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Aerial and performance artist Diana Lopez Soto reclaims her Mexican Indigenous heritage in ‘Nomada’

Mexican-Canadian aerial and performance artist Diana Lopez Soto empties a cantaro (clay pot) in mid-air during a performance of her solo work "Nomada", which she will bring to the stage at Market Hall Performing Arts Centre in downtown Peterborough for one night only on April 5, 2024, presented by Public Energy Performing Arts. (Photo: Greg Wong)

For the penultimate show of its 30th anniversary season, Public Energy Performing Arts is bringing internationally renowned aerial and performance artist Diana Lopez Soto to the Market Hall stage for one night only on Friday, April 5th for her exciting solo performance Nomada.

A Mexican-Canadian artist, Lopez Soto has drawn upon the stories and dances of her Mexican Indigenous ancestry to create a thrilling and powerful work that blends aerial dance, installation art, projection design, and contemporary Mexican Indigenous dance.

Nine years in the making, Nomada is inspired by connections to the land, rituals of water, cycles of sustainability, and stories that Lopez Soto collected in the highlands of Michoacán state in Mexico.

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“Every element of creation and development has involved in-depth research and field work,” Lopez Soto explains. “This production is a restorative process and a gateway to connection — an experience that honours the stories of my family, our Otomi and Purépecha ancestry, (and) our contemporary community, history, and relationships to the land and culture of Michoacán.”

Lopez Soto has fully incorporated the elements of her research and field work into Nomada.

“Thanks to the support of knowledge keepers, my mother, and elders of the community of Michoacan, I was able to participate in water rituals and ceremonies, visited family members, butterfly sanctuaries, and bodies of water,” she says. “The sound and video material from rivers, storms, streets, conversations, and celebrations that we gathered during these years of research are crucial elements in the final sound composition and inspiration of movement.”

Nomada is supported by the CanDance Network commissioning program with five presenters across Canada taking part, including Peterborough’s Public Energy Performing Arts, Toronto’s Canadian Stage and Danceworks, Nanaim’s Crimson Coast Dance Society, and Vancouver’s PuSh International Performing Arts Festival. The performance premiered at PuSh from February 1 to 3, and will have its premiere in Toronto from April 18 to 20.

One of the most unusual aspects of Mexican-Canadian aerial and performance artist Diana Lopez Soto's "Nomada" is her use of numerous large clay pots called cantaros, which are filled with water, beans, corn, and soil and suspended around the stage, connected to each other and to Lopez Soto through a complex counterbalance system of ropes and pulleys. The vessels rise and fall in a choreographed vertical dance as Lopez Soto rises and falls with them, swinging dramatically from one side of the stage to the other. (Photo: Chris Randle)
One of the most unusual aspects of Mexican-Canadian aerial and performance artist Diana Lopez Soto’s “Nomada” is her use of numerous large clay pots called cantaros, which are filled with water, beans, corn, and soil and suspended around the stage, connected to each other and to Lopez Soto through a complex counterbalance system of ropes and pulleys. The vessels rise and fall in a choreographed vertical dance as Lopez Soto rises and falls with them, swinging dramatically from one side of the stage to the other. (Photo: Chris Randle)

One of the most unusual aspects of Nomada is Lopez Soto’s use of numerous large clay pots called cantaros, which are used today in Mexico as percussion instruments (with water inside the cantaro being used to create different pitches).

In Nomada, the cantaros are filled with water, beans, corn, and soil and suspended around the stage, connected to each other and to Lopez Soto through a complex counterbalance system of ropes and pulleys. The vessels rise and fall in a choreographed vertical dance as Lopez Soto rises and falls with them, swinging dramatically from one side of the stage to the other.

Like so much of Nomada, the design of the cantaros used in the show has been a collaborative effort, first with Mexican ceramic artist Gustavo Bernal and then with Canadian ceramicist Cynthia Cupples, who lives near Lopez Soto’s organic farm in Uxbridge. The cantaros needed to be strong enough not only to be suspended by ropes, but also to withstand Lopez Soto’s full weight when she stands on them in one part of the performance.

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According to a story by Charlie Smith published on the arts and culture website Pancouver in advance of Nomada’s premiere at PuSH, Lopez Soto originally called her performance Agua y Barro (“water and mud”) because she wanted to focus on clay, which Indigenous communities in Mexico relied on to make utensils for cooking and pots for carrying water. According to Lopez Soto, clay vessels were also used in ancestral times to transport loved ones who had passed away.

However, after Lopez Soto learned about her family’s stories of displacement, she changed the title of the performance to Nomada (“nomadic”), reflecting both her family’s experiences and her own personal story and artistic practice.

Lopez Soto immigrated to Canada on her own when she was only 17, and occasionally travels to Mexico and South America to be with her family and to collaborate with other artists.

VIDEO: “Nomada” promo

Lopez Soto’s Indigenous heritage plays a large role in Nomada, particularly when it comes to her Otomi heritage. While her father, who has Purépecha heritage, exposed her to the music, food, and cultural celebrations of the Purépechan people, her mother’s Otomi heritage was denied by the family.

For example, Lopez Soto’s uncle Aurelio told her the family had no Otomi heritage even though his mother, his grandparents, and his great-grandparents all spoke the language and lived in the Otomi community.

“Growing up in the community as an Otomi was not easy,” Lopez Soto tells Pancouver. “Many mothers would not teach their language to their kids or teach them about the culture. This was their way to protect their children and find survival.”

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Nomada is a way for Lopez Soto and her family to reclaim their Otomi heritage and culture.

“We’re going back and actually owning that as an honour,” she says.

Lopez Soto will perform Nomada for one night only at 7:30 p.m. on Friday, April 5th at Market Hall Performing Arts Centre. Sold on a sliding pay-what-you-can scale from $10 to $50, tickets are available in person at the Market Hall box office (140 Charlotte St, Peterborough), by phone at 705-775-1503, or online at markethall.org.

