A 27-year-old Kawartha Lakes man is dead after he was struck by a vehicle on Highway 7 west of Lindsay on Friday night (January 9).
At around 10 p.m. on Friday, Kawartha Lakes Ontario Provincial Police (OPP) were notified that a pickup truck had collided with a pedestrian on the highway between Oakwood and Lindsay.
The victim was pronounced dead at the scene. No other injuries were reported.
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Highway 7 was closed between Taylors Rd. and Opmar Rd. for over four hours while police investigated and documented the scene.
Police are continuing their investigation, but say foul play is not suspected.
Anyone with any information or video or dashcam footage of the incident is asked to contact the OPP at 1-888-310-1122, or submit an anonymous report through Crime Stoppers at 1-800-222-8477 or online at www.khcrimestoppers.com.
The City of Peterborough’s integrity commissioner Guy Giorno has cleared Peterborough city councillors Keith Riel and Lesley Parnell and Mayor Jeff Leal after finding none of the incidents submitted by complainants breached council’s code of conduct and, in relation to a complaint against Riel, the member of council–staff relations policy.
The four reports, which were released publicly on Thursday (January 8), will be received by council when it meets as general committee on Monday.
As for why all four reports were released at the same time, in two of the reports Giorno noted “I have moved promptly to complete the remaining reports” after he issued his 55-page May 2025 report that found Mayor Leal contravened council’s code of conduct by bullying and intimidating councillors Joy Lachica and Alex Bierk.
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City of Peterborough staff complaint against councillor Keith Riel
In the most detailed report, People and Culture Division v. Riel, 2025 ONMIC 9 (dated December 19, 2025), Giorno reviewed a complaint forwarded by the city’s people and culture division alleging that councillor Keith Riel treated a staff member in the division disrespectfully in relation to the city’s eviction of a homelessness encampment in July 2024 and creation of a temporary shelter.
At the time, Riel was serving as portfolio co-chair for housing and homelessness and was responding to media and public inquiries about the eviction. Riel pressed staff for details on the operation and expressed frustration at not being briefed in advance about the location of the temporary shelter. The staff complainant alleged this amounted to intimidation and a breach of the council-staff relations policy.
Giorno found that, while Riel’s emails to staff included “some hyperbolic and petulant content,” they did not make personal attacks, and hyperbole and petulance along do not contravene the code of conduct or the staff relations policy.
He also found no evidence supporting an allegation that Riel “marginalized” a staff member during a public meeting with local business representatives to discuss issues related to the operation of a shelter in the Trinity Community Centre.
“Had I been able to make a finding that a staff member had been humiliated in this manner, I would have concluded that section 13 (of the code of conduct) was breached,” Giorno wrote.
While dismissing the complaint against councillor Riel, Giorno found some of his emails “disturbing” and cautioned him that he is “on notice that, going forward, the full weight of the policy and the code will apply to any email that treats the staff disrespectfully or unprofessionally or that comments on a staff member’s performance (unless directed solely to the CAO).”
Giorno also found that the city’s portfolio system “perhaps blurs the line between the role of councillors and the role of the staff” and that council may want to consider clarifying expectations around the portfolio co-chairs’s roles, access to information, and staff relationships “given that the managerial and operational responsibilities reside with the city’s staff.”
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Complaints against Mayor Jeff Leal’s use of a racial slur
In his second most detailed report, Trent Central Student Association et al. v. Leal, 2025 ONMIC 11 (dated December 22, 2025), Giorno addressed nine complaints that Mayor Jeff Leal breached the code of conduct during a March 19 guest lecture at Trent University where he used an anti-Black racial slur when referring to former U.S. president Lyndon Johnson.
“Lyndon Johnson was an FDR New Dealer,” Leal said during the lecture. “He came out of the hills of Texas. He used this language that you would never use today, and he talked about the poor [N-word plural] and Mexicans that he taught Sunday school to.”
The nine complaints — including from Trent Central Student Association and the Afrocentric Awareness Network of Peterborough, which also included a change.org petition with more than 800 signatures — alleged that the mayor’s use of the slur breached the code of conduct, with most complainants finding the mayor’s apology for the use of the slur “insufficient” and calling for the mayor’s resignation.
While Giorno described the slur as “odious” and said the mayor’s use of the term was “not acceptable,” he found that the code of conduct does not currently apply to speech made in an academic setting where the mayor was not acting in his official capacity. He suggested council may wish to amend the code to address conduct that occurs outside council chambers but affects community trust.
