Northumberland County announced on October 7, 2024 that the new Golden Plough Lodge (GPL) long-term care home and Northumberland County Archives and Museum project in Cobourg is 75 per complete and will open in 2025. (Photo: Northumberland County)
The endeavour to construct a new, combined 180-bed long-term care home and museum and archives site in Northumberland County has taken longer and cost more than expected, but the Golden Plough Lodge (GPL) and Northumberland County Archives and Museum (NCAM) project is 75 per cent finished.
The county announced on Monday (October 7) that GPL, the only municipally operated long-term care facility in Northumberland, and NCAM will open later in 2025. The 203,000-square-foot facility is being constructed on Courthouse Road in the town of Cobourg, adjacent to the existing GPL, on county-owned property.
“To ensure the successful delivery of this vital community project, the revised occupancy for staff is set for June 2025, at which time furnishing, set-up, and touch-ups will take place,” the county noted in an email newsletter.
Residents are expected to move into the new facility in the fall of 2025.
Advertisement - content continues below
The project is now moving into the final phase of construction, according to the county.
“We are entering an exciting phase of the project as finishing contractors begin work onsite,” said Denise Marshall, director of public works, in a media release. “Northumberland County and its construction partners are determined to deliver a facility that residents, staff, and the community will be proud of.”
The county said it’s “fully focused” on the desired final outcome: a facility that meets the evolving needs of long-term care residents, responds to increasing local demand for long-term care spaces, and — through new museum and archival amenities — supports the preservation and promotion of Northumberland’s cultural heritage.
Although the project was initially launched in December 2020 with a projected completion date of December 2022, the county said nationwide challenges in the construction sector that stem from the COVID-19 pandemic impacted original projections. Factors such as material cost increases, skilled labour shortages, high interest rates, inflation, supply chain disruptions, and fluctuating oil and gas prices have required adjustments to the timeline and budget.
Advertisement - content continues below
Following negotiations, Northumberland County and contractor Matheson Constructors have reached an agreement on an updated budget and schedule, the media release noted.
There is also a revised project budget. The budget adjustment incorporates additional funds for contractor and subcontractor work, project administration and design changes, as well as elevated interest rates on financing, for a revised total project budget of $145 million — up from the original budget of $115 million, the county noted.
Northumberland said it will fund these increases through a financing arrangement with Infrastructure Ontario as well as a draw from reserves.
Advertisement - content continues below
County staff will provide a report on the breakdown of the costs at the December meeting of the public works committee, following a 60-day period requested by the contractor due to commercial sensitivity.
“This amended budget reflects current economic conditions,” the county said. “In 2022, the provincial government introduced a program specifically aimed at mitigating the widespread cost escalations for construction of long-term care facilities, so that cost would not become a barrier to the launch of these critically required capital development projects.”
“While the (GPL) redevelopment project, launched in December 2020, predates the eligibility period for this program — which is limited to projects starting on or after April 1, 2022 — the pressures created by the current economic environment are nevertheless clear.”
Advertisement - content continues below
Northumberland County Warden Brian Ostrander shared his thoughts on the project.
“While facing unforeseen challenges, Northumberland County has ensured diligent management of the project’s financial responsibilities, ensuring all invoices have been promptly addressed throughout the lifespan of the project,” said Ostrander.
“In the face of industry-wide cost escalations, council has authorized an updated agreement as necessary to ensure compensation for subcontractors and the delivery of this vital facility.”
The new GPL will include a combination of one-bed and two-bed rooms across six resident home areas. In addition to a sensory room, the new facility will include fireside lounges, a café and a hair salon, a greenhouse for agri-therapy, an auditorium for concerts and resident events, and outdoor courtyards and pathways.
The NCAM space has been designed with features that target preserving history. NCAM’s possessions include the land registry collection, which contains more than 100 bound ledgers and thousands of land instruments dating back to the 1700s.
Scotiabank small business advisor Kevin Miller speaks at Community Futures Peterborough's 2024 ScaleUP graduation celebration at Venture North in downtown Peterborough on September 17, 2024. The celebration was in honour of the third cohort of the program, and the second one held in partnership with Scotiabank. By supporting individual small businesses through programs like ScaleUP, Scotiabank is also supporting broader economic development by creating jobs, increasing local spending, and fostering a culture of entrepreneurship. (Photo: Jeannine Taylor / kawarthaNOW)
While the six local entrepreneurs who recently graduated from Community Futures Peterborough’s ScaleUP program are now equipped with the knowledge and confidence to grow their businesses sustainably, it’s the entire community that could benefit.
So says Nolan Frazer, Ontario Central East Small Business Development Manager at Scotiabank, which has partnered with Community Futures Peterborough to deliver the program.
“In Peterborough, the impact of the ScaleUP program extends beyond the participating entrepreneurs,” Frazer explains. “It strengthens the local economy, which in turn attracts talent and fosters a vibrant local business community.”
Share on Bluesky
This year’s ScaleUP program, which saw participants engaged in both in-class sessions and strategic one-on-one consultations, marked the second year of the partnership between Community Futures Peterborough and Scotiabank.
“The guidance provided in the ScaleUP program aligns with Scotiabank’s values of providing trusted advice to support business growth, financial literacy, and community engagement,” says Frazer. “The program reflects our commitment to clients, community development, and economic growth.”
This year, the businesses supported by the ScaleUP program ranged from a coffee shop to a design and marketing company and even a non-profit. The six graduates were Clint Clarke of Barking Pixel Design Co., Tracy Cosburn of Kyoto Coffee, Sean Flanagan of Flanagan and Sun, Debra Ragbar of Kawartha Spice Company, Alicia Doris of Living Local Marketplace, and Jacob Rodenburg of Camp Kawartha.
The graduates of Community Futures Peterborough’s 2024 ScaleUP program, presented in partnership with Scotiabank, were celebrated at Venture North in downtown Peterborough on September 17, 2024 at Venture North. Pictured from left to right, front and back: Clint Clarke of Barking Pixel Design Co., Tracy Cosburn of Kyoto Coffee, Alicia Doris of Living Local Marketplace, Jacob Rodenburg of Camp Kawartha, Braden Clark of Community Futures Peterborough, Peterborough city councillor Don Vassiliadis, Diane Richard of Diatom Consulting, Kevin Miller of Scotiabank, Peterborough County warden Bonnie Clark, and Sean Flanagan of Flanagan and Sun. (Photo: Jeannine Taylor / kawarthaNOW)
Share on Bluesky
“This year’s cohort was full of dedicated business owners who took the commitment to both the classroom sessions and the one-on-one individualized sessions really seriously,” says Devon Girard, executive director of Community Futures Peterborough. “They were able to see the value that can come out of having expert advice given to them.”
First piloted in 2022, the program arose when Community Futures Peterborough identified a lack of existing support and programming for established small businesses that were looking to expand.
“In our community, and arguably in most communities, a lot of resources and programming is geared around business startups,” Girard says, noting there were fewer resources dedicated to businesses that had already been operating for a few years.
