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Lindsay man and Little Britain woman arrested in stabbing incident in Lindsay on Saturday

Kawartha Lakes police have arrested a man and a woman in connection with a serious stabbing incident of two other people in Lindsay on Saturday morning (January 10).

Just before 9 a.m. on Saturday, police received a call about a woman on Kent Street West who was bleeding from a stab wound.

After arriving at the scene, officers located the woman along with a man who had also been injured. Officers provided emergency first aid until paramedics arrived to transport the victims to Ross Memorial Hospital with serious injuries.

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Police quickly determined the stabbing incident had occurred at a residence on Peel Street and identified two suspects, who they arrested on January 10 and January 13 and held in custody.

A 43-year-old Lindsay man has been charged with assault causing bodily harm, assault with a weapon, and two counts of failing to comply with probation. A 36-year-old Little Britain woman has been charged with aggravated assault, possession of a weapon for a dangerous purpose, assault with a weapon, and failing to comply with probation.

Police say this was an isolated incident and there is no risk to public safety.

GE Vernova objects to City of Peterborough’s notice to designate historic GE factory buildings

The General Electric factory complex at 107 Park Street North in downtown Peterborough, which began operations in 1891 as the Canadian Works of the Thomas Edison Company and later continued under General Electric. The site includes a complex of 33 buildings built between 1891 and 1981 and used for industrial manufacturing and ancillary purposes. In 2018, General Electric ceased its manufacturing activities on the site, with most of the buildings now decommissioned with machinery and equipment removed. (Photo: Google Earth)

GEPR Energy Canada Inc., the owner of the historic General Electric factory complex at 107 Park Street North in downtown Peterborough, has objected to the City of Peterborough’s November 2025 notice of intention to designate eight of the complex’s buildings under the Ontario Heritage Act — despite a report commissioned by the company itself that recognized the heritage value of the eight buildings.

kawarthaNOW has obtained a copy of a letter dated November 25 from Toronto law firm Aird & Berlis LLP to the city clerk’s office on behalf of the company, which is a subsidiary of GE Vernova, an energy equipment manufacturing and services company formed from the merger and subsequent spin-off of General Electric’s energy businesses in 2024.

The letter from Aird & Berlis LLP describes four objections to the city’s notice of intention which, on November 6, was served to GE Vernova as the property owner and also published as a public notice in the Peterborough Examiner. Three of the objections relate to the “improper” wording and content of the notice, with another objection calling a proposed designation “unnecessary.”

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The notice of intention to designate followed a decision by Peterborough city council on November 4 to allow GE Vernova to demolish a large number of vacant buildings at the factory complex, with the exception of eight buildings that would receive heritage designation.

The heritage value of buildings 2, 2A, 8A, 21, 24A, 26, 28, and 30 was described in a 154-page heritage impact assessment (HIA) report prepared by ERA Architects Inc. for GEPR Energy Canada Inc. Those buildings include two currently in use by GE Vernova, four currently in use by BWXT (an independent company that was originally part of GE Vernova’s nuclear energy division), and two unoccupied buildings with heritage value that will be retained and mothballed pending potential future uses.

On October 6, city council meeting as general committee voted down a staff recommendation that recommended hiring a consultant to conduct a peer review of the HIA report, with some councillors arguing that a peer review of the report was unnecessary and others arguing that a peer review would ensure the city had considered the matter in a fair and objective way.

Council confirmed that general committee decision at its October 14 meeting, despite hearing concerns from nine public delegations about the potential environmental and public safety impacts from allowing demolition of all other buildings in the complex’s centre block that haven’t been used since 2018. The 26 buildings to be demolished represent around 84,500 square metres (910,000 square feet) of the 104,000 square metre (1.1 million square feet) site.

The proposed demolition is controversial because of known contamination of the industrial site with toxic hazardous substances over the past 125 years and the impact of a demolition on the safety of the surrounding residential neighbourhoods.

On November 3, city council meeting as general committee rejected a recommendation from the city’s Peterborough Architectural Conservation Advisory Committee (PACAC) that facades along Albert Street be retained for buildings 8, 34, 16A, 16, and 22 in their current location and be included in the designation, along with building 13 (the power house). Council voted to maintain its original October 14 decision to only designate the eight buildings described in the HIA report.

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The following day, city council confirmed the November 3 decision and city staff were directed to issue a notice of intention to designate to GE Vernova by November 7 — the 60-day deadline under the Ontario Heritage Act given that GE Vernova sent its notice of intention for demolition to the city on September 8.

The city’s notice of intention, which was served to GE Vernova as the property owner and published as a public notice in the Peterborough Examiner on November 6, indicates the city plans to pass a by-law on January 19 that designates buildings 2, 2A, 8A, 21, 24A, 26, 28, and 30 as described and depicted in the HIA report, and provides the “reasons for designation” as stated below.

The former Canadian General Electric plant at 107 Park Street North has strong cultural heritage value through its associations with Peterborough’s industrial and labour history. Established in 1891 as the Canadian works of the Edison General Electric Company and later operating as Canadian General Electric, the complex played a central role in the city’s emergence as a national centre of electrical manufacturing and innovation. The plant produced generators, motors, transformers, and lighting equipment, later expanding to locomotives and street railways. It contributed significantly to Canada’s war efforts in both World Wars, manufacturing military components. The site also reflects the social evolution of the industrial workforce, particularly through the recruitment of women during wartime production. The plant was in continuous operation for 127 years until its closure in 2018.

Architecturally, the complex demonstrates the evolution of industrial design from the late Victorian and Edwardian periods to postwar modernism. Early brick buildings such as 2, 2A, 8A and 30 exhibit fine craftsmanship, decorative brickwork, and large fenestration typical of early factory architecture, while later additions such as buildings 21, 24A, 26 and 28 illustrate functional modern industrial construction.

The former large GE manufacturing complex is an integral aspect of the neighbourhood. The plant’s location, form, and enduring presence have shaped the surrounding residential and transportation patterns and remain integral to understanding Peterborough’s industrial development. The property stands as a landmark and enduring symbol of the city’s identity as “The Electric City” and of its contribution to Canada’s technological and economic growth.

The letter of objection from Aird & Berlis LLP takes exception to the wording of the city’s notice because the “reasons for designation” describes the property as a “landmark” and, despite the notice specifying the actual buildings to be designated, claims the city is designating the entire property.

“The proposed designation will apply to the entirety of the Park Street site as a ‘landmark’, contrary to the clear intention and direction of Peterborough city council which stated that it had ‘no interest’ in pursuing designation of the lands save for a few specific buildings,” writes Aird & Berlis LLP partner Eileen P. K. Costello.

