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‘Porch Pirates for Good’ holding Halloween weekend food drive across Peterborough on Saturday

The fall 'Porch Pirates for Good' porch food drive to help restock the dwindling shelves at Kawartha Food Share takes place on October 28, 2023. (Photo: Kawartha Food Share / Facebook)

Peterborough’s ‘Porch Pirates for Good’ are back on Saturday (October 28) for their eighth semi-annual porch food drive to help restock the dwindling shelves at Kawartha Food Share.

On Saturday morning, people are asked to leave a bag of non-perishable food items on their front porch. Beginning at 9 a.m., volunteers will drive around the city, collect the donated items, and deliver them to the Kawartha Food Share warehouse.

In keeping with the ‘porch pirates for good’ theme, many of the volunteers will be dressed in pirate garb. Organizers ask people to mark their bag of donated items as being for Porch Pirates for Good so volunteers can easily spot it from the street (you can download and print the flyer below if you don’t have one).

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While any non-perishable food items are appreciated, items in the greatest demand include peanut butter, canned tuna, canned fruit, canned vegetables, canned soup and stew, pasta and pasta sauce, and macaroni and cheese.

Other needed items include breakfast cereal, gluten-free items including pasta, and individually packaged school snacks for children such as apple sauce, fruit cups, and chewy bars.

Needed non-food items includie toiletries, feminine hygiene products, and diapers.

PDF: Porch Pirates for Good fall 2023 flyer
Porch Pirates for Good fall 2023 flyer

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Kawartha Food Share assists more than 7,600 people every month through 36 member agencies. Each month, the organization serves more than 4,500 children under the age of 18.

According to Food Banks Canada’s 2023 HunterCount report, there were a record-breaking 1.9 million visits to food banks in Canada in March, far surpassing last year’s then-record number of visits. Inflationary food costs, housing costs, low wages, and low provincial social assistance rates continue to be the main reasons people visit food banks, with an increasing number of newcomers to Canada also relying on them.

Instead of donating food, you can also help by making a monetary donation — for every $1 donated, Kawartha Food Share can purchase up to $3 worth of food. Volunteers will be able to collect cheques or cash during on October 28, or you can donate online at kawarthafoodshare.com.

New Stages Peterborough presents ‘Let’s Get Randy’ on November 17 as a joyful tribute to its founding artistic director

New Stages Theatre Company's founding artistic director Randy Read (right) with Sergio Di Zio during a staged reading of Rick Chafe's "The Secret Mask" in May 2023. In Read's first return to the stage since suffering a serious injury the previous fall, he performed as a man recovering from a stroke. Read's 25 years at the helm of New Stages will be celebrated in the cabaret show "Let's Get Randy" at the Market Hall in downtown Peterborough on November 17, 2023. (Photo: Andy Carroll)

There’s nothing like a night out with friends to lift one’s spirits.

For 25 years, as artistic director of New Stages Peterborough, Randy Read facilitated an incredible night out for thousands of theatre lovers. On Friday, November 17th at Market Hall Performing Arts Centre in downtown Peterborough, the tables will be turned as many of his cherished stage friends come together to pay homage to his loving guidance of the theatre company that he founded in 1997.

Billed as ‘an outrageous and joyous cabaret tribute,’ Let’s Get Randy will feature top performers, both local and from afar, including multi Canadian Screen Award nominated actress Sharron Matthews (Frank Drake Mysteries), who will host what promises to be an over-the-top affair.

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Among those performing will be Peterborough’s own Kate Suhr and Stratford Festival mainstay Steve Ross, Read’s partner of 31 years. There are several others in the mix but who they are is being kept a surprise for the man they’re gathering to salute.

“They asked me if I want to know and I said ‘No, I would rather be surprised,'” says Read, who will sing the show’s second last song. “The (New Stages Peterborough) board and (artistic director) Mark (Wallace) decided to do this and asked me if it was OK. Who wouldn’t feel good about this? I’m very touched and honoured.”

“I sort of wish a few people would say some rotten things about me because God knows I’m not perfect. Will the audience learn something about me they don’t know? Well, I think they know I’m gay but, if not, maybe I’ll break the news to them that night.”

A dashing 26-year-old Randy "Randall" Read in 1979, after he graduated from Trent University in Peterborough and moved to Toronto to pursue a theatrical career. (Photo courtesy of Randy Read)
A dashing 26-year-old Randy “Randall” Read in 1979, after he graduated from Trent University in Peterborough and moved to Toronto to pursue a theatrical career. (Photo courtesy of Randy Read)

Since Read revealed he was stepping down as the company’s artistic director last year, he hasn’t had a whole lot of reason to smile.

In November, while riding his bicycle, he was struck by a truck and suffered a devastating pelvic fracture. After it was pieced backed together at Toronto’s Sunnybrook Hospital, Read was bedridden for three months. He’ll return to Sunnybrook on November 29 for hip replacement surgery that was delayed due the seriousness of his pelvic injuries.

“I can’t walk without a cane,” he says. “Unless the part calls for a guy with a cane, I can’t audition for anything. For years, I started every single day singing and dancing for an hour, an hour and a half. I hate that I can’t do that now.”

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If that’s not enough to bring down his normally upbeat persona, Read has “lost three very close friends in the last three months.”

Clearly, a great night out with friends will prove to be the perfect medicine. In the meantime, Read finds comfort in reflecting on his journey to this point.

Raised in Mount Pleasant east of Peterborough, Read says he knew by age 12 that a life working in theatre was his destiny.

“My siblings have said ‘You’re so damn lucky. You always knew what you wanted to do,'” he recalls. “I had read a biography of Mozart and Beethoven. I would break into the Mount Pleasant Woman’s Institute Hall through a basement window and stand on the stage and give lectures about Mozart and Beethoven to an empty room. We rehearsed our school Christmas concert at the same hall. That was so thrilling for me.”

Randy Read in 2004, seven years after launching Peterborough New Stages as a summer theatre company. Following a single production that first season, the company went on to become a small regional theatre company that presented plays and staged readings year round. (Photo courtesy of Randy Read)
Randy Read in 2004, seven years after launching Peterborough New Stages as a summer theatre company. Following a single production that first season, the company went on to become a small regional theatre company that presented plays and staged readings year round. (Photo courtesy of Randy Read)

Later, as an English literature student at Trent University, Read immersed himself wholly in theatre circles, acting in a number of university productions and Peterborough Theatre Guild stagings.