“We really wanted to take a deeper dive into areas that traditionally economic development agencies don’t cover, and focus on growing and improving business operation skills past that startup phase.”
Share on Bluesky
Supporting the continued growth of small businesses is important to Scotiabank as well, according to Frazer.
“Scaling programs are crucial for economic development as they help businesses grow, create jobs, and stimulate local economies,” he says. “It fosters innovation and strengthens the economic fabric of the community.”
Frazer adds that investing in the communities that Scotiabank serves has been a “fundamental” part of the financial institution’s culture for over 190 years.
“It’s important that everyone has the ability to not only recover from times of uncertainty, but instead rise from them stronger than before,” he says. “Building economic resilience is about helping individuals, households, communities, and economies to thrive. Investing in programs like ScaleUP ensures that we are working together to remove barriers to advancement and increase access to opportunities, so we can create a more inclusive and resilient world.”
Diatom Consulting founder Diane Richard leading a session on key performance indicators (KPIs) with the six local entrepreneurs who participated in Community Futures Peterborough’s 2024 ScaleUP Program in partnership with Scotiabank. Now graduates, the entrepreneurs were given the support and one-on-one customized consultations required to develop business plans that will guide them as they sustainably grow their businesses. (Photo: Community Futures Peterborough)
Over the five months of the ScaleUP program, each of the participants received focused support, expert insights, and began developing a customized growth plan — whether by increasing their number of employees, establishing additional locations, or expanding market reach.
“The tools and knowledge gained in the ScaleUP program are versatile and can be applied across various sectors,” says Frazer. “They help entrepreneurs with strategic planning, financial management, marketing, and operational efficiency, which are essential for any business. The program’s one-on-one support ensures that advice is customized to each business’s specific needs, making it universally beneficial.”
For Clint Clarke, co-founder of Peterborough-based Barking Pixel Design Co. alongside Kerry Brennan, the accessibility of the ScaleUP program was particularly attractive, as many small business owners are so busy they often don’t have the time to think about the future of their business, despite the necessity of such planning.
“It’s also about taking a deeper dive at the KPIs (key performance indicators) of your business and looking back at yourself and how far you’ve come, while self-analyzing your business more than just in the day-to-day,” Clarke explains, noting how essential it is for all small businesses to look ahead. “That part is quite challenging.”
Clint Clarke and Kerry Brennan of Barking Pixel Design Co., one of the six small businesses that participated in Community Futures Peterborough’s 2024 ScaleUP Program in partnership with Scotiabank. The two business owners are hoping to expand their business by hiring a new employee. (Photo: Clint Clarke)
Not lost on Clarke is just how valuable the connections were that he made through participation in the ScaleUP program with the partners that launched the program and the other entrepreneurs taking part, including Diatom Consulting founder Diane Richard, who was lead advisor of the program.
“Diane has such a unique skillset and, with her background in manufacturing, localized chain management, and inventory, our local community is quite lucky to have her,” Girard says. “She’s different than the average business advisor and she’s able to help business owners in areas that are not traditionally taught when launching a business. It’s a great balance in how she can challenge business owners to think differently and bring in such a defined skill set to support them.”
As for Scotiabank’s involvement, the one-on-one external consulting offered through the ScaleUP program was made possible through the bank’s support.
“They have been a great partner to us,” Girard says. “Knowing the impact Scotiabank has been able to help provide to these entrepreneurs through one-on-one training is certainly something we don’t take for granted and that we’re really grateful for.”
Share on Bluesky
Frazer notes that Scotiabank recognizes the economic benefits that can result when entrepreneurs have the knowledge and skills that help grow their small businesses.
“Supporting local small businesses in their scaling efforts can lead to broader economic development by creating jobs, increasing local spending, and fostering a culture of entrepreneurship,” says Frazer. “Entrepreneurs often share their experience and support each other. By equipping a few business owners, the benefits can ripple throughout the local community, fostering a culture of mutual support and collaboration. This benefits the entire community by enhancing economic stability and growth.”
He adds that Scotiabank is eager to see how this year’s ScaleUP program graduates expand their businesses.
“We look forward to seeing the incredible impact it will have on the community when they leverage what they’ve learned, combined with their expertise and ambition, to expand their businesses,” Frazer says. “Their success will inspire others to join the program and foster a culture of entrepreneurship in the Peterborough community.”
Mega Experience CEO Catia Skinner leading a session on value proposition with the six local entrepreneurs who participated in Community Futures Peterborough’s 2024 ScaleUP Program in partnership with Scotiabank. The program provided the entrepreneurs with the knowledge and skills they need to take their small businesses to the next level. (Photo: Community Futures Peterborough)
For Girard, that was what Community Futures Peterborough ultimately had in mind when it revamped the ScaleUP program.
“A growing economy is great for all of us,” she says. “It’s something we should all collectively be celebrating.”
This branded editorial was created in partnership with Community Futures Peterborough. If your organization or business is interested in a branded editorial, contact us.
A detail from a painting by JoEllen Brydon illustrating a reader's letter to her late mother Jean Armstrong Brydon, who wrote an advice column under the pen name Elizabeth Thompson for Toronto's Globe and Mail from 1966 to 1978. The female letter writer talked about women in her bridge club being inspired to burn their bras in a barbeque pit, to which Thompson replied, "With winter just around the corner you had better stock up in vests or something to cut the stormy blasts." Brydon is one of 28 Peterborough-area artists who have received $57,143 in grants from Electric City Culture Council. (Photo courtesy of JoEllen Brydon)
Peterborough’s Electric City Culture Council (EC3) has announced 28 local artists have been awarded a total of $57,143 through the grants for individual artists program, which is jointly funded by the not-for-profit organization and the City of Peterborough and is designed and administered by EC3.
The program has two components: mini development grants of up to $1,500 and project creation, production, and presentation grants of up to $3,500.
The mini development grants support the research, development, and workshopping of original new works, as well as professional training and mentorship opportunities. The project creation, production, and presentation grants support specific projects for individual professional artists, including costs such as artist fees, production materials, venue rentals, technical equipment, costumes, printing, and more.
Advertisement - content continues below
Professional artists working in every discipline, genre, and medium were eligible, including those who work in multi-disciplinary or community-based arts practice, in both traditional or contemporary forms.
The program’s open call for applications in late June resulted in 66 eligible applications from artists by the August 20 deadline. A five-member peer assessment jury evaluated the applications and awarded grants to 28 artists, including $28,493 in grants for 19 artists in the first component and $28,650 in grants for nine artists in the second component.
“We are particularly grateful to the City of Peterborough for their $50,000 support of this vital program, and all of our funders for their ground-breaking contributions to the development of local talent and works of art,” said EC3 executive director Su Ditta in a media release.
“These investments in the efforts of our very talented and hardworking artists means more artists can realize their visions, contribute to our cultural, economic, community and social well-being, and make Peterborough a more vital and exciting place to live for all of us. New books, poetry, concerts, plays, exhibitions, albums, and performances of all kinds will touch our hearts, minds, and imaginations. The projects supported by these grants explore identity, the environment, grief, community connection, disability, forgotten histories, and more.”