She adds that the notice “includes generalized statements about the history of the property and architecture, failing to include clarity and direction as to the specific heritage attributes that are of cultural heritage value” and that “the proposed designation relies, in part, on incomplete or inaccurate information with respect to certain architects that are attributed with having contributed to the Park Street site.”

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Aside from the wording of the notice, Costello writes that the proposed designation “is unnecessary in the context of the site plan application filed concurrently with the notice of intention to demolish and which affords the City of Peterborough ample jurisdiction to appropriately manage the interim use of the Park Street site.”

“The site plan application which accompanied the notice of intent to demolish will facilitate the interim and long-term strategy for the property. In (the company’s) view, this can and should occur without the necessity for a heritage designation on the property.”

Again, despite the notice specifying the specific buildings to be designated, Costello writes that notice’s wording does not reflect the decision of city council and instead designates the entire property as a “landmark.”

“The practical consequence of the designation of the entirety of the Park Street Site as a ‘landmark’ is that any application which follows — whether it includes a proposed alteration of existing buildings or construction of new buildings — will be required to go through an additional process at the city for the consideration of any impacts on the cultural heritage value of the entire property.”

“We further note that the term ‘landmark’ is not defined in the Ontario Heritage Act making it impossible to asses(s) whether changes would affect the ‘landmark’, particularly in the context of the proposed demolition of buildings on the property.”

“At the very least, we respectfully submit that it is incumbent on city staff to work with (the company) to determine whether any designation could proceed in a manner consistent with the clear direction of city council so as to ensure the majority of the Park Street site and the current economic activities located there are not unduly encumbered.”

PDF: August 20, 2025 Landscape Plan – GEPR Energy Canada Inc.

August 20, 2025 Landscape Plan - GEPR Energy Canada Inc.
A landscape plan from August 20, 2025 showing proposed site alterations at the GE factory complex at 107 Park Street North, part of an application for site plan approval submitted by GEPR Energy Canada Inc. to the City of Peterborough. (Graphic: E.R.A. Architects Inc. via City of Peterborough website)

Costello also writes the notice relies on “incomplete/uncertain information” in a city staff report from October 6 that states the factory complex features works from Ontario architects including Walter Strickland, George Martel Miller, George Gouinlock, and John McIntosh Lyle, when the HIA report that GEPR Energy Canada Inc. commissioned found no specific buildings could be attributed to those architects.

In addition, the letter argues the proposed heritage designation is “unnecessary” given that the interim site plan developed by GEPR Energy Canada Inc. would “address many of the concerns heard from members of the public and city council.”

“The interim site plan will allow the city to secure many of the recommendations in the HIA to address the cultural heritage value of the Park Street site, including opportunities for interpretation areas and commemoration specifically identified as mitigation strategies,” Costello writes. “Again, this work can occur under the direction of city staff and be secured through conditions of site plan approval and a site plan agreement, registered on title to the lands. A heritage designation of all or any part of the Park Street site is not required for the city to benefit from these opportunities through the site plan process.”

The letter concludes by stating that GEPR Energy Canada Inc. “looks forward to engaging with City of Peterborough staff to resolve its objection to the notice of intent (to designate) and to advance discussions with respect to its site plan application in the time afforded by the (Ontario Heritage Act) prior to city council having to issue a final decision on this matter.”

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kawarthaNOW reached out to the City of Peterborough on Monday (January 12) and to Aird & Berlis LLP on Tuesday for clarification on whether there has been any communication between the two parties since the November 25 letter. The City of Peterborough did not provide a response prior to publication, while a spokesperson for Aird & Berlis LLP said the firm was not able to comment at this time.

Under the Ontario Heritage Act, the City of Peterborough has 90 days after receiving a notice of objection to decide whether to uphold the notice of intention to designate by passing a by-law or to withdraw the notice.

With respect to GEPR Energy Canada Inc.’s notice of objection, that means the city would need to make a decision by February 23. According to the city’s notice of intention to designate, the by-law is scheduled to be passed at the next city council meeting on Monday (January 19).

If the city decides to proceed and pass a by-law to designate the buildings, GEPR Energy Canada Inc. would then have 30 days to appeal the by-law to the Ontario Land Tribunal.

 

The original version of this story has been updated with details of the recommendation from the Peterborough Architectural Conservation Advisory Committee (PACAC) for additional heritage designation and to include a PDF of a landscape plan.

Peterborough city council mandates anti-racism training for all councillors and city staff after report on mayor’s use of racial slur

Members of Peterborough's Black community were in the gallery during a city council meeting on January 12, 2026, where a report from the city's integrity commissioner on Mayor Jeff Leal's use of an anti-Black racial slur was tabled. Responding to the findings of the report, councillor Alex Bierk put forward a motion to mandate anti-racism training for all councillors and city staff as well as to amend the code of conduct and the city's strategic plan. (kawarthaNOW screenshot of City of Peterborough video)

Peterborough city council has voted unanimously on a motion to require all councillors and city staff to receive anti-racism, diversity, equity, and inclusion training, as well as to amend council’s code of conduct and the city’s strategic plan.

The motion, brought forward by councillor Alex Bierk and amended by councillor Kevin Duguay when city council met as general committee on Monday night (January 12), was in response to the tabling of a report by the city’s integrity commissioner Guy Giorno on Mayor Jeff Leal’s use of an anti-Black racial slur during a guest lecture at Trent University last March.

In his report dated December 22, 2025, Giorno addressed nine complaints — including from the Trent Central Student Association and the Afrocentric Awareness Network of Peterborough — that the mayor had breached the code of conduct by using the N-word when referring to the language of former U.S. president Lyndon Johnson.

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“Lyndon Johnson was an FDR New Dealer,” Leal said during his lecture at Trent University. “He came out of the hills of Texas. He used this language that you would never use today, and he talked about the poor [N-word plural] and Mexicans that he taught Sunday school to.”

While Giorno described the slur as “odious” and said the mayor’s use of the term was “not acceptable,” he found that the code of conduct does not currently apply to speech made in an academic setting where the mayor was not acting in his official capacity.

In his report, Giorno suggested council may wish to amend council’s code to address conduct to prohibit the use of the N-word, and also may wish to ask city staff to report back on the recommendation of the Trent Central Student Association that the city’s strategic plan be amended to include anti-racism and race relations as a strategic priority under the community and wellbeing pillar.