With respect to the calls for the mayor’s resignation, Giorno wrote that an integrity commissioner currently has no authority to recommend a municipal politician be removed from office.
“Any resident is free to call for the mayor to resign but removal from office is not presently a possible outcome of an integrity commissioner inquiry,” he states, noting that the proposed Bill 9, the Municipal Accountability Amendment Act would provide municipal integrity commissioners with the ability to recommend the removal of a municipal politician under certain conditions.
Giorno also included a detailed statement he received from Mayor Leal about the incident, in which the mayor explained that he was unaware at the time that it was unacceptable to speak the word, but that he now understands “the current cohorts of students never say the word aloud.”
“At the time of the lecture, I was not aware of this shift in practice in an academic setting, for me, this does shed light on why some of the Trent students took offence to my direct quote of Johnson,” Leal wrote in part.
In the report’s recommendations, Giorno noted that city council may wish to ask the staff to report back on the recommendation of the Trent Central Student Association that the city’s strategic plan be amended to include anti-racism and race relations as a strategic priority under the community and wellbeing pillar.
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Complaints against use of strong mayor powers and public meeting chair Lesley Parnell
In report Re Parnell, 2025 ONMIC 10 (dated December 19, 2025), Giorno dismissed five separate complaints arising from a February 24, 2025 general committee meeting where Mayor Jeff Leal used strong mayor powers to bring forward two by-laws expediting Brock Mission’s proposed transitional housing project at 738 Chemong Road.
Complainants alleged that councillor Lesley Parnell, who was chairing the public meeting under the Planning Act, mishandled procedural matters and curtailed public participation, contravening council’s code of conduct, while others alleged misuse of strong mayor powers and Planning Act deficiencies.
Giorno declined to conduct a formal inquiry, finding that procedural rulings of the chair, the exercise of strong mayor powers, council decisions, and enforcement of provincial planning requirements fall outside the scope of an integrity commissioner. He added that none of the allegations, even if proven, would constitute a breach of the code of conduct.
“In light of my conclusion that nothing alleged amounts to a breach of code and the matter is outside my jurisdiction, and for other grounds set out in this report, I have not initiated an inquiry and will be closing the file,” Giorno wrote.
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Political signage complaint against councillor Lesley Parnell
In report Anderson v. Parnell, 2025 ONMIC 5 (dated December 15, 2025), Giorno dismissed a complaint against councillor Lesley Parnell that she attempted to intimidate residents into removing “Save Bonnerworth Park” lawn signs opposing a redevelopment plan for the park.
Giorno confirmed Parnell did ask two residents to remove their signs, arguing the issue had already been decided, but found she did not threaten the residents or use her position as a councillor to influence removal of the signs.
“Freedom of expression belongs to everyone,” Giorno wrote. “In the case of Bonnerworth Park, both sides had the right to express their views freely. Councillor Parnell had as much a right to express herself as did the complainant and the residents with lawn signs.”
Giorno concluded the exchange amounted to persuasion rather than intimidation and did not breach the code of conduct.
However, Giorno added that councillors should “in future be wary about attempting to persuade people to stop expressing themselves.”
Colleen White-Goodchild as Suzanne, Lindsay Wilson as Beth, and Lyndele Gauci as Glenda during a rehearsal for the Peterborough Theatre Guild's production of "Where You Are" by Canadian playwright Kristen Da Silva, which runs for 10 performances from January 16 to 31, 2026. In the touching comedy, sisters Suzanne and Glenda are enjoying their retirement on Manitoulin Island as veterinarian neighbour Patrick (Kevin O'Neill, not pictured) helps them out when Suzanne's doctor daughter Beth comes to Toronto for a visit, resulting in a budding romance between Patrick and Beth and the revelation of more than one family secret. (Photo: Jordan Lyall Photography)
What has become a tradition of sorts is alive and well at The Guild Hall on Rogers Street, with Jerry Allen and Pat Hooper again coming together to bring a comedy to Peterborough Theatre Guild audiences and lighten up the winter months.
Just less than a year after the pair brought the romantic comedy Outside Mullingar to life, January 16 will see the touching comedy Where You Are open for a 10-show run.