“Dennis Sweeting, who ran the Academy Theatre in Lindsay, saw me in a play at Trent and hired me for a summer season there.”

Upon graduating in 1978, Read sought bigger stages in Toronto.

“The competition was so stiff,” he remembers. “You would go to an audition and you would look around and you would feel like there were 10 carbon copies of you in the room.”

With the help of an agent, Read subsequently went where the roles were — Ottawa, Montreal, Winnipeg, and Edmonton were among the stops. Come 1992, after accepting an offer from Canadian Stage Company artistic director Bob Baker to be his assistant and casting director, Read was fully in his element.

“On the first day of rehearsal for a play, everybody would sit around a table for a reading, including the caretaker,” recalls Read.

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Wanting “to bring that same sense of camaraderie to a theatre company in my hometown,” he returned to his roots, another factor in that decision being a desire to be closer to his mom who was struggling with COPD and rheumatoid arthritis.

Noting “Peterborough was half redneck and half arts,” Read banked on the latter half supporting a new theatre company. In 1997, he debuted Peterborough New Stages as a summer theatre company, staging one production that first season.

“We were doing summer theatre for a couple of years and then the Peterborough Theatre Guild says ‘Oh, we should do summer theatre too,'” Read recalls. “They were charging $12 a ticket. With our actors being paid union rates, we couldn’t that.”

“But it was actually a good thing. We moved toward producing throughout the year and became sort of a small regional theatre. Doing it throughout the year allowed us go a bit deeper in what plays we chose to do.”

Randy Read performing in Morris Panych's "Vigil." (Photographer unknown, photo courtesy of Mark Wallace)
Randy Read performing in Morris Panych’s “Vigil.” (Photographer unknown, photo courtesy of Mark Wallace)

The ensuing years, says Read, saw “the odd clunker” staged but on reflection, he’s “very proud of the work we did. I was very careful when choosing the plays we would stage. I got better at it, I think.”

“One of the very worst scripts we took on was Menopositive, a musical about women going through menopause. Well, people came out in droves. It’s not always the best work that brings people out. Look at Stratford. Shakespeare is Shakespeare but they have to do musicals to survive because people want them. Musicals have sort of kept them going in a way.”

“I never took a salary over the first 20 years. Everybody got paid but me. I loved it, so it didn’t bother me. I was able to survive.”

Read asked Wallace to join New Stages’ board of directors, which he did. A Dora Mavor Moore Award recipient, Wallace moved to Peterborough more than 15 years ago and has since acted in New Stages productions and served as associate artistic director before being named artistic director last year.

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“Mark is a very different person than me,” notes Read of his successor. “It was time to for me step aside. I’m 70 years old. I’m fairly with it, but I’m not young. Mark has fresher ideas. He has two kids, a different life than mine, and thus he has a different perspective.”

Now, as his special night draws near, Read hopes it’s as much a celebration of New Stages as it is a tribute to the huge role he has played in its success and his promotion of the arts.

“God knows I didn’t do anything on my own,” he says. “I loved it for 25 years but I was really ready to hand the reins over to Mark. I had done most of the plays on my bucket list, if not all of them. I say it facetiously but I am old. It needs new and younger blood. I’m glad it has survived and I was able to hand it over to somebody.”

Randy Read performing as "The Stage Manager" in a full-cast production of Thornton Wilder's "Our Town" at Market Hall Performing Arts Centre in 2017. (Photo: Andy Carroll)
Randy Read performing as “The Stage Manager” in a full-cast production of Thornton Wilder’s “Our Town” at Market Hall Performing Arts Centre in 2017. (Photo: Andy Carroll)

Read clarifies Let’s Get Randy is a celebration, not an obituary.

“My life isn’t over — I have a lot of stuff I want to do,” he says. “During COVID, Mary Breen asked me if I wanted to take her memory writing class by Zoom. I started writing short stories about growing up in Mount Pleasant, some very funny and some very tragic. I want to continue on that path.”

“I always wanted to try writing short stories about growing up there. It has just sort of poured out of me. Maybe I’ll put it all together and create a one-man show out of it. Who knows how long we have? It’s important to keep learning and growing right up until they put you under.”

Away from the stage, his relationship with Ross remains solid, albeit Ross’ work in Stratford means considerable time apart.

“We’re apart so much, a lot of our friends say ‘That’s why you’re so happy together’,” laughs Read.

Di Latchford and Randy Read performing in Eugene Ionesco's play "The Chairs" at The Theatre on King in downtown Peterborough in 2018. (Photo: Andy Carroll)
Di Latchford and Randy Read performing in Eugene Ionesco’s play “The Chairs” at The Theatre on King in downtown Peterborough in 2018. (Photo: Andy Carroll)

Ahead, once he’s fully recovered from his injuries, Read wants to do something he planned to do late last year — host an open-to-all dance at Market Hall to mark his December birthday.

“I love to dance. I’m hoping to do that for my 72nd birthday (in 2024). It will be free admission, but you’re free to donate to New Stages on your way out.”

Tickets for Let’s Get Randy cost $40 — $20 for students, arts workers and the under waged — and are available online at tickets.markethall.org.

News Stages’ 2023-24 season is its biggest one yet, with eight productions from October 2023 to June 2024. For more information about the 2023-24 season, visit www.newstages.ca.

 

kawarthaNOW is proud to be media sponsor of New Stages Theatre Company’s 2023-24 season.

55-year-old man charged in fatal off-road vehicle collision in Minden on Saturday

A 55-year-old Queensville man has been charged with impaired driving and driving causing death after the passenger in the off-road vehicle he was operating died following a collision in Minden on Saturday afternoon (October 21).

Shortly after 5 p.m. on Saturday, Haliburton Highlands Ontario Provincial Police (OPP) and emergency services responded to a serious motor vehicle collision on Windover Drive involving a single side-by-side off road vehicle.

A 55-year-old Queensville woman who was a passenger in the vehicle was pronounced dead at the scene. The driver had non-life-threatening injuries.

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The roadway remained closed for several hours for a police investigation.