For more information about Nomada and Diana Lopez Soto, visit publicenergy.ca/performance/nomada/.

Mexican-Canadian aerial and performance artist Diana Lopez Soto's "Nomada" blends aerial dance, installation art, projection design, and contemporary Mexican Indigenous dance. (Photo: Chris Randle)
Mexican-Canadian aerial and performance artist Diana Lopez Soto’s “Nomada” blends aerial dance, installation art, projection design, and contemporary Mexican Indigenous dance. (Photo: Chris Randle)

 

kawarthaNOW is proud to be a long-time media sponsor of Public Energy Performing Arts.

32-year-old Dunsford man dead in single-vehicle crash on County Road 36 near Lindsay

A 32-year-old man is dead after a single-vehicle collision late Monday night (March 25) on County Road 36 between Lindsay and Dunsford.

At around 10:23 p.m., Kawartha Lakes Ontario Provincial Police (OPP) and fire and emergency medical services responded to a report of the collision on County Road 36 just north of the intersection with Settlers Road.

The driver of the vehicle, a 32-year-old Dunsford man, was pronounced dead at the scene.

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County Road 36 was closed in the area for several hours while police documented the scene.

The cause of the collision remains under investigation.

Anyone who may have witnessed the collision or has video/dash camera footage and has not spoken with police is asked to contact Kawartha Lakes OPP at 1-888-310-1122.

Peterborough Humane Society’s inaugural 50/50 lottery surpasses $11,500 in the pot with three weeks left to go

After less than two weeks of ticket sales, upwards of $11,500 dollars has already been raised for a 50/50 draw in support of the Peterborough Humane Society. More than $5,000 has also been raised through Owen's 'Ruff'le, where a winner will receive two patio chairs valued at over $1,700 in honour of Lakefield's late Instagram star Owen The Griff. Ticket sales end at noon April 17, 2024 with the draw occurring at 1 p.m. (Photo: Marlon Hazlewood)

Next month, one lucky winner will become thousands of dollars richer for supporting animal welfare in the Kawarthas region.

After less than two weeks of ticket sales, the Peterborough Humane Society has already collected more than $11,500 for its inaugural 50/50 draw.

“We saw this as a great opportunity to engage the community with something that’s fun,” says Kevin MacKenzie, fund development director at the Peterborough Humane Society. “Somebody’s going to walk away with a pretty big chunk of change, and at the same time, raise much-needed funding for the animals that are in need.”

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Tickets are available until noon on Wednesday, April 17th at www.phs5050.ca. The draw will occur at 1 p.m., where the winner will be awarded with half of the collected funds. Ticket are priced at $2 for one, $5 for three, $10 for 10, or $25 for 25.

At the same time, the Peterborough Humane Society is also hosting Owen’s ‘Ruff’le, named in honour of Lakefield’s late Owen The Griff, a Brussels Griffon made famous on social media whose 17th birthday would have been on March 13, the same day ticket sales opened.

The draw presents the opportunity to win two Lollygagger lounge chairs valued at over $1,700 donated by Loll Designs and Stony Lake Furniture Co., where Owen was the shop dog before he passed away last June. Tickets for Owen’s ‘Ruff’le are priced at $20 for one, $50 for three, and $100 for 10.

Owen The Griff, the late shop dog of Stony Lake Furniture Co. in Lakefield, was famous on Instagram, where he used his influence in part to support the Peterborough Humane Society. Now he is being honoured with Owen's 'Ruff'le, a raffle where one lucky winner will walk away with two new Lollygagger lounge chairs donated by Loll Designs and Stony Lake Furniture Co. (Photo: Stony Lake Furniture Co.)
Owen The Griff, the late shop dog of Stony Lake Furniture Co. in Lakefield, was famous on Instagram, where he used his influence in part to support the Peterborough Humane Society. Now he is being honoured with Owen’s ‘Ruff’le, a raffle where one lucky winner will walk away with two new Lollygagger lounge chairs donated by Loll Designs and Stony Lake Furniture Co. (Photo: Stony Lake Furniture Co.)

“Someone will be very lucky to get two beautiful chairs to put out on their patio, on their deck at the cottage, or wherever else they want to enjoy them this summer,” says MacKenzie.

According to his parents Lisa Besseling and Marlon Hazlewood, Owen The Griff sounded like a chicken when he barked, looked like a tiny alpaca, enjoyed fruit snacks, and crossed flooring transitions with extreme caution. Though not adopted from the shelter himself, he was always a supporter and advocate for the work done at the Peterborough Humane Society.

“Owen The Griff and his family were a very big part of getting the Peterborough Animal Care Centre built, because he had such a strong following on Instagram and still does,” says MacKenzie. “They are big supporters and believers in what we do at the Peterborough Humane Society, so we’ve been so fortunate to have them here.”

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MacKenzie notes that the more than $11,500 in the pot for the 50/50 draw does not include the more than $5,000 raised through Owen’s ‘Ruff’le so far. All the funds raised from both will support the work of the Peterborough Humane Society, from the spay-and-neuter clinic to cleaning and caring for the animals — including caring for their mental health.

“Sometimes we don’t know what’s happened to an animal when they come to our facility,” says MacKenzie. “If they haven’t been in the best environment, the animal care workers help them learn to trust people and trust other animals again. Our staff work so carefully with these animals to make sure that, mentally and physically, they are healthy enough for a second-chance life.”

“The animals are being walked, socialized, taken care of, vaccinated, micro-chipped, spayed and neutered,” he adds. “All of these services and all that care and love we give these animals is what you are paying for when you buy your lottery tickets.”

