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Young Northumberland entrepreneurs receive micro grants for their small business endeavours

Some of the 13 young entrepreneurs aged eight to 14 who received micro grants in the Business & Entrepreneurship Centre of Northumberland (BECN) "My Future My Career" program, pictured at a ceremony in Cobourg on July 10, 2024. BECN is hosting an upcoming showcase on August 14 at Staples in Cobourg that features products and services offered by both "My Future My Career" participants as well as older youth entrepreneurs who received micro grants under the "Summer Company' program. (Photo: Northumberland County)

From dog treats to farm hand services, young entrepreneurs in Northumberland County are receiving a little kick-start for their respective business endeavours with recent grants from the Business & Entrepreneurship Centre of Northumberland (BECN).

The BECN has presented 21 young entrepreneurs from the BECN’s “My Future My Career” and “Summer Company” programs with micro grants to help them launch or expand a business.

The “My Future My Career” program helps kids aged eight to 14 start or grow their own business with free business guidance and a grant of up to $500. The kids’ program is in its fourth year and has provided approximately $21,260 in grant funds to 45 kids.

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This year, 13 kids received a micro grant as part of the 2024 program. The BECN presented the young entrepreneurs with their program certificates and micro grants at a recent ceremony and pizza party celebration in Cobourg.

The “Summer Company” program, supported by the Ontario government, provides young adults from ages 15 to 29 with support and micro grants of up to $3,000 to start or expand a summer business. Since 2001, the program has delivered over $495,000 in grant funds to 159 participants in Northumberland. This year, the program supported eight program participants in achieving their business goals.

“We are so proud of the successful applicants from this year’s youth entrepreneurship programs,” said Kailyn Coupland, Northumberland County’s business development coordinator, in a media release.

“The recipients of these micro grants worked hard to develop a creative business idea and bring it to life. Each year, we look forward to seeing students from these programs grow and flourish as they develop valuable leadership and entrepreneurial skills, while having the opportunity to transform their idea into tangible products and services for the community.”

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The “My Future My Career” micro grant was awarded to 13 kids’ businesses: Avalynn’s Beads and Things, Little Miss Pampered, Links Campfire Wood, JK’s Gardening, Aislynn’s Horse Clipping and Farm Hand Services, Honest Atomic, Worry Zapper, CC’s Freezies, The Salt Bros, Ava’s Hen Haven (AHH), The Grass Barber, Bark Buddies, and Sarah’s Dog Treats.

Meanwhile, the following eight youth businesses received the “Summer Company” micro grant: Cotton Candy Lane, Bubl Ear Plugs, Wheel Wizards Auto Detailing, SkyScans Drone, MK Power Washing, Shine & Seal Window Washing & Odd Jobs, Fabled Earth Candles, and Reliable Digital Services.

Young business owners from both youth entrepreneurship programs will be showcasing their products and services at the BECN Youth Entrepreneurship Showcase at Staples in Cobourg. The event takes place on Wednesday, August 14 from 11 a.m. to 2 p.m. at 1025 Elgin St. W. The annual trade show features a selection of youth entrepreneurs. Community members are invited to shop locally, explore unique offerings from youth entrepreneurs in Northumberland, and meet the young business owners.

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“Both programs are designed to help support the next generation of small business owners with developing strategic business and marketing plans, refining their innovative and creative problem-solving skills, and promoting confidence,” the BECN noted. “These programs are just two of the many programs and services offered by the BECN to help equip entrepreneurs with information, guidance, resources, education, networking opportunities, and micro grants to foster their success.”

The BECN aims to be a leading source for business information, strategy, resources, and education for entrepreneurs and small business owners in Northumberland. A service delivered by Northumberland County in partnership with the province of Ontario, the BECN offers micro grants, free consultations, training, information and resources, and workshops and seminars for community members thinking of starting or expanding a small business in Northumberland.

For more information about BECN, visit www.northumberland.ca/becn.

Lock & Paddle returns to the Peterborough Lift Lock on July 20

The sixth annual Lock & Paddle returns to the Peterborough Lift Lock on July 20, 2024. Last year's event saw more than 600 people take part, paddling their canoes and kayaks into the two tubs at the world's tallest hydraulic lift lock to be lifted 65 feet (20 metres) into the air and then back down. (Photo: Parks Canada)

The sixth annual Lock & Paddle returns to the Peterborough Lift Lock on Saturday (July 20) from 1 to 5:30 p.m.

More than 600 people took part in last year’s event, paddling their canoes and kayaks into the two tubs at the world’s tallest hydraulic lift lock to be lifted 65 feet (20 metres) into the air and then back down.

Organized by Parks Canada to celebrate the national historical site, the free event returned in 2023 after a three-year absence due to the pandemic. This year’s Lock & Paddle takes place on Parks Day when, for the first time, Parks Canada will also be hosting mass paddling events on the Rideau Canal in Ottawa and the Lachine Canal in Montreal.

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Unlike previous Lock & Paddle events, registration is not required for the 2024 event. Simply show up with your canoe or kayak (stand up paddleboards and inflatable kayaks and canoes or other inflatable vessels are not permitted for safety reasons). Parks Canada will have staff on site throughout the event to answer any questions.

All ages and skill levels are welcome to participate in the event. To participate, all paddlers and passengers must wear a PFD. Pets on boats are not recommended for safety reasons. This is a smoke-free, cannabis-free, and alcohol-free event. Visitors who do not follow the rules and requirements will not be permitted to enter the tubs.

All participating paddlers should have a sound signalling device, a buoyant heaving line, and a bailer for each boat, along with a watertight flashlight, sunscreen and a hat, and a water bottle. This is a rain or shine event, so also bring an umbrella or raincoat if rain is in the forecast.

VIDEO: Lock & Paddle 2023

Grounds open at the Peterborough Lift Lock at 1 p.m., when the Bewdley & District Lions Club will be hosting a BBQ with food available to purchase. Local musician Cale Crowe will be performing at the lower reach of the Peterborough Lift Lock. Note that parking is not available at the Peterborough Lift Lock Visitor Centre except for vehicles with accessible parking permits.

Paddlers should be ready in their boats at the lower (south) side of the Peterborough Lift Lock by 2:15 p.m., with the first lockage beginning at 2:30 p.m. Additional lockages will follow if needed.

Paddlers will enter from the bottom of the Peterborough Lift Lock and ride up and back down. There is no through-paddling at the top of the Peterborough Lift Lock until after the event concludes at 5:30 p.m.

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Paddling to the Peterborough Lift Lock

Here are put-in locations if you plan to paddle to the Peterborough Lift Lock. Note that if you are going through Lock 20 – Ashburhnam, you need to allow an extra 45 to 60 minutes to transfer and paddle to the Peterborough Lift Lock. There are no lockage fees for Lock & Paddle participants.