Written by Oakville native Kristen Da Silva, whose award-winning comedy Gibson & Sons was also directed and produced by Allen and Hooper in early 2023, Where You Are is the fourth play of the Peterborough Theatre Guild’s 2025-26 six-show season.
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Allen and Hooper — the closest pairing to a “dream team” that the Guild can lay claim to — have now collaborated on five productions in total, with the musicals Annie (2022) and Fiddler On The Roof (2024) also on their resumés.
“People need something to take their minds off the February blahs,” says Allen of both his and Pat’s penchant for bringing lighter fare to the stage. “That’s why I want to do comedies. I haven’t done a lot of dramas. Not that I’m afraid of them, but in the winter months people want to laugh.”
In Where You Are, which is billed as “a hilarious and honest exploration of family, forgiveness, and falling in love,” Allen has the perfect vehicle to make that happen.
Director Jerry Allen and producer Pat Hooper on the set of the Peterborough Theatre Guild’s production of “Where You Are” by Canadian playwright Kristen Da Silva, which runs for 10 performances from January 16 to 31, 2026. This is the fifth time the pair have teamed up to bring a production to the stage of the Guild Hall. (Photo: Paul Rellinger)
Set on and around a front porch in Little Current on Manitoulin Island, the story introduces retired sisters, widowed Glenda and her younger sister Suzanne, who have lived together since Suzanne arrived single, penniless, and pregnant 33 years earlier to move in with Glenda and her husband Mark.
While one sister is warm and industrious and the other is brash and prone to late mornings, they are devoted to one another, and spend laughter-filled days selling homemade jam and swapping stories about the locals while convincing their attractive veterinarian neighbour Patrick to do chores for them.
Enter Beth, Suzanne’s doctor daughter visiting from Toronto. What follows is a busy reunion week that includes a wild wedding, medicinal experimentation, and a budding romance between Beth and Patrick. Behind it all is not only a weighty secret the two sisters have been keeping from Beth, but a secret Beth has been keeping from her mother and aunt.
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“It made me laugh when I read it,” says Allen of his attraction to Da Silva’s story, adding “If it makes me laugh on the page, I think ‘OK, that can work really well with an audience.'”
“I like doing comedies. I think I have maybe a knack for finding the humour in things. When I read this, I was like ‘Man, that’s funny. That’s good stuff. People will relate to this.’ I’m seeing it, I’m hearing it, on the stage at that point.”
While the play can be called a romantic comedy, Allen describes it as “a slice of life.”
“Yes, there’s romance in it, and there’s lots of comedy, but there’s also the dealing with significant life and death issues, so that’s part of the story too. It’s got a really broad range of interests for audiences. They will find a lot of questions addressed; a lot of issues to take on. But, in the end, there’s romance, and there’s lots of comedy.”
Colleen White-Goodchild as Suzanne, Kevin O’Neill as Patrick, and Lyndele Gauci as Glenda during a rehearsal for the Peterborough Theatre Guild’s production of “Where You Are” by Canadian playwright Kristen Da Silva, which runs for 10 performances from January 16 to 31, 2026. (Photo: Jordan Lyall Photography)
Spend even a few minutes with Allen and Hooper and it becomes clear very quickly that their director-producer relationship is built on a deep mutual respect for each other’s talents. During their entire sit-down with kawarthaNOW, that they unabashedly enjoy each other’s company was evident in the smiles that rarely left their faces.
“Jerry and I got to know each other just before Annie,” recalls Hooper, adding “He needed a producer. I was looking for another play to work on. It was just a really coincidental thing.”
“We talk about stay in your own lane — do your job, don’t be doing my job. We’ve established, in many ways, the ability to know you’re the director, you have the vision, and you know how this is going roll out.”
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“I don’t have the vision, but I can keep all the balls in the air around the production piece. I get the crew together. Jerry looks after the cast. We work really well together that way. We have a different set of talents and approaches to doing things but it has worked very well.”
“I’ve only had to tell him ‘Get out of my lane’ a few times,” laughs Hooper, with Allen quickly retorting “My face healed up very quickly.”
All joking aside, Hooper admits to being “awestruck” when watching Allen work.
“I watch him as a visionary — looking at those actors and decision what they should be and how they should move. How do you do that? When do the lights come on? When does the music start? It’s amazing to watch.”
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For his part, Allen describes Hooper as “the best mother around.”
“She gives them (cast and crew members) kudos all the time. She’s really supportive. She makes them feel wanted; she makes them feel secure.”
