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Victoria Beach in Cobourg to reopen during the week as of September 8

The Cobourg Police Service released this photo of Victoria Beach in Cobourg showing only small gatherings on the beach on May 23, 2020, the same day when an estimated 10,000 people gathered at Toronto's Trinity Bellwoods Park. (Photo: Cobourg Police Service)

Now that summer is almost over, the Town of Cobourg will be reopening Victoria Beach after the Labour Day long weekend for recreational use during the week only.

In June, Cobourg town council voted unanimously to close the popular beach until Monday, August 31st because of concerns about overcrowding during the COVID-19 pandemic, and to ensure both residents and visitors comply with emergency orders prohibiting social gatherings and health directives on physical distancing.

At the August 31st regular council meeting, council instructed town staff to reopen Victoria Beach effective Tuesday, September 8th for active recreational activities during the week, including swimming, walking, running, kitesurfing, and other similar activities.

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The beach will remain closed on weekends until October 14th, when the fencing will be removed and the beach will be fully reopened.

There will be no lifeguards on duty and the canteen and restroom facilities will stay closed. Porta-potties, which are located at the south end of Division Street and in Victoria Park, will remain in place and will be regularly disinfected.

The Town of Cobourg is asking all beach goers to abide by public health and safety protocols including physical distancing.

Ontario reports 133 new COVID-19 cases, including 1 in Kawartha Lakes and 1 in Northumberland

Public health nurse Simone Jackson wearing personal protective equipment as she prepares to open a swab to test a patient for COVID-19 in Peterborough Public Health's clinic. (Photo courtesy of Peterborough Public Health)

Here’s an update on COVID-19 cases in Ontario as well as in the greater Kawarthas region.

Today, Ontario is reporting 133 new cases of COVID-19. However, with 137 more cases resolved, there is a net decrease today in the number of active cases. Most of the new cases are in Toronto (43), Peel (34), York (15), Ottawa (12), and Durham (6). The remaining 29 public health units are reporting five or fewer cases, with 21 of them reporting no new cases at all.

Almost two-thirds of the new cases are among people 39 years old and younger, with 15% of cases under the age of 20. The province has now processed more than 3 million tests, and continues to lead the country in daily testing.

In the greater Kawarthas region, there is 1 new case in Kawartha Lakes and 1 in Northumberland, for a total of 5 active cases. There are no new cases to report in Peterborough, Prince Edward and Hastings counties, or Haliburton. There are currently 3 active cases in Peterborough and 4 active cases in Prince Edward and Hastings counties. There are no active cases in Haliburton.

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Since the pandemic began, there have been 105 confirmed positive cases in the Peterborough area (100 resolved with 2 deaths), 180 in the City of Kawartha Lakes (158 resolved with 32 deaths), 34 in Northumberland County (31 resolved with no deaths), 15 in Haliburton County (15 resolved with no deaths), and 49 in Hastings County and Prince Edward County (40 resolved with 5 deaths). The most recent death was reported on May 7 by Hastings Prince Edward Public Health.

Province-wide, there have been 42,554 confirmed cases, an increase of 133 from yesterday’s report, with 38,506 (90.5% of all cases) resolved, an increase of 137 from yesterday. There have been 2,812 deaths, no change from yesterday, with 1,816 deaths reported in long-term care homes, a increase of 1. A total of 3,013,892 tests have been completed, an increase of 24,004 from yesterday, with 18,273 tests under investigation, an increase of 2,525.

This report is based on data supplied by the province’s integrated Public Health Information System (iPHIS), as well as any additional information supplied by health units. This information is at least 24 hours old, so it is not real-time data. Note that each health unit reports the information in a different way.

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Peterborough Public Health

Peterborough Public Health’s service area is the City and County of Peterborough and the Hiawatha and Curve Lake First Nations.

Confirmed positive: 105 (no change)
Active cases: 3 (no change)
Deaths: 2 (no change)
Resolved: 100 (no change)
Total tests completed: Over 25,000 (increase of 100)
Institutional outbreaks: None (no change)

 

Haliburton, Kawartha, Pine Ridge District Health Unit

The Haliburton, Kawartha, Pine Ridge District Health Unit’s service area is the City of Kawartha Lakes, Northumberland County, and Haliburton County.

The health unit provides reports on Monday, Wednesday, and Friday, excluding statutory holidays..

Confirmed positive: 229, including 180 in Kawartha Lakes, 34 in Northumberland, 15 in Haliburton (increase of 2, 1 in Kawartha Lakes and 1 in Northumberland)
Probable cases: 0 (decrease of 1)
Hospitalizations (total to date): 15 (no change)
Deaths: 32 (no change)
Resolved: 204, including 158 in Kawartha Lakes, 31 in Northumberland, 15 in Haliburton (no change)
Active cases: 5, including 3 in Kawartha Lakes and 2 in Northumberland (increase of 2)
Institutional outbreaks: Campbellford Memorial Multicare Lodge (no change)

 

Hastings Prince Edward Public Health

Hastings Prince Edward Public Health’s service area is Hastings County (including Bancroft) and Prince Edward County.

The health unit provides reports on Monday, Wednesday, and Friday, excluding statutory holidays.

