Five Counties Children’s Centre)
Small actions with a child every day build connection, confidence and their abilities for life. And these interactions between a parent/caregiver and child can happen at home … at play … all day … every way.
Take mealtime. Pouring, scooping, taste testing or smelling, setting the dinner table, or requesting more of your favourite food — all can be considered ‘therapy.’ This everyday activity can provide parents and caregivers simple ways to support a child’s motor, communication, and sensory goals. Even getting a child to help write and follow a grocery list, or find items at the store, become an opportunity for skill-building.
Who knew toothbrushing could be like therapy? Each stroke helps build coordination, routine, and independence. It’s not just hygiene; it’s motor planning in action!
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The Rethink Therapy campaign is the vehicle that drives home this point. The promotion is fuelled by caregiver coaching tips that Five Counties has long shared with families. And at the core of Rethink Therapy are the “F-Words” for child development (Family, Friends, Fun, Fitness, Functioning, and Future).
The F-Words, rooted in research and championed by CanChild at McMaster University, use a strength-based approach that celebrates what a child can do. The F-Words keep families and clinicians focused on what matters most: each child’s everyday life, abilities, goals, and joy.
Each F-Word touches upon a different part of a child’s world. Whether it’s building fitness through play, boosting functioning during routines, or nurturing friendships in the community, these elements together help a child to build abilities for life.
Five Counties Children’s Centre occupational therapist Ashley Parsons with former Fleming College student and graphic designer Taylor Polley, the creative genius behind the “Rethink Therapy” awareness campaign who developed the tagline and other elements that Five Counties is using to encourage its families to think of treatment as happening in all places and spaces, not just within the walls of the centre. (Photo courtesy of Five Counties Children’s Centre)
Rethink Therapy is about partnerships, as is the actual campaign.
The concept behind Rethink Therapy — including its tagline, colours, look, vibrant visuals, and posters — was developed in partnership with Fleming College’s Graphic Design-Visual Communication program. As part of their course work, students take on a real-life learning opportunity by creating a comprehensive communications campaign for a community agency.
In 2025, Five Counties was selected as the ‘client’ agency and Fleming College students rose to the centre’s challenge to create a campaign that encouraged families to realize they could support their child’s therapy in all places and spaces.
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Many amazing ideas and concepts were presented by the talented students but, in the end, the creative genius of Fleming student (and graphic designer) Taylor Polley shone through. Her concept for Rethink Therapy was chosen as the winning campaign, and Five Counties is pleased to put it into action.
We hope families will rethink therapy, seeing themselves as essential partners in their child’s treatment journey — because they are the key.
As we tell parents and caregivers, you’ve got this … and Five Counties can help!
A snow-covered tent in a park in Peterborough, Ontario on December 19, 2022. (Photo: Bruce Head / kawarthaNOW)
With Environment Canada forecasting continued double-digit freezing temperatures throughout the week, the City of Peterborough has announced its temporary overnight emergency shelter will remain open until Saturday morning (January 31).
Update (Friday, January 30) – The City of Peterborough has announced the temporary emergency overnight shelter at 161 Carnegie Ave. will remain open overnight on Friday due to continuing cold temperatures.
Located in a former fire services building at 161 Carnegie Avenue and open from 8 p.m. to 8 a.m., the overflow shelter and warming space opened last Saturday, with 10 people using the space on Saturday night and 11 people on Sunday night.
Since then, around 25 people have stayed at the shelter each night.
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The temporary emergency shelter adds 40 new overnight emergency shelter beds to the city’s 127-bed emergency shelter system.
The regular shelter network includes Brock Mission Men’s Shelter at 217 Murray Street (705-748-4766 ext. 1), Cameron House (for women) at 738 Chemong Road (705-748-4766 ext. 2), YES Shelter for Youth and Families (for youth aged 16 to 24 and families) at 196 Brock Street (705-748-3851), and Trinity Community Centre at 360 Reid Street, which offers an overnight drop-in program from 8 p.m. to 8 a.m. and a daytime drop-in program from 9 a.m. to 7 p.m.
People who are seeking emergency shelter should first try one of the above regular shelters. If a space is not available, they will be referred to the temporary shelter on Carnegie Avenue. Transportation will be provided from the regular emergency shelters to the temporary shelter if needed.