As a result of an investigation, police have arrested and charged the vehicle’s driver, 55-year-old Creig Tranmer of Queensville in East Gwillimbury, with operation while impaired (blood alcohol concentration of 80 plus) and operation causing death. Police did not release information about the driver’s relationship to the passenger.

The accused man, who had his driver’s licence suspended for 90 days and his vehicle impounded for seven days, is scheduled to appear before the Ontario Court of Justice in Minden on December 6.

Anyone who may have witnessed or has video/dash camera footage of the collision and has not spoken with police is asked to contact Haliburton Highlands OPP at 705-286-1431 or toll-free at 1-888-310-1122.

Living Local Marketplace makes it easy for corporate customers to give unique gifts that support local artisans and small businesses

Peterborough-based Living Local Marketplace has launched its holiday corporate gift guide for businesses and organizations considering special gifts for clients and colleagues that also support local artisans and small businesses. Owner Alicia Doris also works directly with corporate customers to curate gift packages based on their own ideas or specific preferences. (Photo courtesy of Living Local Marketplace)

With the holiday season fast approaching, Peterborough-based Living Local Marketplace is making it easy for businesses and organizations to give gifts to every colleague or client on their shopping list.

At her boutique at 1179 Chemong Road and on her online shop, owner Alicia Doris offers hundreds of unique products from artisans and small businesses in Kawarthas Northumberland and from across Ontario, specializing in locally made gourmet goods. She recently took home the Retail Award at the Peterborough and the Kawarthas Chamber of Commerce’s 2023 Business Excellence Awards, just a year after she was honoured with the Chamber’s Local Focus Award.

The reason for both awards is clear when you browse through Living Local’s recently launched holiday corporate gift guide and when you see the store’s wide range of bath and body products, home and gourmet goods, delicious treats, and much more from over 150 Ontario-based businesses. Using the catalogue as inspiration, corporate customers can work directly with Living Local to develop unique customized gifts, curated by packaging, product, quantity, and price point.

Alicia Doris is the owner of Living Local Marketplace based in Peterborough, which offers hundreds of unique products from artisans and small businesses in Kawarthas Northumberland and from across Ontario. Her business recently won the Retail Award at the Peterborough and the Kawarthas Chamber of Commerce's 2023 Business Excellence Awards, after taking home the Local Focus Award the previous year. (Photo courtesy of Living Local Marketplace)
Alicia Doris is the owner of Living Local Marketplace based in Peterborough, which offers hundreds of unique products from artisans and small businesses in Kawarthas Northumberland and from across Ontario. Her business recently won the Retail Award at the Peterborough and the Kawarthas Chamber of Commerce’s 2023 Business Excellence Awards, after taking home the Local Focus Award the previous year. (Photo courtesy of Living Local Marketplace)

“We create gifts that are very much in keeping with the business or organization, the recipients, and the intention of the gifting initiative,” Alicia explains. “The corporate gift guide is a jumping-off point.”

While Living Local has a brick-and-mortar retail store in Peterborough, Alicia originally began her business online during the early days of the pandemic as a seasonal subscription box service — a passion project designed to support local makers. During the pandemic, she also began creating custom boxes for corporate customers who wanted to send care packages to staff members who were adapting to working from home.

“Corporate gifting has really always been the foundation of Living Local,” Alicia recalls. “There is incredible power when businesses and organizations choose to recognize their staff, their colleagues, or their clients with locally made products or products from small businesses. These are powerful purchases.”

Living Local Marketplace offers unique products from local artisans, such as these Giizhic (cedar) candles from Indigenously Infused, owned and operated by Robyn Ivory Pierson in Curve Lake First Nation. (Photo courtesy of Living Local Marketplace)
Living Local Marketplace offers unique products from local artisans, such as these Giizhic (cedar) candles from Indigenously Infused, owned and operated by Robyn Ivory Pierson in Curve Lake First Nation. (Photo courtesy of Living Local Marketplace)

As an advocate for choosing local, Alicia points out how important it is to support Ontario’s small businesses this holiday season. While many have been able to bounce back from the financial impact of the pandemic, they are now facing an economic slowdown.

“It’s a much more challenging time in some ways for small businesses than it was early on in the pandemic,” notes Alicia, who regularly works closely with many artisans and small businesses. “This Christmas season is going to be incredibly important and maybe even pivotal for some.”

By purchasing Living Local’s locally sourced collections for clients and colleagues, corporate gift buyers will also get the satisfaction of knowing they are supporting small businesses in a big way.

With products from more than 150 makers and small businesses, Living Local Marketplace has many options for treats that can be curated into holiday gift packages fit for any corporate gift list. The "Seriously Sweet" and "A Little Hors D'Oeuvres" Santa Sacks are two gifting options that include holiday tastes. (Photos courtesy of Living Local Marketplace)
With products from more than 150 makers and small businesses, Living Local Marketplace has many options for products that can be curated into holiday gift packages fit for any corporate gift list. The “Seriously Sweet” and “A Little Hors D’Oeuvres” Santa Sacks are two gifting options that are featured in the catalogue. (Photos courtesy of Living Local Marketplace)

“Often these purchases mean strengthening the future sustainability of a small business in the community,” explains Alicia. “When I have an opportunity to order 25, 50, 100, or even more of a product from a small maker, the ripple effect of that is really significant and powerful.”

Lindsey Irwin, founder of Stoney Lake’s Old Jar Candle Co. and one of the makers featured in Living Local’s corporate gift guide, agrees.

“When someone buys in bulk from you the way that Alicia does, it increases cash flow that month,” she says. “If you need to buy supplies, which so many of us do, you’re comfortable doing that. Those big purchases are very important for makers.”

Lindsey Irwin is the founder of Stoney Lake's Old Jar Candle Co. and one of the makers featured in Living Local's corporate gift guide. (Photo courtesy of Living Local Marketplace)
Lindsey Irwin is the founder of Stoney Lake’s Old Jar Candle Co. and one of the makers featured in Living Local’s corporate gift guide. (Photo courtesy of Living Local Marketplace)

Having grown her business alongside Alicia’s, Lindsey’s sustainable candles were included in Living Local’s earliest subscription boxes. She knows first hand that another ripple effect is the exposure that comes from this type of gifting.