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Bierk’s motion also addressed both of Giorno’s suggestions by directing city staff to amend the city’s 2023-2050 strategic plan and to review and amend council’s code of conduct to “explicitly prohibit the use of racial slurs — including but not limited to the N-word — regardless of context or circumstance.”

In his report, Giorno included a detailed statement he received from Mayor Leal about the incident, in which the mayor explained he was unaware that it was no longer unacceptable to speak the N-word aloud in academic settings.

“At the time of the lecture, I was not aware of this shift in practice in an academic setting, for me, this does shed light on why some of the Trent students took offence to my direct quote of Johnson,” Leal wrote in part.

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At Monday night’s meeting, councillor Bierk introduced his motion by saying the use of the N-word is never acceptable regardless of the circumstances.

“Some have sought to minimize this incident by focusing on context and intent,” he said. “The harm caused by this word does not depend on context. It does not depend on whether it was quoted or directed at someone. The harm is real, it is documented in the report, and it is felt deeply by members of our community.”

“We have a choice. We can close ranks, minimize, and move on, or we take responsibility tonight and make changes.”

In her comments on the motion, councillor Joy Lachica says she was “shocked and dismayed” on behalf of the complainants by the integrity commissioner’s findings, and zeroed in on the mayor’s statement in the report that he was unaware that it was unacceptable to use the N-word.

“Not being aware is indicative of a need for education as the motion recommends,” she said, adding that the outcome of the report does not “truly acknowledge the centuries-long history of dehumanizing, vilifying, violating, harming, and killing of Black people” and that the use of the N-word “is a tool of racial oppression regardless of intent or context.”

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After councillor Keith Riel said he himself welcomed the opportunity to be educated, councillor Kevin Duguay proposed an amendment to Bierk’s original motion, which recommended training only for councillors and senior city staff, so that the training would be provided to councillors and to all city staff.

“Many of our frontline staff have more regular interface with community members,” Duguay said. “They quite often could be in positions, and dealing, in a more public-facing manner.”

Duguay asked city CAO Jasbir Raina if council would be contravening any procedural by-law by requiring all city staff to receive the training, and Raina confirmed there would be no issue.

After councillor Lesley Parnell asked for clarification on past motions by council related to the city’s actions on Indigenous truth and reconciliation, councillor Bierk said his motion was focused specifically on anti-Black racism and reflected a request made by the Trent Central Student Association.

All councillors, including Mayor Leal, then voted unanimously in favour of Bierk’s motion as amended by Duguay.

The motion was then included as an amendment to the original motion to receive the integrity commissioner’s report, which council voted 10-0 in favour of, with the mayor recusing himself from that vote due to a pecuniary interest as he was the subject of the report.

Peterborough Regional Health Centre launches new tool to fast-track patients with minor ailments through its emergency department

Signs point to the main entrances at Peterborough Regional Health Centre, including the Emergency Department. (Photo: PRHC)

Patients with less serious health concerns can now be assessed and fast-tracked through the emergency department at Peterborough Regional Health Centre (PRHC) under a new initiative that launched Monday (January 12).

Called the Streamlined Treatment and Evaluation Pathway (STEP), the online tool allows patients with minor ailments — such as respiratory symptoms, urinary tract infections, and minor limb injuries — to complete a brief eligibility survey before heading to the hospital.

After they arrive at the hospital, patients who are eligible for STEP will be directed to a dedicated treatment area in the emergency department (ED) and seen by a physician on a first-come, first-served basis. A dedicated physician will be available to see STEP-eligible patients from 8 a.m. to noon Monday to Friday.

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After completing the screening survey, patients deemed ineligible for STEP will be instructed to still come to the ED if needed, but will be evaluated through the standard triage process.

PRHC says STEP is designed to reduce wait times and overall length-of-stay for lower-acuity patients, which will help free up capacity for more serious cases. The hospital’s ED handles more than 75,000 visits each year — roughly one patient every seven minutes — with volumes, complexity, and acuity continuing to rise over the last decade.

“STEP is one of many initiatives our emergency department has taken on to help reduce wait times and patient length-of-stay,” said Jessica Jackson, PRHC’s director of emergency, critical care, respiratory services and trauma.

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In late November, the hospital launched a real-time online “wait clock” that shows how long patients can expect to wait before being seen in the emergency department.

“We want to ensure that we are able to streamline our patients in the most efficient way possible to improve their care and experience,” Jackson said. “With the support of leadership and staff across the hospital, we will continue to invest in these and other efforts to make innovations like STEP possible.”

The STEP survey is available on PRHC’s website through the emergency department page, or directly at redcap.link/PRHC_STEP.

After completing the survey, eligible patients will receive a confirmation message to present to the registration clerk when checking in at the ED triage desk. Once the triage nurse has verified the patient’s eligibility, they will be directed to the STEP area of the Green Zone waiting room, where they will wait to be seen by a physician.

Peterborough County Bonnie Clark re-acclaimed as 2026 chair of Eastern Ontario Wardens’ Caucus

Provincial cabinet ministers, MPs and MPPs, municipal leaders, and representatives from provincial associations and agencies attended the annual general meeting of the Eastern Ontario Wardens' Caucus (EOWC) on January 9, 2026 in Kingston, where Peterborough County warden Bonnie Clark (front row, fourth from left) was acclaimed as EOWC chair for the second year in a row. (Photo: EOWC)

Peterborough County warden Bonnie Clark will once again serve as chair of the Eastern Ontario Wardens’ Caucus (EOWC) in 2026.

Clark was acclaimed as chair at EOWC’s annual general meeting in Kingston on Friday (January 9), with Lennox and Addington County warden Nathan Townend named vice-chair.

This is Clark’s second year as chair of EOWC, which represents 103 municipalities across eastern Ontario, having previously served as vice-chair in 2023 and 2024.

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In a statement, Clark said she was honoured to continue to serve as chair for another year.

“Over the past year, we made meaningful progress, and I look forward to building on that momentum in 2026,” she said. “By working together with our municipal, provincial, and federal partners, we will keep advocating for priorities that matter most to eastern Ontario’s rural and small-urban communities.”

The January 9 meeting saw EOWC bring together a range of federal, provincial, and municipal representatives to review progress on its strategic priorities — economic resilience, municipal infrastructure, housing, rural healthcare, and overall quality of life for businesses and people in eastern Ontario — over the past year and to look ahead to 2026.

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Attendees at the meeting included provincial cabinet ministers, MPs and MPPs, municipal leaders, and representatives from provincial associations and agencies.