Two of the artists who received grants are aerial dance artist Nicole Malbeuf and painter and mixed media installation artist JoEllen Brydon.
Malbeuf received a mini development grant to research and develop original movement techniques with an aerial prop — in tandem with hair suspension — to create a new, short environmentally focused performance.
“I am grateful for the opportunities, both past and present, that the individual arts grants offer me as an aerial dancer,” Malbeuf said. “Because some other councils don’t recognize circus arts as an art form, EC3’s funding has not only supported my growth but validated my artistic work. These grants have given me the privilege of honing my skills in the direction I feel is most useful in my current practice and stage of career.”
Share on Bluesky
Brydon received a creation, production, and presentation grant in support of “Elizabeth Thompson Advises,” a large-scale, immersive, multimedia installation for exhibition at the Art Gallery of Peterborough and the Grimsby Public Gallery. The installation is based on a compilation of work by her late mother Jean Armstrong Brydon when she wrote an advice column under the pen name Elizabeth Thompson for Toronto’s Globe and Mail from 1966 to 1978.
“I’m honoured to have been chosen as a recipient of funding from the EC3 Grants for Individual Artists program,” Brydon said. “Having the faith of my own community is of utmost importance to my career, as well as to my personal well-being. Warm thanks to the EC3 board of directors, to Su Ditta, and to all of my jury member/colleagues for trusting in me and my work.”
Below is a list of all the artists who received grants in each component of the program, along with a brief description of their projects.
Advertisement - content continues below
Mini Development Grants for Individual Professional Artists
Kelly Albin: Artist Residency Visual Arts. Contribution to artist residency in Portugal (studio space, exhibition), to develop and hone new artistic skills, and the creation of a new body of large-scale paintings reflecting the relationship between people and nature.
Samantha Chiusolo: Professional Development: Children’s Book Publication Mentorship. Two-month mentorship with award-winning children’s book illustrator Catia Chen to develop production and publication skills for a children’s picture book.
Naomi Duvall: Circus/Movement Training. Physical training in circus arts to support the artist’s role as emcee for the show “Cirquelesque” in February 2025. This project brings the artist’s theatre, puppetry, and other skills together in a unique performance project.
Jennifer Elchuk: Aerial Duo Professional Development. Along with Tegan Moss, enriching and enhancing their duo trapeze and contact improvisation dance practices through training with circus and dance professionals. This project expands their work from “Weathering and Waiting.”
Nick Ferrio: Writing for New Album. Artist fee (buying time and space) for the writing/crafting/nurturing of a series of new songs for an upcoming album. This work expresses an evolution in the artist’s creative voice exploring themes such as loss, grief, aging and parental relationships.
Charlie Glasspool: Safe Harbour. A quintet of musical collaborators from diverse backgrounds will co-compose original musical motifs and themes, loosely based on the Canterbury Tales, to be developed into a song-cycle about pilgrimage, human migration, and movement.
Casandra Lee: Zodiac. Professional development (ceramics), and artist fee to research, develop, and create clay animals representing the Chinese zodiac, to be used in a series of new paintings.
Nicole Malbeuf: Research in Hair Suspension Performance Techniques with Aerial Prop. Artist fees to research and develop original movement techniques with an aerial prop, in tandem with hair suspension, to create a new, short, environmentally focused performance.
Joshua Morley: Nitaawigi. Research and development in new materials and techniques to develop fresh approaches to creating artworks for solo and/or group exhibition. Experimentation with large-scale painting and sculptural shaping using aluminum panels.
Advertisement - content continues below
Jeremy Pastic: Research in Vertical Dance. Artist’s fees, consultation/private training/coaching fees, and rehearsal space costs to expand proficiency and develop a short ‘vertical dance’ piece to be presented in a theatre space.
Adelle Purdham: Celestial Bodies of Water. Artist fee for the drafting and revision of a literary short story collection about female desire.
Erica Richmond: Yelling at Dead People. Artist fee for the writing of a creative non-fiction manuscript about the artist’s experience with grief.
Elisha May Rubacha: Caprock Poems. Funding to allow the artist to complete a poetry manuscript (in progress), about the poet’s successful end-to-end hike of the Bruce Trail with her mother.
David Seymour: Iffy Alibis. Completion of a 50-page first draft collection of free verse and formally constrained poems addressing issues of identity and ideas of the “self,” as sometimes constructed through memory, nostalgia, forgetfulness, and recall.
Caylie Staples: Solo Voice and Electronics Live Set. Artist fee (time and space) for research, experimentation and the development of arrangements that combine electronic music with original acoustic songs, culminating in a live set for solo performance.
Kate Story: Strangeness on Earth. Artist fee (time and space) to write a genderqueer, young adult, historical fantasy novel set in 1817 Newfoundland and Orkney.
Rob Viscardis: Relative Documentary (working title). Artist fee for the writing and development of a documentary film about Peterborough photographer Wayne Eardley and his ongoing passion project “Relative.”
Ziysah von Bieberstein: Page to Publication. A six-month final refining, editing and manuscript submission preparation process with mentor Alessandra Naccarato, support in readiness to find a publisher for the artist’s current poetry manuscript.
Victoria Yeh: Winter in Canada. Composition and arrangement for full symphony orchestra of a chamber orchestra piece, to be premiered by the Parkdale Orchestra (Ottawa) and the Georgian Bay Symphony (Owen Sound). Funding will assist with research, consultation, and workshopping, allowing the artist to develop, advance and vary their skills.
Advertisement - content continues below
Project Production and Presentation Grants for Individual Artists
Calvin Bakelaar: Untitled VanCamp 5-Song EP and Performance. Artist, professional, and production fees to produce and release a folk-rock album in mid-2026, focusing on mental health and growth in a small city.
JoEllen Brydon: Elizabeth Thompson Advises. A large-scale, immersive, multimedia installation for exhibition at the Art Gallery of Peterborough and the Grimsby Public Gallery, based on the artist’s mother’s Globe and Mail newspaper advice column in the socially revolutionary times between 1966 to 1978.
Timothy Laurin: Steamroller Printmaking Collective. Artist fees, materials, venue costs, and promotional materials to support a community-based printmaking event using a steamroller.
Maxwell Matchim: Understanding Myself as an Amphibian. Production of a short documentary film about the relationship between the diversity of gender and sexuality in nature, and the artist’s own queer/trans identity.
Justin Million: Picture It. Artist fees and venue costs to exhibit text-based work in a manner traditionally reserved for visual art, to experiment with non-traditional ways of presenting poetry.
Leanne Simpson: No Line Could Make Sense of It. To mix and master the artist’s fifth album of music, to be released by You’ve Changed Records, in early 2025. Ten songs exploring Michi Saagiig Nishnaabe relationship to land and water. Indy rock/goth/punk/new wave vibe.
Irèni Stamou: Miroloi (lament). Artist fees and staging costs for a new interdisciplinary solo dance based on identity, grief, and a diaspora immigrant experience, as part of a performance residency at Theatre on King.