Emergency shelters and agencies that provide services for people who experience homelessness have been informed of the availability of the temporary shelter service to help let people know that there is additional indoor space available as the cold weather continues.
The original version of this story has been updated with an additional announcement from the City of Peterborough and additional details about the number of people who have used the temporary shelter each night.
encoreNOW for January 26, 2026 features (from left to right, top and bottom) the 2026 ReFrame Film Festival in downtown Peterborough and online, Terra Lightfoot at Peterborough's Market Hall, Stories & Songs of Stompin' Tom with Whiskey Jack at Lindsay's Academy Theatre, Heartbreak Hits: Billboard In Concert at Port Hope's Capitol Theatre, the Peterborough Symphony Orchestra's "Stars of the Silver Screen" at Peterborough's Showplace, and Alex Cuba at Peterborough's Market Hall. (kawarthaNOW collage)
encoreNOW is a bi-weekly column by Paul Rellinger where he features upcoming music, theatre, film, and performing arts events and news from across the Kawarthas.
This week, Paul highlights the ReFrame Film Festival at Showplace and the Market Hall in Peterborough, Terra Lightfoot in concert at the Market Hall, Stories and Songs of Stompin’ Tom in Lindsay, Billboard In Concert’s performance of Heartbreak Hits at the Capitol Theatre in Port Hope, the Peterborough Symphony Orchestra’s ode to Stars of the Silver Screen at Showplace, and Grammy Award-winning singer-songwriter Alex Cuba’s return to the Market Hall.
ReFrame Film Festival returns to downtown Peterborough and online with more than 40 environmental and social justice documentaries
VIDEO: 2026 ReFrame Film Festival trailer
Since 2005, regional film buffs’ thirst has been quenched early each year in the form of the ReFrame Film Festival’s screening of documentaries “that challenge assumptions, reveal urgent truths and spark conversation.”
This Friday (January 30), the festival will open at Showplace Performance Centre and Market Hall Performing Arts Centre and continue at both those downtown Peterborough venues until February 1. More than 40 documentaries will be screened, with more than half of those also screened online across Canada from February 3 to 8 as part of the festival’s increasingly popular on-demand virtual program.
The screening schedule, details on each film, and passes and tickets are available at reframefilmfestival.ca, where information on related filmmaker Q&A sessions, workshops, panels, performances and exhibits can also be found.
In terms of admission, the best deal is the $145 hybrid pass, which provides entry to all in-person screenings and events as well as access to the virtual program. An in-person only pass is $120, while a pass for the virtual screenings program is priced at $60.
Meanwhile, tickets for individual films, both in person and online, are available for $15 or pay what you can. They can be purchased in advance online or, for in-person screenings, at the door at Market Hall or Showplace 15 minutes prior to each screening.
Still adhering to its day-one goal of sparking dialogue and positive change while fostering meaningful connections between audiences, filmmakers and artists, community partners, and neighbours, the festival’s brain trust has again delivered. Pulling the festival together is a year-round endeavour for executive director Kait Dueck and creative director Eryn Lidster et al but they have delivered.
In the end, the ReFrame Film Festival has ingrained itself as a premier annual highlight on Peterborough’s cultural landscape — a film showcase that is quite remarkable for a community of our size.
Two-time Juno nominee Terra Lightfoot returns to Market Hall
VIDEO: “A Good Sign” – Terra Lightfoot
When you’ve interviewed thousands of people from all walks of life, what is it about some of those interactions that makes them still memorable years later?
I first met Terra Lightfoot in November 2023. The folk-roots singer-songwriter and guitarist had just released Healing Power, her fifth album, and was gearing up for a concert at Market Hall Performing Arts Centre in downtown Peterborough.
We chatted virtually as she strolled along a rural road not far from the Haliburton Highlands home where she moved to with her then-fiancé Jon Auer in late 2020. I still recall being immediately struck, and impressed, by her down-to-earthiness; someone who not only provided honest insights into the emotions anchoring her music, but was simply fun to chat with and get to know better.
I imagine not much has changed in that regard, and that’s a very good thing as Lightfoot returns to the Market Hall on Wednesday, February 4, at the tail end of a tour that has seen her promote Home Front, her sixth album. I know her audience will be as impressed with the person as they are with her talent and music.