“I have so many people tell me they’ve seen my candles in different businesses, or they’ve been given my candles from their employer or from their colleagues, and I know it’s from Living Local’s catalogue,” Lindsey explains.

“Being on her website initially and then in her store has truly helped me grow my business.”

Living Local Marketplace's "Forest Bathing" Santa Sack features bath products from The Willow's Bark in Peterborough. (Photo courtesy of Living Local Marketplace)
Living Local Marketplace’s “Forest Bathing” Santa Sack features bath products from The Willow’s Bark in Peterborough. (Photo courtesy of Living Local Marketplace)

Living Local’s catalogue already offers corporate customers plenty of themed gift ideas, whether they’re looking for packages that will be a delicious treat for their colleague — like the “Seriously Sweet” Santa Sack with Millbrook bourbon maple syrup, Buckhorn apple pie jam, and Oshawa salted caramel shortbread ($40) — or packages that will help them relax — like the “Forest Bathing” Santa Sack with bath products from Peterborough’s The Willow’s Bark ($22).

Corporate customers looking for a small package or something much larger can also work one-on-one with Alicia to develop their gifts exactly as they imagine them. Whether the client has an idea for a theme of the types of products they’d like to give or if they need suggestions, she is there to support and collaborate with them.

“Because the majority of this gifting is custom, they’re choosing the products they want to share,” Alicia says, pointing out that many corporate customers are interested in including products made in their own communities.

For example, in creating Christmas gifts for its staff for the last two years with Living Local, Peterborough County has featured and shared the work of makers in the city and county. In doing so, they recognized their employees while also supporting makers in their own community.

New this year, Living Local Marketplace is "Santa Sacks" as a sustainable packaging option, where selected collections will be packaged in a draw-string linen bag with a ribbon and matching gift tag. (Photo courtesy of Living Local Marketplace)
New this year, Living Local Marketplace is “Santa Sacks” as a sustainable packaging option, where selected collections will be packaged in a draw-string linen bag with a ribbon and matching gift tag. (Photo courtesy of Living Local Marketplace)

Along with customized packages, Living Local will also insert a hand-written card from the gift giver if requested. There is also an option to brand any or all of the gift giver’s Christmas tags, ribbons, and packaging. New this year, the “Santa Sack” is a sustainable packaging alternative to the various-sized gift boxes. The gifts will be packaged with a linen draw-string bag, ribbon, and matching gift tag.

One of Living Local’s longtime corporate customers is Peterborough’s Mortlock Construction Inc. The company’s vice president Craig Mortlock is a strong believer in the power of businesses working together, and has worked with Living Local for the last three years.

“We believe that as a local business, it is our role and responsibility to support each other, and support our community — together, we are stronger,” Craig says. “But for us to pull together an arrangement of local gift items would be a challenge to source, and very time consuming as a business. Alicia does all that work for us so it’s a win, win, win.”

Adding another win to the equation, Living Local is donating $2 from the purchase of every gift box to Hospice Peterborough this holiday season.

A page from Living Local Marketplace's 2023 holiday corporate gift guide, which owner Alicia Doris says is an "jumping-off point" to provide inspiration for businesses and organizations planning their holiday gift giving.  Living Local Marketplace will donate $2 from the purchase of every gift box to Hospice Peterborough this holiday season. (Photo courtesy of Living Local Marketplace)
A page from Living Local Marketplace’s 2023 holiday corporate gift guide, which owner Alicia Doris says is an “jumping-off point” to provide inspiration for businesses and organizations planning their holiday gift giving. Living Local Marketplace will donate $2 from the purchase of every gift box to Hospice Peterborough this holiday season. (Photo courtesy of Living Local Marketplace)

While the holidays are obviously a busy time for Alicia, Living Local supports corporate gift giving all year long, whether for an anniversary, Administrative Professionals Day, or other special occasion.

For example, last spring, Living Local created three gift collections for a parent-led faculty and staff appreciation event at Lakefield College School, which featured three different collections and offerings from seven makers.

“There are all sorts of opportunities to do this sort of gifting,” Alicia notes.

'Quintessentially Kawarthas' is one of Living Local's gift boxes that shares the work of makers in our very own backyard. (Photo courtesy of Living Local Marketplace)
‘Quintessentially Kawarthas’ is one of Living Local’s gift boxes that shares the work of makers in our very own backyard. (Photo courtesy of Living Local Marketplace)

As for holiday gifting, Alicia explains it’s important to start planning the gifts by early November so she can get the orders to her local makers and small businesses. This is especially important for those makers who have a time-consuming process for their creations.

“In starting early, we have an opportunity to potentially add handmade items like pottery,” Alicia points out. “That means we can include items that are really unique and personalized and quite extraordinary.”

Living Local’s 2023 holiday corporate gift guide is now available at livinglocalmarketplace.ca/pages/corporate-gifts.

For more holiday giving inspiration, follow Living Local Marketplace on Instagram and Facebook.

 

This branded editorial was created in partnership with Living Local Marketplace. If your business or organization is interested in a branded editorial, contact us.

LOCATED – Northumberland OPP searching for missing 13-year-old girl

13-year-old Sky-Lynn. (Police-supplied photo)

Northumberland Ontario Provincial Police (OPP) are asking for the public’s help in locating a missing 13-year-old girl.

The missing girl, who police have identified as Skye-Lynn, was last seen on Monday (October 23) in Campbellford.

Skye-Lynn is described as 4’10” and around 95 lbs with a slim build, long red hair, and green eyes.

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She is possibly wearing a school uniform, with a blue sweater and a burgundy and yellow plaid kilt, and carrying a pink backpack.

Police are asking anyone who may have information on the whereabouts of Skye-Lynn since she was last seen to contact the Northumberland OPP detachment at 1-888-310-1122.

‘Girl Power’ project aims to create a safe living environment for Peterborough-area adult women living with a developmental disability

Peterborough resident Jane Bischoff is the organizer of the parent-led organization Girl Power, comprised of parents looking to provide a safe and supportive living environment for their adult daughters living with a development disability, including Jane's own daughter Jenny who lives with moderate autism. As an alternative option to in-home care or living in mixed group homes, which Jane believes poses a threat to the women's safety, Girl Power aims to provide a home in Peterborough for the seven women to live together with on-site care from staff and support assistants. (Photo courtesy of Jane Bischoff)

A group of local parents in the Peterborough area have banded together with a goal of providing an alternative living option for their adult daughters living with a development disability.