  • Beavermead Campground (2011 Ashburnham Dr.) – 5-minute paddle to Lock 20, 45-60 minutes to transfer and paddle to Peterborough Lift Lock. Free parking.
  • Rogers Cove (131 Maria St.) – 5-minute paddle to Lock 20, 45-60 minutes to transfer and paddle to Peterborough Lift Lock. Free parking.
  • Millennium Park (130 King St.) – 20-minute paddle to Lock 20, 45-60 minutes to transfer and paddle to Peterborough Lift Lock. Nearby paid parking.
  • Del Crary Park (100 George St.) – 35-minute paddle to Lock 20, 45-60 minutes to transfer and paddle to Peterborough Lift Lock. Nearby paid parking
  • Eastgate Memorial Park (2150 Ashburnham Dr.) – 250-metre portage to paddle-access dock north of Lock 20 – Ashburnham; 20-minute paddle to Peterborough Lift Lock. Free parking.
  • Trent-Severn Waterway Headquarters (2155 Ashburnham Dr.) – 250-metre portage to launch at the top and west side of Lock 20 – Ashburnham; 20-minute paddle to Peterborough Lift Lock. Free parking.
  • Peterborough Lift Lock Visitor Centre (353 Hunter St. E.) – Reserved for accessibility needs and beginner paddlers. Drop-off only; no parking except for vehicles with accessible parking permits.
Paddlers head up the canal towards the Peterborough Lift Lock for the 2023 Lock & Paddle event. This year's event takes place on Saturday, July 20 and no registration is required to participate in the free event. (Photo: Parks Canada)
Paddlers head up the canal towards the Peterborough Lift Lock for the 2023 Lock & Paddle event. This year’s event takes place on Saturday, July 20 and no registration is required to participate in the free event. (Photo: Parks Canada)
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Boat and gear rentals

If you want to rent a boat or gear, you can get it at one of the following local rental suppliers:

  • Kawartha Outfitters (Millennium Park at the Silver Bean, 100 King St., Peterborough)
  • Wild Rock Outfitters (169 Charlotte Street, Peterborough)
  • Liftlock Paddle Co. (online only at liftlockpaddleco.ca)
  • Beavermead Campground (2011 Ashburnham Drive, Peterborough)
  • Adventure Outfitters (1828 8th Line, Lakefield)
  • Cottage Toys (37 Concession St., Lakefield)

For more information about Lock & Paddle 2024, visit the Parks Canada website.

It’s crunch time as Wheelchair Accessible Transit looks to hire 101 school bus drivers by September

Toronto-based Wheelchair Accessible Transit (W.A.T.) has been awarded a 10-year-contract by Student Transportation Services of Ontario (STSCO) to operate 30 of the 87 bus routes that were previously operated by Lakefield-based Hamilton Bus Lines, which was an unsuccessful bidder in STSCO's recent request for proposal process for the provision of student transportation beginning September 2024. (Photo courtesy of W.A.T.)

Staying on point while shutting out extraneous noise is a challenge at the best of times. But when you’re tasked with hiring 101 school bus drivers by the start of the new school year, the stress associated with a ticking clock ramps up things considerably.

That’s the position Daniela Cerqua finds herself in.

As a regional manager with Toronto-based Wheelchair Accessible Transit (W.A.T.), Cerqua is hard at it, singing the praises of the 21-year-old student transportation company while rebuffing accusations that because W.A.T. is not locally based, it won’t hire local drivers to fill the routes.

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On June 27, Student Transportation Services of Ontario (STSCO), which is responsible for planning school bus routes for the local school boards, announced that a lengthy request for proposal (RFP) process for the provision of student transportation was complete. That process saw school bus operators submit bids to secure all, or some, of the existing bus routes.

Among those companies that put in a bid was Lakefield-based Hamilton Bus Lines, owned by Attridge Transportation Inc., which was operating 87 bus routes for STSCO. According to STSCO, “Hamilton Bus Lines was not successful as part of the procurement and bidding process,” effectively putting the company’s bus drivers out of work.

W.A.T. also put in a bid and was ultimately awarded a 10-year contract by STSCO, including some of the routes previously operated by Hamilton Bus Lines.

Since then, an online petition in support of affected Hamilton Bus Lines drivers has drawn a huge response, with upset drivers and their supporters criticizing STSCO’s bidding process as well as lamenting the awarding of a portion of its bus route contract to a company that is headquartered outside of the region.

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That’s the extraneous noise that Cerqua is dealing with as she works to establish W.A.T.’s local footprint — a process best exemplified by the opening of an office at 41 Bridge Street in Lakefield. As of this writing, drivers for 26 of the 101 W.A.T bus routes available have signed on — some of them formerly with Hamilton Bus Lines.

“To hire 100 drivers in two months, especially the summer months when they want to spend time with their family or are on vacation, is difficult,” says Cerqua, adding “We put together some flyers and handed them out, and we put together an information session.”

The information session, held June 3 at the Holiday Inn, saw a “pretty good turnout,” says Cerqua.

“Quite a few people attended; the bulk of them, it seemed, from Hamilton (Bus Lines). They had a lot of great questions and we answered them. Some weren’t happy with the change. I understand that and I empathize with them but, like I said then, our goal is to ensure that children are transported to and from school safely and on time.”

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Of the 101 routes secured by W.A.T., just 30 came from Hamilton Bus Lines, clarifies Cerqua, while 55 came from Student Transportation Services, 15 from Century Transportation, and one from First Student.

“We’ve tried to put out there, as much as we could, what routes we have so drivers aren’t caught up in ‘I don’t know what to do, I don’t know where to go,'” says Cerqua, noting W.A.T’s goal is to fill each route with a local driver, whether it’s someone who lost his or her job as a result of their company’s contract not being renewed or someone who is interested in driving a school bus for the first time, for whom W.A.T will provide training.

“We put out information that if drivers want to follow their (former) route, they’re more than welcome. Just come and see us. There’s also monitors on the routes that made friends with school bus drivers. We have said ‘Great, we’ll take you too.’ We’re trying to make the transition as smooth as possible.”

Of note, W.A.T. is committing to providing incentives drivers have received in the past.

“We will pay drivers for all P.A. days and they will get paid for snow days but, in addition, we’ll also pay the two weeks that drivers are off at Christmas time and the one week that drivers are off during the March break.”

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Cerqua says if W.A.T. can’t secure enough local drivers for its routes, it will “look at other areas we serve for drivers and bring them here to ensure kids get to and from school, but that’s definitely not my first choice.”

“We have our office in Lakefield with staff hired locally. We’ll be putting together some job fairs, some community barbecues, to let people know we’re here and we’re hiring. If parents want to come and meet us and find out who their child’s school bus provider is going to be, they’re more than welcome too. We’d love to meet them and let them know that they’re in good hands.”

As for displaced Hamilton Bus Lines drivers who want to learn more about W.A.T. and what it’s offering, Cerqua says they too are invited to drop by the office.

“Many of them have my email and my phone number, and they also have my HR department’s information,” she notes.

Looking ahead to September, Cerqua is “confident” W.A.T. “will have a driver in every seat.”

As for W.A.T being portrayed as the bad guy in the wake of Hamilton Bus Lines losing its contract with STSCO, Cerqua says she can only do what she can do: work to ensure all 101 newly secured W.A.T. routes have a driver.

“That’s why we made a point of having the information session, so people could get their questions answered. At the end of the day, there’s no pressure, there’s no poaching. We’re opening our doors and putting our cards on the table and saying ‘This is what we have. This is what we can offer you.’ If it works for you, great, we’d love for you to join our team. If it’s not something that works for you, that’s okay too, but we will continue to push hard to hire locally.”