A native of Waterdown in Hamilton, Lightfoot released her debut self-titled album in 2011. However, 2017’s New Mistakes brought much-deserved her wider attention via a 2018 Juno Award nomination as Adult Alternative Album of the Year. In 2025, the aforementioned Healing Power was nominated in the same Juno category as well as shortlisted for the 2024 Polaris Music Prize.
Outside of the studio, Lightfoot has toured extensively in Canada, the United States, and the United Kingdom, and has shared stages with the likes of Bruce Cockburn, Blue Rodeo, and the late Gordon Lightfoot (no, they’re not related).
Whiskey Jack’s tribute to Stompin’ Tom bound for Lindsay’s Academy Theatre
VIDEO: “The Hockey Song” by Stompin’ Tom Connors (1993)
It’s hard to believe we’re approaching 13 years since the emotional public memorial to Stompin’ Tom Connors was held at the Peterborough Memorial Centre.
Organized by his friend and longtime promoter Brian Edwards, that moving celebration of the legendary singer’s life featured tributes by likes of Ken Dryden and Adrienne Clarkson as well as performances of his music by Dave Bidini, Sylvia Tyson, and others.
Connors’ connections to Peterborough ran deep, dating back to July 1, 1967 when, prior to a performance at the long-gone King George Tavern, waiter Boyd MacDonald introduced him as Stompin’ Tom — a reference to his trademark habit of stomping his left boot heel to keep rhythm. This city was nothing short of a second home for the St. John-born Connors.
Had he lived, Connors would be celebrating 90 years come February 9. To honour him, his former band Whiskey Jack has been on the road with its Canada Believe In Your Country Tour, featuring The Stories and Songs of Stompin’ Tom. On Friday, February 6, that tour will come to Lindsay’s Academy Theatre, with Peterborough-born comedian Seán Cullen in tow as a special guest.
Hosted by Duncan Fremlin, Whiskey Jack’s front man since 1977, the show will also feature the talents of Juno Award-nominated musician Douglas John Cameron and Billy MacInnis, Connors’ long-time fiddler. Expect popular Conners’ songs such as “Bud The Spud,” “Sudbury Saturday Night,” and “The Hockey Song,” along with some of his tunes that sing the praises of Canada and of being Canadian.
That’s just what the doctor ordered during these times.
Tickets to the 7:30 p.m. cost $48 and are available at www.flatoacademytheatre.com. Feel free to bring a Canadian flag and wave it with abandon. Stompin’ Tom would love that.
Classic songs about falling out of love coming to Port Hope’s Capitol Theatre
VIDEO: “You’re So Vain” – Carly Simon (2005)
To answer Tina Turner’s musical question of “What’s love got to do with it?”, apparently not a whole lot when “Heartbreak Hits: Billboard In Concert” comes to Port Hope’s Capitol Theatre for a four-performance run from Friday, February 6 to Sunday, February 8.
Created and performed by local and regional artists, the tribute concert is billed as “an anti-Valentine’s celebration of the darker side of love.” Featured are songs about falling out of love, such as “U Been Gone,” “Jolene,” “I Will Survive,” “You Oughta Know,” and “You’re So Vain,” to mention but a few.
No doubt many in the audience have experienced both the ups and downs of love. This concert will focus on the latter via songs we know (and, ironically, love) by a variety of artists from different time periods. Yup, it’s a little different from your typical Valentine’s Day themed show, but different is good.
Conceived by Jeff Newberry and Rob Kempson and directed by Margot Greve, the show will see host Will Parry bring singers Belinda Corpuz, Kaylee Harwood, and Krystle Chance to the stage. They’ll be joined by musicians Nicholas Campbell and Jeanne Truax, the latter being the Peterborough Folk Festival’s reigning Emerging Artist, a distinction she shares with Campbell, who claimed that same honour in 2023 along with Irish Millie.
Performances are February 6 and 7 at 7:30 p.m., with 2 p.m. matinees on February 7 and 8. Tickets cost $55 ($45 for those under 30) and are available at capitoltheatre.com.
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Peterborough Symphony Orchestra celebrates iconic film music of the ’60s at Showplace
VIDEO: “The Magnificent Seven” theme by Elmer Bernstein – Orchestra at Temple Square
When it comes to 1960s film music, Elmer Bernstein’s score for 1963’s The Great Escape did it for me then and still does. For sure, John Sturges’ war adventure was, and remains, a cinematic masterpiece, but take away that score and it’s just another film.