While the ‘Girl Power’ project is in its earliest stages, the group’s vision is clear: to provide a permanent, safe, and supportive home where women with developmental disabilities can live with dignity and a high quality of life.

Currently, seven parents of adult daughters who are either living at home or in group homes have joined the project, each concerned about their daughter’s future and unimpressed by the limited options available.

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“We just want to make sure that when we’re gone, our kids have a facility that’s going to be safe for them to stay in,” explains Jane Bischoff, a Peterborough nutritionist who is the lead behind the project. “I want my daughter to be in a girls-only facility and apparently they don’t exist.”

So Jane, a single mother to 30-year-old Jenny who is diagnosed with moderate autism, is on a mission to create one. The Girl Power project will see the seven women living under one roof with support provided by trained staff members living on site.

“We’re looking to find something permanent for the girls,” Jane says. “But we want all the workers to be female and, if there is a man that enters the house, he has to have authorization. That doesn’t exist in Ontario right now.”

Allyson and Tony DeNoble have joined the Girl Power project in the hopes of providing a safe home for their daughter Brianna so she can live independently with other women with a developmental disability. Girl Power is in the process of developing a board of directors and registering as a charity to receive donations. (Photo courtesy of DeNpble family)
Allyson and Tony DeNoble have joined the Girl Power project in the hopes of providing a safe home for their daughter Brianna so she can live independently with other women with a developmental disability. Girl Power is in the process of developing a board of directors and registering as a charity to receive donations. (Photo courtesy of DeNpble family)

When she began thinking about housing options for her daughter Jenny, who is unable to live on her own, Jane connected with other parents from her daughter’s day program and found that many shared her concern for their own daughters’ safety.

“I’ve had instances where Jenny was groomed for sexual assault,” Jane points out. “I don’t want to put her in a group home where that’s prevalent.”

Jane quotes a recent media release from Inclusion Canada, a national federation supporting the inclusion and rights of people with an intellectual disability and their families, which states that people with intellectual disabilities are five times more likely than those without a disability to experience sexual assault. The release goes on to say that they are most often abused by people paid to support and care for them or people in relationships of trust.

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“Most of the group homes I’ve talked to, they say they encourage relationships between the residents,” Jane says. “As a mother of a daughter, that’s a big red flag. She can see guys during the day in her day program, but at night, no, I don’t want any men around.”

Even if Jane had trust in these homes, the wait times can be upwards of 10 years long — a particular concern for aging parents.

“The other option is to keep her at home isolated and just hire people to come in and help, but socially I don’t think that’s good for my daughter,” says Jane. “She’s very social so the more people I have around her, I think it’s going to be more stimulating to her brain.”

Helena Steers is one of the seven women who will reside in the all-female residence that Girl Power is aiming to create. The home would also have live-in support staff to create an enriching and safe independent living environment for the women. (Photo courtesy of Steers family)
Helena Steers is one of the seven women who will reside in the all-female residence that Girl Power is aiming to create. The home would also have live-in support staff to create an enriching and safe independent living environment for the women. (Photo courtesy of Steers family)

Jane explains the goal of Girl Power is to appeal to “parents that want to protect their daughters from as much harm as they possibly can” by creating that alternate solution. To provide an inclusive space, Girl Power is currently seeking input from interested parents no matter their daughter’s disability or level of care required.

“We’re just looking at everybody and focusing on the dynamic of it,” says Jane. “Parents shouldn’t feel like we’re going to rule them out just because of their child’s diagnosis.”

Similarly, parents shouldn’t feel excluded based on location either, Jane says, noting one of the current members resides in Ajax.

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The parent-led organization is currently in the process of investigating real estate options in the Peterborough area, including potential opportunities with Habitat for Humanity or The Mount Community Centre.

The group has discussed if renting would allow them to secure a home much faster, though the parents are fearful that the landlord could have them removed at any moment. The aim, instead, is to find a five or six-bedroom house that would ideally be large enough for support staff to live on site as well.

“It’ll be a good opportunity for people in Peterborough that are in the field to come and work and have likely a base salary plus free room and board,” says Jane. “They would have their own separate washroom, and there would be a community room for everybody to get together if they want.”

Peterborough resident Jane Bischoff says she does not want her 30-year-old daughter Jenny, who lives with moderate autism, to reside in a mixed group home due to the prevalence of sexual assault. As Jenny cannot live on her own and in-home care would deprive her of opportunities for socialization, Jane has begun the process of developing an alternate residential solution with the help of other parents in the community. (Photo courtesy of Jane Bischoff)
Peterborough resident Jane Bischoff says she does not want her 30-year-old daughter Jenny, who lives with moderate autism, to reside in a mixed group home due to the prevalence of sexual assault. As Jenny cannot live on her own and in-home care would deprive her of opportunities for socialization, Jane has begun the process of developing an alternate residential solution with the help of other parents in the community. (Photo courtesy of Jane Bischoff)

As they search for real estate, the group is taking steps to ensure the process of developing the care home is efficient while still meeting the needs of the residents. Steps include forming a board of directors with financial and legal experts, creating more awareness and support through the development of a website, and exploring technologies for home and personal security.

To raise funds to pay the hired support staff, Girl Power is also in the process of applying for grants and funding through the Ontario Ministry of Children, Community and Social Services, and registering as a charitable organization to accept public donations.

With these steps in place, Jane hopes to have the home ready for the girls to move into within a year’s time.

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“Families that have done this in the past have taken 10 years to do it — every two weeks they met for 10 years,” Jane says. “We all decided, no, that’s not happening. We don’t have 10 years.”

A group in Peterborough called Shared Dreams for Independent Living was similarly formed by five families looking to find a home for their adult sons with an intellectual disability. Although the group first formed in 2013 and incorporated as a not-for-profit in 2015, the search for a home and the wait for government funding meant the five men were unable to move into their new home at the Mount Community Centre until 2021.