Speakers included Lisa Thompson (Minister of Agriculture, Food and Rural Affairs), Nolan Quinn (Minister of Children, Community and Social Services), Rob Flack (Minister of Housing, Infrastructure and Communities), Earl Provost (Ontario’s Agent-General in Chicago), and Jennifer Murphy (chair of the Eastern Ontario Regional Network).

On January 2, EOWC submitted seven recommendations to the Ontario government as part of 2026 budget consultations.

The recommendations include that the provincial government work with all other levels of government for a strong fiscal framework supporting municipal governments, support rural and small-urban municipalities on housing and infrastructure issues, continue to invest in trade and transport-enabling ports in the Great Lakes and St. Lawrence Seaway system across eastern Ontario, establish a regulated paramedic college, ensure OPP police services remain affordable and sustainable, include more rural and small-urban municipalities in the Building Faster Fund, and work with municipalities to help solve the homelessness crisis caused by addictions and mental health.

encoreNOW – January 12, 2026

encoreNOW for January 12, 2026 features (from left to right, top and bottom) Girls Nite Out stand-up comedy and improv show at Peterborough's Market Hall, Peterborough Theatre Guild's production of "Where You Are" at the Guild Hall, Honeymoon Suite at Lindsay's Academy Theatre, three Peterborough Folk Festival emerging artists at the Market Hall, New Stages Theatre's staged reading of "Women of the Fur Trade" at the Market Hall, and Public Energy's presentation of "Rinse" at the Market Hall. (kawarthaNOW collage)

encoreNOW is a bi-weekly column by Paul Rellinger where he features upcoming music, theatre, film, and performing arts events and news from across the Kawarthas.

This week, Paul is back from a holiday break to highlight Girls Nite Out improv hilarity at the Market Hall in downtown Peterborough, the Peterborough Theatre Guild’s staging of Where You Are, a trio of Peterborough Folk Festival emerging artists on one stage, Honeymoon Suite at Lindsay’s Academy Theatre, New Stages Peterborough’s staged reading of Women of the Fur Trade at the Market Hall, and Public Energy’s presentation of the acclaimed dance theatre work Rinse, also at the Market Hall.

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Oh, the girls want to have fun, and so they will in a big way

VIDEO: Girls Nite Out 2025/26 Promo

Back in 1983, pop singer Cyndi Lauper told us “girls just want to have fun.”

More than 20 years later, actor and improv performer Jennine Profeta took that declaration to a whole other level, co-conceiving, with Globus Theatre artistic director Sarah Quick, the an all-female improv comedy troupe Girls Nite Out.

The ensemble debuted in Bobcaygeon as part of Glbous Theatre’s second season lineup. Now, as its 20th anniversary looms, and having brought improv hilarity to audiences across Canada, Girls Nite Out is showing no signs of slowing down, full evidence of that on display this Friday (January 16) at Market Hall Performing Arts Centre in downtown Peterborough.

The improv and stand-up comedy showcase billed as “Winter Extravaganza!” will feature Profeta joined by Karen Parker, Diana Frances, Jordan Armstrong and Elvira Kurt — all acclaimed Canadian comedy veterans who have been awarded as such over the years.

Meanwhile, joining in on the mayhem will be special guest Linda Kash, who’s no stranger to local audiences. She’ll take to the stage on the eve of a milestone birthday, which is sure to add to spirit of the night.

“We love Linda, and we know Peterborough loves Linda,” said Profeta in recent interview with kawarthaNOW’s Megan Gallant.

“She’s just such a great person and she’s such a great community builder, so she just fits in really well with all of us. It just makes it so much more fun and more special to have her here.”

Winter Extravaganza! will see Kurt do a stand-up routine to warm up the audience before being joined by the others for various improv games. In the second half, Kurt hosts a “talk show” inviting audience members to share their stories.

“We poke fun, but it’s not about making fun of anybody or making somebody look bad,” noted Profeta.

“When people come to the show, they want the spotlight on them and they know we’re going to take good care of them. It’s great to have that element of fear just removed from the equation. Our comedy can be something very different. It’s not about being mean — it’s being positive and celebratory as opposed to taking people down.”

Tickets for the 7:30 p.m. show, which kicks off the troupe’s 20th anniversary year, are $39 ($29 for seniors and $24 for students) and can be purchased online at www.markethall.org.

 

Peterborough Theatre Guild calling again on a proven duo

VIDEO: Interview with “Where You Are” director Jerry Allen

With half of its 2025-26 season in its rearview mirror, the Peterborough Theatre Guild has turned to a collaboration that has produced nothing but great results for its audience.

Opening this Friday (January 16) for a 10-performance run at the Guild Hall in Peterborough’s East City is Kristen Da Silva’s comedy Where You Are, directed by Jerry Allen with Pat Hooper by his side as producer. One year ago, they teamed up for the guild’s staging of Outside Mullingar, which was very well received.

Inducted into Peterborough’s Pathway of Fame just this past year, Allen made his Guild directorial debut in 1983 and has since directed 14 of the company’s productions. Hooper, meanwhile, can list the Guild as among the numerous volunteer roles she has filled, which earned her Pathway of Fame induction back in 2019.

Now the Guild’s “dream team” is bringing us Da Silva’s play, which acclaimed Canadian playwright Norm Foster praises as “laugh-out-loud funny and as warm as an August evening” – something that sounds pretty enticing during the long cold days of January.

Hailed as “a hilarious and honest exploration of family, forgiveness and falling in love,” Where You Are brings us to a porch in Little Current on Manitoulin Island where sisters Glenda and Suzanne have lived since Suzanne, pregnant and penniless, arrived 33 years earlier to move in with Glenda and her husband Mark.

While one is warm and industrious, and the other is brash and prone to late mornings, the sisters are devoted to each other, and spend laughter-filled days swapping stories about the locals while roping their veterinarian neighbour Patrick into doing various chores. Enter Beth, Suzanne’s doctor daughter. Not only do mom and daughter clash over everything, but we learn the sisters have been harbouring a weighty secret — with Beth having a secret of her own. All four of the characters are eventually forced to confront truths that will change their lives.

A two-time recipient of the Playwright Guild’s New Comedy Award, Oakville native Da Silva has written plays — Where You Are among them — that have been produced across Canada, the United States, and Europe.

The Peterborough Theatre Guild’s production of Where You Are stars Lyndele Gauci as Glenda, Colleen White-Goodchild as Suzanne, Lindsay Wilson as Beth, and Kevin O’Neill as Patrick.