My choice notwithstanding, there were a number of terrific scores composed for a bevy of terrific 1960s films. The music score for any one of the number of James Bond films of that decade is yet another great example. There’s a good chance you’ll shaken and stirred.
So it is that on February 7 and 8, the Peterborough Symphony Orchestra (PSO) returns to Showplace Performance Centre in downtown Peterborough to present “Stars of the Silver Screen,” the third concert of its 2025-26 season.
Along with music from the James Bond franchise, you’ll hear the PSO perform Bernstein’s theme for the 1960 western The Magnificent Seven, Henry Mancini’s “Moon River” from Breakfast at Tiffany’s (1961) and his iconic theme from The Pink Panther (1963), Bernard Herrmann’s theme from Psycho (1960), Lalo Schifrin’s theme from the TV series Mission: Impossible (1966), Johnny Mandel’s “The Shadow of Your Smile” from The Sandpiper (1965), and Francis Lai’s theme from Love Story (1970), as well as music from the soundtracks of West Side Story (1961) and The Sound of Music (1965).
At the helm as always will be conductor Michael Newnham and, as is often the case, he’ll give a pre-concert talk prior to taking up his baton. Those planning to attend are encouraged to dress with 1960s fashion in mind. Fun, but not mandatory.
In a nod to the continuing popularity of the PSO’s film concerts, there will be two performances: one at 7:30 p.m. on Saturday, February 7 followed by a 3 p.m. matinee on Sunday, February 8. Tickets are $36, $50, or $57, depending on the seat you choose, with student tickets costing $15 for all seats. Tickets are available in person at the Showplace Box Office from 10 a.m. to 4 p.m. Monday to Thursday, 10 a.m. to 2 p.m. Friday, and one hour before the concert, or online anytime at showplace.org.
Grammy Award-winning Alex Cuba makes a Market Hall stop
VIDEO: “Palabras Vacías” – Alex Cuba
When a multi-Grammy Award recipient comes to town, that’s worthy of our attention.
Born and raised in Cuba, Alexis Puentes — better known by his stage name Alex Cuba — moved to Canada in 1999 where he performed as a duo with his brother Adonis as The Puentes Brothers, and earned a 2001 Juno Award nomination for Best Global Album.
In 2004, Cuba launched his solo career. That move paid a huge dividend as he won two Juno Awards for World Music Album of the Year — in 2006 for his debut album Humo de Tabaco and, in 2008, for Agua del Pozo.
But Cuba didn’t stop there. In 2010, he won a Latin Grammy Award for Best New Artist, followed in 2015 by a Latin Grammy Award for Best Singer-Songwriter Album for Healer and, in 2022, a Grammy Award for Best Latin Pop Album for Mendó.
Cuba’s mix of funk, jazz, and pop reflecting Latin and African influences has earned him accolades from music industry insiders and audiences alike. His newest album, Índole, is surely destined for yet more like praise.
On Sunday, February 8, Cuba’s immense talent will be on full display when he takes to the stage at Market Hall Performing Arts Centre in downtown Peterborough. Tickets to the 7 p.m. concert cost $44 at www.markethall.org.
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Encore
From the New Local Music File — a file getting thicker with each passing week it seems — we have People Like To Talk, the newest album from singer-songwriter and guitarist Ncholas Campbell. Produced by James McKenty, the album features a number of very familiar collaborators, including Melissa Payne, Jeanne Truax, Caitlin O’Connor, and Rico Browne. That’s how it goes in these parts, and has gone for some time. When one hits the studio to record a new album, many step up to help. That, perhaps more than anything, makes the local music community as special as it is. Egos are left at the door where they belong and a shared love of music takes precedent.
Those suffering through what has been a very cold and snowy winter will find some warmth in Peterborough Musicfest’s announcement that its 39th summer season will start June 27 and continue until August 19 with free-admission outdoor concerts at Del Crary Park every Saturday and Wednesday night. No details yet on who’s performing when — the full lineup is typically announced in May — but expect some teaser announcements before then, along with a few surprises.