Girl Power is using the knowledge and experiences from Shared Dreams for Independent Living to speed up their own process, as well as knowledge from another similar group in Peterborough called Casa De Angelae, which provides a communal home for adult daughters living with Down syndrome.

The five residents of the all-male residence created by Peterborough non-profit organization Shared Dreams for Independent Living (back left to front right): Scott Kalbfleisch, Jason O'Donoghue, Sean Ellis, Christopher Cannon, and Matthew Elliot. The Girl Power project hopes to learn from the experience of the organization, a parent-led initiative that formed in 2013 to create a residential option for five adult men living with a disability. (Photo courtesy of Shared Dreams for Independent Living)
The five residents of the all-male residence created by Peterborough non-profit organization Shared Dreams for Independent Living (back left to front right): Scott Kalbfleisch, Jason O’Donoghue, Sean Ellis, Christopher Cannon, and Matthew Elliot. The Girl Power project hopes to learn from the experience of the organization, a parent-led initiative that formed in 2013 to create a residential option for five adult men living with a disability. (Photo courtesy of Shared Dreams for Independent Living)

This collaboration and support is exactly what Jane hopes will come out of Girl Power, which she imagines will become a guiding initiative for other cities and communities.

“We don’t necessarily want money — we just want connection.” says Jane. “What’s lacking right now is the communication between parents. That’s where the difficulty lies, because you feel isolated. You feel against the world, like there’s nothing safe for you to find for your daughter. We want to get rid of that hopeless feeling, so that’s what we’re trying to accomplish. Whatever we end up with can be a template for other families.”

Those who interested in supporting or learning more about Girl Power can reach out to Jane at nutritionistjanebischoff@gmail.com.

 

This story has been updated with a correction: Jane Bischoff is a resident of Peterborough and not Lakefield.

Trent University student Maysie Roberts wins Pitch It! entrepreneurial competition

Trent University student Maysie Roberts took home $1,000 as the winner of the 2023 Pitch It! entrepreneurial competition held on October 19 for her concept for a women's health app. Fleming College student Adithya Bala came in second place and won a $500 prize for his venture called EcoBites. (Photo courtesy of Innovation Cluster Peterborough and the Kawarthas)

Trent University student Maysie Roberts has won the 2023 Pitch It! entrepreneurial competition, hosted by the Innovation Cluster Peterborough and the Kawarthas.

Six student finalists from Fleming College and Trent University pitched their business ideas to a panel of three judges on Thursday (October 19) at Trent Student Centre.

Roberts won first place and $1,000 for her concept for a women’s health app called Uniquely Blossom, which would specialize in reproductive anomalies and provide tailored guidance and doctor bookings.

Fleming College student Adithya Bala came in second place and won a $500 prize for his venture called EcoBites, and innovative product line offering edible flavoured straws and lids as eco-friendly alternatives to single-use plastics.

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The other finalists were Fleming College’s Whitney Stoner-Paget (First Five Club, focusing on innovative early childhood development), Fleming College’s Christina Bourgeois-Davis (Hand-In-Hand Childcare Solutions, aimed at streamlining child care services), Trent University’s Aruja Kulkarni (Atomation.AI, a platform for automating routine tasks), and Trent University’s John Samuel Joseph Premanand (FarmersCart, revolutionizing the way Toronto residents access farm-fresh produce through an online marketplace and pop-up stores).

The three judges for the competitions were Mega Experience Inc. CEO Catia Skinner, Adirondack Technologies Furniture Inc. founder Barry Payne, and Futurpreneur Canada business development manager Andrew Ko.

The Innovation Cluster also announced that its annual Cubs’ Lair entrepreneurship competition, taking place on November 30, will be expanded to include not just students but also regional entrepreneurs from the Peterborough and Kawartha Lakes area. Top prizes include $3,000, $1,500, and $500 for the top three winners. Applications are open until November 3 at innovationcluster.ca/cubs-lair/.

Ontario reverses decisions on official plans for 11 municipalities, including the City of Peterborough

An aerial view of downtown Peterborough. (Photo: City of Peterborough)

Weeks after the Ford government reversed its decision to remove 15 parcels of land from the protected Greenbelt for housing development, his government is also reversing its decisions on the official plans for 11 municipalities — including the City of Peterborough.

Ontario’s housing and municipal affairs minister Paul Calandra made the announcement in a statement released on Monday (October 23).

“Since becoming Minister of Municipal Affairs and Housing, I have made it a priority to review past decisions, including minister’s zoning orders and official plans, to ensure that they support our goal of building at least 1.5 million homes in a manner that maintains and reinforces public trust,” Calandra said. “In reviewing how decisions were made regarding official plans, it is now clear that they failed to meet this test.”

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The Ontario government approved the City of Peterborough’s official plan — a key planning document that guides the long-term growth and development of the city until 2051 — on April 11, subject to 61 modifications provided by the housing and municipal affairs ministry.

According to the province, the 61 modifications to the official plan were made “to address provincial policy direction related to growth management, housing supply, cultural heritage resources, land use compatibility and the protection of natural heritage features and drinking water.”

Some of the modifications represented substantial changes from the version of the plan submitted to the government by previous city council in 2021, and could not be appealed.

Two of the modifications including two new special provisions, one allowing around 2,600 new housing units to be built at 420 Old Towerhill Road and the other allowing around 700 homes to be built at 1694 Driscoll Road. Another modification for the Coldsprings planning area removed the designation of 80 hectares of developable land for employment use and 60 hectares for other community uses.

Other modifications included removing references to rural transitional lands as excess lands that would not be significantly developed before 2051, removing a section on culture heritage resources, and removing a eight-storey maximum building height limitation in the downtown core. Several developers had written to the province to object to elements of the city’s draft official plan.

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“As soon as I am able, I will be introducing legislation that would reverse the official plan decisions for Barrie, Belleville, Guelph, Hamilton, Ottawa and the City of Peterborough, the Regional Municipalities of Halton, Niagara, Peel, Waterloo and York, as well as Wellington County,” Calandra said.

“This legislation would wind back provincial changes to official plans and official plan amendments, except in circumstances where construction has begun or where doing so would contravene existing provincial legislation and regulation. This includes winding back changes to urban boundaries.”

Calandra said municipalities will be asked to submit changes and updates to their official plans to ministry staff within 45 days, including information on projects that are already underway.