Hooper adds the absence of a strong director-producer relationship inevitably results in “total confusion and conflict. It creates a huge problem.”
Reflecting on when Hooper agreed to produce Annie, Allen says he was thrilled.
“Because of Pat’s background community-wise, I knew this woman knows what she’s doing and she’s good at it. She knows how to talk to people. That was a big relief for me. I intuitively knew that it was going to be a good match.”
“We were both interested in no drama backstage. The only drama is onstage. The mantra for the cast is the notion of kindness. The play is really about kindness. Pat and I agreed that the people we wanted to be involved were kind to one another. We didn’t want people who are snarky and snippy and mean. We’re not doing that. We don’t need it and we don’t want it.”
Director Jerry Allen speaks with actors Kevin O’Neill and Lyndele Gauci during a rehearsal for the Peterborough Theatre Guild’s production of “Where You Are” by Canadian playwright Kristen Da Silva, which runs for 10 performances from January 16 to 31, 2026. (Photo: Jordan Lyall Photography)
The cast of Where You Are — Lyndele Gauci as Glenda, Colleen White-Goodchild as Suzanne, Lindsay Wilson as Beth, and Kevin O’Neill as Patrick — is small in number but big on talent, says Hooper.
“They’ve very supportive of one another … they want the other to succeed,” she adds.
Allen says working with a small cast allows him “to get into the minutiae of things, getting into finding what the script might hide.”
“There’s often a lot of story going on which is not on the page, what they call subtext. You have to suss it out. You can do that a lot more with four people.”
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Of note, Allen and Hooper also share a distinction that has been bestowed relatively few since the late 1990s. Last year, Allen was inducted into Peterborough’s Pathway of Fame for his theatre work, six years after Hooper was also inducted for her extensive volunteer work.
Allen, predictably, downplays his induction, instead garnering the most satisfaction from the stage success met by those in his charge.
“I don’t need the applause, but I certainly need the satisfaction,” he says. “I just love seeing it come together. I love people on stage who really step out there.”
“The biggest fear most people have is speaking in public. When you get onstage, you set it right out there. If you screw up, you screw up. It’s there for everybody to see. I’ve always admired the courage of people (actors), and that they trust me not to let them make fools of themselves.”
“I reassure them ‘I’m not going to ask you to do anything onstage that’s going to embarrass you. We’re going to make people laugh with you, not at you.'”
Lindsay Wilson as Beth, Lyndele Gauci as Glenda, and Colleen White-Goodchild as Suzanne during a rehearsal for the Peterborough Theatre Guild’s production of “Where You Are” by Canadian playwright Kristen Da Silva, which runs for 10 performances from January 16 to 31, 2026. (Photo: Jordan Lyall Photography)
Besides Allen and Hooper, the creative team for Where You Are includes stage manager Becky Hooper, set designer Keith Dalton aided by Allen, and sound/lighting designer Roy Craft. Coincidentally, the latter was also inducted into the Pathway of Fame last year and, at that event, was recruited by Hooper to gift his talents to this production.
Where You Are runs for 10 performances, with evening shows at 7:30 p.m. on January 16 and 17, 22 to 24, and 29 to 31 and matinee shows at 1:30 p.m. on January 18 and 25.
Assigned seating tickets cost $30 ($27 for seniors and $20 for students) and are available by phone at 705-745-4211 or online at www.peterboroughtheatreguild.com. A special two-for-one ticket promotion is available for opening weekend.
kawarthaNOW is proud to be a media sponsor of the Peterborough Theatre Guild’s 2025-26 season.
The original version of this story has been updated to correct a misspelling of Linda Gauci’s surname.
A 62-year-old Peterborough man was seriously injured after being struck by a vehicle in the downtown core late Thursday afternoon (January 8).
At around 5:30 p.m. on Thursday, police officers were called to Sherbrooke Street between George Street and Aylmer Street.
Officers learned that a man had been struck by a vehicle while walking in a live lane of traffic on Sherbrooke Street.
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Due to the nature of his injuries, the victim was flown to a Toronto hospital for treatment.
Sherbrooke Street was closed between George Street and Aylmer Street while officers investigated and documented the scene.
Officers with the Peterborough Police Service Traffic Unit att are continuing the investigation. Anyone with information is asked to contact the traffic unit at 705-876-1122 ext. 289 or Crime Stoppers at 1-800-222-8477 or online at stopcrimehere.ca.