 Iceberg and Broccoli are just two of the thousands of dogs and cats that benefit from the Peterborough Humane Society's animal care centre. Funds raised from the Peterborough Humane Society's 50/50 lottery and Owen's 'Ruff'le will support the work of the Peterborough Humane Society and the ever-increasing demand for its services. (Photos courtesy of the Peterborough Humane Society)
Iceberg and Broccoli are just two of the thousands of dogs and cats that benefit from the Peterborough Humane Society’s animal care centre. Funds raised from the Peterborough Humane Society’s 50/50 lottery and Owen’s ‘Ruff’le will support the work of the Peterborough Humane Society and the ever-increasing demand for its services. (Photos courtesy of the Peterborough Humane Society)

MacKenzie adds that the need for support is a “12-month, 365-day-a-year need” because, even though the new animal care centre is much larger than the previous location, the shelter is still full of animals looking for their forever homes — and it’s about to get even more full as spring marks kitten season.

“We’re about to get a lot of cats and kittens that will end up in our facility in the next couple of months, but we do have animals that are abandoned and surrendered to us each and every week,” he says. “The Kawarthas region is expanding. There are more and more homes being built, more and more people moving to the Kawarthas region, and with that demographic growing, so does the need in animal welfare.”

The funds raised from the 50/50 lottery and Owen’s ‘Ruff’le will also support the work being done outside of the animal care centre itself. One such service, which becomes more essential each day, is the partnership with local food banks which ensures local pet owners have the resources they need to keep their companion with them.

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“Between the economy, high inflation, and employment challenges, there are a lot of factors that land people in tough choices to make, so it is a priority to keep people and pets together,” MacKenzie says.

“We will try to support the community as best we can and when, unfortunately, all of those other resources have been exhausted and someone has surrendered the pet, we are here to take really good care of that animal and find them they’re next home and, hopefully, it’s a forever home.”

For those who are unable to purchase a ticket for the 50/50 lottery or Owen’s ‘Ruff’le, MacKenzie encourages that a share on social media, telling friends and co-workers, or printing off the flyers, could go a long way in supporting the Peterborough Humane Society while making one lucky winner just a little bit richer.

As the Peterborough Humane Society prepares for an increase in cat and kitten surrenders during the spring, the 50/50 lottery will support all the services of the Peterborough Animal Care Centre, including adoption, the spay-and-neuter clinic, micro-chipping, and more. (Photo courtesy of the Peterborough Humane Society)
As the Peterborough Humane Society prepares for an increase in cat and kitten surrenders during the spring, the 50/50 lottery will support all the services of the Peterborough Animal Care Centre, including adoption, the spay-and-neuter clinic, micro-chipping, and more. (Photo courtesy of the Peterborough Humane Society)

“We have more than 20 days left and, if we’re already at $11,000, imagine how big that could be by the time we do the draw on April 17,” says MacKenzie. “And the more people that know about it, that number is going to keep growing and growing and this could end up becoming life-changing money for someone.”

The winner will be drawn at 1 p.m. on Wednesday, April 17th, with ticket purchases for both the lottery and raffle closing at noon.

Visit www.phs5050.ca for more information and to purchase tickets.

Peterborough police investigating after cat shot with arrow south of Millbrook

Peterborough police are investigating after a cat was shot with an arrow south of Millbrook on Sunday (March 24).

At around 4:30 p.m., a Cavan-Monaghan Township resident contacted police to report their cat had been shot with an arrow.

After officers arrived at the home in the Deyell Line and County Road 10 area, they learned the cat has been found injured on a driveway.

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Officers were told the cat was then taken to a vet, where it had to be euthanized due to its injuries.

Anyone with information about this incident is asked to Peterborough police at 705-876-1122 ext. 555.

If you prefer to remain anonymous, you can contact Crime Stoppers at 1-800-222-8477 or online at stopcrimehere.ca.

Second public performance added for Trent Valley Archives Theatre’s inaugural history play ‘Tide of Hope’

An 1874 engraving published in The Illustrated London News shows Irish emigrants preparing to leave the Queenstown port in County Cork, Ireland. Trent Valley Archives Theatre's inaugural production "Tide of Hope" follows the fortunes and misfortunes of David Nagle, an Irish land agent and rent collector forced to flee to Upper Canada in 1825 when Irish rebels fighting against English tyranny brand him a traitor. The play will be performed for the public on May 15 and 16, 2024 at Market Hall Performing Arts Centre. (Public domain image)

A second public performance of Tide of Hope, the inaugural production of Trent Valley Archives Theatre, will be staged at Market Hall Performing Arts Centre in downtown Peterborough in May.

The second performance takes place at 7:30 p.m. on Wednesday, May 15th, the evening before the originally scheduled performance.

“We’re very pleased with the audience interest in our project and community support,” say co-producers Mary and Greg Conchelos in a media release, noting that the May 16th performance is now 85 per cent sold out. “There is a real appetite for regional history and historical fiction in this area.”

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Both public performances are fundraisers for Trent Valley Archives, a non-profit organization that has promoted the preservation, identification, and care of historical archives in the Trent Valley region since 1989. Unlike many archival organizations that receive government funding, Trent Valley Archives relies on membership, donations, and user fees to make its unique and extensive collection of local historical resources available to the public five days a week, year-round.

Launched earlier this year with a mission to bring regional history to life on stage while also raising funds for Trent Valley Archives, Trent Valley Archives Theatre’s first production is the history play Tide of Hope, written by Peterborough playwright Ed Schroeter and directed by Gerry McBride.

A prequel to the immigration story of Peter Robinson, the 19th-century politician in Upper Canada who administered the passage and settlement of over 2,500 poor Catholic families from Ireland to what is now eastern Ontario, Tide of Hope follows the fortunes and misfortunes of David Nagle, an Irish land agent and rent collector forced to flee to Upper Canada in 1825 when Irish rebels fighting against English tyranny brand him a traitor.