For more information on Wheelchair Accessible Transit, visit www.wheelchairtransit.com.

Motorcyclist and passenger seriously injured in collision near Oakwood on Sunday

A motorcyclist and his passenger suffered serious injuries after a collision near Oakwood east of Lindsay on Sunday (July 14).

At around 1:30 p.m. on Sunday, City of Kawartha Lakes Ontario Provincial Police (OPP) and fire and emergency medical services responded to a report of a serious collision on Eldon Road at Skyline Road involving a motorcycle and a commercial motor vehicle.

As a result of the collision, the 57-year-old male driver of the motorcycle and a 53-year-old female passenger suffered life-threatening injuries. They were transported to Ross Memorial Hospital in Lindsay and later airlifted to Kingston General Hospital.

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The 64-year-old driver of the commercial motor vehicle was treated for minor injuries.

Eldon Road and Skyline Road were closed for several hours on Sunday while police documented the scene.

The police investigation into the collision is ongoing.

Coroner investigating sudden deaths of two men in Peterborough over weekend

The coroner is investigating the sudden deaths of two men in Peterborough over the weekend.

At around 7:10 p.m. on Saturday (July 13), Peterborough police officers were called to the area of Park and Romaine streets for the sudden death of a 35-year-old man.

The following day at around 6:30 a.m., officers were called to an area near the east side of the London Street bridge for the sudden death of a 24-year-old man.

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Police have not released any details about the circumstances of the two men’s deaths, but say they do not suspect foul play at this time.

Both deaths are now coroner investigations, according to police.

Thunderstorm watch in effect for northern Kawarthas region Monday

Environment Canada has issued a severe thunderstorm watch for the northern Kawarthas region for Monday (July 15).

The severe thunderstorm watch is in effect for northern Peterborough County, northern Kawartha Lakes, Haliburton County, and Hastings Highlands.

Conditions are favourable for the development of severe thunderstorms that may be capable of producing strong wind gusts up to 90 km/h, large hail, and heavy rain with local rainfall amounts of 30 to 50 mm.

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Thunderstorms are expected to develop late Monday morning. Some of these thunderstorms may become severe quickly before moving east of the area in the afternoon.

Heavy downpours can cause flash floods and water pooling on roads. Water-related activities may be unsafe due to violent and sudden gusts of wind over bodies of water.

Lightning kills and injures Canadians every year. Stay indoors when a thunderstorm strikes. There isn’t a place outside that is safe during a thunderstorm.

It’s been 20 years since Peterborough’s historic flood

On July 14 and 15, 2004, a storm dumped as much as much as 240 millimetres (9.5 inches) of rain on the City of Peterborough, with much of it falling within a five-hour period on the morning of July 15. Pictured is Charlotte St. in downtown Peterborough looking east to George St. (Photo: City of Peterborough)

Today is the 20th anniversary of Peterborough’s historic flood, when a one-in-100-year storm dumped an estimated 14 billion litres of rain on the city in a single day — the same amount of water that courses over Niagara Falls in about 40 minutes.

In 2004, as much as 240 millimetres (9.5 inches) of rain fell in the city from the evening of Wednesday, July 14th to the morning of Thursday, July 15th, most of it falling within a five-hour period on the morning of July 15.

A rainfall event of that magnitude is known as a one-in-100-year storm, meaning there’s a one per cent chance of such a storm occurring in a particular location in any given year.

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That one-in-100-year storm began with a weather system that affected Alberta three days before. On Sunday, July 11, 2004, the City of Edmonton experienced a small but spectacular storm that dumped more than 150 mm of rain in parts of the city in less than an hour.

Mud and water poured down streets and through windows. A record flash flood washed out roads, filled underpasses, flooded basements, turned streets into rivers and intersections into lakes. Enormous water pressure in the sewer system blew hundreds of manhole covers into the sky.

That same storm system slowly worked its way east across Canada, travelling 2,700 kilometres until it reached Peterborough. There, fed by cool air from the north and moist air from the south, the system produced intense rainstorms that began on Wednesday evening and continued for five hours during the early morning hours of Thursday.

King St. and George St. N. in downtown Peterborough on July 15, 2004. Water from Jackson Creek took over the downtown, flooding the streets and lower-level businesses and basements. (Photo: City of Peterborough)
King St. and George St. N. in downtown Peterborough on July 15, 2004. Water from Jackson Creek took over the downtown, flooding the streets and lower-level businesses and basements. (Photo: City of Peterborough)

The amount of rain that fell on Peterborough during the storm varied, from 100 mm (4 inches) recorded at the Peterborough Airport to 240 mm (9.5 inches) recorded at Trent University. Much of the rain fell in under five hours early Thursday morning, with 78.8 mm (3 inches) falling between 3:30 a.m. and 4:30 a.m. alone.

Peterborough’s drain and sewer system was unable to cope with that much storm water. Normally, the city’s sewage system deals with about 1.3 million gallons per day; during the storm, the sewage treatment plant measured a peak flow of seven million gallons of waste water.

At the time of the storm, over 80 per cent of the pipes in the city’s storm water system were undersized and didn’t meet modern standards (some had been built in the prior century), creating bottlenecks in moving the flood water.

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Downtown Peterborough, where the rainfall was concentrated, consists of largely impervious paved surfaces, including streets that are not well designed to convey flood water over land. Raging flood waters from Jackson Creek, which runs through the downtown, overwhelmed not only the roads but also some historical buildings.

Throughout the city, groundwater that seeped into cracked or misaligned sewer pipes created excess water in the system, leading to back-ups and basement flooding.

Peterborough’s Fire Department was inundated with calls from across the entire city, ranging from flooded basements to fire alarms. City utility and social services were overburdened with responding to the consequences of the flooding.

Hunter St. W and Aylmer St. N. in downtown Peterborough on July 15, 2004. Construction projects were halted across the city, with construction sites requiring significant cleanup after the flood. (Photo: City of Peterborough)
Hunter St. W and Aylmer St. N. in downtown Peterborough on July 15, 2004. Construction projects were halted across the city, with construction sites requiring significant cleanup after the flood. (Photo: City of Peterborough)

On Thursday morning, then-Mayor Sylvia Sutherland declared a state of emergency, which stayed in effect for two weeks. Many city staff worked 18- to 20-hour days until the state of emergency was lifted.

Here are some interesting facts about the impact of the flood:

  • 171 long-term care residents were evacuated from Extendicare Nursing Home to the Evinrude Centre
  • 500 homes and businesses had hydro meters pulled from flooded basements
  • Hundreds of flood-damaged water heaters required replacement
  • 1,000 homes had gas lines disconnected
  • 498 electrical systems were disconnected
  • There were 28 motor vehicle accidents
  • The city issued emergency clothing to more than 1,300 people and emergency food to more than 1,000 households
  • The Salvation Army served over 10,000 meals
  • Firefighters pumped out over 1,868 basements, garages, and backyards
  • 25 people who were trapped in or on cars needed to be rescued
  • Cleaning up flood-related garbage and debris was a major undertaking. Around 12,500 tons of materials were placed in the landfill in the two weeks following the flood (four times the normal amount)
  • Both the Peterborough Public Library and the adjoining Peterborough Museum and Archives were flooded, with 10 per cent of documents, photographs, and negatives in the conservation area and storage vault under water for 24 hours.
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In the end, the flood resulted in $95 million in insured losses in Peterborough, according to the Insurance Bureau of Canada. Overtime and expenses for city staff responding to the flood amounted to $1.4 million.