Confirmed positive: 49 (no change)
Active cases: 4 (decrease of 1)
Deaths: 5 (no change)
Hospitalized: 0 (no change)
Hospitalized and in ICU: 0 (no change)
Hospitalized and in ICU on ventilator: 0 (no change)
Recovered: 40 (increase of 1)
Total tests completed: 23,411 (increase of 643)
Institutional outbreaks: None (no change)

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Province of Ontario

Confirmed positive: 42,554 (increase of 133)
Resolved: 38,506 (increase of 137, 90.5% of all cases)
Hospitalized: 60 (decrease of 5)
Hospitalized and in ICU: 13 (decrease of 4)
Hospitalized and in ICU on ventilator: 9 (increase of 4)
Deaths: 2,812 (no change)
Deaths of residents in long-term care homes: 1,816 (increase of 1)
Total tests completed: 3,013,892 (increase of 24,004)
Tests under investigation: 18,273 (increase of 2,525)

New COVID-19 cases in Ontario from August 2 - September 1, 2020. The red line is the number of new cases reported daily, and the dotted green line is a five-day moving average of new cases. (Graphic: kawarthaNOW.com)
New COVID-19 cases in Ontario from August 2 – September 1, 2020. The red line is the number of new cases reported daily, and the dotted green line is a five-day moving average of new cases. (Graphic: kawarthaNOW.com)
COVID-19 tests completed in Ontario from August 2 - September 1, 2020. The red line is the number of tests completed daily, and the dotted green line is a five-day moving average of tests completed. (Graphic: kawarthaNOW.com)
COVID-19 tests completed in Ontario from August 2 – September 1, 2020. The red line is the number of tests completed daily, and the dotted green line is a five-day moving average of tests completed. (Graphic: kawarthaNOW.com)

 

For more information about COVID-19 in Ontario, visit covid-19.ontario.ca.

Critically acclaimed Peterborough singer-songwriter Evangeline Gentle performs livestreamed concert on September 5

Peterborough-based singer-songwriter Evangeline Gentle, whose critically acclaimed self-titled debut album was released internationally in August, will be performing a livestreamed concert with a full band on September 5, 2020. (Photo: Mark L. Craighead)

If you’ve been missing live local music during the pandemic, you’ll have a chance to experience it again this Saturday night (September 5), when Peterborough-based singer-songwriter Evangeline Gentle performs at a special livestreamed event from Hamilton to celebrate the vinyl release of their debut full-length album.

After Gentle released their eponymous album in Canada last September on Rae Spoon’s label Coax Records, it immediately began to garner critical acclaim. Exclaim! called the full-length album “a triumph” and “highly listenable”, with CBC Music heralding Gentle as one of seven “exciting” break-out artists of 2019, with their voice communicating an “aching warmth that comes with knowing hardness and choosing softness instead.”

FYI Music described the “purity and expressiveness” of Gentle’s voice and said they are “a talent to be watched”.

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The accolades have continued after Sonic Unyon Records released the album internationally on August 21st. FATEA says Gentle’s voice is a “rich balance of strength and vulnerability” and calls the album a “rare delight in a crowded marketplace”. Great Dark Wonder calls the album “stunning”. Red Guitar Music says it’s “assured and mature, brimming with the kind of lyrical clarity and songwriting skill that many artists spend a career chasing” and a “significant achievement”.

Finnish music site One Chord to Another describes the album as “rich, beautiful and powerful in its vulnerability” and “a treasure”. A review by Folk Radio encourages you to listen to their voice and words “and have Gentle on your mind”.

Following the album’s international release, Gentle was also interviewed by Forbes and by NPR’s Scott Simon.

VIDEO: “So It Goes” by Evangeline Gentle

Written over three years, Gentle’s 10-track LP was produced by Jim Bryson (Oh Susanna, Kathleen Edwards, Kalle Mattson, The Skydiggers) at his Stittsvile studio Fixed Hinge and mastered by Grammy-nominated Philip Shaw Bova (Bahamas, Feist), with musical support by percussionists Pascal Delaquis and Matt Greco and vocalist Carleigh Aikins.

When the album was released internationally, Gentle also released a lyric video for the track “The Strongest People Have Tender Hearts”, directed and edited by Peterborough filmmaker Rob Viscardis. The video includes flashback footage from Gentle’s UK tour in early 2020, before the pandemic hit. Viscardis has also worked on Gentle’s other music videos (several more have since been released).

In celebration of the album’s international release and vinyl version, Gentle will be performing a special online concert on Saturday, September 5th with a full band featuring Peterborough musicians Nick Ferrio on guitar, Derek Bell on bass, and Matt Greco on drums.

VIDEO: “The Strongest People Have Tender Hearts” by Evangeline Gentle

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Produced by Sonic Unyon in conjunction with Dan Mangan’s Side Door Concert, the show begins at 6 p.m. at Mills Hardware in Hamilton, where Gentle and their band will perform live before a small and exclusive audience of friends and family.

For everyone else, access to a live stream of the concert will cost $6. Tickets are available now at sidedooraccess.com/shows/sZ7g700jJTk5i1z0ZqBF.

For more information about Gentle and to buy or stream their album, visit www.evangelinegentlemusic.com.

ENDED – Severe thunderstorm watch in effect for Kawarthas region for Wednesday

Environment Canada has issued a severe thunderstorm watch for Wednesday (September 2) for the greater Kawarthas region, including the City of Kawartha Lakes and Peterborough, Northumberland, and Hastings counties.

Conditions are favourable for the development of dangerous thunderstorms that may be capable of producing damaging wind gusts and heavy rain.

Severe thunderstorms are possible Wednesday afternoon or early evening, with wind gusts near 90 kilometres per hour moving west to east through the region.

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Very strong wind gusts can damage buildings, down trees and blow large vehicles off the road.

Heavy downpours can cause flash floods and water pooling on roads.

The Office of the Fire Marshal and Emergency Management recommends that you take cover immediately if threatening weather approaches.

artNOW: Celebrate the First Friday Peterborough mural on September 4

Peterborough illustrator Kathryn Durst at work on her mural in the alleyway of the Commerce Building in downtown Peterborough. The mural, commissioned by the First Friday Peterborough volunteer committee and Commerce Building owner Ashburnham Realty, will be celebrated from 6 to 10 p.m. on Friday, September 4, 2020. (Photo: First Friday Peterborough / Facebook)

These are challenging times for all of us, and the arts sector has been hard hit indeed by the necessary restrictions resulting from the pandemic and the slowing of the economy. Times have been tough given that many visual artists rely on crowded art openings and art fairs to gain exposure and sell their work. The social and community building function of these events is also sorely missed by those who would regularly participate.

