Art in the Street – June 2014

Featuring Public Energy, Christensen Fine Art, Art Gallery of Peterborough, Gallery in the Attic, Gallery on the Lake, and Artspace

Just beyond these trees lay the former home of the Sisters of St. Joseph convent. The grounds will be a lovely spot for a picnic break while you explore the building and enjoy the many art displays and performances there this weekend (photo: Michael Fazackerley)
Just beyond these trees lay the former home of the Sisters of St. Joseph convent. The grounds will be a lovely spot for a picnic break while you explore the building and enjoy the many art displays and performances there this weekend (photo: Michael Fazackerley)

Peterborough and the Kawarthas are awash with the signs of summer. The warm weather has returned, the leaves are out, flowers are in bloom, and people are out everywhere.

All the vibrancy of the season is bursting forth in the art world too, as June offers up enough creative nectar to keep you happily buzzing from place to place like a giant hummingbird punch drunk with so much variety and abundance.

Public Energy’s Erring on the Mount

Perhaps the headiest offering of creative inspiration to be seen here in a lifetime will close out the month of May this coming weekend and kick off June with an explosion of art, music, and theatrical experiences.

This wildly imaginative three-day site-specific festival of art and performance will take over the future site of The Mount Community Centre on the grounds and in the Mother House of the former Sisters of St. Joseph property at 1555 Monaghan Road in Peterborough.

For more details and how to purchase tickets visit publicenergy.ca, and make sure you read my article on the festival.


New Paintings at Christensen Fine Art

A sampling of the exceptional images on offer in the current group exhibition on display at Christensen (image: Christensen Fine Art)
A sampling of the exceptional images on offer in the current group exhibition on display at Christensen (image: Christensen Fine Art)
You’ll be well rewarded for paying a couple of visits to Lori and Peer Christensen’s beautiful studio and gallery in downtown Peterborough this month.

Pay them a visit by Saturday, June 7th to view magnificent new paintings from Meredith Bingham, Jane Eccles, and Esther Simmonds-MacAdam.

These women deliver striking images and a refined level of expertise at their craft. You’ll want to see their show before it’s gone.

Come back for the opening of Peter Rotter’s “New Paintings” on Friday, June 13th; there’ll be an artist reception from 6:30 to 9 p.m.

I featured a couple of Peter’s paintings back in January as part of a group show then; you may have missed it while you were hiding indoors.

Peter conveys a great sense of the feeling he gets when surrounded by the beautiful landscapes of this area. He recently relocated from Toronto to Lakefield to be surrounded by the environment that inspires him. He strives to paint every day to keep the experience fresh in his work and in this I believe he succeeds beautifully. His scenes really draw you in to your own experience of the piece while simultaneously allowing you to share in his inspiration.

If you found your way out into even a little slice of wilderness this winter, Peter Rotter can rekindle your warmest memories of a winter walk (photo: Michael Fazackerley)
If you found your way out into even a little slice of wilderness this winter, Peter Rotter can rekindle your warmest memories of a winter walk (photo: Michael Fazackerley)
I really spent some time with this one when I first saw it. I'm trying to capture just the right angle to feel like you could walk right into the frame (photo: Michael Fazackerley)
I really spent some time with this one when I first saw it. I’m trying to capture just the right angle to feel like you could walk right into the frame (photo: Michael Fazackerley)

The Christensen Fine Art Gallery (432 George St. N., Peterborough) is open during regular business hours Monday to Friday from 10 a.m. to 5:30 p.m. and Saturday from 10 a.m. to 4 p.m. Call 705-876-9623 or visit www.christensenfineart.com.