Costs of repairs and restoration (including roads, bridges, culverts, buildings, and the Museum photo archives) equalled $21 million. In addition, the Province of Ontario provided $25 million for emergency repair and restoration costs for city infrastructure. The amount of revenue and productivity that businesses and residents lost because of the flood can only be estimated.

Making matters worse, the 2004 flood came only 25 months after another major flood in June 2002, when Peterborough suffered through a severe summer storm that generated more than 70 mm (3 inches) of rain in a 24-hour period. Many Peterborough residents and business owners had just recovered from damages caused by the 2002 flood when they were hit again by the 2004 flood.

Townsend St. and George St. N. in downtown Peterborough on July 15, 2004, showing the raging flood waters from Jackson Creek emptying into Little Lake. (Photo: City of Peterborough)
Townsend St. and George St. N. in downtown Peterborough on July 15, 2004, showing the raging flood waters from Jackson Creek emptying into Little Lake. (Photo: City of Peterborough)

Shortly after the 2004 flood, the City of Peterborough hired UMA Engineering Ltd. (now known as AECOM Ltd.) to prepare a Flood Reduction Master Plan (FRMP). Since the completion of the plan in 2005, the city undertook a series of studies to assess vulnerability and to update stormwater management designs and infrastructure to protect the city from future flooding damage.

Following the flood, the city completed numerous projects, including studies recommended by the FRMP, diversion projects, storm sewer retrofits, and culvert replacements.

The highest-priority project to come out of all the flood reduction studies was the Central Area (Bethune Street) Flood Reduction project to install a massive storm sewer and upgraded sanitary sewers under Bethune Street between Jackson Creek and Townsend Street to carry high flows from the creek around the downtown core to Little Lake. One of the largest infrastructure projects in Peterborough’s history, construction began in 2019 and was largely completed by September 2023.

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The scope of the work included building an inlet for the storm sewer on Jackson Creek, the storm sewer outlet at Little Lake, rehabilitating the bridge under George Street at the outlet, the big dig and installation of the storm sewer under Bethune and Townsend streets, and upsizing the sanitary sewer.

While the underground work was the main component of the project, a secondary aspect was the streetscape design with the rebuilding of Bethune Street after the underground work to create a street with a greater emphasis on pedestrians and cycling but still maintaining access for vehicles.

The total cost of the project was $53.5 million, which included $7.97 million from the federal government and $7.97 million from the provincial government from the Small Communities Fund for climate adaptation projects.

Chesterfield Ave. in Peterborough on July 15, 2004. Some residents found their entire yards fully submerged by the flood waters, causing significant property damage. The Insurance Bureau of Canada says the flood resulted in $95 million in insured losses in Peterborough. (Photo: City of Peterborough)
Chesterfield Ave. in Peterborough on July 15, 2004. Some residents found their entire yards fully submerged by the flood waters, causing significant property damage. The Insurance Bureau of Canada says the flood resulted in $95 million in insured losses in Peterborough. (Photo: City of Peterborough)

In addition to upgrading infrastructure, the city continues to offer financial incentives to encourage the disconnection of foundation drains from the sanitary sewer system, use of rain barrels, the installation of backwater valves in previously affected areas, and the creation of rain gardens.

For more information about the 2004 flood and the City of Peterborough’s response to it, visit the city’s website at peterborough.ca/2004flood.

For more information on how the City of Peterborough now prepares for flooding and mitigates the potential for flooding, visit the Emergency Services – Flooding and Water and Sewers – Flood Reduction pages on the city’s website, with the latter including information about the city’s Flood Reduction Subsidy Program and Flood Reduction Master Plan.

The highest-priority project to come out of all flood reduction studies following the 2004 flood was the Central Area (Bethune Street) Flood Reduction project, which was substantially completed in September 2023. One of the largest infrastructure projects in Peterborough's history, it involved installing a massive storm sewer and upgraded sanitary sewers under Bethune Street between Jackson Creek and Townsend Street to carry high flows from the creek around the downtown core to Little Lake. (Photo: City of Peterborough)
The highest-priority project to come out of all flood reduction studies following the 2004 flood was the Central Area (Bethune Street) Flood Reduction project, which was substantially completed in September 2023. One of the largest infrastructure projects in Peterborough’s history, it involved installing a massive storm sewer and upgraded sanitary sewers under Bethune Street between Jackson Creek and Townsend Street to carry high flows from the creek around the downtown core to Little Lake. (Photo: City of Peterborough)

Indie alt-rockers Metric primed to light up Peterborough Musicfest July 17

Indie alt-rockers Metric (James Shaw, Emily Haines, Joules Scott Key, and Joshua Winstead) will perform a free-admission concert at Del Crary Park in Peterborough on July 17, 2024 as part of Peterborough Musicfest's 37th season. (Photo: Justin Broadbent)

If it seems the upcoming Peterborough Musicfest presentation of Metric has been a long time coming, there’s good reason — the free-admission concert on Wednesday, July 17th at Del Crary Park was announced on March 5, more than two months before most of the festival’s 2024 headliners were revealed.

Some things are well worth waiting for and, in securing Metric, the festival’s brain trust not only stirred up early interest in this year’s lineup but has also benefited from the buzz associated with bringing one of Canada’s most successful indie alternative-rock bands back to the city.

Metric traces its roots back to 1998 when India-born and Fenelon Falls-raised Emily Haines and England-born James Shaw, performing as Mainstream, released a five-track EP before changing their moniker to Metric — a nod to a sound that Shaw had programmed into his keyboard while working on a song.

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Upon hooking up with drummer Joules Scott-Key and bassist Jarrett Mason, Metric went into the studio to record what was to be its debut album, Grow Up and Blow Away. However, its release was delayed until 2007 due to a change in the band’s record label. When released, it was actually Metric’s third album.

So it was that 2003’s Old World Underground, Where Are You Now? became Metric’s de facto debut album, with Joshua Winstead now on bass. “Combat Baby” and “Dead Disco” were released as singles on the way to the album being certified gold in 2005.

That same year saw Metric break out in a big way, its second album Live It Out providing the springboard with its singles “Monster Hospital,” “Poster of a Girl,” and “Empty” contributing to the album eventually achieving double platinum status for Canadian sales in excess of 200,000.

VIDEO: “Monster Hospital” – Metric

Nominated for a 2006 Juno Award as Alternative Album of the Year, Live It Out didn’t earn Metric that coveted honour but 2009’s Fantasies did the trick, bringing Metric two 2010 Juno Awards for Group of the Year and Alternative Album of the Year. Assisted by the singles “Help, I’m Alive” and “Gold Guns Girls,” the record was also shortlisted for the 2009 Polaris Music Prize.