The play runs for 10 performances, with evening shows at 7:30 p.m. on January 16 and 17, 22 to 24, and 29 to 31 and matinee shows at 1:30 p.m. on January 18 and 25. Assigned seating tickets cost $30 ($27 for seniors and $20 for students) and are available by phone at 705-745-4211 or online at www.peterboroughtheatreguild.com. A special two-for-one ticket promotion is available for opening weekend.

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Honeymoon Suite bringing its 45-year legacy to Lindsay

VIDEO: “Stay in the Light” – Honeymoon Suite

When Canadian rock band Honeymoon Suite released its self-titled debut album in 1984, things could have gone one of two ways.

Featuring four songs that charted, including the hit “New Girl Now,” it could be argued that album represented the band’s peak. A sound argument except for one thing: Honeymoon Suite hasn’t gone away and, eight more albums later, is still answering the bell in a big way.

While the 1980s arguably marked Honeymoon Suite’s hey-day, the band has remained active, have released its latest album just last year. Touring, meanwhile, has been a constant, with hit songs such as “Stay In The Light,” “Feel It Again,” and “What Does It Take?” sounding as fresh as they did on the day they were released.

On Friday, January 23 at Lindsay’s Academy Theatre, founding member and singer Johnny Dee will lead Honeymoon Suite through its music catalogue, joined by original bandmates Derry Grehan, Dave Betts, and Gary Lalonde. Keyboardist Peter Nunn, who joined the fray in the early 2000s, rounds out the busy quintet.

There’s a simple reason why bands from way back in the day don’t go away: they continue to draw sizable audiences still hungry for their sound. Entering its 45th year, Honeymoon Suite has well-earned the continued attention.

Tickets to the 8 p.m. concert cost $73 to $83 (including fees) and are available at www.flatoacademytheatre.com.

 

Three Peterborough Folk Festival honourees on one stage

VIDEO: “Freaking Me Out” – VANCAMP

One of the most widely anticipated annual announcements on Peterborough’s cultural calendar has been, and remains, the naming of the Peterborough Folk Festival’s Emerging Artist of the Year.

Since 2001, when Serena Ryder was granted that distinction, the festival’s brain trust has shone the spotlight on a number of up-and-coming talents, giving each a coveted stage place at the annual late summer festival as well as singing their praises at every opportunity.

So it is that when a concert headlined by the last three Emerging Artist recipients is announced, our curiosity is piqued.

On Friday, January 23 at Market Hall in downtown Peterborough, 2025 Emerging Artist Jeanne Truax, 2024 recipient Calvin Bakelaar (aka VANCAMP), and 2023 honouree Irish Millie will perform, joined by special guests.

This trio represents a whole lot of talent, combined with the promise of great things still to come from all three. More than that, the concert is a celebration of the festival’s Emerging Artist program which, during a time when we’ve lost so many cultural traditions and event, is worth our collective attention and support.

Tickets to the 8 p.m. concert cost $29 for assigned seating ($34 for assigned cabaret table seating) at www.markethall.org.

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New Stages Theatre brings Frances Koncan’s award-winning work to the Market Hall stage

VIDEO: “Women of the Fur Trade” trailer (Stratford Festival production)

Basking in the glow of its highly acclaimed pre-Christmas staging of It’s A Wonderful Life: A Live Radio Play, New Stages Theatre is back at it, welcoming 2026 with a staged reading of Frances Koncan’s Women of the Fur Trade on Saturday, January 24 at the Market Hall in downtown Peterborough.

Billed as a comedy that “flips the script on the male-centric history of the Canadian fur trade” and its central figures such as Louis Riel, Koncan relates her story from the perspective of three women — an Objibwe, a Métis, and an Irish settler — who each speak in 21st century slang.

Directed by Patti Shaughnessy, Women of the Fur Trade is yet another example of the make-you-stop-and-think work that New Stages has habitually presented since its founding in 1997 by Randy Read, and continued now by artistic director Mark Wallace.

Koncan, a member of Couchiching First Nation, premiered her story in 2020 at the Royal Manitoba Theatre Centre in Winnipeg. Prior to that, it won the Best New Play award at the 2018 Toronto Fringe Festival.

Following the Winnipeg debut, the Winnipeg Free Press hailed Koncan’s work as “a timely, provocative piece of theatre written from a perspective and voice we need to hear.”

Tickets to the 7 p.m. staged reading cost $30, with a $20 “welcome rate” for those who need it and a $40 “pay it forward rate” for those who can afford it, to help cover the costs of the welcome rate. Tickets can be purchased at the Market Hall box office at 140 Charlotte Street, by calling 705-749-1146, or online at tickets.markethall.org/?category=20.

Note there is an advisory of strong language, which prompts a recommendation for audiences aged 14 and up.

 

Public Energy brings acclaimed dance theatre work from Australia to the Market Hall stage

VIDEO: “Rinse” by Amrita Hepi and Mish Grigor

Also back at it after the holiday break is Public Energy Performing Arts, welcoming a dance theatre work all the way from Australia.

On Wednesday, January 28 at the Market Hall in downtown Peterborough, Rinse will see award-winning dancer and choreographer Amrita Hepi explore the romance of beginnings, and what happens next, via playful satire, and erudite and irreverent monologue. The result is the re-creation of origin myth on stage via the sharing of personal narratives relating to dance, art, feminism, desire, love, popular culture and modern history.

Having toured through Germany, Turkey, France, Ireland, the United Kingdom and the United States, Hepi’s exploration — co-written with Mish Grigor — will be performed at the National Arts Centre in Ottawa just prior to its arrival in Peterborough.

Using a highly physical and striking dance vocabulary alongside an evocative monologue, Hepi argues that all events, relationships, moments and environments exist together as a vast continuum to which we constantly contribute; a body of knowledge and care to which everything is inextricably linked.

Hepi’s performance has brought forth rave reviews, with France’s Le Monde writing “A whole dance history bubbles with Amrita Hepi’s vibrant body.”

General admission tickets to the 7:30 p.m. production are available on a sliding scale pricing between $10 and $50, with a recommended price of $30, at markethall.org.