As I looked upon the vast 10'x 9'6" drop of "How Do We Know When It's Night?", it was as if it might be the embroidered equivalent of the Mayan calendar or the palimpsest from Sagan's "Contact"; an entire civilization might be encoded there (photo: Michael Fazackerley)
As I looked upon the vast 10’x 9’6″ drop of “How Do We Know When It’s Night?”, it was as if it might be the embroidered equivalent of the Mayan calendar or the palimpsest from Sagan’s “Contact”; an entire civilization might be encoded there (photo: Michael Fazackerley)
The seemingly unrelenting hold of winter, or the floods of spring, may have kept you from the redoubtable exhibit currently on at the AGP; so I felt I couldn’t fail to mention it this month. The formidable works of Dorothy Caldwell, Beth McCubbin, and Jane Lowbeer continue their run there until Sunday, June 22nd.

Dorothy’s incredibly meticulous examination of wilderness landscapes and her deeply considered perspective on sense of place and culture possess a profound richness that anyone will be enriched to behold. Her archaeological collections alone are well worth the visit.

Much credit goes out to Celeste Scopelites and the staff at the AGP for rendering an experience so true to her work. Many of Dorothy’s works are vast creations using wax and silkscreen resist threaded with, no doubt, thousands of hours of stitching and appliqué work.

Her work is transcendent of anything you can lay a particular label upon. I overheard Dorothy leading a tour saying “Every day I collected the earth wherever I was.” I know she was referring to the earthen journals she has kept, but I heard “Earth” rather than “earth” because she creates works that begin at a planetary scale and reach toward the universal.

Looking at the tremendous process work that Dorothy puts into her art is a fascinating exhibit all its own (photo: Michael Fazackerley)
Looking at the tremendous process work that Dorothy puts into her art is a fascinating exhibit all its own (photo: Michael Fazackerley)
Some close detail of the incredibly intricate stitch work Dorothy puts into her pieces (photo: Michael Fazackerley)
Some close detail of the incredibly intricate stitch work Dorothy puts into her pieces (photo: Michael Fazackerley)

Where Dorothy’s work is literally grounded in the earth, Beth McCubbin’s begins with all of the things we take from it; her pieces speak to the impact of human production on the environment. Her “Material World” is quite literal also. Her work concerns materials and how we have used them over the course of human history. Beth’s site-specific installation “Plastic Cloud” with its two accompanying concrete figures inhabit the landing by the window at the AGP like some scene from a science fiction novel where it’s raining plastic.

The attention to the site-specific details of this piece work so well; the contrast between the bright window and the darkened figures lends a foreboding aspect (photo: Michael Fazackerley)
The attention to the site-specific details of this piece work so well; the contrast between the bright window and the darkened figures lends a foreboding aspect (photo: Michael Fazackerley)
This "box of a truth" is something of a tribute to the flexibility and renewability of wood, whereas some other boxes contain more cautionary tales (photo: Michael Fazackerley)
This “box of a truth” is something of a tribute to the flexibility and renewability of wood, whereas some other boxes contain more cautionary tales (photo: Michael Fazackerley)

Beth’s ability to infuse so much into these two featureless “people” is remarkable. To me, the implication that a child is turning to question a parent or guardian is unmistakable. Beth’s other works in the exhibit are a series of 12 “Boxes of Truths” representing the appearance and the history of several naturally-derived and synthetic materials. Beth’s interest in social and environmental issues is reflected in the text of these pieces as well as in the manner in which she uses stoneware, porcelain clay, ceramic glazes, stains, and iron images to represent them.

"Sitting Man" and "Sitting Woman" make a fitting pair by the lower landing window, but also have their own stories to tell (photo: Michael Fazackerley)
“Sitting Man” and “Sitting Woman” make a fitting pair by the lower landing window, but also have their own stories to tell (photo: Michael Fazackerley)
This trio of "crankees" are just three of an entire series all ready to reveals their stories to you (photo: Michael Fazackerley)
This trio of “crankees” are just three of an entire series all ready to reveals their stories to you (photo: Michael Fazackerley)

A thread of curatorial weaving continues as Jane LowBeer’s “Crankees” tell the story of materials in the forms more familiar to our everyday lives. A tape measure, yellow plastic containers, string, and glass bottles adorn Jane’s unique interactive constructs, combining scrolls on Japanese paper, plexiglass, wood boxes and found objects. By turning the cranks, a visual story is told and layered with the image on the plexiglass panes. Lowbeer’s exploration of common objects provides them with an intimacy that allows you to playfully consider how necessary they are to the story of our daily lives.