Meanwhile, Metric’s eclectic sound was catching the attention of a number of television and film producers. For example, “Front Row” was featured for an episode of ABC’s medical drama series Grey’s Anatomy while “Gold Guns Girls” formed part of the soundtrack for the 2009 horror comedy film Zombieland starring Woody Harrelson, Jesse Eisenberg, and Emma Stone. In the 2010 action comedy film Scott Pilgrim Vs. The World, “Black Sheep” was performed by Brie Larson (with Haines singing the actual vocals).

June 2012 brought forth Synthetica, Metric’s fifth studio album and the single “Youth Without Youth.” It too was a nominee for the Polaris Music Prize, albeit longlisted this time around. More impressive, it brought Metric five 2013 Juno Award nominations, with wins in the Producer of the Year (Shaw), Alternative Album of the Year, and Recording Package of the Year categories.

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Four albums — Pagans in Vegas (2015), Art of Doubt (2018), Formentera (2022), and Formentera II (2023) — have followed, with the latter earning a 2024 Juno Award nomination as Rock Album of the Year.

But for all its recording and touring success, Metric’s biggest achievement arguably lies in the fact that Haines, Shaw, Scott-Key, and Winstead are still together after all these years. That is a rarity of sorts in a world where band members change addresses more than they do socks.

Also a rarity is the fact that, while working on Fantasies in 2007, Metric turned down multi-million dollar deals from two record labels, opting instead to form their own company, Metric Music International, with Haines and Shaw as co-CEOs.

VIDEO: “Youth Without Youth” – Metric

A gutsy move, for sure, but as Haines explained in an October 2022 interview with Sage Holt of SLUG Magazine, a move that had to be made for creative control.

“There was never a massive marketing machine to sell us to anyone, you know?” Haines said. “The music speaks for itself, sure, but it’s a different longer path than having the machinery of a big global company behind you. But it’s led to a really beautiful thing that we really value.”

Haines added that creating music is “all we ever wanted to do. Our whole operation is just making music and connecting with people.”

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Even when on the road, the creative juices still flow, she said.

“We show up in a new town (where) there are people to meet and things to do. From trying new arrangements, to bringing on a new song, or exploring any place we can. There’s not a lot of time to think, like ‘Hey, what should I do with myself?’ Truthfully, I feel that way more when I’m off the road.”

Metric’s Musicfest appearance is its first in Peterborough since 2010 when it played the Memorial Centre. Like then, this visit will likely see a bit of a family reunion for Haines — her brother Tim owns and operates Bluestreak Records in downtown Peterborough. We’re guessing it’s a pretty good place to come across a Metric album or two.

VIDEO: “Days Of Oblivion” – Metric

Peterborough Musicfest is presenting 16 free-admission concerts during its 37th season, each staged on Wednesday and Saturday nights until August 17th.

Overseen by executive director Tracey Randall and staff, a board of directors, and numerous volunteers, Peterborough Musicfest’s stated mission remains “to provide diverse, affordable live music to enrich cultural and economic prosperity in our community.”

For more information on this concert or the 2024 season, visit www.ptbomusicfest.ca or phone the Peterborough Musicfest office at 705-755-1111.

 

kawarthaNOW is proud to be a headline sponsor of Peterborough Musicfest’s 2024 season.

Peterborough residents can send kids in need back to class with backpacks, haircuts, supplies

Gauvreau Accounting Tax Law Advisory founder and CEO Robert Gauvreau (front middle) pictured during 2023's Gear Up for Good" campaign, which helps ensure local children in need have backpacks and other school essentials in the fall. The third annual campaign is collecting donations until August 16 and the supplies will be distributed to on August 23. (Photo: Gauvreau Accounting Tax Law Advisory / Facebook)

Peterborough residents can “gear up for good” by taking part in an initiative aimed at getting local kids ready for a new school year.

Gauvreau Accounting Tax Law Advisory of Peterborough is kicking off its third annual “Gear Up for Good” campaign, an initiative that provides under-served children in Peterborough with back-to-class essentials. This year, Gauvreau is striving to double its impact by increasing its target from 101 to 200 backpacks filled with school supplies.

The “best thing would be that every single participant in the (Kawartha Haliburton) Children’s Aid Society and Big Brothers and Sisters (of Peterborough) would be equipped to start the school year with success and a quick win — a haircut, a pizza dinner, and a fully stocked backpack,” Robert Gauvreau told kawarthaNOW.

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“Many of these kids, as we know, are coming from unfortunate situations and don’t necessarily have the means to get fit and ready for the school season, so to do that for them would be a huge win,” Gauvreau added.

He said the Peterborough community’s spirit of giving has driven the success of this initiative in past years.

“We are calling on everyone to come together once again to ensure these children have the tools they need to succeed,” a media release noted. “In addition to backpacks and supplies, we are also providing complimentary haircuts to boost students’ confidence as they start the school year.”

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This year, the donations will benefit Big Brothers Big Sisters and the Kawartha Haliburton Children’s Aid Society, which are both organizations aimed at supporting and empowering local youth.

Ricart Branded Apparel and Promo donated water bottles for the kids, and Domino’s Pizza is offering a free pizza to each participating family.

“Their contributions exemplify the collective effort needed to empower our next generation,” the release noted.

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“Every child deserves the chance to excel in their education,” Gauvreau said.

“We are grateful for the incredible support from our community and partners, and we are determined to make this year’s Gear Up for Good campaign the most impactful yet.”

Residents and businesses can support the initiative by providing backpacks, supplies, and haircuts. Those who are interested in taking part can check out the Amazon “wishlist” at bit.ly/GearUpForGood2024 and drop off donations at 150 King St. W., Suite 100, by August 16.

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Backpacks will be distributed on August 23.

When asked why this initiative so important, Gauvreau said, “these kids have a clean canvas and an opportunity to have a very successful life and all we are trying to do is give them the tools they need to start the school year, in the right way.”

Robert Gauvreau is the founder and CEO of Gauvreau Accounting Tax Law Advisory, author of The Wealthy Entrepreneur, speaker, and business coach. The firm was established in 2008.

Experience it: the Apsley Autumn Studio Tour returns for its 31st year on September 21 and 22

New to the 2024 Apsley Autumn Studio Tour, Brenda Rudder is a wildlife artist who specializes in painting on natural wood, using acrylic on reframed wood scraps. Alongside fibre artists Judy Ranieri and Valerie Foster, her works will be on display and available for purchase at Studio E on Chandos Lake during the self-guided tour that runs from 10 a.m. to 5 p.m. on September 21 and 22. (Photo courtesy of Brenda Rudder)

For three decades, art enthusiasts — whether locals, cottagers, or visitors — have scheduled their trips to North Kawartha Township around the third weekend of September, so they can experience the annual Apsley Autumn Studio Tour in all its creative glory.

Now in its 31st year, the highly anticipated free self-guided tour is returning for 2024 on Saturday, September 21st and Sunday, September 22nd, from 10 a.m. to 5 p.m. each day.

With 30 local and visiting artists — including four artists who are joining this year’s tour for the first time — working in 11 cottage country studios, it’s a special artistic experience you can’t find anywhere else.