Actor Paden Gilhooley (left), co-prooducer Mary Conchelos (centre), and playwright Ed Schroeter (right, in the background at a script development workshop for Trent Valley Archives Theatre's "Tide of Hope". Public performances of the play will be staged May 15 and 16, 2024, at 7:30 p.m. at Market Hall Performing Arts Centre, with a performance for school groups at 1 p.m. on May 15. (Photo: Suzanne Schroeter)
Actor Paden Gilhooley (left), co-prooducer Mary Conchelos (centre), and playwright Ed Schroeter (right, in the background at a script development workshop for Trent Valley Archives Theatre’s “Tide of Hope”. Public performances of the play will be staged May 15 and 16, 2024, at 7:30 p.m. at Market Hall Performing Arts Centre, with a performance for school groups at 1 p.m. on May 15. (Photo: Suzanne Schroeter)

“There are four strong, fierce female characters in the play — including Lady Mount Cashell, an Irish rebel sympathizer who wrote female-emancipatory fiction and health advice — who overshadow David,” says Schroeter, an award-winning playwright, Trent Valley Archives volunteer, and retired teacher.

Also known as Margaret King and Margaret King Moore, Lady Mount Cashell was a favoured pupil of British writer, philosopher, and women’s rights advocate Mary Wollstonecraft. Later in life when she settled in Italy, Lady Mount Cashell would adopt the name Mrs Mason, from the motherley governess in Wollstonecraft’s only children’s book, and offered maternal aid and advice to Wollstonecraft’s daughter Mary Shelley, the author of the 1818 novel Frankenstein; or, The Modern Prometheus.

Geared to the general public and Grade 6 to 12 students, Tide of Hope both commemorates the bicentennial of the Peter Robinson immigration while also opening a dialogue about immigration, refugees, migrants, and European settler history.

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Tickets for the public performances are $40 for assigned cabaret table seating or $30 for regular assigned seating, and are available online at tickets.markethall.org/tide24. Suitable for audiences aged 12 and older, the play runs for around 95 minutes, including a 15-minute intermission.

Prior to the two public performances, there will be a performance for school groups at 1 p.m. on Wednesday, May 15th, with admission costing $250 for a class of 25 students or more (including free admission for the teacher and up to four volunteer chaperones). Teachers can book classes by emailing trentvalleyarchivestheatre@gmail.com.

According to Mary and Greg Conchelos, there is still enough room at the school performance for at least another eight or nine classes. More information, including educational resources, is available at trentvalleyarchives.com/tvat/.

 

kawarthaNOW is proud to be a media sponsor for Tide of Hope.

Charges dropped against OPP officers involved in 2020 Kawartha Lakes shooting that killed toddler

A Kawartha Lakes police vehicle blocks access to Pigeon Lake Road east of Lindsay after a police shooting on November 26, 2020 that resulting in a 33-year-old suspect and an OPP officer being seriously injured. The suspect's one-year-old son was found fatally shot in the man's pickup truck. (Photo: CBC)

Charges of manslaughter and criminal negligence causing death have been dropped against three Ontario Provincial Police (OPP) officers who were involved in a tragic shooting in Kawartha Lakes in November 2020 that killed 18-month-old Jameson Shapiro at the scene and, later, the life of his father.

The Barrie-based OPP Association, which represents 6,200 uniformed and around 3,600 civilian members of the OPP, announced on Monday (March 25) that all charges had been dropped against constables Nathan Vanderheyden, Kenneth Pengelly, and Grayson Cappus during a court appearance.

“It is a correct and just decision made today that the charges against our members have been withdrawn,” stated OPP Association president John Cerasuolo in a media release. “We have stated from the outset that our members acted courageously and professionally during an extremely dangerous situation. We were confident that as the case proceeded through justice system that the evidence would vindicate the officers.”

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On November 26, 2020, the OPP responded to a report of a domestic dispute near Bobcaygeon involving a firearm, and that a 33-year-old man had abducted his infant son. When they attempted to stop the man’s pick-up truck on Pigeon Lake Road east of Lindsay, it collided with another vehicle and seriously injured an OPP officer.

Police confronted the driver and three officers fired shots at the pick-up truck, injuring the man. The body of the infant was later found in the pick-up truck, along with a handgun. The boy’s father succumbed to his injuries almost one week later.

After an initial investigation and months of public speculation, Ontario’s Special Investigations Unit (SIU) confirmed in February 2021 the infant had died as a result of being shot by police. At that time, SIU spokesperson Monica Hudon wrote in an email that the three officers involved in the shooting had “not as yet availed themselves of an opportunity to be interviewed.”

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In August 2021, the SIU announced the investigation was “in a hold pattern” awaiting the results of specialized forensic testing of some of the ballistic evidence by the Federal Bureau of Investigation (FBI) in the U.S. In November 2021, the SIU announced it was reviewing the FBI’s forensic report and was continuing “to actively investigate this tragic case.” Over the following nine months, the SIU provided no further public updates on the investigation.

In August 2023, almost two years after the shooting, the SIU announced there were “reasonable grounds” to believe the three OPP officers “committed criminal offences” and each of the officers was charged with manslaughter and criminal negligence causing death.

A preliminary hearing examining the evidence in the case began in the Ontario Court of Justice in Oshawa in December 2023 and continued in January, with a publication ban on evidence presented at the hearing. The OPP Association provided no details of what happened at Monday’s hearing.

“It is important for the public to understand that if police are charged with an offence, they have the presumption of innocence, and in this case it has been determined that on the totality of the evidence there was no reasonable prospect of conviction,” Cerasuolo said. “Our officers were doing their job according to their training.”

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Cerasuolo acknowledged the impact of the 2020 shooting incident on the lives of the family and on the police officers and civilian members of the OPP.

“The circumstances of this incident involving the death of an innocent child are tragic for all involved,” he says. “We offer our sympathies to the child’s family. It is our duty to serve and protect and we take that duty very seriously. Unfortunately, as police officers protect public safety in highly volatile and fast-moving dangerous situations, unexpected outcomes may result.”

Cerasuolo is encouraging anyone affected by the situation “to reach out and lean on those closest to them as well as seek professional mental health assistance,” noting that the Canadian Mental Health Association Haliburton, Kawartha, Pine Ridge offers mental health supports to residents of Kawartha Lakes, Haliburton, the city and county of Peterborough, and Northumberland. Confidential support services are available to all OPP members, families, retirees, and auxiliaries through the OPP’s Healthy Workplace Team.