Environment Canada has issued a special weather statement for strong winds across the Kawarthas region on Friday afternoon and evening (January 9).
The special weather statement is in effect for Peterborough County, Kawartha Lakes, Northumberland County, southern Haliburton County, and Hastings Highlands.
Showers will move through the region on Friday morning, accompanied by spring-like temperatures and with rainfall amounts of 10 to 20 mm. These showers will have the potential to generate strong wind gusts of up 70 km/h.
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A cold front is then expected to push through the region by late afternoon or early evening.
The passage of the cold front may lead to another wave of strong winds with the potential for wind gusts of 70 to 90 km/h.
The winds will ease from west to east in the evening.
Toronto indie rock quartet Noise Hotel (Eric Montpool, Christian Strong, Matt Scharfe, and Brendon Vanderpol) returns to downtown Peterborough for a show at The Pig's Ear Tavern on Saturday night, with local band allura opening. (Photo: Adel Manji)
Every Thursday, kawarthaNOW publishes live music events at pubs and restaurants in Peterborough and the greater Kawarthas region based on information that musicians provide directly or that venues post on their websites or social media channels. Here are the listings for the week of Thursday, January 8 to Wednesday, January 14.
If you’re a musician or venue owner and want to be included in our weekly listings, email our nightlifeNOW editor at nightlife@kawarthanow.com. For concerts and live music events at other venues, check out our Concerts & Live Music page.
With the exception of karaoke, we only list events with performing musicians. Venues may also host other events during the week (e.g., dancing, DJs, comedy shows).
Saturday, January 17 6-8pm - Shoot Toby Twice ft Brandon Humphrey and Tony Silvestri ($20 in advance at The Muse)
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Pig's Ear Tavern
144 Brock St., Peterborough
(705) 745-7255
Saturday, January 10
9pm - Noise Hotel w/ allura ($5)
VIDEO: "Burning Pictures" - Noise Hotel
Tuesday, January 13
5pm - Family Open Stage; 9pm - Open Stage w/ Michelle Moran
Wednesday, January 14
9pm - Karaoinke
Puck' N Pint Sports Pub
871 Chemong Rd., Peterborough
(705) 741-1078
Friday, January 9
8-11pm - Shuga
Saturday, January 10
8pm - The Vortexans
Royal Crown Pub & Grill
4 King St. E., Colborne
905-355-1900
Saturday, January 10
8pm - Dayz Gone (no cover)
The Social Pub
295 George St. N., Peterborough
705-874-6724
Coming Soon
Saturday, January 17 1-4pm - PMBA Deluxe Live presents The Jethro's Blues Jam All-Stars ft Al Black on vocals/drums/harp, Jeremy Spencley on guitar/vocals, J.P. Hovercraft on bass/vocals, Lucy Ferrill on guitar/vocals, Parker Farris on guitar, Caitlin O'Connor on vocals, Frank Barth on trombone, and Maddy Hope on drums (no cover, donations appreciated)
Tap & Tonic Pub & Bistro - Campbellford
18-22 Bridge St. W., Campbellford
(705) 947-2333
Thursday, January 8
7-10pm - Justin Cooper
Saturday, January 10
7-10pm - Joslynn Burford
Tap & Tonic Pub & Bistro - Marmora
16 Forsyth St., Marmora
613-666-9767
Thursday, January 8
7-10pm - Tami J Wilde
TheBack40 Smoke House
217 Fairbairn Rd., Bobcaygeon
705-928-0270
Saturday, January 10
6-9pm - Cory Wannamaker
The Thirsty Goose
63 Walton St., Port Hope
Friday, January 9
8pm-12am - Cale Crowe
Saturday, January 10
8pm-12am - Chris Collins
The Venue
286 George Street North, Peterborough
(705) 876-0008
Public Energy Performing Arts is presenting "Rinse," a dance and theatre performance by award-winning and internationally acclaimed Indigenous Australian dancer and choreographer Amrita Hepi, at Market Hall Performing Arts Centre in downtown Peterborough on January 28, 2026. Co-created with Mish Grigor, the solo performance explores the intoxication of beginnings through movement, playful satire, evocative monologue, and personal narratives. (Photo: Zan Wimberley)
Public Energy Performing Arts is kicking off the new year with an Indigenous dance performance that’s all about the romance of beginnings.