Mosaic artist Anja Hertle is a returning artist on the 2024 Apsley Autumn Studio Tour, running September 21 and 22, 2024. She works with broken china, pottery, porcelain figurines, and tile to give them a second life. During the self-guided tour, Hertle will be at Studio J, located at 44 Woodland Road, sharing her studio with potter Melanie Edson Horner, and new artist, painter Andrew Gregg. (Photo courtesy of Anja Hertle)
Mosaic artist Anja Hertle is a returning artist on the 2024 Apsley Autumn Studio Tour, running September 21 and 22, 2024. She works with broken china, pottery, porcelain figurines, and tile to give them a second life. During the self-guided tour, Hertle will be at Studio J, located at 44 Woodland Road, sharing her studio with potter Melanie Edson Horner, and new artist, painter Andrew Gregg. (Photo courtesy of Anja Hertle)

“Guests return year after year because of the beauty of Apsley,” says Susan Rankin, treasurer of the Apsley Autumn Studio Tour and a participating artist. “People have the leisure of leaving the cottage, driving around, seeing some great local art, and then going back to the dock to enjoy their treasures. It’s a real cottager’s weekend.”

For Rankin, that’s what makes it so unique compared to town tours: it’s not just an afternoon or day-long activity for most people.

“People will always invite their friends for girls’ weekends or cottage trips, so it’s never just one or two people in the studios,” she explains. “It’s always a carload of five or six people. Here, it’s a weekend-long event.”

Artisan wool artist Rachel Conlin working on a piece in the spring that she donated for a local fundraiser. A returning artist on the 2024 Apsley Autumn Studio Tour, Conlin's Studio O is at a new location this year on Finnegan's Lake just outside of Coe Hill. She will be sharing her studio with guest artist Marci Swift, an Apsley beekeeper who is new to this year's tour, which runs September 21 and 22. (Photo courtesy of Rachel Conlin)
Artisan wool artist Rachel Conlin working on a piece in the spring that she donated for a local fundraiser. A returning artist on the 2024 Apsley Autumn Studio Tour, Conlin’s Studio O is at a new location this year on Finnegan’s Lake just outside of Coe Hill. She will be sharing her studio with guest artist Marci Swift, an Apsley beekeeper who is new to this year’s tour, which runs September 21 and 22. (Photo courtesy of Rachel Conlin)

The tour offers 11 stops across North Kawartha Township (one is near Coe Hill, just across the border in Hastings County), with many located on scenic and art-inspiring lakes. Most of the studios have more than one artist sharing the space, with visiting artists coming from as far as Peterborough or Durham Region.

While a printed map with all tour stops is available online or can be picked up at local businesses, you can also browse the list of locations and read artists’ bios by using the free Toureka! app, created by local software developer Brad Carson, which you can download from the Apple App Store or Google Play. Within the app, you can find the artists you are most interested in visiting and curate your own route for the weekend.

“The beauty of the app is you don’t need cell service for it to work,” says Rankin. “Even if you’re in a dead zone in cottage country, you’ll know where to go.”

Jacques Deslauriers is a self-taught woodworker who uses wood from only dead or fallen trees to create his art, including these intricately designed functional wooden toys. Sharing the space with visual artist Carolyn Jongeward, Deslauriers will be opening up his Chandos Lake studio for visits during the 2024 Apsley Autumn Studio Tour. (Photo courtesy of Jacques Deslauriers)
Jacques Deslauriers is a self-taught woodworker who uses wood from only dead or fallen trees to create his art, including these intricately designed functional wooden toys. Sharing the space with visual artist Carolyn Jongeward, Deslauriers will be opening up his Chandos Lake studio for visits during the 2024 Apsley Autumn Studio Tour. (Photo courtesy of Jacques Deslauriers)

Artists and artisans include painters, woodworkers, jewellery makers, glass blowers, weavers, potters, textile artists, and more, leaving it up to visitors to make the tour exactly what they want it to be.

“It’s a big tour and a lot of people will split it up in rotations, doing half of the artists one year and half another,” Rankin says. “The artists aren’t always the same and they’re always creating new work, so it’s different each year. We’re also seeing younger and newer visitors coming out to see the studios each year, which is always great.”

Returning visitors to the tour will notice that four artists have been added for the 31st tour, including retired art teacher and painter Andrew Gregg, weaver Jillian Messervery, wildlife painter Brenda Rudder, and — bringing the work of nature’s busiest artisans to the tour — beekeeper Marci Swift.

Whitby jewellery artist Catharine Scott is a guest artist at the 2024 Apsley Autumn Studio Tour, running September 21 and 22. She is a self-taught artisan who is inspired by the natural beauty of coloured gem stones. She will be set up at Studio H at 2229 Balmer Road, alongside Delores Hopps, Judy Sparkes, Kathy Robichaud, Mary Ellen Gerster, and Aubre Scott. (Photo courtesy of Catharine Scott)
Whitby jewellery artist Catharine Scott is a guest artist at the 2024 Apsley Autumn Studio Tour, running September 21 and 22. She is a self-taught artisan who is inspired by the natural beauty of coloured gem stones. She will be set up at Studio H at 2229 Balmer Road, alongside Delores Hopps, Judy Sparkes, Kathy Robichaud, Mary Ellen Gerster, and Aubre Scott. (Photo courtesy of Catharine Scott)

Though mediums and artists vary, Rankin assures that since it’s a juried process, visitors can be certain they’ll find high-calibre work available to browse and purchase at each of the studios.

“A lot of people don’t necessarily expect that,” she says. “We have people that come and are just blown away because they didn’t know there was such a community of professional and highly skilled artists in the region.”

During the two days, visitors will be step into working studios being used by the artists and even chat with them about their creative process.

A returning artist on the 2024 Apsley Autumn Studio Tour, Carolyn Jongeward's abstract paintings and handwoven tapestries embody geometric forms and numerical rhythms. Her work will be available to view and purchase at Studio L, located at 273 Warners Rd. during the self-guided tour the weekend of September 21 and 22, 2024. She is sharing the studio space with woodworking artist Jacques Deslauriers. (Photo courtesy of Carolyn Jongeward)
A returning artist on the 2024 Apsley Autumn Studio Tour, Carolyn Jongeward’s abstract paintings and handwoven tapestries embody geometric forms and numerical rhythms. Her work will be available to view and purchase at Studio L, located at 273 Warners Rd. during the self-guided tour the weekend of September 21 and 22, 2024. She is sharing the studio space with woodworking artist Jacques Deslauriers. (Photo courtesy of Carolyn Jongeward)

“There aren’t many galleries that are showcasing work in the region anymore, and there’s not a lot of opportunity for people to see a diverse range of work except if they go to big craft shows,” Rankin notes. “The beauty of the studio tour is it’s not just about what an artist can fit in a 10-by-10 booth — it’s their own studio.”

At Rankin’s own studio — Studio F on the tour at 645 Jack Lake Road, which she shares with glass blower Brad Copping and painter David Smith — visitors will be able to explore the grounds, with metal sculptor Claire Scott-Taggart (Rusty Girl) and textile artist Jillian Messervey both on site with their displays set up outside.