Peterborough Theatre Guild wraps up its season with satirical comedy ‘Girl in the Goldfish Bowl’

Leslie Jones as Iris in the premiere 2002 production of Morris Panych's "Girl in the Goldfish Bowl" at the Arts Club Theatre in Vancouver. The award-winning play tells the story of a 10-year-old girl living in a fishery town in 1962 who, convinced the troubles in her world were caused by the death of her pet goldfish, finds a mysterious stranger washed up the ocean's shore who she believes will set her world right. (Photo: Andree Lanthier)

The Peterborough Theatre Guild is wrapping up its 2023-24 season in May with a production of Morris Panych’s award-winning satirical comedy Girl in the Goldfish Bowl.

The two-act play tells the story of a precocious 10-year-old girl named Iris who, proclaiming “she’s in the last few days of her childhood,” lives with her depressed parents Sylvia and Owen in British Columbia’s ocean-side fishery town of Steveston in 1962. Adding to the dysfunctional family is sharp-tongued and sharp-eyed boarder named Miss Rose, Iris’s godmother, who works at the fish cannery by day and drinks at the local legion at night.

Iris believes the world has been held together by her pet goldfish Amahl. That belief is strengthened by what happens when Amahl dies: Sylvia threatens to leave the family and the Cuban missile crisis takes place, with the former Soviet Union placing nuclear missiles in Cuba and creating the imminent threat of nuclear war with the U.S.

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Shortly after Amahl dies, Iris finds a strange man named Mr. Lawrence washed up on the beach, who she thinks bears an uncanny resemblance to her dead goldfish. After she brings the mysterious Mr. Lawrence home, she becomes convinced he is the reincarnated Amahl who will fix everything that has gone wrong in Iris’s world.

First produced at the Arts Club Theatre in Vancouver in 2002, Girl in the Goldfish Bowl won a Jessie Richardson Award for achievement in professional theatre in Vancouver in 2022, a Dora Mavor Moore Award in Toronto 2003, and the Governor General’s Award for Drama in 2004.

Born in Calgary and now based in Vancouver, 71-year-old Morris Panych is an actor and one of Canada’s most celebrated directors and playwrights. As an actor, you may recognize him from his roles as F. Emasculata and the Grey-Haired Man in six episodes of the iconic science-fiction series The X-Files.

"Girl in the Goldfish Bowl" playwright Morris Panych. (Photo: Joy von Tiedemann)
“Girl in the Goldfish Bowl” playwright Morris Panych. (Photo: Joy von Tiedemann)

As a director and playwright, Panych has directed over 90 productions across Canada and has written 30 plays that have been produced throughout Canada, Britain, the United States, Europe, Asia, Australia, and New Zealand in a dozen languages.

Panych first rose to prominence as a playwright with 1989’s 7 Stories, a dark comedy about a man standing on a seventh-story ledge of an apartment building, whose suicidal despair is ignored by various self-absorbed people popping their heads out of the windows around him.

His plays have earned him 14 Jessie Richardson Awards and five Dora Mavor Moore Awards. In addition to his Governor General’s Award for Drama for Girl in the Goldfish Bowl, he won the same award in 1994 for his play The Ends of the Earth. Panych’s latest play, Withrow Park, premiered at Tarragon Theatre in Toronto in November 2023.

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In September 2022, Panych was in Toronto to direct the Tarragon Theatre production of Girl in the Goldfish Bowl, where he spoke with NOW Magazine’s Jon Kaplan about why he chose a child to be the main character in his play.

“I wanted to write about a child, and I can’t escape the fact that everything that happens to a child seems deeply dramatic, if not downright tragic,” Panych told Kaplan. “Iris believes deeply that something is in control of the universe, and that it’s somehow tied to a force created by her goldfish’s centrifugal movements in its bowl.”

“It’s also inspired by the girls that Hayley Mills played in Disney films like The Parent Trap, with those dream scenarios where she works to get her parents back again,” he added. “I was in love with her when I was a child, in films like The Moon-Spinners or The Trouble With Angels.”

According to Panych, Iris’s belief in the power of her goldfish is not only a metaphor for the existence of God but “my own utter, complete disillusionment with the Catholic Church.”

“In fact, the play deals with disappointment in any security, truth, absoluteness and safety,” he said. “It turns out to be your deep belief in such things that then catches you out.”

The Peterborough Theatre Guild will present its production of "Girl in the Goldfish Bowl" for 10 performances from May 3 to 18, 2024. (Original artwork: Colton DeKnock)
The Peterborough Theatre Guild will present its production of “Girl in the Goldfish Bowl” for 10 performances from May 3 to 18, 2024. (Original artwork: Colton DeKnock)

Directed by 4th Line Theatre’s Kim Blackwell with assistance from Indigo Chesser and Mikayla Stoodley, the Peterborough Theatre Guild production of Girl in the Goldfish Bowl stars Lindsay Wilson as Iris, Nancy Towns as Sylvia, Peter Dolinski as Owen, Lisa Devan as Miss Rose, and Stew Granger as Mr. Lawrence. Production managers are Beth McMaster, Pat Hooper, Bob Campbell, and Kate Suhr.

The play runs at the Guild Hall at 364 Rogers Street in Peterborough’s East City from May 3 to 18, with evening performances at 7:30 p.m. on May 3 and 4, 9 to 11, and 16 to 18 and 2 p.m. Sunday matinee performances on May 5 and 12.

Tickets are $30 for adults, $27 for seniors, and $20 for students and are available by calling 705-745-4211 or online at www.peterboroughtheatreguild.com.

 

kawarthaNOW is proud to be a media sponsor of the Peterborough Theatre Guild’s 2023-24 season.