The audience at Showplace Performance Centre in downtown Peterborough during the 2025 ReFrame Film Festival. According to the festival's executive director Kait Dueck, ReFrame brings people together for thought-provoking shared experiences that can help counter physical and emotional isolation during what is figuratively and literally the darkest time of the year. The 2026 festival runs in-person in downtown Peterborough from January 30 to February 1 and online across Canada from February 3 to 8. (Photo courtesy of ReFrame Film Festival)
During the Second World War, British prime minister Winston Churchill apocryphally said “Then what are we fighting for?” when asked to cut arts funding in favour of the war effort.
Many decades later, ReFrame Film Festival executive director Kait Dueck makes the same case when she affirms “the arts are not a luxury.”
“They’re the way that we make sense of the world, and the way that we make sense of ourselves,” Dueck says. “Cultural events like ReFrame create shared experiences and moments where people can really come together and reflect and think and feel things collectively.”
“In a time where so much of our media consumption is really fragmented and isolating, I think there’s something incredibly valuable about being in a room, if it’s in person or in a virtual space, and engaging in a story together.”
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This year, audiences will gather for the annual social and environmental justice film festival in downtown Peterborough-Nogojiwanong from January 30 to February 1 and virtually across Canada from February 3 to 8.
Dueck notes that though the festival is intentionally curated to feature visually stunning works that are “uplifting and hopeful,” many of them present dark moments in human history, exploring wars, human rights violations, and climate crises.
“These are really heavy realities to sit with, but for me, the thing that redeems us as a species in all of this is the ability to create,” says Dueck. “Whether it’s literature or visual art, theatre, film, music, this is the stuff of life.”
Dueck, who has been at the helm of the festival since 2022, has always known of its impact on the community.
“The festival creates these shared experiences and particularly at one of the darker times of the year, in the middle of winter,” says Dueck. “January and February are pretty dark emotionally, economically, physically, so ReFrame has very intentionally centred itself at that time of year to bring people together for 22 years now. Watching films together and talking with artists and gathering downtown especially helps counter some of that isolation and reminds us that we’re connected and we’re part of something bigger.”
ReFrame Film Festival’s executive director Kait Dueck speaks to the audience at the 2025 documentary film festival. Believing that “art is not a luxury,” Dueck encourages community members to participate in the 2026 festival running in-person in downtown Peterborough from January 30 to February 1 and online across Canada from February 3 to 8. As well as providing shared experiences related to social and environmental justice, the festival generates hundreds of thousands of dollars for the local economy. (Photo courtesy of ReFrame Film Festival)
Beyond the ways in which ReFrame supports individuals by sharing stories and educating on some of the most pressing contemporary global concerns, ReFrame also plays a vital impact on Peterborough’s economic development.
The last full economic study of ReFrame, done over 10 years ago, found that over $700,000 was injected into the local economy just over the in-person weekend. Taking into account inflation and the addition of a popular virtual festival component, that number would no doubt be significantly higher today.
Further, based on audience feedback surveys with well over 500 respondents, it’s believed that around $250,000 was spent at restaurants alone during the 2025 festival — a figure that does not include accommodations and other retail spending.
“ReFrame comes downtown at this critical moment of the year for small businesses, especially restaurants,” Dueck notes. “With the holiday rush gone, it’s typically the slowest season for these businesses.”
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Adding that the economic impact of the arts is not specific to ReFrame, Dueck points to a report by the Ontario Art Council which found that, for every dollar invested into the arts, $25 is generated in other revenue.
In the case of ReFrame, a part of that investment goes towards paying the artists whose work is featured at the festival — a payment that doesn’t happen at all festivals.
“Supporting artists is critical,” Dueck says. “Usually, 10 to 20 per cent of the content of the festival, even though it’s an international festival, is local and made right here. Most of the artists that are performing, that are speaking, and that are running panels are being paid honorariums, and they’re based in the community.”
While ReFrame supports artists wherever it can, it’s not easy. Despite costing more than $300,000 to run the festival ever year, ticket sales only account for 10 to 15 per cent of total revenue, leaving the organization heavily reliant on government funding and community donations.
Last year, when ReFrame lost a significant amount of funding just weeks before the festival, it suffered a large annual deficit that Dueck says they will be recovering from “for quite some time.”
“There’s never a moment where we can assume stability,” Dueck says. “Unfortunately, we are in a position where we have to raise the entire festival budget from scratch every single year.”