Thomas Vaccaro: Pride After Dark Circus Story. Animating Peterborough Pride (and beyond) with new original work that features a myriad of circus disciplines exploring the themes of being in love across genders and sexual orientations.
Sarah van den Berg: Babe Chorus Presents … Sarah van den Berg – Way Back Home EP. Artist fees and mentorship honorarium to record and share an EP of four original folk-pop songs exploring place and personal and collective experiences of grief.
Renowned Canadian dancer and choreographer Bill Coleman at Showplace Performance Centre in downtown Peterborough during a rehearsal for "Is This Tap?", presented by Showplace in partnership with Public Energy Performing Arts on October 10, 2024. Coleman's performance will be animated by spectacular lighting effects and projections by Dutch multimedia artist Edwin van der Heide. (Photo courtesy of Public Energy)
There’s a reason why the title of renowned Canadian dancer and choreographer Bill Coleman’s most recent work Is This Tap? is punctuated with a question mark.
However, that reason will not be fully revealed to audiences until they are firmly settled into their seats for the one-night-only production at Showplace Performance Centre in downtown Peterborough at 7:30 p.m. on Thursday (October 10).
What we know for sure from Public Energy Performing Arts, which is presenting the show in partnership with Showplace, is that the performance will be an “immersive theatrical experience” where spectacular lighting effects and projections by Dutch multimedia artist Edwin van der Heide that will “interact, transform, and magnify” Coleman’s presence as he moves around the stage.
Advertisement - content continues below
We also know that, despite the show’s question mark, tap dance will be involved in some way. Coleman, who 40-year dance career has taken him from Dublin to London to New York to Peterborough, started out in tap dance and in the past few years began to relearn how to improvise it lyrically.
“Returning to his first love, he’s been tap dancing again,” reads a media release from Public Energy about Coleman. “Not just rhythms, but sound scores and special effects, on railroad tracks and sheet metal, down urban streets, and on stages with sound artists, neuroscientists, and Aboriginal storytellers.”
We also know that Coleman has called upon a cast of artists to support him as he works with van der Heide (who he only recently met), including Canadian contemporary dance icon Peggy Baker, musician Curtis Driedger, costumier Martha Cockshutt, prosthetist Andrew Litner, and puppeteer Brad Brackenridge.
Multimedia artist Edwin van der Heide during a rehearsal of “Is This Tap?” at Showplace Performance Centre in downtown Peterborough. Based in Rotterdam in the Netherlands, van der Heide has presented his work at renowned museums, festivals, galleries and music venues internationally. His work will “interact, transform, and magnify” dancer Bill Coleman as he moves around the stage. (Photo courtesy of Public Energy)
Finally, we know that the performance will give audience members a welcome respite from their daily worries, with Public Energy noting “dance is a lifesaver in the face of hard and unsettled times.”
Beyond that, intriguing questions remain.
Why is the show being billed as “not a dance show” even though it promises a lot of dance? Why is it being called an immersive experience when it takes place in a theatre with a traditional stage? Last but far from least, who is the mysterious three-legged man appearing in the show’s promotional material and what is his role in the performance?
Advertisement - content continues below
Coleman himself provides only a few clues about the show.
“My love of vaudeville-era comedy/performance and my newly found expertise in tap dancing has — I believe — found the perfect home in this new work, one that comments on the human spirit through humour and invention,” he says in the release.
For those familiar with Coleman, including his lengthy relationship with his newly adopted home town of Peterborough which began in 1987 when he brought his satirical dance work Baryshnikov: The Other Story to the Artspace New Dance Series at Market Hall, they will know that — as Public Energy puts it — “any Bill Coleman show has the power to invoke joy and surprise. And confusion.”
Renowned Canadian dancer and choreographer Bill Coleman dancing on mousetraps in his 2016 work “Dollhouse.” According to Public Energy executive director Bill Kimball, the photo illustrates that Coleman “is always thinking outside the box when it comes to tap, or any kind of dance really.” You can see Coleman’s most recent work during “Is This Tap?” at Showplace Performance Centre in downtown Peterborough on October 10, 2024. (Photo: Daniel Paquet)
For those experiencing Coleman’s work for the first time at Showplace on October 10, joy, surprise, and even confusion may be the words of the day.
In fact, there may be a few audience members expecting to see a tap dance show who turn to the person beside them and whisper, “Is this tap?” — before becoming mesmerized by Coleman’s performance and van der Heide’s multimedia effects.
Tickets for Is This Tap? are $65 for friends, $55 for adults, $40 seniors and those under 30, and $35 for students and artists. Tickets are available in person at the Showplace Box Office from 10 a.m. to 4 p.m. Monday to Thursday, 10 a.m. to 2 p.m. Friday, one hour before the show, or online anytime at showplace.org.
“Is This Tap?” runs for one night only on October 10, 2024 at Showplace Performance Centre in downtown Peterborough. (Graphic: Public Energy; Photo: Wayne Eardley)
kawarthaNOW is proud to be a long-time media sponsor of Public Energy Performing Arts.
Peterborough Public Health is advising the public of a recall of beef tongue jelly products following confirmed cases of food poisoning linked to the products, including one local case that originated from the sale of an affected product in Bridgenorth.
On Friday (October 4), Health Canada issued a recall of various brands of beef tongue jelly products due to possible Listeria monocytogenes contamination. The recall was triggered by findings by the Canadian Food Inspection Agency (CFIA) during its investigation into a food-borne illness outbreak.
Listeria monocytogenes is a species of disease-causing bacteria that can survive and even grow under refrigeration and other food preservation measures. When people eat food contaminated with Listeria monocytogenes, they may develop a disease called listeriosis.
Advertisement - content continues below
The recalled products may have been sold by various retailers, either clerk-served, sliced, chunked, or in smaller packages, and with or without a label that may not bear the same brand, product name, or best before date.
A list of the affected products and where they have been sold is available on the Health Canada website.
According to a media release from Peterborough Public Health issued on Monday (October 7), one case of listeriosis has been confirmed following purchase of a beef tongue jelly product at the Bridgenorth Deli at 871 Ward Street in Bridgenorth.
The label of a recalled beef tongue jelly product sold at the Bridgenorth Deli. (Photo: Health Canada)
The deli, which sold the product before it was aware of the recall, is “cooperating well” with CFIA and the health unit regarding the recall of the product and the safety of their clients.
“Every effort is being made with the deli to contact the customers directly,” the health unit adds.
If you have purchased any of the recalled products, do not eat them. Throw them out or return them to the location of purchase. If you are ill and think you have consumed the product, contact your healthcare provider immediately.
Advertisement - content continues below
Health Canada estimates that there are about four million cases of food-borne illness in Canada every year. While listeriosis is a rare disease in Canada, some foods are more likely to carry the Listeria bacteria than others. Some higher-risk foods include refrigerated smoked fish, raw or unpasteurized milk, soft and unpasteurized cheeses, and ready-to-eat meats including pâté, deli meats, and hot dog wieners.
According to the Health Canada website, food contaminated with Listeria monocytogenes may not look or smell spoiled, but can still make you sick. Symptoms can include vomiting, nausea, persistent fever, muscle aches, severe headache, and neck stiffness.