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Encore

  • I love sharing good news, and the news from those behind the Peterborough Musicians’ Benevolent Association (PMBA) is good indeed. According to a Facebook post, the organization’s monthly shows at The Social saw $18,000 donated in 2025 to local musicians in need, bringing the total since the group’s founding to more than $130,000. This is remarkable, not only in terms of the dollar amount, but also in terms of the continued strong support that the PMBA has received from the community at large. The next PMBA show is January 17, 1 to 4 p.m., with The Jethro’s Blues Jam All-Stars headlining.
  • Are you a budding performer looking for a stage to do your thing on before a live audience? The Stage Cafe continues to offer new singers, musicians, and bands a professional forum to fine tune their talents. A number of now well-established local performers, such as Georgia Rose and Joslynn Burford, received early support at The Stage Cafe on their way to bigger things. If you, or someone you know, is looking for vital experience of performing in a live audience setting, reach out to Steve at steveptbo@gmail.com. Meanwhile, you can get more information about The Stage Café at www.facebook.com/thestagecafe.

Katy Shufelt wins Peterborough DBIA’s Holiday Shopping Passport grand prize draw

Katy Shufelt, pictured with Scott Murson of Wild Rock Outfitters, won the grand prize draw of $1,500 in Boro gift cards as part of the annual Holiday Shopping Passport program organized by the Peterborough Downtown Business Improvement Area (DBIA). Shufelt is donating a portion of her prize to Wild Rock's ComPassion Project, which raises funds and awareness for six local organizations working on the front lines of social and environmental change. (Photo: Peterborough DBIA)

The Peterborough Downtown Business Improvement Area (DBIA) has announced the winners of its Holiday Shopping Passport prize draws, including the grand prize winner who is donating a portion of her prize to a local charitable initiative, as well as the winners of its annual Holiday Window Contest.

The Holiday Shopping Passport program encourages residents to support downtown businesses by giving them a stamp in their passport for every $10 they spend at participating businesses.

Each completed passport becomes an entry for one of three early bird draws for $500 in Boro gift cards or a grand prize of $1,500 in Boro gift cards, which are accepted at more than 100 locations throughout downtown Peterborough.

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“We know people are being more intentional about where and how they spend, especially during the holidays,” said DBIA executive director Nour Mazloum in a media release.

“Choosing to shop local is a meaningful decision, and the Holiday Shopping Passport makes it even easier. Every local purchase has a ripple effect by supporting jobs, small business owners, and a downtown that continues to serve as a gathering place for our city.”

The winners of the early bird draws, which were held on Wednesdays during December, are Wayne Jackson, Gail Edlinger, and Kim McWilliams. The winner of the grand prize draw, which took place last Wednesday (January 7) at GRVTY Studio in East City, is Katy Shufelt.

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“I absolutely love shopping downtown — there are so many great stores,” said Shufelt, who regularly participates in the Holiday Shopping Passport program. “My kids laugh at me because every year I say I’m going to win, and after 20 years, I finally did.”

In the spirit of giving back to the community, Shufelt has chosen to donate a portion of her prize to Wild Rock’s ComPassion Project.

A community-driven initiative that raises funds and awareness for six local organizations working on the front lines of social and environmental change, the ComPassion Project was established in 2022 by Kieran Andrews, one of the co-founders of Wild Rock Outfitters, an outdoor gear retailer located in downtown Peterborough.

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In addition to the winners of the Holiday Shopping Passport prize draws, the Peterborough DBIA has announced the winners of the annual Holiday Window Contest.

This year’s contest, which had the theme “Snowglobe Come to Life,” was judged by members of Peterborough’s arts community, including Briar Sutherland of the Art Gallery of Peterborough, artist Josh Morley (Miskopwagan Asin), and Ashley Hall.

Lavender Moon and Kingan Home Hardware tied for first place, and Brant Basics won second place. Contest winners received Boro gift cards.

The window display at Lavender Moon in downtown Peterborough tied for first place with Kingan Home Hardware in the annual Holiday Window Contest organized by the Peterborough Downtown Business Improvement Area (DBIA), and Brant Basics came in second. (Photo: Peterborough DBIA)
The window display at Lavender Moon in downtown Peterborough tied for first place with Kingan Home Hardware in the annual Holiday Window Contest organized by the Peterborough Downtown Business Improvement Area (DBIA), and Brant Basics came in second. (Photo: Peterborough DBIA)

Peterborough man facing charges for having paper licence plates on his vehicle

Police seized these licence plates made out of paper from a vehicle in Peterborough on January 10, 2026. The plate number (which police have redacted in the photo) belonged to a vehicle in Mississauga. (Photo: Peterborough Police Service)

A 45-year-old Peterborough man is facing several charges as a result of having licence plates on his vehicle that were made out of paper.

On Saturday morning (January 10), a Peterborough police officer conducted a traffic stop one Romaine Street near Park Street after determining that the plate numbers on a vehicle were for a different vehicle in Mississauga.

After further investigation, police determined the licence plates on the stopped vehicle were made out of paper and secured in a plastic sleeve with packing tape.

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Police seized the paper licence plates and charged the driver under the Highway Traffic Act with using a licence plate not authorized for a vehicle, using a plate not in accordance with the act, and failing to apply for a permit on becoming an owner of a vehicle.

The driver was also charged under the Compulsory Automobile Insurance Act for operating a motor vehicle on a highway with no insurance.

The driver was given a court date of March 23 to answer to the charges.

Habitat for Humanity Peterborough & Kawartha Region welcomes 100th family into affordable home in Fraserville

Kayla and Jimmy, pictured with two of their three children, received the keys to their new four-bedroom home in Fraserville during a dedication ceremony on January 11, 2026. The home was made possibly through Habitat for Humanity Peterborough & Kawartha Region's homeownership program along with a $100,000 donation from the former Bailieboro-Springville United Church and a land donation from congregation members Don and Pat Wood. (Photo: Habitat for Humanity Peterborough & Kawartha Region)

Habitat for Humanity Peterborough & Kawartha Region (Habitat PKR) has welcomed its 100th family into an affordable home, marking a major milestone for the organization.

On Sunday (January 11), Kayla and Jimmy and their three children received the keys to their newly built four-bedroom home in Fraserville in Peterborough County.

The home was made possible through a $100,000 donation from the former Bailieboro-Springville United Church — which sold its buildings in 2012 due to a declining congregation and rising operating costs — along with a land donation from congregation members Don and Pat Wood.

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Many of the build volunteers also came from the former congregations, which are now part of Harmony United Church, as well as from Centerville Presbyterian Church. Some volunteers in their late 70s and 80s worked alongside Habitat trades staff to raise the walls and complete the build.

“This build is about creating a lasting legacy and giving our congregation the chance to extend our faith beyond our place of worship and into the local community,” said congregation member Robin Maughan, who first suggested the church donate its sale proceeds to Habitat PKR.

The Fraserville home incorporates universal design and energy-efficient features to reduce utility costs while providing a safe and comfortable living space, reflecting Habitat PKR’s commitment to affordable and sustainable homes. Lifestyle Home Products donated the windows and doors for the project.