Some members of the ReFrame Film Festival team at Showplace Performance Centre in downtown Peterborough during the 2025 festival, including (front) board chair Melanie Buddle, creative director Eryn Lidster, and executive director Kait Dueck and (back) intern Hannah McCammon, communications officer Michael Morritt, financial controller Michael Goede, and technical lead Philip Fox Jones. (Photo courtesy of ReFrame Film Festival)
Given this ongoing financial instability, on top of changing demographics and higher living expenses, how has the festival remained resilient year after year?
According to Dueck, some of it can be attributed to ReFrame’s ability to adapt, including by introducing a hybrid format for the festival during the pandemic under the previous leadership of Jay Adam and Amy Siegel.
“I do think adaptability is part of our DNA in the kind of work that we do, but it doesn’t eliminate the risk,” Dueck says. “Resilience in the arts is often mistaken for security. And though ReFrame has survived for well over 20 years, its existence is never guaranteed, and that precarity is exactly why community support matters so much.”
Dueck says the resilience of ReFrame, like many arts organizations, comes down to the tenacity and dedication of its workers. With creative director Eryn Lidster the only other full-time staff member at ReFrame, the festival is otherwise put together with the help of contract staff along with volunteers.
“Every executive director ReFrame has had has worked themselves to the bone to keep the festival going every year,” says Dueck. “The labour that is required to fund, produce, and deliver the festival is substantial, and we operate on very limited but excellent human resources.”
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The volunteer board members are just as dedicated and passionate, giving their time on top of other professional and personal commitments.
“Even though it’s really challenging work and it is up to the staff to run the organization, it’s up to the board to oversee it,” says Dueck. “We couldn’t be more supported by our board and I couldn’t be more grateful.”
As they navigate fighting against burnout and financial strain, Dueck says ReFrame is at a “crossroads” as the team develops a three-year plan.
“For me, growth for ReFrame doesn’t necessarily mean bigger or more,” they say. “It means deeper — deeper relationships with artists and with communities — and continuing this year-round with community programming where we’re making real relationships and bringing film into places that people may not traditionally have access to it. It means more sustainable working conditions for the people who deliver the festival.”
As well as buying film passes and tickets, community members can show their support for the ReFrame Film Festival by volunteering during in-person screenings. (Photo courtesy of ReFrame Film Festival)
How ever that growth happens, Dueck says ReFrame will do it without compromising on the festival’s values.
“We will always prioritize social and environmental justice, we will always prioritize artistic integrity, and we will always put community connection first,” says Dueck. “The next chapter for ReFrame, I hope, is about moving beyond crisis management and into something more stable and intentional and, with the right support from our community, that future is possible. It’s a future that I’m hopeful about.”
To support ReFrame, there are always opportunities to volunteer, either during the festival itself or by volunteering for shifts at Delta Bingo & Gaming Centre, one of the festival’s major funders, where every three-hour shift brings in $700 for the festival. Those who have the capacity can also volunteer as a board member or join one of the festival’s committees that interest them.
Business owners can sponsor a film screening, while representatives of non-profits and grassroots organizations can be matched with a film on a sliding price scale to connect their work with engaged audiences. Those community partnerships are another way that ReFrame stands out.
“Mission alignment is what’s most important to us,” says Dueck. “These partnerships help to ensure that audiences who feel moved or hurt or unsettled by a film don’t leave with nowhere to put that energy. They leave with pathways for engagement and learning and action right here in our community.”
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But, above all, one of the best ways to support ReFrame is just to show up. The no-questions-asked pay-what-you-can ticket pricing, available both for in-person and online screenings, is intended to ensure as many voices and perspectives as possible can engage in the discussions.
“It’s community support that makes it possible for festivals and organizations like ReFrame to continue to exist, to be accessible, to be accountable, to be rooted in community, and to offer these spaces where people can come together to connect, think, reflect, and hopefully imagine something better — and maybe even start to act towards something better,” says Dueck.
“Attending screenings, participating in conversations, and engaging with the festival and the films — that is a powerful form of support.”
For more information about the 2026 ReFrame Film Festival, including the full lineup, to purchase festival passes and tickets, and to volunteer and donate, visit reframefilmfestival.ca.
kawarthaNOW is proud to be a media sponsor of the 2026 ReFrame Film Festival.
This guest editorial was written by Danielle Turpin, founder and executive director of Home Care Workers Cooperative, a Peterborough-based organization owned and operated by personal support workers.