Coming to Market Hall Performing Arts Centre in downtown Peterborough for one night only on Wednesday, January 28, Rinse by Amrita Hepi explores what happens when the surge of the thrill from a new beginning starts to fade.
“Why is it when something is about to end, we begin to want to save it?” Hepi asks in a promotional video for the show. “Is there the possibility of a fresh start or are we constantly cycling through these patterns of inertia again and again?”
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Based in Naarm (Melbourne) and Bangkok, Hepi is an award-winning Indigenous (Bunjulung/Ngapuhi) dancer and choreographer. She has been named a Forbes 30 Under 30 artist and has twice been the winner of the people’s choice award for the Keir Choreographic Award. Trained at Australia’s leading performing arts training organization and at the Alvin Ailey Dance Theatre in New York, she is a member of performance company APHIDS, on the board of directors and artistic associate for the RISING city-wide arts festival, and a part of the Artistic Associate group for STRUT Dance.
In creating Rinse, Hepi was supported by Mish Grigor, a fellow multidisciplinary artist who is the director of APHIDS, one-third of the collaborative performance group POST, and a performer and curator who has appeared at the Sydney Opera House.
The two acclaimed artists created Rinse as a solo dance and theatre work based on an improvisational score that is both witty and politically and culturally aware.
VIDEO: “Rinse” by Amrita Hepi and Mish Grigor
Through movement and striking dance, Rinse explores the intoxication of beginnings using playful satire, evocative monologue, and personal narratives in relation to dance, art, feminism, desire, love, popular culture, and colonial history. Hepi argues that all events, relationships, moments, and environments exist as continuums to which people constantly contribute.
“Text and movement constantly complement each other, the body picking up where the text leaves off, the text responding to the body’s impulses,” said Hepi in an interview for the Festival D’Avignon where, in 2025, Rinse was the first Australian work performed at the festival.
“Rinse tells the story of a new beginning, a series of starts that echo each other. The performance explores a non-linear relationship with time, based on cycles.”
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In the interview, Hepi explained that she tried to reflect the “multiplicity of influences” of her duel Indigenous identity and the influence of colonial culture.
“Rinse is a blend of traditional dances, including the Maori Haka, and of the teaching of Martha Graham and postmodernism, which stem from a long lineage of Western thought and research on dance,” she said. “I see dance as a way to approach language, to teach and question it.”
The production is set to a minimalist blue and white set design where, Hepi said, “shape and function shift according to the imagination.”
An Australian Indigenous (Bunjulung/Ngapuhi) dancer, choreographer, and multi-disciplinary artist, Amrita Hepi is the co-writer and solo performer of “Rinse,” a work of dance and theatre being staged at Market Hall Performing Arts Centre by Public Energy Performing Arts on January 28, 2026. The critically and internationally acclaimed artist was twice the winner of the people’s choice award for the Keir Choreographic Award and was a Forbes 30 Under 30 artist. (Photo: Zan Wimberley)
“The space might begin as a reflective surface telling a story of falling in and out of love, before transforming into an archipelago of islands where I find refuge,” Hepi said.
“I wanted the scenography to be easily adaptable, that would almost give the impression of expanding as the show unfolds. But I also wanted it to remain simple, because the text and movement already carry a wealth of information.”
Hepi created Rinse, her first performance conceived as a choreographer, in 2020 for a competition for the Keir Choreographic Award, originally intended as a short piece. Rinse premiered at Performance Space in Everleigh, Australia in 2022 by Carriageworks and has since been presented on stages and at festivals in Australia, the U.S., France, Turkey, the U.K., Germany, Ireland, and Canada.
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The 50-minute show at Market Hall Performing Arts Centre in downtown Peterborough will begin at 7:30 p.m. on Wednesday, January 28.
General admission tickets are available on a sliding scale pricing between $10 and $50, with a recommended price of $30, at markethall.org.
For more information about Public Energy’s 2025-26 season, visit publicenergy.ca.
kawarthaNOW is proud to be a long-time media sponsor of Public Energy Performing Arts.
A new pawpaw sign along the Trans Canada Trail in GreenUp Ecology Park. The signage and tree installation initiative was part of a larger restoration project funded in part by Trans Canada Trail, with the signs featuring Anishnaabemowin translation of the tree names courtesy of Curve Lake First Nation and The Creators Garden. (Photo: Yvonne Hollandy / GreenUP)
GreenUP grew over 5,000 native plants in 2025 and supported the planting of hundreds of others. In celebration of these restoration efforts, along with newly installed tree identification signage at Ecology Park, GreenUP will highlight a few select native trees in a three-part series over the holidays.