Port Hope’s ‘Float Your Fanny Down the Ganny’ returns April 13, but without the Crazy Craft race

"Float Your Fanny Down the Ganny" is returning to Port Hope on April 13, 2024, although the Crazy Craft race will not take place this year due to the closure of the Sylvan Glen Bridge for replacement. Instead, there will be a shorter "Floaty Your Fanny" race where participants will use inflatable floaties from Optimist Park to Fanneyvile. However, all other elements of the event will continue, including prizes and awards, the Fannyville outdoor event village, and more. (Photo: Float Your Fanny Down the Ganny website)

Port Hope is gearing up for its largest tradition of the year, where water lovers and creatives come from all over to float down the Ganaraska River — or try to, anyway.

But at this year’s ‘Float Your Fanny Down the Ganny’ event on Saturday, April 13th, things are running a little differently with the cancellation of a crowd favourite: the Crazy Craft race.

While the canoe, kayak, and paddleboard race will launch as usual from the Canton bridge, due to last summer’s closure of the Sylvan Glen Bridge for a $2.3-million replacement, the organizing committee decided there was no suitable alternative launch location for the Crazy Craft race, where participants travel down the Ganaraska River on handmade wacky rafts.

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In its place, the 42nd annual event will see a new experience for this year only called “Floaty Your Fanny,” where participants will launch inflatable floaties from Optimist Park for a shorter run down the rapids section. Whether the boat is a giant unicorn, air mattress, or inflatable raft, so long it’s a soft-sided vessel “requiring air to keep its dimensions,” it can be entered in the event.

“We had the choice to either cancel it or find something else to try, and we decided that we would try something new to keep the tradition going and see if we could still have some fun,” says committee co-chair Barry Adamson, who notes the new inflatables category provides an accessible way for people to take part without having to design their own vessel.

“It’s a fun way for people that have it on their bucket list to participate and makes it just a little easier,” he says. “They just have to buy something and they can try it out — hopefully getting some calm waters to go over the great rapids.”

As well as being an annual celebration of spring, “Float Your Fanny Down The Ganny” commemorates the devastating 1980 flood in Port Hope. (Photo: Mark Clayton / YouTube)
As well as being an annual celebration of spring, “Float Your Fanny Down The Ganny” commemorates the devastating 1980 flood in Port Hope. (Photo: Mark Clayton / YouTube)

Though it’s a family-fun day that draws boisterous crowds, the Float Your Fanny tradition began as a commemorative event to rally the community in resilience following a natural disaster more than four decades ago.

On March 21, 1980, the town was hit with a torrential downpour that, combined with the still-frozen ground and blocked storm drains and sewers, resulted in the Ganaraska River overflowing its banks and flooding 66 acres of downtown Port Hope to depths up to 1.5 metres. With the water’s velocity, every bridge was washed out, as well as part of Walton Street downtown, damaging buildings and reportedly causing the drowning of a child.

Beginning the following year, the town has gathered annually for the event which ultimately evolved into what it is today: an attraction with a 16-kilometre canoe, kayak, and paddleboard race, a 10-kilometre Crazy Craft race (except for 2024), awards and prizes, the “Fannyville” outdoor event village full of entertainment and activities, and fun events throughout the town. For Port Hope locals and those nearby, it’s become a beloved tradition.

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“We love everything about it,” says long-time participant Brigetta Balling, who is already looking forward to racing in a canoe with her husband while her young children cheer her on.

The Newtonville resident has been competing since she was a teenager, having first participated about 20 years ago after her father read about the event in the newspaper while living in Leskard. For her first one, she and her friend decorated their kayaks to look like bunnies for Easter.

“I remember it snowed on our first day, but I did it and since that time, I’ve loved it,” she says. “Even though it was different back then — we didn’t have the crowds we do now, we didn’t have the cheering — we loved it.”

Newtonville resident Bridgetta Ballings participating in her first kayak race at Port Hope's "Float Your Fanny Down the Ganny" event around 20 years ago, decorating her kayak with bunny ears and a tail for Easter. She has participated nearly every year since in all categories, making it a beloved tradition with friends, her husband, and young children. (Photo courtesy of Bridgetta Ballings)
Newtonville resident Bridgetta Ballings participating in her first kayak race at Port Hope’s “Float Your Fanny Down the Ganny” event around 20 years ago, decorating her kayak with bunny ears and a tail for Easter. She has participated nearly every year since in all categories, making it a beloved tradition with friends, her husband, and young children. (Photo courtesy of Bridgetta Ballings)

Aside from the hiatus during the pandemic, as well as when she was pregnant, Balling has continued to join the event year after year, doing everything from the double and solo kayak races, to canoeing with her children and creating boats for the Crazy Craft.

“The crowds are mostly there for the entertainment from the Crazy Craft, so I hope we still get a good crowd,” Balling says, admitting she’ll disappointed not to see some of the rafts she has come to recognize for the past 20 years.

“I know that a lot of people are going to be missing it because maybe they don’t have the right boats to do (the other races), which is why they get creative and do the Crazy Craft. I’ll be missing that part — how unique people make their crafts.”

Though she didn’t know about it, when informed about the new inflatable category, Balling was immediately excited.

“I think that’s great that they’re trying to fill a space that was going to turn people away,” she says. “I think that’s wonderful and so creative. I’m happy to hear that.”

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Even without the Crazy Craft race, the committee is still encouraging people to get creative with their floaties as there will still be the usual awards and prizes. Participants are welcome to attach multiple floaties together using flexible materials, and there’s no limit to how many people can be on the floaties — so long as they stay afloat, of course.

“We have all the categories of awards if somebody wants to come in with a theme and a whole bunch of people all do the same thing,” he says, adding that he expects many will likely race amongst themselves. “We’ll help start them up and say ‘go’, and then they can decide at the end who wins. We expect it’s going to happen because there’s a lot of spirit (among) racers out there that are going to try this new event.”

For those looking to get involved, Canadian brand Float-Eh is giving 20 per cent discounts on floaty purchases for participants and will be providing the event prizes. Follow Float Your Fanny on Facebook for more information.