For years, we have talked about how to help seniors age well. Too often, the default solution is to bring in something new — new programs, new providers, new systems layered on top of already complex lives. The NORC Ambassador Program reminded us that the most meaningful and lasting change often comes from strengthening what already exists.
The NORC Ambassador Program was developed in partnership with Age-friendly Peterborough, Home Care Workers Cooperative, and AON Inc., and was funded through the Ontario Seniors Community Grant Program. Together, this collaboration focused on supporting Naturally Occurring Retirement Communities, commonly referred to as NORCs.
NORCs are not retirement homes or institutions. They are apartment buildings or neighbourhoods that, over time, naturally become home to a high concentration of older adults. These are places where people have lived for years, sometimes decades. They are communities built on shared history, informal relationships, and trust.
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When supports are embedded within these spaces, seniors do not have to leave their community to stay healthy and engaged. The community itself becomes part of the solution.
One of the core strengths of the NORC model is that it builds from the inside out. Rather than relying solely on external services, the program identified and supported resident “ambassadors” — volunteers who already live in the building and were willing to help connect neighbours, share information, and notice when something might be wrong.
These were not professionals brought in from outside. They were peers, and that mattered.
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A particularly powerful example of this was the door hanger program. Door hangers were provided to all participating residents in each NORC building. Volunteers on each floor committed to walking the halls in the morning and again in the evening. In the morning, the hanger would be flipped to say “good morning.” In the evening, it would be changed to “good night.”
If a hanger had not been flipped during one of these check-ins, it was a clear signal that someone needed to be checked on. This was not surveillance. It was neighbourly care, rooted in consent and community.
Recently, this system worked exactly as intended. A hanger had not been changed, volunteers noticed, the superintendent was contacted, and first responders were called to assist the resident. That timely response quite literally made a difference.
This is proof that regular people — our friends and our neighbours — are often the ones who make the greatest impact. Community care saves lives.
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Another key component of the NORC work was the creation of a speakers bureau. This is a curated list of community organizations that support seniors and people with disabilities, complete with contact information and plain-language summaries of the services they offer. This information was shared with all participating NORC communities.
Each organization also agreed to come directly into the buildings to offer short presentations, allowing residents to learn firsthand what supports are available and how to access them.
Importantly, these sessions were driven by resident interest and building-specific needs. This was not about organizations promoting services. It was about empowering seniors with knowledge, choice, and agency.
Perhaps the most telling outcome of the NORC Ambassador Program is that many of these initiatives have continued beyond the pilot. Ambassadors remain active. Door hangers are still in use. Residents continue to organize and support one another. That level of sustainability only happens when programs are rooted in community, rather than imposed from the outside.
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NORC-based, community-driven programming supports better health outcomes because it directly addresses isolation, one of the greatest risks to aging well. When people are connected, changes are noticed earlier, help arrives sooner, and emergencies are often prevented.
Home Care Workers Cooperative remains committed to working alongside NORC communities, and this work continues to inform other projects aimed at supporting seniors to age safely and with dignity in the places they already call home.
If you would like more information about Naturally Occurring Retirement Communities, or about community resources available to seniors, you can reach out to Age-friendly Peterborough at afpadmin@peterborough.ca or to Danielle Turpin at Home Care Workers Cooperative at danielle@homecareworkers.coop.
When we build with seniors instead of around them, everyone benefits.
Allegra Fulton and Ari Cohen in a scene from "Nine Letters," a short film noir written and directed by Linda Kash and produced by Gina Dineen. Also starring Peterborough's own Megan Murphy, the film will be one of up to 12 curated short films from Toronto's Cabbagetown Short Film Festival screened during "PAPA Loves Shorts in Feb," a love-inspired short film festival being hosted by the Proactive Academy of Performing Arts (PAPA) on February 6, 2026 at the Market Hall Performing Arts Centre in downtown Peterborough. (kawarthaNOW screenshot)
This event has been postponed and will be rescheduled to a later date.
Linda Kash is getting Peterborough in the mood for Valentine’s Day by presenting a series of love-inspired short films to raise funds for a new student scholarship named in honour of a local boy who passed away tragically in the fall.
On Friday, February 6 at the Market Hall Performing Arts Centre in downtown Peterborough, Kash’s Proactive Academy of Performing Arts (PAPA, formerly the Peterborough Academy of Performing Arts) will be screening favourite short films from the Cabbagetown Short Film Festival.