Winter once drew a firm line through Ontario’s forests, having the final say on which species could endure and which could not. With the ongoing effects of climate change, that line is becoming less distinct.
Each week, GreenUP provides a story related to the environment. This week’s story is by Jonathan Armstrong, Communications Associate, GreenUP.
When the cold begins to fade and spring arrives, some things may appear slightly out of place: pink blossoms on bare branches, unfamiliar leaf shapes emerging, or a species not expected to be seen this far north. These small changes don’t announce themselves as climate change, but together they hint at shifting boundaries and local forests responding to new conditions.
Southern Ontario is home to an area known as the Carolinian zone, a region that extends north from the Gulf Coast of the United States into Canada. While it makes up less than one per cent of Canada’s total landmass, the Carolinian zone supports more than half of the country’s native tree species. This extraordinary concentration of biodiversity exists at a climatic edge, where temperature has long determined which species could survive Canadian winters.
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Among the tree species now appearing beyond their traditional ranges are eastern redbud, cucumber magnolia, and pawpaw — trees commonly associated with Ontario’s Carolinian forests. Each sits near the northern edge of their historical range, where winter cold once limited survival, flowering, or fruiting. These trees’ northward appearances reflect different paths to persistence, shaped by both environmental change and human influence.
With bright pink flowers emerging directly from bare branches, and large, heart-shaped leaves to follow, eastern redbud (Cercis canadensis) is hard to miss. Long valued for its ornamental appeal, this tree has been widely planted in parks, streetscapes, and gardens, often far beyond its historic range.
What has changed is not where redbud is planted, but instead, where it can persist. Increasingly milder winters have enabled this relatively short-lived species to survive and flower more consistently farther north, providing a clear example of how human activities and climate conditions intersect.
A cucumber tree planted in GreenUP Ecology Park in the spring of 2025. GreenUP partnered with Trans Canada Trail to restore native trees damaged by recent climate events. (Photo: Yvonne Hollandy / GreenUP)
Listed as endangered on Ontario’s species at risk list, the cucumber magnolia (Magnolia acuminata) is Canada’s only native magnolia tree. Known for its wavy leaves, yellow-green flowers, and distinctive cucumber-like seed structure, this tree could once be found within mature forest landscapes.
Its limited distribution reflects both a natural narrow range and sensitivity to cold, particularly during early growth and flowering. As winters grow milder, the conditions that once limited survival at the northern edge of its range may be slowly easing.
Cold temperatures aren’t the only factor limiting this species. Although cucumber magnolia is the largest of North America’s native magnolias, capable of reaching more than 30 metres in height, its growth is slow and takes decades to mature. Young magnolias are especially vulnerable to late spring frosts, and even well-established trees are dependent on stable, mature forest conditions to persist.
Together, these traits make cucumber magnolia a species defined by patience. The future of this tree is dependent less on sudden change and more on long stretches of stability, where trees are given the time they need to grow and flourish.
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The pawpaw (Asmina triloba) offers a different kind of story.
This small understory tree produces green mango-shaped fruit with a soft custard-like flesh, which tastes more similar to banana or mango than anything else grown in Ontario. While not especially fast-growing in the area, the trees may take eight to 10 years to flower and fruit.
Historically, fruits from the pawpaw were eaten by large mammals that could carry and disperse the seeds across the forest. Today, pawpaw seeds are primarily dispersed over short distances by smaller mammals like raccoons, opossums, and foxes, while human planting has become an important factor in helping this species persist. Whether in yards, restoration projects or forest edges, people are now essential to pawpaw’s continued survival and spread.
A showy eastern redbud in full bloom at GreenUP Ecology Park. Increasingly milder winters have enabled this species to survive farther north than in the past. (Photo: GreenUP)
All together, these trees show how Ontario’s forests are responding to changing conditions in their own respective ways.
Some, like redbud, show the immediate impact of human planting and milder winters. Others, like the cucumber magnolia, move slowly and depend on longer-term stability. And the pawpaw demonstrates how species that were once connected to the larger forest ecosystem now rely on people to help them thrive.