For the "Float Your Fanny Down the Ganny" event on April 13, 2024, there will be no Crazy Craft race due to the closure of the Sylvan Glen Bridge for replacement. Instead, participants will travel down the river from Optimist Park to Fanneyville in inflatables. However, participants are still encouraged to sport creative costumes and get innovative with their inflatables for prizes. (Photo: Float Your Fanny Down the Ganny / Facebook)
For the “Float Your Fanny Down the Ganny” event on April 13, 2024, there will be no Crazy Craft race due to the closure of the Sylvan Glen Bridge for replacement. Instead, participants will travel down the river from Optimist Park to Fanneyville in inflatables. However, participants are still encouraged to sport creative costumes and get innovative with their inflatables for prizes. (Photo: Float Your Fanny Down the Ganny / Facebook)

Despite not having the Crazy Craft race, all other traditions will be in place for the afternoon, including the fun-filled Fannyville at Cavan Street and Barrett Street Bridge from 11 a.m. to 3 p.m. where spectators can watch the races while enjoying live music, listening to commentators, and browsing the vendors. Also open are the Adventure Zone and the Kids Zone, where kids can still make their own crazy craft out of popsicle sticks and styrofoam as well as participate in other activities.

“We’re planning Fannyville to be just the same as it was, or bigger and better,” says Adamson.

Other events around town will carry on in tradition, including the Float Ur Funny Comedy “Game Show” Festival, running every Friday from April 5 to 26 at the Ganaraska Hotel. Local bars and restaurants will also be serving up special deals and discounts throughout the Float Your Fanny weekend.

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While the Sylvan Glen Bridge is expected to be open again next year so the Crazy Craft race can return, the committee is not opposed to continuing the new inflatable experience — but not at the expense of the beloved Crazy Craft race.

“If it was well-received, we could (do it again),” Adamson says. “It will take more manpower to manage, but we could fit it in if it was well-received — but we’re not trying to take away from the Crazy Craft.”

For the full Float Your Fanny Down the Ganny schedule, visit www.floatyourfanny.ca.

March 28 virtual talk in Northumberland PACE speakers’ series targets why, what, and how of organ and tissue donation

In Ontario, about 1,400 people on average are waiting for a life-saving organ. Ryley Mitchell (left, pictured with her mother Joanna in 2022) received a heart transplant in 2006 when she was seven months old after she was diagnosed with dilated cardiomyopathy. (Photo: Mitchell family)

One donor can help more than 80 people get back to life, according to the provincial agency responsible for organ and tissue donation and transplant.

In Ontario, about 1,400 people on average are waiting for a life-saving organ, while thousands more need a transformative tissue donation.

The Northumberland Personalized Assessment and Change Education (PACE) Speakers’ Series will tackle the issues surrounding organ and tissue donations during an upcoming web-based conversation.

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The second PACE presentation of 2024 is called the “Why, What and How of Organ and Tissue Donation” and occurs at 5:30 p.m. on Thursday, March 28. Registration is now open.

The event features guest speakers Tiffany Lue and Rebecca Massecar, who are registered nurses and hospital development specialists with the Trillium Gift of Life Network (TGLN), which is responsible for delivering and coordinating organ and tissue donation and transplantation services across the province. Previously a registered charitable organization, in 2020 TGLN became part of Ontario Health, an agency created by provincial government to connect and coordinate the province’s health care system.

“Tiffany and Rebecca’s virtual discussion will explore important questions about tissue and organ donation, including ‘why is organ and tissue important?’, ‘who can donate tissues or organs?’, ‘what are the common misconceptions about organ and tissue donation?’, and ‘if someone decides they want to be an organ and tissue donor, what is the next step?,'” a media release noted.

The Northumberland PACE Speakers' Series talk on March 28, 2024 will feature guest speakers Tiffany Lue and Rebecca Massecar, who are registered nurses and hospital development specialists with the Trillium Gift of Life Network, which is responsible for delivering and coordinating organ and tissue donation and transplantation services across the province. (Supplied photos)
The Northumberland PACE Speakers’ Series talk on March 28, 2024 will feature guest speakers Tiffany Lue and Rebecca Massecar, who are registered nurses and hospital development specialists with the Trillium Gift of Life Network, which is responsible for delivering and coordinating organ and tissue donation and transplantation services across the province. (Supplied photos)

Lue has dedicated the last 12 years of her career to the field of organ donation and transplants. Starting her nursing career at Toronto General Hospital, Lue was responsible for taking care of organ transplant recipients pre-and post-operatively. Spending time with the some of the sickest patients in Canada “was a humbling and inspiring experience, as she learned about their transplant journeys,” noted the release.

Her passion for innovation in donation and transplant led Lue to receive a Master of Nursing and continue her career with Ontario Health (TGLN). Since 2018, she has supported donation education and policy-making with the aim to improve donation processes throughout Ontario. In her current role, Lue supports patients and families as they generously give the gift of life through organ and tissue donation.

Masseca, in her role as a registered nurse, gained clinical experience at the bedside in a medical and palliative unit, while expanding her knowledge about the process of organ and tissue donation. Her passion for leadership and education led her to complete a Master of Science in nursing degree in 2020.

In 2021, Masseca transitioned into her role at Ontario Health (TGLN), where she supports several hospitals in southwestern Ontario and their donation programs. Her favourite aspects of this role include working with hospitals as they support organ and tissue donors while providing education to health care teams and the public about donation.

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In addition to their presentation, as is standard within the PACE talk format, questions from the audience will also be addressed. These questions may be submitted in advance by emailing mbhargava@imcare.ca prior to March 28, or if time permits, they may be posed live during the event itself.

Since 2018, the Northumberland PACE partners — Northumberland Hills Hospital, the Northumberland Family Health Team, the Community Health Centres of Northumberland, internal medicine specialists IMCare, the Ontario Health Team of Northumberland, and local patients and caregivers — have been hosting free public education sessions on a broad range of health and wellness topics and have consistently drawn large groups of community members with a variety of questions and perspectives.