The Art Gallery of Peterborough (250 Crescent St., Peterborough) offers free admission and barrier-free access Tuesday to Sunday from 11 a.m. to 5 p.m. Call 705-743-9179 or visit agp.on.ca.


Patti reminisces on years she worked at McClelland & Stewart in Toronto where she met many famous Canadians, some of whom are featured here (photo: Michael Fazackerley)
Patti reminisces on years she worked at McClelland & Stewart in Toronto where she met many famous Canadians, some of whome arefeatured here (photo: Michael Fazackerley)
Patti has reprised this image of her mom at Myrtle Beach a few times. I think everyone of a certain age has a beloved photo like this somewhere (photo: Michael Fazackerley)
Patti has reprised this image of her mom at Myrtle Beach a few times. I think everyone of a certain age has a beloved photo like this somewhere (photo: Michael Fazackerley)
There are but a few things as enduringly iconic to a proud Canuck as a Molson Canadian stubbie (photo: Michael Fazackerley)
There are but a few things as enduringly iconic to a proud Canuck as a Molson Canadian stubbie (photo: Michael Fazackerley)

Local darling Patti Blouin walks us through a charming portrayal of Canadiana and nostalgia with an intimate and personal focus on Peterborough. Her paintings and accompanying short stories reveal the kind of personal details that will have you reminiscing about old photographs, friends, or a favourite family pet. You’re bound to leave this exhibit with a pleasing warmth and perhaps a few bittersweet memories.

There's some talented artists all over the Kawarthas. Debra Tate-Sears' "A Cold One" is a magnificent example of portraiture (photo: Michael Fazackerley)
There’s some talented artists all over the Kawarthas. Debra Tate-Sears’ “A Cold One” is a magnificent example of portraiture (photo: Michael Fazackerley)
Work from the Kawartha Arts Network has everything from mixed media to Asian brush painting to masks, and this lovely acrylic from Ron Halton (photo: Michael Fazackerley)
Work from the Kawartha Arts Network has everything from mixed media to Asian brush painting to masks, and this lovely acrylic from Ron Halton (photo: Michael Fazackerley)

Continuing this month is the exhibit exchange “Location, Location, Location”. The Little Red Hen collective artwork hit the road to show at Lindsay’s Art on Kent while Gallery in the Attic (GITA) plays host to a group show from members of the Kawartha Arts Network. If you’re not one to venture too far afield this is a great opportunity to see different works from artists in the region.

Myria's print of a much larger piece she made to express the joy of creating art is definitely my favourite (photo: Michael Fazackerley)
Myria’s print of a much larger piece she made to express the joy of creating art is definitely my favourite (photo: Michael Fazackerley)
Also continuing this month at GITA is “Creativity, Passion, and Self-Exploration: On Becoming an Art Therapist”.

As the name suggests, this is a personal portrayal of Myria Rei Solas’ journey in using art as a means of healing herself and others.

“Patti Paints a Picture” continues until Thursday, June 12th while the other shows close on Saturday, June 7th.

Gallery in the Attic (140 ½ Hunter St., Peterborough) is open Tuesday to Saturday from 11 a.m. to 5 p.m.

Call 705-740-1162, or visit www.facebook/galleryintheattic.


Gallery on the Lake in Buckhorn is kicking off its 2014 season with new paintings by Eduard Gurevich, on display from Saturday, May 31st to Friday, June 27th. Visitors can meet the artist at the gallery on May 31st.