This September, we see arts organizations such as Artspace and the Art Gallery of Peterborough carefully opening once more, with stringent safety measures in place. Many studio tours in the area gearing up for a COVID-safe art viewing experience, while community-oriented groups, such as the First Friday Peterborough volunteer arts committee and Electric City Culture Council are making things happen to liven up the scene.

We have a brand new mural about to be finished, funded by Ashburnham Realty and the Peterborough DBIA, and an artist-run arts channel creating a space for discussion and connection created and funded by the Electric City Arts Council.

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First Friday Peterborough mural kick-off and COVID-careful art exhibits

A detail of illustrator Kathryn Durst's mural in progress, to be officially unveiled during the upcoming first Friday on September 4th. (Photo courtesy of First Friday Peterborough)
A detail of illustrator Kathryn Durst’s mural in progress, to be officially unveiled during the upcoming first Friday on September 4th. (Photo courtesy of First Friday Peterborough)

Illustrator Kathryn Durst is putting the final touches on a mural of the alleyway of the Commerce Building, at the northwest corner of Water and Hunter streets in downtown Peterborough, which is home to the studios of many of the artists who participate in the First Friday Peterborough art crawl.

The mural has been made possible by the initiative of Paul Bennett of Ashburnham Realty (landlord of the Commerce Building) and the First Friday Peterborough volunteer committee. After Paul mentioned he would like to have a mural painted in the alleyway, the committee got together and put out a call to artists for a site-specific mural. Five local arts champions were selected to sift through proposals, looking for one that best reflected the vibe of the arts scene and that provided contrast to existing mural work.

Peterborough-based artist, muralist, and accomplished illustrator Kathryn Durst was selected to do the job. Her whimsical colourful style (she illustrated a children’s book written by Sir Paul McCartney) and fun design captures the spirit of the monthly art crawl, and illustrates the diversity, feeling of community, and art appreciation that is celebrated by participants in the downtown arts scene.

The project has been generously funded by Ashburnham Realty and the DBIA, and spearheaded by First Friday committee members Anna Eidt of Watson & Lou and Leslie Menagh of Madderhouse Textile Studios.

The official mural launch will happen on Friday, September 4th from 6 to 10 p.m. Come out and see the latest public art in Peterborough and meet the artist in the Commerce Building/Banker’s Common alleyway, between 383 and 385 Water Street.

Stick around to check out the nearby art shows while you’re in the neighbourhood. Physical distancing and masks are both encouraged and expected during all gatherings.

If murals interest any of you artists out there, then keep your eyes peeled for another call for mural proposals. There is another location pending and another mural may soon be in the works. The mural initiative comes at a time when the arts have been hard hit by COVID-related restrictions and is an encouraging development for the city and artists alike.

 

Atelier Ludmila presents ‘from inquisition to slapstick’, works on paper by James Matheson

 Works on paper from the series 'from inquisition to slapstick' by James Matheson. (Photos courtesy of Atelier Ludmila)

Works on paper from the series ‘from inquisition to slapstick’ by James Matheson. (Photos courtesy of Atelier Ludmila)

The First Friday festivities are cautiously gearing back up! On Friday, September 4th from 6 to 11 p.m., Atelier Ludmila will be open to groups operating within social bubbles and individuals. People will be admitted for 15 minutes at a time on a first-come first-served basis, with names and contact information taken at the door. Masks are required inside the Commerce Building.

Joe Stable and the Copper Closet will also be setting up a display outside in the square.

On display at Atelier Ludmila until Sunday, September 27th, James Matheson’s ‘from inquisition to slapstick’ features a series of non-representational pieces on paper. Matheson’s post-modern philosophy and instinctual need to create drive him to create visceral and immediate pieces, a history of mark making for the viewer to peruse. They do not represent recognisable scenes, but moments of creation.

Operated by artistic director Laurel Paluck, the Atelier Ludmila gallery is located on the second floor of the Commerce Building (129 1/2 Hunter St. W., Peterborough). Gallery hours outside of First Friday are Saturday and Sundays from 11 a.m. tol 6 p.m. To make an appointment for viewing, email ludmilaprojects@gmail.com. For more information, visit atelierludmila.com.

 

Union Studio presents works by Tim Schins

A work by Toronto-based artist and designer Tim Schins. (Photo courtesy of Union Studio)
A work by Toronto-based artist and designer Tim Schins. (Photo courtesy of Union Studio)

Tim Schins is a Toronto-based artist and designer who is gracing the walls of the Union Studio salon with his work.

Schins’ work is painted on a wide variety of surfaces, from skateboards, t-shirts, and walls to more traditional wood panel and canvas. Vibrant colour and expressive faces are hallmarks of his style.

Union Studio will be open for viewing during First Friday on September 4th.

Union Studio is located at 391 Water Street in downtown Peterborough. For more information, call 705-740-2682 or visit unionstudioptbo.com.

 

'Offering', on display now at the Art Gallery of Peterborough, is a selection of work from the gallery's permanent collection. Pictured are pieces by Nobuo Kubota, Carl Beam, and Sanaz Minazi hanging in the main gallery. (Photo courtesy of the Art Gallery of Peterborough)
‘Offering’, on display now at the Art Gallery of Peterborough, is a selection of work from the gallery’s permanent collection. Pictured are pieces by Nobuo Kubota, Carl Beam, and Sanaz Minazi hanging in the main gallery. (Photo courtesy of the Art Gallery of Peterborough)

The newest show on display at the Art Gallery of Peterborough is ‘Offering’, a selection of work from the gallery’s permanent collection. This exhibit features pieces by Carl Beam, Michael Belmore, Ivan Eyre, Nobuo Kubota, Dyan Marie, Sanaz Mazinani, Shaan Syed, Oliver Tiura, Dennis Tourbin. and Bill Vazan. Some of them are on display for the first time in the gallery space.

The show reflects perspective, interconnection. and transformation and has been curated in response to the current times. It will be on display until Sunday, November 8th.