The festival, founded by Kash’s sister Gina Dineen 35 years ago and named for the eclectic central Toronto neighbourhood where Dineen lives, is a juried showcase for some of the world’s best short films.
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“It’s just incredible the amount of international films and local films that she has curated over the years,” says Kash. “I was thinking it would be wonderful to do a Valentine’s themed curated event in Peterborough so that she can give us some of the best relationship-oriented shorts from all over the place.”
Beginning at 7:30 p.m. and including a brief intermission, “PAPA Loves Shorts in Feb” will see up to 12 short films screened, with films ranging from under a minute long to under 20 minutes long.
“She has a wonderful eye for film,” says Kash of her sister, who she calls her “best friend.”
“The other interesting tidbit is she has worn the same sparkly dress (to the festival) for 35 years, which I just think is hilarious.”
Megan Murphy, Linda Kash, Ari Cohen, Gina Dineen, and Allegra Fulton at the 2018 Cabbagetown Short Film Festival, where Kash’s short film noir “Nine Letters” won the People’s Choice Award. Kash’s sister Dineen founded the festival 35 years ago in the Toronto neighbourhood and is now bringing some of the best films to Peterborough with the help of Kash’s Proactive Academy of Performing Arts. (Photo courtesy of Gina Dineen)
The evening will include a 13-minute film noir written and directed by Kash herself, who also lent her voice for a song in the film. Though she is known for her comedy and improv, Kash was challenged in 2018 by cinematographer Colin Evans to write a “dark” short film.
Produced by Dineen with Evans as director of photography, Nine Letters stars Allegra Fulton as Katherine, Ari Cohen as Douglas, and Peterborough’s own Megan Murphy as Sharon.
“It was a real creative challenge for me to write something that was not necessarily funny, but had a macabre feeling,” says Kash. “It turned into Nine Letters and I’m really proud of it.”
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While Kash is remaining tight-lipped about the rest of the evening’s film lineup, she says audiences can expect lots of comedies, some dramas, and even some animation.
Tickets to the festival are priced at $29 and a portion of proceeds will go towards the inaugural Sylvan Brill Scholarship Fund, whose recipients will be announced at the event. The fund will provide free tuition to one adult and one child enrolled at PAPA who show “exemplary character” and a keen interest in performance.
The scholarship is named in honour of an 11-year-old student who died tragically in Peterborough last October and who Kash says was “full of life.”
“He was just one of those kids that wasn’t afraid and really wanted to be there and was really good,” says Kash of Brill. “But he was also nice, and he was very nurturing with other students — all those characteristics that you really hope a student brings. I thought he’s a perfect example of a great student.”
“I think the best way to honour someone who can’t be here is to live loud and live well, and just don’t forget his name because he was a great kid,” she adds.
A student of the Linda Kash’s Proactive Academy of Performing Arts (PAPA), 11-year-old Sylvan Brill tragically passed away in Peterborough in October 2025. In his honour, PAPA has launched the Sylvan Brill Scholarship Fund to provide free tuition to an adult and child who exemplify skill and character in class. Partial proceeds from “PAPA Loves Shorts in Feb” on February 6, 2026 at the Market Hall Performing Arts Centre in downtown Peterborough will support the scholarship. (Photo courtesy of Jessica Barr)
There will also be 50/50 draw sponsored by the Holy Trinity Greek Orthodox Church where the PAPA classes are held. The proceeds will go towards the Ramp-it-Up Fund in support of making the teaching space wheelchair accessible.
“We really do want to accommodate the community at large but it’s very hard to find a space to have long-term for a reasonable rate and I’m just so grateful to the church for being so generous to us,” Kash says. “You want people to feel like their learning space is their second home, and a ramp for making it (wheelchair) accessible would do that because everything else (about the church) is perfect.”
Just as the hope is for the scholarship to be offered annually, Kash also hopes the short film festival will become an annual event, featuring a new theme each year.
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“February is a fabulous time to do it because everyone needs a reason to get together and everybody’s feeling a bit done with winter,” Kash says. “We want to fill the place, and we really do want to raise these funds for such a good cause.”
Assigned seating tickets for “PAPA Loves Shorts in Feb” are available for $29 at the Market Hall box office or online at markethall.org.
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