Observing these changes reminds us that forests are not static; they are living, shifting communities, shaped by both nature and human hands.
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Visit Ecology Park to see these native tree species and the newly installed tree identification signage, funded in part by Trans Canada Trail, and featuring Anishnaabemowin translation of the tree names courtesy of Curve Lake First Nation and The Creators Garden.
You can support GreenUP’s work to restore native habitat locally by donating today at greenup.on.ca/donate-now/.
Peterborough Police Service headquarters on Water Street in downtown Peterborough. (Photo: Pat Trudeau)
Peterborough police have charged one of their own after an off-duty officer discharged a privately owned firearm inside of a west-end home on New Year’s Eve, with the bullet exiting the officer’s home and striking a neighbouring home.
After an investigation, police arrested the officer on Wednesday (January 7) and charged them with careless discharge of a firearm. Police have not identified the officer who has been charged.
“I recognize that anytime criminal charges are laid against an officer it impacts public trust and confidence,” said police chief Stuart Betts in a media release. “We understand that we must earn your trust and confidence through our actions each and every day. This is why we have been as open as possible throughout the investigation of this incident, including informing the community of the incident and investigation as well as consulting with outside agencies and the Crown Attorney’s office prior to the laying of charges.”
Police first became aware of the incident at around 6:40 p.m. on December 31, when the accused officer attended the Peterborough police station to advise they had discharged a personal and legally owned firearm in their home. Shortly after, a neighbouring homeowner called 9-1-1 after returning home to find a bullet hole in their bedroom.
Officers attended the officer’s home to initiate an investigation and to ensure there were no ongoing safety concerns.
During the initial investigation, police learned the officer had discharged a single round from the firearm inside their home, which resulted in the bullet exiting the officer’s home and entering a neighbouring home. No one was at the neighbouring home at the time of the incident, and no one was injured in either home.
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Police seized the firearm involved in the incident, and forensic investigators attended both homes to retrieve the bullet, match it to the seized firearm, and confirm the trajectory the bullet took.
Police immediately made arrangements to notify the Chief Firearms Office of the incident, and also contacted the oversees manufacturer of the firearm to coordinate a functional test and examination of the firearm.
Police have not provided any information about whether the officer intentionally or unintentionally discharged the firearm. However, police say the officer had recently purchased the firearm. In accordance with the Firearms Act, other firearms in the home have been lawfully transferred to the possession of another individual who does not residing in the home.
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The accused officer has been released on an undertaking, with conditions, and is scheduled to appear in court on February 10. Police say that, under the provisions of the Community Safety and Policing Act (CSPA), the officer has been removed from their regular duties and has been reassigned to administrative duties pending the conclusion of the criminal matter.
“We are very much aware that there could have been a devastating outcome as a result of this incident, and we are thankful that no one was physically injured,” Chief Betts said.
Once the criminal matter has been resolved, a professional standards misconduct investigation will take place. Police say that, as the matter is now before the courts, they will be providing no further comment at this time.
The Humane Society of Kawartha Lakes Second Chance Thrift Store will be relocating from 111 McLaughlin Road to 230 Kent Street West in Reeds Plaza in mid-February 2026. (Photo: Google Maps)
After 13 years at its current location, the Second Chance Thrift Store in Lindsay is preparing for a move to a larger, more accessible space in the city’s downtown.
The volunteer-run thrift store, which raises funds for the Humane Society of Kawartha Lakes, will relocate in mid-February to 230 Kent Street West in Reeds Plaza.
According to a media release from the organization, the new location offers a larger floor plan, increased parking, and improved visibility.
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Second Chance Thrift Store is staffed entirely by volunteers, with 100 per cent of proceeds supporting the Humane Society of Kawartha Lakes and the animals in its care.
The organization says the new location will help expand the store’s impact in support of local animal welfare programs.
In advance of the move, the thrift store will begin a soft close at its current location at 111 McLaughlin Road later in January, while renovations and updates are completed at the new location.
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“We’re so grateful for the continued support and enthusiasm from our volunteers, donors, and shoppers,” said Emily Harris, executive director of the Humane Society of Kawartha Lakes, in the release. “This move represents an exciting step forward, and we can’t wait to welcome everyone into the new space.”
Community members are being asked to help with the transition by donating boxes, newspapers, and totes for packing.
The store will also be offering special sales and sharing updates with shoppers as the move progresses.
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