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Make an appointment to go and meditate upon the work of these 10 fascinating artists and, if you haven’t yet, see the other exhibits (‘locked in a way’ and ‘217) that will be on display until October 4th, and get a taste of what will be featured on the upcoming Kawartha Autumn Studio Tour.

The gallery will definitely be a place of quiet reflection as only 10 people are allowed in the gallery at one time. The Art Gallery of Peterborough is located at 250 Crescent Street in downtown Peterborough and is open from 11 a.m. to 5 p.m. Thursday to Sunday by appointment only. For more information, call 705-743-9179 or visit agp.on.ca.

 

Fall studio tour season during the pandemic

 Some of the work on display at the Art Gallery of Peterborough's "Selections" exhibition for the 36th annual Kawartha Autumn Studio Tour.  (Photo courtesy of the Art Gallery of Peterborough)

Some of the work on display at the Art Gallery of Peterborough’s “Selections” exhibition for the 36th annual Kawartha Autumn Studio Tour. (Photo courtesy of the Art Gallery of Peterborough)

It’s fall studio tour season, and many tours are going ahead this year with pandemic precautions in place.

The Art Gallery of Peterborough has taken a very careful approach to this year’s 36th annual Kawartha Autumn Studio Tour. All studio visits will be by appointment only, but the tour will run for a full month, from September 1st to 30th. Artists who opted out of physical visits will instead have links to their websites. ‘Selections’ the annual show featuring artists participating in the tour, is also now on display at the gallery until Sunday, November 8th.

For more information, visit agp.on.ca/events/kawartha-autumn-studio-tour/.

Other area tours are also still going ahead, with mandatory masks and limited numbers of visitors at any one time. The 27th annual Apsley Studio Tour features 27 artists and artisans in 13 studio locations in North Kawartha and Wollaston townships from 10 a.m. to 5 p.m. on Saturday, September 19th and Sunday, September 20th.

The 35th Victoria County Studio Tour takes place in the City of Kawartha Lakes from 10 a.m. to 5 p.m. over two weekends, September 26th and 27th and October 3rd and 4th. For more information, visit victoriacountystudiotour.com.

The Bancroft Studio Tour has been cancelled for 2020, and will return in 2021.

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The Electric City Culture Council hosts ‘Peterborough Arts Alive on Slack’ curated by Christy Haldane

Peterborough Arts Alive on the Slack group chat service offers multiple channels for different topics of interest to the arts community. (Screenshot)
Peterborough Arts Alive on the Slack group chat service offers multiple channels for different topics of interest to the arts community. (Screenshot)

Local artists and arts enthusiasts suffering from a lack of contact with peers may be interested in ‘Peterborough Arts Alive on Slack’, an initiative of the Electric City Culture Council.

Curated and moderated by artist Christy Haldane, the Peterborough Arts Alive on Slack workspace serves as a way to digitally engage with artists and create a dialogue around the ways the pandemic has affected the arts sector, individual artists, and cultural workers.

Slack is a free group chat service, and you can download the app from the Apple App Store or Google Play (a web-based version is also available).

Every week an artist is commissioned to write a mini essay in order to get the ball rolling. So far Esther Vincent, Victoria Ward, Anne Jaeger, Alice Olsen Williams, and Caroline Langill have been featured.

To sign up, view essays, take part in conversations, and listen to interviews, visit ecthree.org/program/peterborough-arts-alive-on-slack/ .

 

Artspace presents ‘MAKE/SHIFT’ by Alexis Bulman

"Remodel" by Alexis Bulman is a series of sculptures made from drywall. (Photo courtesy of Artspace and the artist)
“Remodel” by Alexis Bulman is a series of sculptures made from drywall. (Photo courtesy of Artspace and the artist)

Artspace is opening back up this September, but with pandemic safety measures in place.

Alexis Bulman’s MAKE/SHIFT will be on display from Friday, September 11th until Saturday, October 24th. Her first solo show, MAKE/SHIFT has two parts: “Remodel”, a series of drywall sculptures, and “Tending To”, a video performance and installation. This exhibition deals with accessibility and care, thinking about the ways people with disabilities overcome challenges related to accessibility and the potential for change in a system that is not accessibility minded.

There will be no in-person reception, and people will be asked to sign in when entering the space for record-keeping purposes. Masks are required and only five visitors will be allowed entry at a time. The show will also be available online, including 360-degree photography of the work in situ, with comments by the artist.

In conjunction with the current exhibition, Artspace is presents a participatory workshop, ‘Archive of Sensation’, developed by Aislinn Thomas.

The project invites viewers to respond to the ‘Remodel’ series in whatever medium they choose (e.g., writing, video, audio, images, or movement). Responses will be collected through email and Google forms. Entries will then be shared on Artspace’s Instagram @artspaceptbo. This is a nice way of responding to Bulman’s work and sparking some dialogue in a time when we aren’t able to gather and discuss the work in person

Artspace is located at 378 Aylmer Street in downtown Peterborough and offers barrier-free access (to all but Gallery 2) and free admission during regular open hours: Tuesday to Friday from noon to 6 p.m. and Saturday from noon to 4 p.m. Parking is available in the municipal lot on Hunter Street between Aylmer and George. For more information, including Artspace’s COVID-19 safety protocols, visit artspace-arc.org.

Ontario reports 112 new COVID-19 cases, including 1 in Peterborough

Here’s an update on COVID-19 cases in Ontario as well as in the greater Kawarthas region.

Today, Ontario is reporting 112 new cases of COVID-19, the 12th straight day of increases over 100. The majority of the new cases are in Peel (28), Toronto (26), York (12), Windsor (11), Ottawa (8), Hamilton (6), and Halton (6). The remaining 27 public health units are reporting five or fewer cases, with 18 of them reporting no new cases.

In the greater Kawarthas region, there is one new case to report in Peterborough, for a total of 3 active cases. Reports are unavailable for Kawartha Lakes, Northumberland, Haliburton, or Prince Edward or Hastings counties.