Gurevich's surreal landscapes are incredibly striking; although more-or-less representative this "Winter Paradise" doesn't seem quite of this world (photo: Gallery on the Lake)
Gurevich’s surreal landscapes are incredibly striking; although more-or-less representative this “Winter Paradise” doesn’t seem quite of this world (photo: Gallery on the Lake)
More well known for his symbolic/surreal work in Europe, you can see how that bleeds into his landscapes which have been seen here more in North America (photo: Gallery on the Lake)
More well known for his symbolic/surreal work in Europe, you can see how that bleeds into his landscapes which have been seen here more in North America (photo: Gallery on the Lake)

Eduard is a diverse, original and well-respected artist whose thought-inspiring works convey a variety of themes drawn from his own life experiences, philosophy, as well as the world and people that surround him. “Images of reality and the fruits of my imagination are sitting tightly next to each other inside my head, often mixing together on the canvas”, to put it in his own words.

The “Meet the Artist” and reception will be held from 1:00 p.m. to 4:00 p.m. on Saturday, May 31st. Local culinary artisans, such as Publican House Brewery, will be sampling their goods at the event as well.

Gallery on the Lake (65 Gallery on the Lake Rd.) is located on Highway 36, three kilometres east of the Village of Buckhorn. It’s open Wednesday to Sunday from 10 a.m. to 5 p.m. Call 705-657-1108 or 1-888-242-7475 (toll free) or visit www.galleryonthelake.com.


Artspace’s Annual 50/50 Gala Fundraiser

A sampling of the wide array and diversity of artwork available to those looking to join in on the fun of the draw. There's bound to be something here to suit almost anyone's tastes (photo: Artspace)
A sampling of the wide array and diversity of artwork available to those looking to join in on the fun of the draw. There’s bound to be something here to suit almost anyone’s tastes (photo: Artspace)
It’s time to grab your tickets to Artspace’s 50/50 Gala Fundraiser in June.

If you haven’t gone before, there are two types of tickets: a Party ticket ($25) and a Draw ticket ($100).

Each type gets you entry to the event that includes great food from local restaurants, live bands, and a full evening of entertainment. This includes a free drink, and access to the art auction and fire sale.

The Draw ticket has the added fun of participation in the 50/50 Draw. Each Draw ticket is numbered and drawn from a hat and guests select an artwork from the Main Gallery (valued at $100 or more) in the order the tickets are called.

This year, ARTSPACE boasts an impressive selection approaching 200 works by 50 artists including John Boyle, Anne Cavanaugh, Peer Christensen, John Climenhage, Brad Copping, Christy Haldane, Roz Hermant, Patrick Moore, Rob Neizen, Shannon Taylor, Esther Vincent, Victoria Wallace, and new work by Joe Stable. The best part: all proceeds from art sales are split 50/50 between the artist and the gallery.

A closer look at a few of the fine examples of artwork in the 50/50 draw. Works from Roz Hermant, John Climenhage and Peer Christensen (photo: Artspace)
A closer look at a few of the fine examples of artwork in the 50/50 draw. Works from Roz Hermant, John Climenhage and Peer Christensen (photo: Artspace)
For those who choose the Party route there's still great things in the art auctions and fire sale; including work from the inimitable Jeff Macklin (photo: Artspace)
For those who choose the Party route there’s still great things in the art auctions and fire sale; including work from the inimitable Jeff Macklin (photo: Artspace)

Artworks are available for viewing now and Artspace’s helpful staff is on hand to answer all your questions. The Gala is on Friday, June 6th — giving you plenty of time to recover from Erring on the Mount. Don’t miss the most galarific event of the year!

Artspace (3/378 Aylmer St. N., Peterborough) is open Tuesday and Wednesday from 12 p.m. to 6 p.m., Thursday and Friday from 12 p.m. to 8 p.m., and Saturday from 12 p.m. to 4 p.m. Gala tickets are available at the gallery or online at www.artspace-arc.org). Call 705-748-3883 for more information.