Pregnant women, elderly people, and people with weakened immune systems are particularly at risk. Although infected pregnant women may experience only mild flu-like symptoms, the infection can lead to premature delivery, infection of the newborn or even stillbirth. In severe cases of illness, people may die.
Christian and Gabriel are two of the kids of families served by Five Counties Children's Centre who are looking forward to "All-o-ween" at the organization's locations in Peterborough, Cobourg, and Lindsay from October 28 to 30, 2024. The event is aimed at making the trick-or-treating experience more inclusive and accessible for kids of all ages and abilities by removing physical and sensory barriers for trick-or-treating. (Photo: Five Counties Children's Centre)
Without stairs to climb or noisy music and bright lights, Five Counties Children’s Centre will be striving to create accessible and inclusive experiences for kids this Halloween season.
The regional children’s centre, which serves children and youth with special needs living in Northumberland, Peterborough and Haliburton counties, and Kawartha Lakes, is hosting “All-o-ween” activities later this month.
It’s the inaugural Halloween-themed offering of its kind for Five Counties’ clients and children and youth on the waiting list.
Advertisement - content continues below
“All-o-ween is all about making Halloween festivities more accessible for kids in all sorts of ways,” Bill Eekhof, spokesperson for Five Counties, told kawarthaNOW.
“Each of the All-o-ween events in Peterborough, Cobourg, and Lindsay will be held indoors, meaning kids get to go around each (Five Counties) site and trick-or-treat at the doors of offices and treatment rooms that Five Counties staff have decorated for the occasion. By offering it indoors, we can make All-o-ween more accessible — no stairs to climb, for instance. For kids with sensory issues, there will be no loud music or bright lights, which we hope makes the event more inclusive for them too.”
There will also be food, kids’ crafts, and a storyteller sharing a fall festive tale. Kids who attend All-o-ween can dress up in costume, wear orange and black, or come as they are. Siblings of Five Counties kids are welcome to join the fun as well.
Advertisement - content continues below
Five Counties ultimately wants to make trick-or-treating more accessible and less scary for kids through these events.
“Ask any child, and they will tell you Halloween ranks right up there as one of the best days of the year,” noted Hayley Hodges, client and family experience lead at Five Counties, in a media release. “Unfortunately, for some children who are disabled or neurodiverse, getting into the fall festivities can be a challenge.”
That’s where All-o-ween is meant to break down barriers, Eekhof noted. All of the All-o-ween events include an accessible and sensory-friendly trick-or-treating experience.
According to Hodges, providing an inclusive opportunity like All-o-ween benefit kids of all ages and abilities.
Advertisement - content continues below
All-o-ween runs from 4 to 6 p.m. at Five Counties sites in Peterborough (872 Dutton Rd.) on Monday, October 28, in Cobourg (800 Division St., Unit 2) on Tuesday, October 29, and in Lindsay (9 Russell St. E.) on Wednesday, October 30. To attend, advance registration is required by calling 1-888-779-9916 ext. 215 or visiting www.fivecounties.on.ca/alloween.
According to Hodges, providing an inclusive opportunity like All-o-ween benefit kids of all ages and abilities.
“In our everyday work at Five Counties, we support children and youth with physical, developmental and communications needs with the aim of enriching their independence and quality of life every day,” Hodges said. “Halloween is one of those days or festivities that children of every ability should have the chance to experience and enjoy. And by organizing All-o-ween, we want to ensure everyone participates and no one gets left behind.”
Advertisement - content continues below
Meanwhile, at home on the big day, community members can also do their part to make Halloween a memorable and accessible experience for all kids and youth. Eekhof suggested the following:
For people planning for Halloween, there are many tricks to make the event a treat for kids of all ages and abilities too. For instance, you might think to set up a trick-or-treating station that is accessible and barrier free for every child to enjoy. For homes with stairs, consider setting up an accessible treat station on the front lawn, driveway, or garage.
While scary and spooky decorations are appealing, they can be frightening to some children with sensitivities. Bright flashing lights and loud or frightening noises can particularly cause problems for children with sensory processing issues, autism, or epilepsy. Be thoughtful and tactful in how you decorate so more trick-or-treaters can take part.
You can also dress for success with inclusive Halloween costumes. Show how crafty and creative you are by designing a costume that meets your child’s unique needs and situation. If a child has sensory issues or sensitivities to traditional Halloween costumes, create your own using simple and soft clothing that reflects a child’s preferences. Many party stores carry adaptive and accessible styles of costumes, including ones that cover wheelchairs. See what’s available or try making your own.
Charlene Vanderburg and Tammy Thurston of Lindsay's Board & Nibble Catering Co. are giving back to the community by using all leftover food to create pay-what-you-can weekly meals through their Making Meals Matter Kawartha Lakes project. Residents can purchase an affordable home-cooked meal or choose to pay it forward and buy a meal for someone else in need. (Photo: Board & Nibble Catering Co. / Facebook)
In a time when the rising cost of living and shrinkflation is making it more difficult for people to have affordable home-cooked meals, a catering company based in Kawartha Lakes is giving back to the community one meal at a time — or sometimes more than 60 at a time.
Launched just over a year ago by rekindled old friends Tammy Thurston and Charlene Vanderburg, Lindsay’s Board and Nibble Catering Co. serves customers a variety of custom-made grazing platters, food bars, charcuterie bars, dessert cups and more.
All food left over or unused in the platters goes towards Making Meals Matter Kawartha Lakes, an initiative by Thurston and Vanderburg that provides those in need with affordable and nutritious home-cooked meals similar to community food programs.
Advertisement - content continues below
Share on Bluesky
“I’ve always been close to those programs in the sense that I was a single mom at one point, and I know how quickly it can happen when you need the resources,” says Thurston. “So, when we were in the position to then alleviate that concern for others facing those barriers, that’s what we wanted to do.”
Thurston and Vanderburg launched Making Meals Matter Kawartha Lakes this past spring after seeing the demand for the pay-what-you-can Easter dinners they were doing through Board & Nibble Catering Co.
“There are quite a number of people that suffer from food insecurity and need a little extra help here and there,” says Vanderburg. “When we started seeing how many people were reaching out — wanting not only to support the movement or support the idea of paying it forward, but also the people that were utilizing it — we realized this was really, really needed.”
Charlene Vanderburg and Tammy Thurston are the owners of Lindsay’s Board & Nibble Catering Co., which the duo launched just over a year ago after rekindling their friendship. To reduce food waste, the business turns unused and uneaten food into affordable and pay-what-you-can homecooked meals for the community through their Making Meals Matter Kawartha Lakes project. (Photo: Kelsey McDonald)
Vanderburg has been a long-time admin and volunteer for the Buy Nothing Lindsay Facebook group, which offers a connection for locals looking to give away, lend, or share things within the community. Through the group, she has helped families and individuals by connecting them with food banks or by giving away food from her own pantry.
“I got to know a lot of the different group members that had needs,” she says. “I’ve always been blessed with enough and happy to help people.”