PACE talk topics are developed in a variety of ways. All of the subjects are typically tied to the areas of health and wellness. Lasting 60 minutes, each PACE session consists of a 30-minute talk, the 20-minute question-and-answer period with the guest speaker(s), and a short moderator summary.

Advance registration is required, and space is limited to the first 300 registered attendees. This event is hosted through Zoom, and attendees are asked to log in to the event five minutes prior to the start time. Register for ‘Why, What and How of Organ and Tissue Donation’ at www.pacetalks.com.

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According to the Government of Canada, less than 25 per cent of people living in Canada are registered donors, yet more are needed.

“As our population ages, the need for organ and tissue donations keeps increasing,” the government’s website noted.

“There are more than 2,200 solid organ transplants each year. Despite improvements in the number of organ donations since 2012, the number of people in need of a transplant has also increased. On average, 250 people on the waiting list die while waiting for an organ each year.”

For more information about donating organs and tissues in Ontario, visit the Trillium Gift of Life Network’s Be A Donor website at beadonor.ca.

Sayers Foods in Apsley is finally reopening almost 40 months after a devastating fire

On March 25, 2024, Sayers Foods in Apsley will open for business for the first time in almost 40 months since a fire destroyed the original building and the only grocery store in North Kawartha Township. As well as being a food and social destination for the township's 2,300 year-round residents and 12,000 seasonal residents, the store was a driver of the local economy. (Photos: Sayers Foods / Facebook)

It has been a long 40 months. For Apsley’s Jeff Sayers, the past three and a half years have, at times, felt more like a decade. But there’s light at the end of the tunnel.

After a fire in December 2020 destroyed his family’s business, the only grocery store in North Kawartha Township, Sayers Foods is unveiling its brand-new store at 132 Burleigh Street in Apsley — rebuilt at the same location as the original store — with a “soft opening” on Monday (March 25).

kawarthaNOW briefly caught up with Jeff, Sayers Foods’ co-owner, about how he was feeling prior to the soft opening.

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“It’s definitely a big relief, but the relief is not to be confused with the end of the journey,” Jeff said.

“It’s a relief to be past the hurdles that we’ve overcome to be able to open, but there’s months of work left to finish the store to 100 per cent completion, including getting all of the services online that we have planned.”

Sayers Foods is a full-service independent grocery store that has served North Kawartha township residents and visitors for more than 45 years. The township has around 2,300 year-round residents and around 12,000 seasonal residents.

Sayers Foods in Apsley was engulfed in flames in the early morning of December 5, 2020, with an electrical issue at the back of the store later determined to be the cause. Nearly 40 months after the fire, the store has been rebuilt at the same location with a soft opening on March 25, 2024. (Photo: Sayers Foods / Facebook)
Sayers Foods in Apsley was engulfed in flames in the early morning of December 5, 2020, with an electrical issue at the back of the store later determined to be the cause. Nearly 40 months after the fire, the store has been rebuilt at the same location with a soft opening on March 25, 2024. (Photo: Sayers Foods / Facebook)

Since 1976, the Sayers family and their supermarket have been part of the fabric of Apsley — first as Sayers General Store before becoming an IGA, a Foodland, and then, in 2017, Sayers Independent Food Town.

That changed in the early morning hours of December 5, 2020, when an electrical fire at the back of the store swept through the building, leaving local residents without a grocery store.

Jeff co-owns and manages the store with his siblings Barb and Rick. His parents are semi-retired, but they will have an office in the new building.

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The soft opening is slated for 9 a.m. on Monday at the new store, which will then be open daily from 8:30 a.m. to 6 p.m. Jeff said he hopes to hold a big grand opening in late spring, with participation expected from the store’s suppliers and the store’s online ordering system up-and-running.

The past 40 months have encompassed numerous processes that needed to be followed — insurance paperwork, consultants, an appraisal, and some construction material delays — but walking away from the grocery store business wasn’t an option, Jeff said.

“This is our way of life,” he earlier told kawarthaNOW. “The community definitely needs a grocery store.”

The Village of Apsley's new Sayers Foods at 132 Burleigh Street, the same location as the original store destroyed by fire in December 2020. The front patio with Wi-Fi and power outlets has been integrated with the sidewalk, creating a social space for community members. (Photo: Sayers Foods / Facebook)
The Village of Apsley’s new Sayers Foods at 132 Burleigh Street, the same location as the original store destroyed by fire in December 2020. The front patio with Wi-Fi and power outlets has been integrated with the sidewalk, creating a social space for community members. (Photo: Sayers Foods / Facebook)

In addition to the supermarket essentials, the new Sayers Foods — which has increased square footage in the store portion — will have an expansive deli, which will encompass ready-to-go meals and a pick-up window.

There will also be a café with seasonal outdoor seating and Wi-Fi and power outlets.

Jeff said he expects to have between 30 and 50 employees when the store is open and running at full capacity.

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“Not everything will be ready but we’re so excited to reach this milestone and bring fresh food back into proper supply in our community,” Sayers Foods announced on its Facebook page last Monday night, adding that remaining challenges include rewiring the hot deli cases and getting approval for a secondary entrance that leads directly to the deli cafe and bakery.

“The grand opening will be sometime in the spring,” the post reads. “We’ll celebrate then when everything is 100 per cent complete. For now, we’re just focused on getting this store open nearly 40 months after the fire.”

The Facebook post about the store’s long-awaited opening has generated more than 790 reactions, 210 shares, and 140 comments.

On March 25, 2024, Sayers Foods in Apsley will be stocked with fresh food and will open its doors to customers, providing local residents with access to their own grocery store for the first time since a fire destroyed the original building in December 2020. An official grand opening will be held later in the spring when the store is 100 per cent completed. (Photo: Sayers Foods / Facebook)
On March 25, 2024, Sayers Foods in Apsley will be stocked with fresh food and will open its doors to customers, providing local residents with access to their own grocery store for the first time since a fire destroyed the original building in December 2020. An official grand opening will be held later in the spring when the store is 100 per cent completed. (Photo: Sayers Foods / Facebook)

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