“In recognition of the costs incurred by municipalities arising out of this decision, the province will work with impacted municipalities to assist with related planning and staffing costs,” Calandra added.

Millbrook’s 4th Line Theatre announces two world premiere plays for its 2024 summer season

Millbrook's 4th Line Theatre has announced two plays that will debut at its 2024 summer season. "Onion Skins & Peach Fuzz: The Farmerettes" tells the story of the young women who worked on farms during World War Two to keep people fed while young men were overseas fighting. "Jim Watts: Girl Reporter" tells the story of journalist Jean Watts, the only woman to join Canada's volunteer Mackenzie–Papineau Battalion fighting fascism during the Spanish Civil War. (kawarthaNOW collage of photo supplied by 4th Line Theatre and photo from Dorothy Livesay fonds, University of Manitoba Archives)

Millbrook’s 4th Line Theatre has announced two original productions will premiere during the outdoor theatre company’s 32nd summer season in 2024: Onion Skins & Peach Fuzz: The Farmerettes and Jim Watts: Girl Reporter.

“In our 2024 season, I am proud to share these two plays with audiences,” says 4th Line Theatre managing artistic director Kim Blackwell in a media release. “These world premiere productions have been developed through our new play development program.”

The 2024 season will also see the return of longtime musical director Justin Hiscox, whose involvement in 4th Line Theatre’s 2023 season was cut short when he faced a life-threatening infection. On the road to recovery, Hiscox will be composing original music and providing musical direction for the 2024 season.

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Written by Alison Lawrence based on the book by Shirleyan English and Bonnie Sitter, Onion Skins & Peach Fuzz: The Farmerettes is described as a funny and enlightening exploration of the largely unknown true story of the role of teenage girls during World War II. When farms were short of labourers, thousands of young women — most with no previous farming experience — worked on Ontario farms to keep people fed while young men were overseas fighting.

“These ‘Farmerettes’, all in their 90s now, tell us that the summers they worked those farms were the best of their lives, even 70 or more years later,” reads the media release.

Onion Skins & Peach Fuzz: The Farmerettes will be directed by Autumn Smith, who performed in this year’s production of The Cavan Blazers. It will run Mondays to Saturdays from July 1 to 20 at the Winslow Farm.

Left to right, top and bottom: "Onion Skins & Peach Fuzz: The Farmerettes" playwright Alison Lawrence and director Autumn Smith, and "Jim Watts: Girl Reporter" playwright Beverley Cooper and director Kim Blackwell. (kawarthaNOW collage of photos supplied by 4th Line Theatre)
Left to right, top and bottom: “Onion Skins & Peach Fuzz: The Farmerettes” playwright Alison Lawrence and director Autumn Smith, and “Jim Watts: Girl Reporter” playwright Beverley Cooper and director Kim Blackwell. (kawarthaNOW collage of photos supplied by 4th Line Theatre)

Jim Watts: Girl Reporter is described as a fascinating exploration of the experience of trailblazing Canadian youth who illegally flocked to Spain in the mid-1930s to fight fascism, attempting to stop its march across Europe. The play focuses on journalist Jean ‘Jim’ Watts, the only woman to join the volunteer Mackenzie–Papineau Battalion, which began fighting in 1938 for the Republican side during the three-year Spanish Civil War that erupted after fascist Francisco Franco’s failed coup d’état in July 1936.

Taking the audience from Toronto to Madrid, from political rallies to the battlefields of Spain, the play also tells the story of Peterborough union organizer and hero Harry James “Jim” Higgins. While fighting in the Spanish Civil War, Higgins jumped into a river during a battle to save a wounded Spanish child. That child, Manual Alvarez, later moved to Canada and recorded his memories of his search for Higgins in the book The Tall Soldier.

Jim Watts: Girl Reporter is written by award-winning playwright Beverley Cooper, who previously wrote 2018’s The Other: A Strange Christmas Tale for 4th Line Theatre, and will be directed by Blackwell. It will run Mondays to Saturdays from July 30 to August 24 at the Winslow Farm.

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The two new plays reflect 4th Line Theatre’s mandate to preserve and promote Canadian cultural heritage through the development and presentation of regionally based and environmentally staged historical dramas.

“Both of the plays focus on young people who are willing to do just about anything to do their part,” Blackwell notes. “These young people were desperate to try and make a difference in a world gone mad. They were all true heroes.”

4th Line Theatre’s box office opens for the 2024 season on Monday, November 6th, with gift certificates available for single tickets, season subscriptions, and charcuterie snack boxes. New this year, tickets for specific performance dates will also be available when the box office opens. Tickets can be purchased by phone at 705-932-4445 (toll-free at 1-800-814-0055), online at 4thlinetheatre.on.ca, or in person at 4th Line Theatre’s box office location at 9 Tupper Street in Millbrook.

‘Wrinkle Radio’ by Trent University’s Sally Chivers is changing the conversation around aging

Sally Chivers, professor of Gender & Social Justice and English Literature at Trent University, at Trent Aging 2019, a four-day international conference on critical aging studies held at Trent University. Chivers is releasing season two of her podcast "Wrinkle Radio," in which she shares her decades of research on aging to a broader public audience. Season two will cover topics like wrinkles, music in aging, and dementia, and will be included in the Amplify Podcast Network's inaugural cohort of scholarly podcasts. (Photo: Michael Hurcomb)

Don’t panic! It’s just aging.

Sally Chivers, professor of Gender & Social Justice and English Literature at Trent University, is here to tell you why in season two of her podcast called “Wrinkle Radio.” Launching soon, the second season will introduce all-new topics on aging in culture with insight from professional academics, scholars, and researchers.

Proving you only get wiser and better-looking with age, things are heating up for the podcast’s second season. Not only did Wrinkle Radio get a new whimsical logo courtesy of Emma Scott Designs but, after a competitive process, the podcast has been included in the inaugural cohort for the Amplify Podcast Network’s Sustain Stream Podcasts. Amplify Podcast Network supports and builds scholarly podcasts from people trying to make research widely available in podcast form, just as Chivers does with Wrinkle Radio.

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“I wanted to think about the conversations we have in academic life and how they’d be enriched if we had them in the public as well,” Chivers says. “I want to get different conversations about aging happening right in the public and make sure I showcase knowledge I have privileged access to as a professor.”