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Since the pandemic began, there have been 105 confirmed positive cases in the Peterborough area (100 resolved with 2 deaths), 179 in the City of Kawartha Lakes (158 resolved with 32 deaths), 32 in Northumberland County (31 resolved with no deaths), 15 in Haliburton County (15 resolved with no deaths), and 49 in Hastings County and Prince Edward County (39 resolved with 5 deaths). The most recent death was reported on May 7 by Hastings Prince Edward Public Health.

Province-wide, there have been 42,421 confirmed cases, an increase of 112 from yesterday’s report, with 38,369 (90.4% of all cases) resolved, an increase of 92 from yesterday. There have been 2,812 deaths, an increase of 1 from yesterday, with 1,815 deaths reported in long-term care homes (no change from yesterday). A total of 2,989,888 tests have been completed, an increase of 23,545 from yesterday, with 15,748 tests under investigation, an increase of 2,206.

This report is based on data supplied by the province’s integrated Public Health Information System (iPHIS), as well as any additional information supplied by health units. This information is at least 24 hours old, so it is not real-time data. Note that each health unit reports the information in a different way.

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Peterborough Public Health

Peterborough Public Health’s service area is the City and County of Peterborough and the Hiawatha and Curve Lake First Nations.

Confirmed positive: 105 (increase of 1)
Active cases: 3 (increase of 1)
Deaths: 2 (no change)
Resolved: 100 (no change)
Total tests completed: Over 24,900 (increase of 50)
Institutional outbreaks: None (no change)

 

Haliburton, Kawartha, Pine Ridge District Health Unit

The Haliburton, Kawartha, Pine Ridge District Health Unit’s service area is the City of Kawartha Lakes, Northumberland County, and Haliburton County.

The health unit provides reports on Monday, Wednesday, and Friday, excluding statutory holidays. These numbers are from August 31.

Confirmed positive: 226, including 179 in Kawartha Lakes, 32 in Northumberland, 15 in Haliburton (increase of 2, in Kawartha Lakes)
Probable cases: 1 (increase of 1)
Hospitalizations (total to date): 15 (increase of 1)
Deaths: 32 (no change)
Resolved: 204, including 158 in Kawartha Lakes, 31 in Northumberland, 15 in Haliburton (no change)
Active cases: 3, including 2 in Kawartha Lakes and 1 in Northumberland
Institutional outbreaks: Campbellford Memorial Multicare Lodge (no change)

 

Hastings Prince Edward Public Health

Hastings Prince Edward Public Health’s service area is Hastings County (including Bancroft) and Prince Edward County.

The health unit provides reports on Monday, Wednesday, and Friday, excluding statutory holidays. These numbers are from August 31.

Confirmed positive: 49 (no change)
Active cases: 5 (no change)
Deaths: 5 (no change)
Hospitalized: 0 (no change)
Hospitalized and in ICU: 0 (no change)
Hospitalized and in ICU on ventilator: 0 (no change)
Recovered: 39 (no change)
Total tests completed: 22,768 (increase of 623)
Institutional outbreaks: None (no change)

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Province of Ontario

Confirmed positive: 42,421 (increase of 112)
Resolved: 38,369 (increase of 92, 90.4% of all cases)
Hospitalized: 65 (decrease of 16)
Hospitalized and in ICU: 17 (decrease of 1)
Hospitalized and in ICU on ventilator: 5 (decrease of 3)
Deaths: 2,812 (increase of 1)
Deaths of residents in long-term care homes: 1,815 (no change)
Total tests completed: 2,989,888 (increase of 23,545)
Tests under investigation: 15,748 (increase of 2,206)

New COVID-19 cases in Ontario from August 1 - 31, 2020. The red line is the number of new cases reported daily, and the dotted green line is a five-day moving average of new cases. (Graphic: kawarthaNOW.com)
New COVID-19 cases in Ontario from August 1 – 31, 2020. The red line is the number of new cases reported daily, and the dotted green line is a five-day moving average of new cases. (Graphic: kawarthaNOW.com)
COVID-19 tests completed in Ontario from August 1 - 31, 2020. The red line is the number of tests completed daily, and the dotted green line is a five-day moving average of tests completed. (Graphic: kawarthaNOW.com)
COVID-19 tests completed in Ontario from August 1 – 31, 2020. The red line is the number of tests completed daily, and the dotted green line is a five-day moving average of tests completed. (Graphic: kawarthaNOW.com)

 

For more information about COVID-19 in Ontario, visit covid-19.ontario.ca.

Port Hope artist draws from history and community to celebrate the Capitol Theatre’s 90th anniversary

A sneak peek at a portion of the large-scale collaborative art piece Port Hope artist Lee Higginson is creating for the Capitol Theatre's 90th anniversary celebration. The Capitol Project includes 90 "signatures" from Port Hope community members and notable artists with ties to the community -- but instead of writing their names, they wrote the name of the theatre. (Photo courtesy of Lee Higginson)

Port Hope artist Lee Higginson of Fluke Craft graciously took a break from putting the finishing touches on her latest large-scale collaborative art piece, “The Capitol Project”, to discuss her work, which will soon be unveiled to complete the month-long 90th anniversary celebrations for Port Hope’s Capitol Theatre.

It’s safe to assume that, when 2020 began, none of the folks at the Capitol could’ve imagined they’d be celebrating the historic theatre’s 90th anniversary during a global pandemic. Alas, our year of the virus had different plans.

However, August was filled with innovative and safe anniversary celebrations — a testament to the creativity and resiliency of the theatre’s staff, board, artists, volunteers, and sponsors.

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Performances from the Capitol’s second floor Juliette windows were held for socially distanced audiences on the street, the Antique & Classic Car Club of Canada paraded vintage vehicles through downtown Port Hope, dancers performed on the sidewalks, and local businesses offered specialty items and prizes.

Amid the celebrations, under the umbrella of the Port Hope Arts Festival, Higginson was busy working on her latest creation. The Capitol Project is a massive collaborative art work with 90 unique pieces to celebrate the theatre’s anniversary.