Vanderburg notes she has always known how to cook on a budget and to find deals on food, which was something she has continued to do on a larger scale at Board & Nibble to help her round out the meals they give away. Even before launching Making Meals Matter Kawartha Lakes, the company was using the Buy Nothing Lindsay Facebook group to give away food leftovers.
“It’s just always been instilled in my genes that food waste is something I despise, so I had to do something with it,” says Vanderburg.
Advertisement - content continues below
Share on Bluesky
Through Making Meals Matter Kawartha Lakes, the duo offers a weekly meal funded entirely through donations, prior weekly meals, and the gratuities they get through catering.
After they post to social media channels about the meal, with an affordable set price (roughly $8 to $12), interested parties can sign up and transfer payment on the spot, or pay when picking up the meals at the People’s Full Gospel Church at 20 Cambridge Street North in Lindsay. Those who are able to do so can also buy a meal for someone else.
Those facing economic barriers can then get a meal at a pay-what-you-can price point or have one of the paid meals, depending on their circumstances. The meals are provided on a no-questions-asked trust system.
An initiative by Carlene Vanderburg and Tammy Thurston of Linday’s Board & Nibble Catering Co., Making Meals Matter Kawartha Lakes provides pay-what-you-can nutritious meals to those in the community who need it. The project is very popular with single moms who need snacks and lunch items for children, and for seniors who can’t or don’t want to make home-cooked meals. (Photo: Board & Nibble Catering Co. / Facebook)
“There’s a lot of single moms that are having a hard time making ends meet and having fresh homemade, healthy food,” says Vanderburg, noting the meals have also been popular with seniors.
“If they don’t want to get into cooking their own meals and it’s difficult for family members to do so, homemade options might not otherwise be available to them.”
Since launching Making Meals Matter Kawartha Lakes, Vanderburg and Thurston have used leftovers to make a nacho pasta bake, quiches, pulled pork sandwiches, meat pies, and snack boxes for kids. However it ends up, it’s always a chance for the owners to get creative in their kitchen with what they have left over.
“I have a lot of fun with coming up with different ideas and that’s what I love,” says Vanderburg. “It’s always different foods and different tasty things people would like.”
Advertisement - content continues below
Share on Bluesky
In September, Making Meals Matter expanded beyond the weekly meals by using the donations to serve for a Celebration of Life reception for a local teenage boy who recently passed away. St. Andrew’s Presbyterian Church also gave back by donating their space for the reception.
“I just knew when he passed, (the family was) not in a good position because of the medical expenses and travel on top of everything they’ve gone through,” Vanderburg says. “By saving our gratuities to utilize for the better of others, we were able to help.”
After a brief hiatus during Board & Nibble’s busy season in the summer, Vanderburg and Thurston are eager to get back into providing more low-barrier meals to the community and are looking to work with businesses to sponsor the meals.
Charlene Vanderburg and Tammy Thurston of Board & Nibble Catering Co. in Lindsay offer decadent custom-made platters, charcuterie boards, food bars, grazing tables, dessert cups and more for any party, celebration, or gathering. All gratuities from the business and any left-over food are donated to Making Meals Matter Kawartha Lakes, an initiative started by Vanderburg and Thurston that provides affordable home-cooked meals for those facing barriers in the community. (Photo: Board & Nibble Catering Co. / Facebook)
The duo are also willing to continue to spread the support outside of the weekly meals by giving from their pantries and fridges when those in need reach out.
“It just pains my heart to know there’s kids that are going without or that are not getting adequate nutrition, and we know it’s such an issue,” says Thurston. “If we can help families in that way, then we want to do that.”
Those interested in helping to support Making Meals Matter Kawartha Lakes can find more information at www.boardandnibble.ca/making-meals-matter or by following Making Meals Matter Kawartha Lakes on Facebook.
Hamilton photographer Jessie Golem's "Humans of Basic Income" photographic series showed the human side of the then-newly elected Ford government's 2019 decision to cancel the Ontario Basic Income Pilot Program before it was completed and evaluated. (Photo: Jessie Golem)
The Basic Income Peterborough Network (BIPN) is offering a new forum with the hope of bringing together like-minded community members in Peterborough who are working towards improving living conditions and raising awareness about the importance of a basic income guarantee.
BIPN will launch the inaugural workshop in its monthly Hope Series on World Food Day (Wednesday, October 16) in collaboration with the Peterborough Food Action Network (PFAN). BIPN’s workshop series is intended to build solidarity across the various activities and groups at work in the community.
“The Hope Series provides an opportunity for people and groups engaged in a diverse range of projects and initiatives intended to improve conditions in our community to come together to share their perspectives and ideas in support of addressing some of our most pressing challenges,” Kathryn Matheson, certified nutritional practitioner and member of both BIPN and PFAN, shared with kawarthaNOW.
Advertisement - content continues below
“By cultivating resilience, creativity, and imagination, the series has the potential to generate new and different conversations, in turn leading to the emergence of collaborations and policy innovations grounded in the extension of dignity and belonging to all members of our community,” Matheson added.
Each workshop in the Hope Series will be held in partnership with a local activist or advocacy group working on a different issue to draw connections between the work of those groups, and BIPN’s own efforts towards a national basic income guarantee. The workshop series is expected to culminate in a “Hope Festival” in 2025.
“There’s so much work happening in our community to support the common good, and that keeps me hopeful in the face of the overlapping crises we’re experiencing locally and globally,” said Elisha Rubacha, community impact officer at United Way Peterborough & District and member of both BIPN and PFAN.
“(BIPN’s) Hope Series is a way of not only highlighting those important efforts, but illustrating the ways in which various social issues are intimately connected with one another. By creating bridges that link our different movements, we are all made stronger. This World Food Day event is the first workshop in a series that has the potential to generate a broader collective voice for change.”
The Basic Income Peterborough Network (BIPN) is teaming up with the Peterborough Food Action Network for a new “Hope” series intended to bring advocates together through monthly gatherings, with the first workshop on food insecurity taking place on World Food Day on October 16, 2024. (Graphics: BIPN)
BIPN views a basic income guarantee as not only an income floor for those who need it, but a policy that would enable greater civic engagement across the country.
“When people are no longer struggling to survive, they have more freedom to participate in our democracy, as well as grassroots organizing for systemic change,” a media release noted.
PFAN members, community members engaged in food work, or anyone interested in food insecurity are invited to join the first session, which runs from 11:30 a.m. to 1 p.m. at Peterborough Public Health, which is on the second floor of 185 King St. in Peterborough. There will be a food demonstration, followed by a light meal, along with knowledge sharing on food and income insecurity.
PFAN members will provide an update on local food insecurity rates and discuss their three-pronged approach to addressing food insecurity. Joan DiFruscia from the Otonabee-South Monaghan Food Cupboard will share some insights from her work within the food bank system.
Members of BIPN will offer a primer on a basic income guarantee, and there will be an opportunity for participants to have conversations at their tables.
Advertisement - content continues below
The lunch-and-learn event is free, but space is limited with advance registration required at eventbrite.ca/e/102167154609.