First inspired by Margaret Lawrence’s 1964 novel The Stone Angel, which she read as a teenager, and Hiromi Goto’s 1994 debut novel Chorus of Mushrooms, Chivers began her early academic research by studying the depiction of age in film and literature for her thesis.

Since then, Chivers has expanded her research to study long-term residential care and disabilities in aging, participating in international conferences. She has co-edited two books and written two (including her “proudest professional moment” in the publication of The Silvering Screen: Old Age and Disability in Cinema), published umpteen book chapters and academic papers, and has even made short films to create conversations around aging.

The first season of Trent University professor Sally Chivers' Wrinkle Radio podcast covered topics including what grey hair says about us and the aging world we live in, the forces that make us fear aging, sex during aging, age-related technology, and more, with each episode featuring expert guests on the topic. Along with a second season, Wrinkle Radio has a new logo. (Logo: Emma Scott Designs)
The first season of Trent University professor Sally Chivers’ Wrinkle Radio podcast covered topics including what grey hair says about us and the aging world we live in, the forces that make us fear aging, sex during aging, age-related technology, and more, with each episode featuring expert guests on the topic. Along with a second season, Wrinkle Radio has a new logo. (Logo: Emma Scott Designs)

Adding to her many accolades, including winning Trent’s 2021 Distinguished Research Award and co-founding the Trent Centre for Aging & Society, Chivers began Wrinkle Radio as a sabbatical project, with season one launching last December.

That first six-episode season covered topics from greying hair, age segregation, sex, the fear of aging, and a lot more. In each episode, Chivers was joined by other scholars who to create conversations around their own studies in gerontology, aging, sociology, and health.

“A lot of them are more qualitative data-focused researchers, which is important since I’m not focused on that in my research,” notes Chivers, adding that she is still very much a storyteller in her work since she studied literature in school. “That’s what I’m trying to do in the podcast — turn that very important knowledge into story form.”

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For example, in season one’s first episode, Chivers explores the discourse around the much-talked-about dismissal of CTV news anchor Lisa LaFlamme in August 2022. In the podcast episode, which is centred around what grey hair represents in the workplace, Chivers interviews two women — one who dyes her grey hair and one who embraces it.

“In this podcast, we’re not trying to say ‘Do this and don’t do that’,” Chivers says. “Look whatever age you want, but do have some awareness about why you’re choosing or not choosing to do that and think about who does have that choice and who doesn’t.”

The first episode of season two is titled “Information Piles and Palaces” and will feature guest Nicole Dalmer of McMaster University’s Department of Health, Aging and Society talking about how to get informed about dementia care and the role of the public library as one ages.

The season will go on to welcome more expert guests exploring topics like the role of music in aging, the “troubling” future of nursing home care — which has been a major focus of Chivers’ own work — and finally talking about the thing that gave the podcast its name: wrinkles.

Sally Chivers is internationally renowned for her contributions to research in disability and critical aging studies. In her 2011 book "The Silvering Screen," she brings together theories from disability studies, critical gerontology, and cultural studies to examine how the film industry has linked old age with physical and mental disability. She also examines Hollywood's mixed messages by applauding actors who portray the debilitating side of aging while promoting a culture of youth. (Photo courtesy of Sally Chivers)
Sally Chivers is internationally renowned for her contributions to research in disability and critical aging studies. In her 2011 book “The Silvering Screen,” she brings together theories from disability studies, critical gerontology, and cultural studies to examine how the film industry has linked old age with physical and mental disability. She also examines Hollywood’s mixed messages by applauding actors who portray the debilitating side of aging while promoting a culture of youth. (Photo courtesy of Sally Chivers)

“I mean it in terms of wrinkles on the face, obviously, but also the way that we hit a snag or wrinkle in our life,” says Chivers, adding that the episode will explore the history of Botox as a wrinkle-smoothing technology. “When I started really listening to them, I noticed a lot of podcasts like this came out of moments in life when you thought life was going in one direction, and it’s gone in another.”

Chivers explains people will hit a point in their lives, whether at 50 years old or at 80, when they suddenly realize they’re getting older and they start thinking about what that means for them. She adds that, while it’s easy to find accessible resources and podcasts for those who need information, for example, about Alzheimer’s after a spouse has just been diagnosed, resources like Wrinkle Radio — which includes everyone in the conversation of aging — are harder to come by.

“Aging is important to all of us across a lifespan,” Chivers says. “I wanted to make sure that people in their 30s and 40s are also thinking about what it means to grow old and not just thinking, ‘Well, that’s something that’s happening to those people over there.’ Instead, we’re thinking ‘How is this part of the community I live in?’ and ‘How is this part of my future experience?'”

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Surprising Chivers, her podcast has made it to audiences across the globe with listeners in six different continents. That reach has made Chivers become more conscious of the cultural assumptions she makes in the podcast, which is something she plans to explore more in upcoming seasons.

“Many of the things we worry about in relation to growing older in North America are more specific and cultural than we think they are,” she explains. “Growing older since the minute we’re born is universal, but the way that happens is really particular right to a moment in time and place and norms.”

In coming seasons of Wrinkle Radio, Chivers plans to look at the ways in which other cultures encourage interdependence and rely on each other more than in North America and how that has an impact on aging.

VIDEO: “Magic Numbers” by Sally Chivers

Along with her research work, books, and podcast, Sally Chivers also makes short films to to create conversations around aging. “Magic Numbers” is a “wry look at my everyday experiences of appearing eternally youthful on the outside while actually aging rapidly under the surface.”

For now though, in season two of Wrinkle Radio, Chivers will continue to question and break down the fears associated with aging.

“One of the reasons I think we don’t talk about aging across the lifespan is fear,” she says, pointing out that industries like the cosmetics industry exploit that fear. “We’re each going to grow old, and my research had taught me that there are some things to fear, but there’s also a lot to gain and a lot more to look forward to. So don’t panic — it’s just aging.”

Wrinkle Radio is available through Spotify, Apple Podcasts, VoiceEd, and at Sally Chivers’ website at sallychivers.ca/wrinkleradio/. Full tanscripts of each episode are also available at the website.

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