“I was thrilled when the Capitol reached out to me about creating a work for their 90th anniversary,” said Higginson.

“As someone who lives here and goes to the theatre multiple times a year, I wanted to support the Capitol and to help show the public that they’re still here working to figure out how to make things work in this new reality.”

Built in 1930 by Famous Players, the Capitol Theatre in Port Hope is a national historic site and is celebrating its 90th anniversary in 2020.  Pictured is the theatre in 1945, showing the exterior and marquee, a view of the front of the auditorium, and a view of the rear of auditorium including a mural the on back wall. (Photos: Ontario Treasury Department, Motion Picture Censorship Theatre Inspection Branch / Archives of Ontario)
Built in 1930 by Famous Players, the Capitol Theatre in Port Hope is a national historic site and is celebrating its 90th anniversary in 2020. Pictured is the theatre in 1945, showing the exterior and marquee, a view of the front of the auditorium, and a view of the rear of auditorium including a mural the on back wall. (Photos: Ontario Treasury Department, Motion Picture Censorship Theatre Inspection Branch / Archives of Ontario)

A national historic site, the Capitol was built at the dawn of the sound film era in 1930. Atypical for a depression-era building, the theatre was designed by the former president of the Ontario Association of Architects and constructed at a then-whopping cost of $80,000.

The building underwent museum-quality restorations in the ’90s, which also upgraded the movie theatre to a multi-purpose performing arts facility. It is one of the last remaining atmospheric theatres in North America.

Primarily a salvage artist, Higginson sourced materials for The Capitol Project from the historic theatre’s archives to honour the theatre’s 90 years in the community.

Originally from Peterborough, artist Lee Higginson has lived with her family in Port Hope since 2010. She is the owner of Fluke Craft. (Photo courtesy of Lee Higginson)
Originally from Peterborough, artist Lee Higginson has lived with her family in Port Hope since 2010. She is the owner of Fluke Craft. (Photo courtesy of Lee Higginson)

“I found curtains that used to hang in the theatre and a spool of film that had been damaged at one point; they were destined to be binned,” recalled Higginson.

“Feeling very Sound of Music-ish, I hauled these massive curtains and film remnants home and started to think about how I could use these pieces to create a big, visual representation that spoke to the Capitol’s anniversary in our current context.”

No stranger to large-scale collaborative works of art, Higginson knows the power of community-based works: “I believe that art is for everybody — that everybody can be engaged in the process of creation.”

Lee Higginson's artistic work often involves driftwood and rocks salvaged from the beach, such as the piece pictured here. She put her salvaging skills to good use for The Capitol Project by digging into the Capitol Theatre's archives, finding historical items such as old curtains and film remnants. (Photo courtesy of Lee Higginson)
Lee Higginson’s artistic work often involves driftwood and rocks salvaged from the beach, such as the piece pictured here. She put her salvaging skills to good use for The Capitol Project by digging into the Capitol Theatre’s archives, finding historical items such as old curtains and film remnants. (Photo courtesy of Lee Higginson)

In the case of The Capitol Project, Higginson reached out to Port Hope community members and notable artists with ties to the community, such as Andy Muschietti who directed the “It” movies filmed in Port Hope.

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“I started to collect signatures,” Higginson explained, “but not the signatures of their names; rather, the ways these individuals wrote the word ‘Capitol’. I have 90 Capitol signatures, some in different alphabets even, which will all be bound together in this piece and a didactic legend will hang in the window showing whose signature is whose.”

Much has been written about the concept of the signature. For philosopher Jacques Derrida, the act of writing implies the absence of both the reader (at the time of writing) and the writer (at the time of reading). Though the writing exists independently of both reader and writer, it remains paradoxically linked to a presence.

In early August, Port Hope artist Lee Higginson put a call out to the community to participate in The Capitol Project. (Photo courtesy of Lee Higginson)
In early August, Port Hope artist Lee Higginson put a call out to the community to participate in The Capitol Project. (Photo courtesy of Lee Higginson)

Higginson’s incorporation of signatures brings presence to absence in these strange COVID times. From the salvaged curtains — which likely witnessed a first kiss or two — to the found-footage that binds the contemporary signatures, the piece whispers to the future: “we were here.”

The work, like Derrida’s, could be considered an investigation of the nature of iterability, repetition, absence, and context. The Capitol Project quite literally stitches together past, present, and future.

“I wanted this piece to show that, as a community, there are still ways for us to come together to create — to collaborate — and to build something together,” Higginson added. “I believe in my heart that part of the necessary healing from this collective trauma comes from the arts and the act of collaboration.”

Higginson is currently in the final stages of assembling the sepia-toned 10′ x 4.5′ piece of art. For updates on the official unveiling of the work, follow Lee Higginson on Instagram and Facebook and the Capitol Theatre on Instagram and Facebook.

The Essential Project: dance/theatre artist Dreda Blow

“I’ve been allowing myself to rest, to reflect, to recharge, and to let ideas incubate. I keep moving and dancing, but just for me.” - Dreda Blow, Dance/Theatre Artist (Photo: Julie Gagne)

On August 31st, the Electric City Culture Council (EC3) in Peterborough launched “Essential”, a photography project that raises awareness of the precarious situation of local artists and arts organizations during the COVID-19 pandemic.

Part of EC3’s Peterborough Arts Alive initiative, the Essential project is a series of 17 photos by local photographer Julie Gagne that depicts 20 local artists during the pandemic. Each of the photos feature an artist or artists in their home or workplace and is accompanied by an artist statement about their experience of the pandemic.

Twice each week until the end of October, kawarthaNOW is publishing photos from the series. Today, we feature dance/theatre artist Dreda Blow.