Since 2015, BIPN has brought community members together to advocate for a basic income guarantee. Through local public education and advocacy efforts at the municipal, provincial, and federal levels, BIPN strives to “generate interest in, and understanding of, this transformative policy solution.” For more information, visit basicincomepeterborough.ca.
PFAN’s vision is that everyone in Peterborough city and county will have enough healthy food to eat as part of a long-term food security strategy. PFAN brings together agencies and individuals to build community food security as part of local poverty reduction efforts. For more information, visit foodinpeterborough.ca.
World Food Day
VIDEO: World Food Day 2024
World Food Day is an international day celebrated every year around the world on October 16 to commemorate the date of the founding of the Food and Agriculture Organization of the United Nations (FAO) in 1945. Each year has a different theme, with the 2024 theme being “Right to foods for a better life and a better future.”
“The world’s farmers produce enough food to feed more than the global population yet, hunger persists,” states the FAO website. “Around 733 million people are facing hunger in the world due to repeated weather shocks, conflicts, economic downturns, inequality, and the pandemic. This impacts the poor and vulnerable most severely, many of whom are agricultural households, reflecting widening inequalities across and within countries.”
“Food is the third most basic human need after air and water — everyone should have the right to adequate food. Human rights such as the right to food, life and liberty, work and education are recognised by the Universal Declaration of Human Rights and two legally binding international covenants.
Peterborough's Tiffany Arcari is the host of "The Tiffany Show," a show dedicated to sharing uplifting and entertaining stories from members of the community with a focus on positivity. With season two of her popular show now underway, she reflects back on some of the most valuable lessons she has learned so far. (Photo courtesy of Tiffany Arcari)
If there’s ever a show that’s going to have you feeling warm and fuzzy one minute, tearing up the next, and laughing out loud the minute after that, it’s The Tiffany Show hosted by Peterborough’s Tiffany Arcari.
That depth certainly comes from the bravery of the guests who share stories about the challenging times they’ve faced, but it also takes a special kind of person to host such a welcoming environment that make people feel safe in sharing so publicly their most vulnerable moments.
Through the screen and through her community engagement, it’s evident that Arcari has a deep-rooted passion for the community she calls home.
With the recent launch of season two of The Tiffany Show (available on Cogeco YourTV Peterborough-Lindsay and through Arcari’s social channels), the self-described “idea generator,” consultant, event planner, emcee, public personality, and true Peterborough cheerleader reflects on some of the lessons she has learned and continues to learn from the show.
Advertisement - content continues below
1. We can’t wait for perfect
VIDEO: Recap of Season 1 of “The Tiffany Show”
The Tiffany Show was a long time in the making even before Arcari was ever seated in front of the camera. One day during the pandemic lockdowns, she woke up with the vision of a show as a way to inspire and create community connection.
After constantly talking about her plans and continually generating ideas for the show, Arcari was working at the Peterborough and Kawarthas Chamber of Commerce a year later when then-president Stuart Harrison told her to stop waiting until it was perfect and just make it happen.
“I don’t know that I would have made the move (without his advice),” Arcari says, noting she went home and began filming that night. “I realized if I’m going to wait for this to be perfect, I’m never going to do it because I know that my standard of perfect is impossible to achieve. We can’t wait for perfect.”
Since starting The Tiffany Show, Arcari has thought a lot about the role of dreams and how essential it is to go after what you want, so you aren’t lying on your deathbed wishing you had — in her case — started the variety show you had been imagining for so long.
“If your dream is worth pursuing and you feel for one second that you might regret not doing it, just go ahead and do it,” she says.
“If you fail, you fail. You’ll learn something and take that to apply it to something else. Failure is not a bad thing — it’s seriously just a learning opportunity, and an opportunity to reflect inside our souls and inside our processes. It lets us be free to try things.”
2. Vulnerability breeds authenticity
Matt Couture, also known as Mr. Couture Candy, appears in the second season of “The Tiffany Show.” He is a 15-year paramedic veteran who made the brave decision to step away from the profession due to PTSD. Arcari says it’s important for her to create a safe and inviting space to allow for vulnerability as that’s the only way to form authentic and real connections. (Photo courtesy of Tiffany Arcari)
Since she has always been an “entertainer” with a theatre background, Arcari could have chosen to make a talk show, variety show, or podcast about a whole range of topics or in a whole range of styles. But it didn’t take much thought for her to know exactly what The Tiffany Show was meant to be.
“One of the biggest challenges I had growing up that bled into adulthood was having my voice heard and being given a space for feelings and real, authentic situations and having real conversations,” Arcari explains. “I seldom sat at a table that I had a voice at, so as I got older and discovered my own voice, I really suddenly developed this burn in my belly to give other people a voice.”
On the show, which is filmed at Euphoria Wellness Spa in downtown Peterborough, Arcari invites community members to have conversations around their toughest moments in life, from mental health battles to grief and moments of adversity, and others who are using those experiences to bring good into the world.
“People just open up and become vulnerable and share these things,” she says. “Vulnerability breeds authenticity which further establishes connections, and that reminds us that we’re all human beings and nobody is alone in their journey.
“We might be going through different storms, but the pain is very much the same. I think when we’re alone in that darkness, those reminders are really powerful and can ignite somebody’s light at the end of the tunnel.”
Advertisement - content continues below
3. The key to getting people to open up is to give them what you needed
Tiffany Arcari interviewing Ashley Lamothe, founder and CEO of Creative Kwe, for the first season of “The Tiffany Show.” One of the biggest challenges she had growing up was having her voice heard and, now that she’s found her voice, she wants to give others the same opportunity through her show. (Photo courtesy of Tiffany Arcari)
After Arcari moved to Peterborough attend Fleming College when she was 18 years old, she knew the city was where she would spend the rest of her life.
“Living in Peterborough has always empowered me to be myself,” she says. “It was safe for me to be myself here, without judgment, without ridicule, without embarrassment, without shame.”
Since The Tiffany Show is all about getting real, Arcari’s priority is making her guests feel just as comfortable and safe as Peterborough made, and continues to make, her feel every day.
“The key to getting people to open up is giving people what you needed,” she explains. “Because being heard was something I really needed, and having a voice was something I needed, it’s easy for me to open that door and create that space for other people. It really is just about being honest and being kind and having your heart in the right place.”
Arcari notes that it also helps to have these conversations while sitting next to each other, and having each other as a support system.
“The emotional energy and connection that we have when we’re in a space together really makes them feel they can drop their boundaries and have an honest conversation, because they know I’m not judging them and that everybody is welcome and safe in this space.”
Advertisement - content continues below
4. If you can blow something up, do something differently, make it unique … you should
Emcee Tiffany Arcari spreading the love at an International Women’s Day event in 2024 that she arranged within a few weeks. As the host of an inspiring show dedicated to sharing positive stories, the entertainer believes in the importance of physical connection and forming connections through a shared space. (Photo courtesy of Tiffany Arcari)
Earlier this year, when she learned there were not a lot of local events for International Women’s Day, Arcari made the quick decision to pull something together no more than a few weeks in advance.