Kayla and Jimmy and their three children are now proud residents of the Fraserville community, thanks to Humanity Peterborough & Kawartha Region's homeownership program along with a $100,000 donation from the former Bailieboro-Springville United Church and a land donation from congregation members Don and Pat Wood. (Photo: Habitat for Humanity Peterborough & Kawartha Region)
Kayla and Jimmy and their three children are now proud residents of the Fraserville community, thanks to Humanity Peterborough & Kawartha Region’s homeownership program along with a $100,000 donation from the former Bailieboro-Springville United Church and a land donation from congregation members Don and Pat Wood. (Photo: Habitat for Humanity Peterborough & Kawartha Region)

During Sunday’s home dedication and key ceremony, homeowner Jimmy thanked donors, volunteers, and the Fraserville community for helping the family have a safe and affordable home.

“Owning a home once felt out of reach for our family, but thanks to Habitat PKR, the church, and the community of Fraserville, we now have the space to build a better future,” he said, adding that the couple’s three children now have rooms of their own.

“Seeing our future neighbours helping raise the walls and volunteer on our home was a powerful reminder of what community truly means,” Jimmy said. “What an incredible example of generosity for our children, and a loving village for them to grow up in. We are proud to call Fraserville our home.”

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Local officials attending the ceremony included Peterborough County Warden Bonnie Clark, Otonabee-South Monaghan Mayor Joe Taylor, and Reverend Neil Ellis of Centreville Harmony Church.

Habitat PKR board chair Hope Lee said reaching the 100-family milestone demonstrates what can happen when people come together to support one another, including members of the former church congregations, build volunteers, donors, and people who shop at the Habitat ReStore which raises money for Habitat PKR builds.

“Welcoming our 100th family into a Habitat home is an incredible achievement,” Lee said. “Kayla, Jimmy, and their children now have a safe, affordable place to thrive, and their home stands as a lasting testament to the power of community.”

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Through Habitat PKR’s homeownership program, families purchase their homes with no down payment and an geared-to-income mortgage.

Not only does this make homeownership affordable to working families like Jimmy and Kayla’s, but Habitat homes remain permanently affordable should a family move on, helping ensure the program can continue to serve new families.

The Fraserville project is one of the Habitat PKR builds that have been supported by a $4.75 million funding commitment from the federal government through the Affordable Housing Fund under the National Housing Strategy. Since 2019, the federal government has partnered with Habitat for Humanity Canada to build more than 800 homes across the country through a $65.1 million investment through the fund.

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“This build is an amazing example that housing is more than a roof,” said Peterborough MP Emma Harrison in a statement.

“It’s footing in a community, and a promise that no one stands alone. It’s a place where people find safety, stability and a sense of belonging. The investments in this new home will make a real impact on the lives of this family and neighbourhood in Fraserville.”

Habitat PKR’s 100th home underscores the growing impact of donors, church communities, volunteers, and supporters in addressing regional housing challenges and improving access to affordable homeownership.

ReFrame Film Festival welcomes everyone to join the conversation by striving for accessibility

Almost all in-person screenings at the 2026 ReFrame Film Festival will be relaxed screenings, where audience members are welcome to move, leave, and reenter as needed, as well as make quiet sounds, or attend with support people, assistance animals, and babies. The relaxed screenings are one of the many features ReFrame has introduced to deliver a festival that is as accessible as possible by accommodating the physical, sensory, emotional, and financial needs of festiva-goers. The 2026 festival will run in person in downtown Nogojiwanong/Peterborough from January 30 to February 1 and online across Canada from February 3 to 8. (Photo courtesy of ReFrame Film Festival)

For the team behind the ReFrame Film Festival, accessibility is not something that can simply be “solved” or crossed off a checklist. Instead, it is an ever-evolving practice that responds to community feedback, new perspectives, and emerging technologies.

“Adapting to accessibility needs means staying open, listening carefully, and being willing to change course,” says ReFrame’s executive director Kait Dueck. “For us, accessibility depends on trust, feedback, and a shared commitment to learning alongside our community, rather than assuming we’ll ever have it fully figured out.”

When the documentary film festival returns to downtown Nogojiwanong/Peterborough from January 30 to February 1 and online across Canada from February 3 to 8, there will be a range of supports in place — physical, sensory, emotional, financial, and more — to invite a wider audience to enjoy more than 40 thought-provoking local, national, and international films.

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“Accessibility has always been central to us because social justice is at the very core of what and who ReFrame is,” Dueck explains. “We are, quite literally, a social and environmental justice documentary film festival, and that means we feel a responsibility to ensure that our operating practices reflect the values and ideas being explored on screen.”

“For us, it’s critical that, as we program films about equity, justice, and care, we’re also actively working to reduce barriers to participation.”

This year will mark the third time the festival will be presented in a hybrid format, which makes it accessible to anyone across Canada with an internet connection and viewing device. Online delivery also supports those in the community who face difficulty accessing in-person film screenings due to mobility limitations, inclement weather, anxieties about large crowds, childcare challenges, and other obstacles.

“It also extends the festival experience for in-person audiences,” Dueck points out. “Many people want to see more films than they can realistically fit into a single weekend, especially when screenings are happening at multiple venues at the same time. The virtual program gives audiences the chance to return to work (after the weekend), catch the films they missed, and spend more time with the ideas that resonated with them.”

Since some of the films featured at the ReFrame Film Festival can be emotionally intense and triggering, the online and printed film guides will list content warnings and tone notes. Online, audiences can select the "Lighter Fare" button to discover films that are more uplifting and hopeful in tone. (Photo courtesy of ReFrame Film Festival)
Since some of the films featured at the ReFrame Film Festival can be emotionally intense and triggering, the online and printed film guides will list content warnings and tone notes. Online, audiences can select the “Lighter Fare” button to discover films that are more uplifting and hopeful in tone. (Photo courtesy of ReFrame Film Festival)

ReFrame creative director Eryn Lidster adds that the hybrid approach has also increased accessibility with respect to the filmmakers themselves.

“We can reach artists who cannot attend the festival in-person and do a lot more, in a relatively environmentally conscious way, on a tight budget,” Lidster says.

The majority of films presented at ReFrame are available with captions, subtitles, or both. When captioning is only partially available or not at all, this is clearly indicated in advance. Some virtual films may require closed captions or subtitles be activated manually by the viewer.