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Dreda Blow, Dance/Theatre Artist

Dedra Blow - The Essential Project. (Photo by Julie Gagne, design by Rob Wilkes)
Dedra Blow – The Essential Project. (Photo by Julie Gagne, design by Rob Wilkes)

 

A message from EC3 about The Essential Project

The 2020 COVID-19 pandemic has had a profound impact on both individual artists and arts organizations in Peterborough. Performance venues and galleries have been closed, concerts cancelled, exhibitions postponed, entire seasons abandoned. Organizations and facilities are trying to grapple with the loss of revenue and an uncertain future. “Reopening” is not straightforward, to say the least.

Individual artists have lost their creative income and the opportunity to work together to create — something that is absolutely vital to them and to their audiences. Many have pivoted, and developed and presented some great virtual and digital projects. But nothing replaces live performance in front of a live audience and the catalytic energy that comes from being together to rehearse, discuss, and plan projects, to gather at an opening or artist talk.

Isolated at home, cut off from their communities and the lifeblood that is their artistic practice, local artists still found ways to keep our cultural life alive. Silenced and almost invisible, they kept working. But it hasn’t been easy.

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Local photographer Julie Gagne began photographing a number of Peterborough residents in their homes during the earlier stage of the pandemic and posted the photos on Facebook. The eloquent, haunting images of her “Within” portrait project included some artists, and those incredibly moving images caught the eye of EC3 executive director Su Ditta.

Julie’s photos made us think. We have all benefited from the work of artists during the pandemic: we’ve listened to music, read books, watched films, toured virtual exhibitions, tuned in to living room concerts. What has it been like for the artists? Will people remember how essential the arts were to getting through the pandemic when it comes to recovery funding and budget planning? Will arts organizations be supported in a robust recovery plan?

EC3 asked theatre artist Sarah McNeilly to curate and coordinate, and approached Julie Gagne to do a distinct series of photos that spoke to the experience of local artists and what art means to our lives, in good times and in bad. It’s essential.

This arts awareness project is both a witness to the struggles of, and a testament to the courage and contributions of this community during the COVID-19 lockdown. Our heartfelt thanks go out to Julie and everyone in the arts community who have kept us going.

A love letter to the Kawarthas (and Canada) from an American cottager

The author Suzanne McDonough (right) with her sister Cathy on their favourite swing in front of their family's Kawartha cottage in the 1960s. Because of the COVID-19 pandemic, the McDonough family has been unable to visit the beloved cotttage the family has owned since the 1930s. (Photo courtesy of Suzanne McDonough)

Dear Canada,

Do you remember me?

I am the little girl (now a grown woman) whose very first memories are of your pristine lakes and piney woods.

Our family’s cottage is perched on a rocky granite island in the middle of a Kawartha lake so bright and clear you swear you could see all the way to the center of the earth. Since the early 1930s, members of our family have made the journey to this small slice of northern paradise.

The highlight of every summer was packing our family of seven into the station wagon with our vacation essentials precariously strapped by a tarp to the roof of the car. The longest part of our journey was when we reached the gravel and dirt road that led to the marina. We seemed to bump along forever as the trees, grasses and wildflowers waved by. Our big contest was who could see the lake first. We craned our necks and pushed on the vinyl seats to sit higher until someone would shout, “I see it! I see the lake!”

The first sliver of blue could be glimpsed through the trees and soon the car was pulling up to the store that was at the top of the hill that led down to the marina. The joys of the store (with its groceries, candy, sand pails and shovels, comic books and snack bar) would wait while we gingerly trudged down the hill to The Landing (marina).

The wooden docks creaked and swayed as we charged along them to the end to look over the blue water. We could just make out the white cottage in the dark trees that crowded up to the edge of the island.

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How can I begin to tell you about how much our time at the cottage has meant to us?

In the early days there was no running water and no indoor toilet. We boiled lake water from huge barrels kept on the back porch and traversed the piney path that led to the outhouse. We had a propane refrigerator and a magnificent Princess Pat wood burning range (that my mother insisted was the very best for baking cakes) as well as a Franklin stove in the main room that was especially useful on cold rainy days.

We used lanterns, candles and “fairy lamps” to light our gameplaying and storytelling at night. The cottage had two bedrooms, a loft, an “eating porch” and a screened-in front porch. This was all a far cry from our six-bedroom, two bath house with all the modern electric conveniences, television and privacy we had in our everyday lives.

But, we didn’t mind.

We jumped off the dock into the often icy waters, sunned ourselves on the warm rocks, canoed and sailed, fished (my specialty was catching crayfish with my little net), had bonfires on the rocks, cranked homemade peach ice cream for picnics and cuddled in bed at night listening to the peaceful call of the loons.

Of course, all was not idyllic. We were mercilessly bitten by mosquitoes and one of my brothers stepped in a bee’s nest and paid the price for days. We scraped our knees and turned our ankles on the treacherous rocks. It could rain for days and we had to keep entertaining ourselves with games, paper dolls, puzzles and books.

My brothers would play the radio loudly until my mother would scream, “If I hear that ‘Yellow Submarine’ song one more time, I’m throwing that thing into the lake!” (My mother bore a strong resemblance [both physically and behaviorally] to the Queen and I remember feeling so proud that they put a picture of my mother on actual money! But where was that crown? I wanted one!).

Yet, when it came time to leave, we were all sad.

We packed up our stuff (that included new lake treasures such as rocks and pinecones) and cleaned the cottage to have it ready for when our cousins would arrive next. We made last visits to our favorite island spots (the Big Rocks, the Chair Rock, the swing) whispering little goodbyes to them all.

Then, we piled everything in the fishing boats and made the trek to The Landing where everything somehow was crammed once again into and onto the station wagon (typically swearing was involved). As the littlest, I was often in “The Way Back” area of the car. As the car would pull away, I always made sure to turn and wistfully watch until the last patch of blue lake melted into the dark green trees.

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Since those childhood days, I have made my journey back to our cottage as often as I can. I spent part of my honeymoon there with my new husband (who had never been in a fishing boat, used an outhouse or built a campfire — a real adventure for him!). We brought our children with us and introduced them to all the joys of cottage life.