“We have extensive gardens here, so it’s nice that we have artists using the space,” Rankin points out. “People like to just hang out and enjoy the nature around the property. Seeing the space and seeing the surroundings that are the inspiration for the artwork is a huge draw to the tour, and people really love talking with the artists.”

Artist Sue Rankin has been a member of the Apsley Autumn Studio Tour since 1995. She is a glass blower and the treasurer for the organization. During the 2024 studio tour on September 21 and 22, Rankin will be located at Studio F at 645 Jack Lake Road, alongside studio partner and visual artist Brad Copping, painter David Smith, Claire Scott-Taggart (Rusty Girl), and textile artist Jillian Messervey, who is new to this year's tour. (Photo courtesy of Sue Rankin)
Artist Sue Rankin has been a member of the Apsley Autumn Studio Tour since 1995. She is a glass blower and the treasurer for the organization. During the 2024 studio tour on September 21 and 22, Rankin will be located at Studio F at 645 Jack Lake Road, alongside studio partner and visual artist Brad Copping, painter David Smith, Claire Scott-Taggart (Rusty Girl), and textile artist Jillian Messervey, who is new to this year’s tour. (Photo courtesy of Sue Rankin)

Studio F is one of several tour locations that will have regular live demonstrations throughout the weekend to introduce visitors to the creative processes behind the art work.

“You don’t necessarily know what you’re looking at if you don’t take the time to strike up a conversation with the artist,” Rankin says. “All of the artists really look forward to welcoming people in and sharing their passion.”

For your convenience, below is an alphabetized list of the artists participating in the 2024 Apsley Studio Tour, complete with their disciplines and tour stop locations.

 

Rachel Conlin (Artisan Wool, Studio O)

Rachel Conlin (Artisan Wool & Soap, Studio O)

Raising sheep introduced Rachel Conlin to creating with wool from hand-spinning and dyeing their fibres to felting. Completely self-taught, Rachel makes unique and wearable accessories from nature’s materials and all wool creations are made from sustainable and renewable wool fibre. This year, Rachel can be found at her new studio location on Finnegan’s Lake, just outside Coe Hill.

Read more about Rachel Conlin.

 

Brad Copping (Visual Art and Glass Art, Studio F)

Brad Copping (Glass Art, Studio F)

Working from his home on the edge of the Canadian Shield, Brad Copping maintains a successful practice as both a sculptor and a functional glass blower, often traversing the line between. His work examines how we live with each other within physical spaces, and often references water in some form. He will be doing hot glass demonstrations for his 30th year on the tour.

Read more about Brad Copping.

 

Jacques Deslauriers (Woodworking, Studio L)

Jacques Deslauriers (Woodworking, Studio L)

Jacques Deslauriers is a self-taught woodworker who uses only wood from dead or fallen trees. Gnarls, insect holes, and spalted wood are his materials of choice. He is always ready for a creative challenge of any size.

Read more about Jacques Deslauriers.

 

Valerie Foster (Fibre Art, Studio E)

Valerie Foster (Fibre Art, Studio E)

Valerie Foster has been sewing for over 40 years starting with clothing for herself and her family, which eventually grew into a children’s clothing home business in Calgary. After moving to Saudi Arabia in 2000, she brought her seamstress skills into the practice of machine quilting. Valerie enjoys the mathematical aspects of quilting. She has grown to also love the practice of free motion quilting. Since 2005, Valarie and her husband Ted have spent the bulk of her summers at Chandos Lake in Apsley. Valarie and Ted repatriated to their log home on Chandos Lake in 2015.

Read more about Valerie Foster.

 

Mary Ellen Gerster (Painting, Studio H)

Mary Ellen Gerster (Painting, Studio H)

Mary Ellen Gerster sees the world according to shape, value, and colour, immersing the viewer in her bright and glowing watercolour paintings. Through the layering of transparent colours she creates photo realism in her still life, fruit, flowers and waterscapes. She is inspired and challenged by subjects with strong lights, shadows, shapes, colours and is especially drawn to high contrast and bright colours.

Read more about Mary Ellen Gerster.

 

Andrew Gregg (Painting, Studio J)

Andrew Gregg

Retired art teacher Andrew Gregg is new to the Apsley Studio Tour this year. Although he has made art since his childhood in rural Australia and has been featured in local exhibitions, he mostly paints for pleasure while spending the summers on Rathbun Lake in Kawartha Highlands Provincial Park.

Read more about Andrew Gregg.

 

David Grieve (Painting, Studio G)

David Grieve (Painting, Studio G)

First introduced to oil painting as a child, David Grieve has been painting ever since and has developed a unique distinctive style. He uses a multi-layered technique, applying thick swaths of oil paint to create images inspired by the Ontario landscape.

Read more about David Grieve.

 

Anja Hertle (Mosaics, Studio J)

Anja Hertle (Mosaics, Studio J)

Anja Hertle works with broken china, pottery, porcelain figurines, and tile to give these elements a second life in her whimsical mosaic art pieces. She also incorporates forks, beads, buttons, bottle caps, and typewriter keys.

Read more about Anja Hertle.

 

Dolores Hopps (Fabric Art, Studio H)

Dolores Hopps (Fabric Art, Studio H

Dolores Hopps’ work includes quilts, using imported fabrics from England and Japan, as well as wall hangings, runners, and smaller items. Many of her pieces have wool felting incorporated into the quilting, as well as beads, silk, and quite a number of other interesting embellishments.

Read more about Dolores Hopps.

 

Melanie Edson Horner (Pottery, Studio J)

Melanie Edson Horner (Pottery, Studio J)

A member of Kawartha Potters Guild and Spirit of the Hills Art Association, Melanie Edson Horner enjoys creating personalized pottery, particularly clocks. She also enjoys making one-off pieces and has been exploring raku and experimenting with horsehair and feathers.

Read more about Melanie Edson Horner.

 

Carolyn Jongeward (Visual Arts, Studio L)

Carolyn Jongeward

Carolyn Jongeward’s artwork includes abstract paintings and handwoven tapestries that embodies geometric forms, numerical rhythms, or unexpected imagery that emerges at the loom without prior design. Her art has been exhibited in Canada, U.S.A., and England.

Read more about Carolyn Jongeward.

 

Jillian Messervey (Textiles, Studio F)

Jillian Messervey

A new guest artist this year, Jillian Messervey is a Peterborough-based weaver who is inspired by colours and textures she sees in nature, and who uses natural fibres and traditional patterns to make hard-working and functional pieces that also decorate the home or wearer. Her blankets, scarved, and towels are woven by hand on her antique floor looms.

Read more about Jillian Messervey.

 

Barbara Miszkiel (Painting, Studio B)

Barbara Miszkiel (Painting, Studio B)

After a successful career both nationally and internationally in architecture, Barbara Miszkiel has returned to her original interest in fine arts, painting primarily in acrylics. Although Barbara has created new buildings most of her career, in painting she is drawn to old buildings, live subjects and landscapes.

Read more about Barbara Miszkiel.