There will also be indication when Q&As, panels, and livestream events are available with open or closed captions, CART services, and ASL interpretation. Refining last year’s approach, ReFrame will be providing AI-generated CART captioning for many of the live in-person events.

“For us, accessibility decisions around emerging technologies such as AI are a bit of a balancing act,” Dueck says. “We’re thinking about how to put access first, while also being mindful of artist autonomy, ecological impact, and the limitations of our own capacity.”

“Live captioning technology is evolving quickly and, while it isn’t perfect, it can meaningfully expand access when more traditional options are financially or logistically out of reach. We’re approaching it pragmatically and transparently by naming where it will be available, being honest about its limits, and treating it as part of an ongoing learning process rather than a fixed solution.”

Dueck adds that, following the festival, the team is keen to hear audience response to the use of these technologies for accessibility purposes and whether it works and is worth it.

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This year, audiences will also find new state-of-the-art assisted listening devices at Showplace Performance Centre and Market Hall Performing Arts Centre, the two venues for in-person screenings. Both locations also have sensory kits available that include fidget gadgets, sunglasses, and earplugs.

A quiet space is also available in the Cogeco Studio on the lower level at Showplace, where lighting will be lowered and festival films will be available to watch on a smaller screen with reduced volume.

These supports will help festival-goers who have heightened sensitivity to light, sound, or stimulation — something Dueck understands firsthand as she lives with chronic migraine.

“That lived experience has shaped how I think about festival and public performance spaces. What might feel like a normal theatre environment to one person can be overwhelming or even physically painful to another.”

Dueck adds that sensory supports aren’t about creating an “ideal” environment.

“They’re about offering choice, flexibility, and reassurance. When people know that their bodies and nervous systems are being considered, it lowers the barrier to participation and makes in-person cultural spaces feel more welcoming and humane.”

Katja Esson and Valencia Gunder attend a virtual Q&A about their film "Razing Liberty Square" during the 2025 ReFrame Film Festival. When the 2026 festival returns from January 30 to February 8, AI-generated CART captioning for many live, in-person events will be used. Acknowledging that using AI is a "balancing act," the festival team hopes to receive feedback from audiences on the use of the emerging technology. (Photo courtesy of ReFrame Film Fest
Katja Esson and Valencia Gunder attend a virtual Q&A about their film “Razing Liberty Square” during the 2025 ReFrame Film Festival. When the 2026 festival returns from January 30 to February 8, AI-generated CART captioning for many live, in-person events will be used. Acknowledging that using AI is a “balancing act,” the festival team hopes to receive feedback from audiences on the use of the emerging technology. (Photo courtesy of ReFrame Film Fest

Beyond the sensory supports, each film — with a few technical exceptions — will be a relaxed screening, meaning audiences are welcome to move, leave, and re-enter the theatre as needed, make quiet sounds or speak softly, and attend with support people, assistance animals, and babies.

“We still screen films at standard theatrical sound and lighting levels, because we want to honour the work and the viewing experience, but by naming these screenings as relaxed, we’re signalling that care, flexibility, and welcome come first,” Dueck says. “Our hope is that this approach helps create an environment where more people feel comfortable attending, and where difference is met with understanding rather than judgment.”

Both venues for the in-person festival are located downtown, are wheelchair accessible, with elevators or lift service available, and have all-gender accessible washrooms. Accessible seating is reserved in advance by ReFrame, and clearly indicated at each venue.

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Given the gravity of the social, environmental, and human rights issues covered by documentary films, some of the films that are screening at ReFrame may be emotionally intense, triggering, or challenging for some audience members. That’s why the ReFrame film guide provides content warnings and tone notes. In the online film guide, audiences can also select the “Lighter Fare” button for a curated list of films that are more uplifting, gentler, or hopeful in tone.

For films that may be particularly challenging, trained active listeners will be present in the theatre to offer quiet supportive care to anyone who needs it, and to check in with anyone who steps out during the screening.

“We also recognize that watching a difficult film can stir up feelings that extend beyond the screening itself,” says Dueck. “While ReFrame isn’t qualified to provide clinical or crisis support, we see it as part of our responsibility to help connect people to appropriate resources. That’s why we share lists of local, provincial, and national supports across our website, printed materials, and pre-screening slides.”

To address a common and invisible barrier to access, the ReFrame Film Festival provides no-questions-asked pay-what-you-can tickets ahead of all film screenings, which can be purchased anonymously online in advance or on a rush basis. ReFrame also provides tickets and passes to local advocacy organizations to give to equity-deserving communities through the festival's Community Access Program. (Photo courtesy of ReFrame Film Festival)
To address a common and invisible barrier to access, the ReFrame Film Festival provides no-questions-asked pay-what-you-can tickets ahead of all film screenings, which can be purchased anonymously online in advance or on a rush basis. ReFrame also provides tickets and passes to local advocacy organizations to give to equity-deserving communities through the festival’s Community Access Program. (Photo courtesy of ReFrame Film Festival)

Addressing one of the most common but least visible barriers to participation, ReFrame aims to make it financially possible for anyone to enjoy the festival. No-questions-asked pay-what-you-can pricing is available for individual in-person and online screenings. These can be purchased both in person on a rush basis, 15 minutes ahead of a screening, or online for anonymity.

Through its Community Access Program, ReFrame also distributes a limited number of free festival passes and tickets to equity-deserving members of the community by partnering with local advocacy groups and service organizations.

“When people who are often excluded from cultural spaces are able to experience these films and have their perspectives included, the conversations around the festival become much richer,” says Lidster. “Community building is so important to social and environmental justice work and has to include the whole community to be meaningful.”

To support ReFrame’s mission to be accessible and inviting to all communities, the team encourage festival-goers who can afford to do so to pay full price for their passes and tickets and to make donations to cover the cost and lost revenue from meaningful access initiatives.

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The team also welcomes ideas, feedback, and suggestions on making ReFrame as barrier-free as possible. People are encouraged to reach out to ReFrame by emailing info@reframefilmfestival.ca or kait@reframefilmfestival.ca.

“Building truly accessible cultural spaces isn’t only about infrastructure or policies — it’s about how we show up for each other in shared spaces,” says Dueck. “At their core, accessibility features aren’t just something that is provided by ReFrame or our venue partners. It’s something we practise together.”

For full details on accessibility supports available during the 2026 ReFrame Film Festival, visit reframefilmfestival.ca/accessibility.

For festival passes and tickets and to see the lineup of films, visit reframefilmfestival.ca.

 

kawarthaNOW is proud to be a media sponsor of the 2026 ReFrame Film Festival.

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