Even when living over seven hundred miles away and with chronic health issues, I kept visiting as often as I could.

But, this year is different.

You see, I am a U.S. citizen and because of COVID-19 my family and I aren’t allowed to cross the border. I understand why — it’s absolutely necessary. You must protect yourselves in ways that our nation has failed to do. However, I’m asking you to remember me and remember those of us who are your cousins across the border.

Many of us love and respect your country (I learned the words to “O Canada!” before I could figure out “The Star-Spangled Banner.”) We are grieving the many losses to COVID-19 here in our country, but some of us are also grieving the break in our relationship with you.

We miss your kindness and your warmth. Your land and lakes have been havens that you have so generously shared with us for many years.

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As summer comes to an end, I’m hoping to survive the winter and last until there is a safe and effective vaccine. Our nation is in a very dark time. We are struggling so much. The pandemic, civil unrest, violence, economic crises — at times, it just seems like too much. I know you are struggling, too. This is rough for all of us.

In the midst of this, I’m traveling. But, it’s a different journey. I’m remembering. In my mind’s eye, I’m in that cottage on that rocky island looking at yet another beautiful, peaceful sunset.

I’m trying to look forward to next summer, to crossing the border once again, to traveling down the bumpy dirt road and seeing that navy blue water with the cottage floating in the distance.

Until then, Canada, remember me.

Impact of pandemic on Peterborough artists documented by photographer Julie Gagne

This photograph of poet Elizabeth Jenkins is one of 17 photos of 20 local artists that are part of "ESSENTIAL", a new photography project by Julie Gagne commissioned by Peterborough's Electric City Culture Council to raise awareness of the precarious situation of local artists and arts organizations during the COVID-19 pandemic. Gagne's photographs will be released weekly on EC3's website and kawarthaNOW's website over the coming weeks. (Photo: Julie Gagne)

A new photography project launched on Monday (August 31) by Peterborough’s Electric City Culture Council (EC3) is raising awareness of the precarious situation of local artists and arts organizations during the COVID-19 pandemic.

Part of EC3’s Peterborough Arts Alive initiative, “ESSENTIAL” is a series of photos by local photographer Julie Gagne that depicts 20 local artists during the pandemic.

Each of the 17 photos features an artist (or, in the case of four photos, two artists together) in their home or workplace, captured on rooftops, isolated behind windows, on balconies, or in doorways — all at a safe physical distance — and is accompanied by a statement from the artists about their experience of the pandemic.

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“Julie’s photos made us think,” says EC3 executive director Sue Ditta. “We have all benefited from the work of artists during the pandemic. We’ve listened to music, read books, watched films, toured virtual exhibitions, tuned in to living room concerts.”

Whatever their discipline, artists across Ontario have been inordinately affected by the COVID-19 pandemic. Performing artists, visual artists, and musicians have all had their options for live public performances and indoor events drastically curtailed. Many artists have lost fees, sales, and gigs, while arts organizations and facilities have lost revenue and face an uncertain future.

“What has it been like for the artists?” Ditta adds. “Will people remember how essential the arts were to getting through the pandemic when it comes to recovery funding and budget planning? Will arts organizations be supported in a robust recovery plan?”

ESSENTIAL was inspired by Julie Gagne’s “Within” series of photo portraits taken during the COVID-19 lockdown, similarly photographed from exteriors, including one of an artist.

Poet Elizabeth Jenkins from the Electric City Culture Council's ESSENTIAL project, with photography by Julie Gagne, curation and coordination by  Sarah McNeilly, and layout and design by Rob Wilkes. (Graphic courtesy of Electric City Culture Council)
Poet Elizabeth Jenkins from the Electric City Culture Council’s ESSENTIAL project, with photography by Julie Gagne, curation and coordination by Sarah McNeilly, and layout and design by Rob Wilkes. (Graphic courtesy of Electric City Culture Council)

When Ditta saw Gagne’s photos, she commissioned the photographer to do a similar series focusing exclusively on local artists.

Peterborough theatre artist Sarah McNeilly curated and coordinated the project, with Rob Wilkes of Big Sky Design in Peterborough responsible for the project’s layout and design.

“We are all pursuing art in the face of unprecedented challenges,” Gagne explains. “As restrictions continue to lift, most of Peterborough is able to return to work.”

“That is not the case for our local artists; they continue to experience limitations and face challenges. This series is a testament to their resilience.”

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The ESSENTIAL project is available to view on the EC3 web site at ecthree.org/program/essential-project/, and kawarthaNOW will also be releasing Gagne’s photos on its website every week over the next two months.

ESSENTIAL is the latest project in EC3’s Peterborough Arts Alive suite of COVID-19 response and recovery programs and services.

Other programs include the Peterborough Arts Alive Fund (a fundraising effort for strategic recovery grants for local arts organizations), Culturecast Reprise (a playlist of interviews with local artists pulled from EC3’s Trent Radio show and podcast The Electric City Culturecast), and Conversations on Art During a Pandemic (Peterborough Arts Alive on the Slack group-chat service, providing an online discussion space for and by artists).

Cellist Joy Simmonds and singer Colin McAdam from the Electric City Culture Council's ESSENTIAL project, with photography by Julie Gagne, curation and coordination by  Sarah McNeilly, and layout and design by Rob Wilkes. (Graphic courtesy of Electric City Culture Council)
Cellist Joy Simmonds and singer Colin McAdam from the Electric City Culture Council’s ESSENTIAL project, with photography by Julie Gagne, curation and coordination by Sarah McNeilly, and layout and design by Rob Wilkes. (Graphic courtesy of Electric City Culture Council)

There’s also Digital Uplift (which provided consultations on digital skills development for almost 20 local artists and arts, culture, and heritage organizations), and a series of micro subsistence grants for local professional artists.

EC3 is a not-for-profit, arts, culture, and heritage organization providing advocacy, programs and services that support the sector in Peterborough and the surrounding region.

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