With the immediate support from the community, including businesses offering sponsorship and women agreeing to speak at the event, she organized an engaging and inspiring celebration.
With dozens of door prizes donated by local businesses, she decided to get creative and use them as incentives to get women to open up and to share their stories. Women going up to the mirror and complimenting themselves, women competing in compliment stand-offs, and women sharing their stories of triumph are just a few examples of those who received door prizes.
“The whole mission of the show is telling these humankind stories between each other and that’s what we did that day,” she says. “I was riding high after that event for weeks.”
Knowing how to lead a crowd and host an event, Arcari explains that she always likes to add unique and fun approaches to her community engagement when she can.
“I don’t like things to be status quo,” she says. “If you can blow something up, do something differently, make it unique, make it your own or add your own pizzaz, you should do that.”
Arcari is already well on her way to planning a gathering for International Women’s Day 2025, and if she can pull together what she did this year in a few weeks, imagine what she could do with much more time to prepare.
Advertisement - content continues below
5. We just have to keep pushing forward and figure things out as we go
Peterborough entertainer, emcee, consultant, and self-described “idea generator” Tiffany Arcari hosting an event for International Women’s Day 2024. She is currently planning an event for the 2025 International Women’s Day. (Photo courtesy of Tiffany Arcari)
While Arcari is excited about the second season of The Tiffany Show, she also knows it will continue to grow into the variety show she first imagined it to be.
Since the show’s inception, she has been collecting segment ideas like “penne for your thoughts” (where she cooks pasta with a guest while hearing them talk) and a rant segment similar to comedian Rick Mercer’s alley rants “but with a positive spin highlighting good things that are happening.”
“It would be like Martha Stewart meets Oprah meets Drew Barrymore meets Busy Philipps — those iconic women to me were the sum of what I wanted this to become,” Arcari describes.
But considering Arcari is the only one doing the writing, directing, organizing, post-production, and editing for the show while also working full-time at Gauvreau Accounting Tax Law Advisory, she hasn’t quite figured out how to add these segments in just yet.
“With that workload, I can’t make all of these other things happen yet, but it will come,” she says. ” I know it will come with time, and for now, we just have to keep pushing forward and figure things out as we go.”
For more information about The Tiffany Show, visit www.thetiffanyshow.ca, where you can also watch episodes.
Leisse Wilcox, a Cobourg native, breast cancer survivor, single mom, and leadership development expert is competing in the "Speaker Slam's 8th Annual Grand Slam" competition on November 9, 2024 in Toronto that could earn her the title of inspirational speaker of the year. (Photo supplied by Speaker Slam)
A Cobourg native, breast cancer survivor, single mom, and leadership development expert has her sights set on an upcoming competition that could crown her with the title of inspirational speaker of the year.
Leisse Wilcox will compete in “Speaker Slam’s 8th Annual Grand Slam: The Inspirational Speaking Finals” on Saturday, November 9 at the CBC Glenn Gould Studio in Toronto.
In May, at one of the five differently themed Speaker Slam qualifier competitions during the year, Wilcox delivered a speech called “The Goldilocks Guide to Finding Freedom,” which explored the pressure of perfection and the pursuit of self-worth.
Advertisement - content continues below
Share on Bluesky
Her speech earned her second place in the freedom-themed competition. Now she’s going on to the Grand Slam finals with the theme of brave, which challenges speakers to share stories of courage and resilience.
Wilcox shared with kawarthaNOW what she hopes audience members will glean from her upcoming presentation.
“I hope people take away from this speech that anybody can be brave at any point because it is such a choice,” Wilcox said. “It’s a personal decision. It’s not one big, giant, momentous event. It’s a very quiet decision just to be brave by simply being yourself. To me, that is the most empowering gift we can give.”
As well as going through a divorce and raising three young kids on her own, Cobourg native Leisse Wilcox was diagnosed with an aggressive form of breast cancer that led her to choose to undergo a double mastectomy. She will share her story at the “Speaker Slam’s 8th Annual Grand Slam” competition on November 9, 2024 in Toronto. (Photo supplied by Speaker Slam)
For Wilcox, a single mother of three young kids, bravery wasn’t just about facing an aggressive breast cancer diagnosis. It was about redefining her identity, embracing vulnerability, and “showing up in the world as her authentic self,” a media release noted.
“Leisse is no stranger to overcoming adversity. From battling breast cancer and choosing to ‘go flat’ after a double mastectomy to navigating divorce and solo parenting, her journey is a testament to the quiet yet powerful acts of bravery that have shaped her life.”
From losing her hair during cancer treatment to choosing to undergo a double mastectomy, Wilcox has had to redefine her relationship with her body, femininity, and the concept of being “enough.”
Advertisement - content continues below
“We live in a world that tells us to either be not enough or too much, and I had to fight those messages while literally fighting for my life,” Wilcox said.
She added that, with October being Breast Cancer Awareness Month, her story has increased significance.
“Breast Cancer Awareness Month reminds us that many women aren’t just battling their health, they’re battling how they perceive themselves. My story isn’t just about cancer. It’s about radically accepting who we are, right now, no matter what.”
From losing her hair during cancer treatment to choosing to undergo a double mastectomy, Cobourg native Leisse Wilcox has had to redefine her relationship with her body, femininity, and the concept of being “enough.” She will share her journey of embracing herself after cancer and redefining her identity in the “Speaker Slam’s 8th Annual Grand Slam” competition on November 9, 2024 in Toronto. (Photo supplied by Speaker Slam)
Wilcox has moved forward from her diagnosis by accepting her new identity and finding strength in her vulnerability, which is what has landed her on the Grand Slam stage.
“Leisse’s journey of embracing herself after cancer and redefining her identity aligns perfectly with our Brave theme,” said Speaker Slam co-founder Dan Shaikh. “Her ability to mix humour with vulnerability will resonate deeply with audiences, making her a powerful contender in the Grand Slam.”
How will Wilcox know if she has been successful with her message?
“When I’m holding that trophy, that’s going to be a big indicator,” Wilcox said. “But on the impact side, I always know when people send me messages or stop me in the lobby to share how my words impacted their lives. That to me also counts as a win.”
Advertisement - content continues below
The Grand Slam will feature the top 14 speakers from the 2024 season, with participants travelling from across North America, including from Starkville in Mississippi, Fort Worth in Texas, and various parts of Canada. They will compete for the title of inspirational speaker of the year, a $5,000 cash prize, and a prize package worth up to $50,000.
The event runs from 6 to 10 p.m. Saturday, November 9 at CBC Glenn Gould Studio, located at 250 Front St. W. in downtown Toronto. Tickets are available at eventbrite.ca/e/862389388877, with livestream tickets also available.
For more information about the speakers and the event, visit speakerslam.org.
kawarthaNOW.com offers two enews options to help readers stay in the know. Our VIP enews is delivered weekly every Wednesday morning and includes exclusive giveaways, and our news digest is delivered daily every morning. You can subscribe to one or both.
Submit your event for FREE!
Use our event submission form to post your event on our website — for free.
To submit editorial content or ideas, please contact us.