 

Molly Moldovan (Visual Arts, Studio M)

Molly Moldovan (Visual Arts, Studio M)

The starting point for all of Molly Moldovan’s work is the pristine landscape that surrounds her: the lake, forest, and uninterrupted skyscape are the foundation of every piece she paints. A visual artist whose primary focus is abstraction, she works primarily in acrylic and mixed media.

Read more about Molly Moldovan.

 

Britt Olauson (Woodworking, Studio C)

Britt Olauson (Woodworking, Studio C)

Britt designs functional furniture and other objects in wood, and her designs are often playful or interactive.

Read more about Britt Olauson.

 

Kelly O’Neill (Visual Arts, Studio M)

Kelly O'Neill  (Visual Arts, Studio M)

Kelly O’Neill is a multidisciplinary visual artist who enjoys the immediacy of dry materials in her drawing practice, and engages with found objects, natural materials, video, assemblage, and textile practices to create three-dimensional forms and installations. The Selwyn-based artist studied sculpture and installation at Toronto’s OCAD University and Her work has been shown in galleries in Ontario, Quebec, and British Columbia.

Read more about Kelly O’Neill.

 

Tom Parsons (Woodworking, Studio B)

Tom Parsons (Woodworking, Studio B)

Tom Parsons specializes in handcrafted solid wood furniture made from one-of-a-kind pieces. From coffee and end tables, charcuterie and cribbage boards, to sculptural works, he is inspired by the beauty of wood in its many forms.

Read more about Tom Parsons.

 

Joeann Pearson (Glass Mosaic Art, Studio K)

Joeann Pearson (Glass Mosaic Art, Studio K)

Joeann Pearson has been making non-traditional stained glass mosaics for 25 years. Her style is to make mosaics that use deliberately shaped, hand-cut larger pieces that are sometimes hand painted which are usually only used in the making of windows. She has always sought out nature spots to indulge in present moment awareness, and feels nature guides her work. After decades of visiting the family cottage on Chandos, she now resides full time on a small rural homestead in Apsley.

Read more about Joeann Pearson.

 

Judy Ranieri (Fibre Art, Studio E)

Judy Ranieri (Fibre Art, Studio E)

After working for many years in the tech industry, Judy Ranieri retired and began to explore her creative passions. Many of Judy’s projects are inspired by nature and utilize natural fibres, fabric, colour, design, and textures to create one of a kind textile and fabric art pieces.

Read more about Rudy Ranieri.

 

Susan Rankin (Glass Art, Studio F)

Susan Rankin (Glass Art, Studio F)

In her 30-year career as a glass artist, Susan Rankin has drawn inspiration from the landscape in which she lives. An avid gardener, she continues to explore the idea of garden through her vessel and sculptural works and is well known for her vibrant floral vessels.

Read more about Susan Rankin.

 

Brenda Rudder (Painting, Studio E)

Brenda Rudder

New to the tour this year, Brenda Rudder is a wildlife artist who specializes in creating artworks on natural wood. Her pieces are rich in intricate details and vibrant colours, showcasing a deep connection and passion for the natural world. Having experimented with many media over the years, she now solely uses acrylics on reclaimed wood scraps from a local mill.

Read more about Brenda Rudder.

 

Kathy Robichaud (Stained Glass, Studio H)

Kathy Robichaud (Stained Glass, Studio H)

Kathy Robichaud has been a stained glass artist for over 25 years, using traditional techniques to produce stained glass art. Concentrating on the copper foil method, Kathy looks to nature for inspiration.

Read more about Kathy Robichaud.

 

Arne Roosman (Painting, Studio C)

Arne Roosman (Painting, Studio S)

Arne Roosman revisits his sketch book and paints his canvas with his travels to Sweden, Italy, and Estonia, and life’s inspirations in tow.

Read more about Arne Roosman.

 

Aubre Scott (Pyrography, Studio H)

Aubre Scott (Pyrography, Studio H)

Aubre Scott (Piping Hot Pyro Studio) is an emerging artist based out of Whitby. She began working with pyrography (wood-burning) in 2021, gaining inspiration from the scenery, landscapes, and wildlife of the local area.

Read more about Aubre Scott.

 

Catharine Scott (Jewellery, Studio H)

Catharine Scott (Jewellery, Studio H)

Catharine Scott is a self-taught artisan who is inspired by the natural beauty of coloured gem stones, the ability to form and create meaningful pieces of art through wire working, and her own creative style of stringing that can be worn at any time of the day with any style of fashion.

Read more about Catharine Scott.

 

Clare Scott-Taggart aka Rusty Girl (Metal Sculpture, Studio F)

Clare Scott-Taggart (Metal Sculpture, Studio F)

Clare Scott-Taggart (Rusty Girl) has worked in metal for the past 30 years. She maintains a small studio in Thousand Islands where she recently moved and continues to create birdbaths, climbers, and trellises.

Read more about Clare Scott-Taggart.

 

David Smith (Painting, Studio F)

David Smith (Painting, Studio F)

David Smith is inspired to create new works in watercolour, acrylic, and oil by the surrounding landscape. Painting full time following a career in advertising, graphic design, and colour retouching, he applies this knowledge and skill into his paintings.

Read more about David Smith.

 

Judy Sparkes (Pottery, Studio H)

Judy Sparkes (Pottery, Studio H)

Obsessed with the relationship between great food and handmade pottery, Judy Sparkes believes eating from handmade pots elevates the dining experience. Her work is carefully hand crafted to be enjoyed as everyday art.

Read more about Judy Sparkes.

 

Marci Swift (Beekeeping, Studio O)

Marci Swift

New to the tour this year, Marci Smith is the “queen bee” behind Swift Acres Apiary & Farm in Apsley, where she and her family offer raw unpasteurized honey products, beeswax candles, and natural body essentials like beeswax lip balm and goat’s milk soap.

Read more about Marci Swift.

 

Silver Timbers (Sterling Silver Jewellery, Studio M)

Silver Timbers (Sterling Silver Jewellery, Studio 0)

From the delicate to the dramatic, Silver Timbers’ jewellery designs are timeless treasures, which will serve as wearable art for years to come.

“I believe that jewellery is an essential element of attire,” the artist states. “Even when I am riding camels in the Moroccan desert, I wear my bracelets. My pieces are designed to be worn 24/7 wherever you are in the world.”

Read more about Silver Timbers.

 

2024 Apsley Autumn Studio Tour Map

2024 Apsley Autumn Studio Tour Map

You can also download a printable version of the map.

First launched in 1994, the Apsley Autumn Studio Tour creates public awareness of the arts by promoting and supporting artists in the community.

For more information on the 2024 Apsley Autumn Studio Tour, visit apsleystudiotour.com. You can also follow the Apsley Autumn Studio Tour on Facebook and Instagram.

Find the Apsley Autumn Studio Tour on the Toureka! app or download the tour map and watch for the black-and-white studio tour signs that mark each studio location. (Photo courtesy of Apsley Autumn Studio Tour)
Find the Apsley Autumn Studio Tour on the Toureka! app or download the tour map and watch for the black-and-white studio tour signs that mark each studio location. (Photo courtesy of Apsley Autumn Studio Tour)

 

This branded editorial was created in partnership with the Apsley Autumn Studio Tour. If your organization or business is interested in a branded editorial, contact us.

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