A truck conducting sanitary sewer flushing in the City of Kawartha Lakes. (Photo: City of Kawartha Lakes)
The City of Kawartha Lakes will be conducting nightly sanitary sewer flushing in Lindsay this week each night from 7 p.m. to 3 a.m. from Monday to Friday (September 8 to 12).
Sanitary sewer flushing is preventative maintenance to remove settled and accumulated material from the sewer lines, and also helps to eliminate the potential for sanitary sewer main surcharging that can result in damage to property.
A city contractor will be working on Colborne Street, west to east to Melbourne Street between Victoria Street North and St. Paul Street and Victoria Street and St. Lawrence Avenue.
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During the process, the contractor will be setting up apparatus at manholes in the roadway and releasing pressurized water through the sanitary sewer main pipe to remove any debris buildup.
As a result, residents may notice a bubbling or vacuum effect in drains and toilets. The municipality recommends that residents close all toilet seats and cover any floor drains while sanitary sewer flushing is taking place.
Once the work is completed in an area, the municipality also recommends residents refill all plumbing traps by running the water in sinks and floor drains to prevent sewer gases from migrating into the home.
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In the City of Kawartha Lakes, routine sanitary sewer flushing only happens in communities with municipal wastewater collection systems, which include Bobcaygeon, Coboconk, Fenelon Falls, Lindsay, and Omemee.
For more information, visit the Water, Wastewater and Sewer page at www.kawarthalakes.ca.
Residents who have any questions about sanitary sewer flushing can call the customer service division at 705-324-9411.
encoreNOW for September 8, 2025 features (from left to right, top and bottom) Taylor Abrahamse performing at Take Cover Books in Peterborough, the Peterborough Theatre Guild's season-opening production of Norm Foster's "Opening Night", New Stages Theatre's season-opening staged reading of Jonathan Wilson's "A Public Display of Affection", the Apsley Autumn Studio Tour, Classic Troubadours Live at Lindsay's Academy Theatre, and "The Beaver Club" at Bobcaygeon's Globus Theatre. (kawarthaNOW collage)
encoreNOW is a bi-weekly column by Paul Rellinger where he features upcoming music, theatre, film, and performing arts events and news from across the Kawarthas.
This week, Paul highlights the Pride For Peace “Spotify quitting party” at Take Cover Books in Peterborough’s East City, the Peterborough Theatre Guild’s season-opening production of Norm Foster’s Opening Night at the Guild Hall, New Stages Theatre’s season-opening staged reading of A Public Display Of Affection at Peterborough’s Market Hall, the return of the Apsley Autumn Studio Tour, Classic Troubadours Live at Lindsay’s Academy Theatre, and Globus Theatre’s staging of The Beaver Club in Bobcaygeon.
Spotify, be damned … Taylor Abrahamse leads protest charge
VIDEO: Taylor Abrahamse opening for Robert Priest at Hugh’s Room in Toronto
There’s absolutely no chance Spotify co-founder and CEO Daniel Ek will show his face on Friday, September 19 at Take Cover Books in Peterborough. That’s a good thing as the welcome mat won’t be anywhere near laid out.
Billed as a “A Pride Concert and Spotify Quitting Party,” Pride For Peace will take harsh aim at Ek’s investment of $700 million U.S. into a European company specializing in AI software for military weapons while Spotify pays most of the musicians it features a pittance for their playlisted music. Thus this call to action to make the switch to a “fairer” streaming service that sees artists fairly compensated for their creative output.
Following the news, several musicians announced they were removing their music from Spotify in protest. The indie band Deerhoof was one of the first to leave, stating, “We don’t want our music killing people”. Other artists, including Xiu Xiu and King Gizzard and the Lizard Wizard, soon followed.
At the September 19 event, which is co-presented by Ptbo-Nogo Pride and Peterborough singer-songwriter Taylor Abrahamse, attendees will not only be helped with the transition of their playlists to a fairer platform, but will also be treated to a pride-friendly concert featuring Abrahamse, a huge multi-faceted talent whose extensive work as a voice actor is matched by their songwriting and performance.
When multi-Juno Award-winning artist Hawksley Workman describes Abrahamse as “a mega talent,” we should take notice. Abrahamse’s creative journey began as an Elvis impersonator at age five and that sense of play never went away. At age 16, Abrahamse was Canadian idol finalist and, later, a Mariposa Emerging Artist finalist.
Abrahamse has since recorded and released studio albums, has written musicals, and has collaborated with a number of artists and songwriters, both of the established and emerging variety. Having expressed their gender fluid identity in 2024, Abrahamse has made appearances at a various Canadian Pride festivals.
All Spotify-damning aside, this event marks a great opportunity to get up close and personal with a big talent that no doubt has a few surprises to come.
Advance tickets to the 7:30 p.m. event cost $15 ($5 more at the door) but, due to the small venue size, are limited. To order advance tickets, visit simpli.events/e/pride-for-peace.
Staging “Opening Night” for the Peterborough Theatre Guild’s season-opening play makes perfect sense
The cast and creative team of the Peterborough Theatre Guild’s season-opening production of Norm Foster’s comedy “Opening Night” running from September 19 to October 4, 2025. (Graphics: Peterborough Theatre Guild)
If you’re going to stage Norm Foster’s Opening Night, is there a better time to do so than as your season opener?
For the Peterborough Theatre Guild, it makes perfect sense. As such, the famed Canadian playwright’s very funny take on a couple’s night out at the theatre will open the Guild’s 60th season, with opening night for Opening Night on Friday, September 19 at the fabled Guild Hall on Rogers Street in East City.
The first of six plays to be staged during the 2025-26 season, Opening Night introduces us to Jack and Ruth Tisdale, who have decided to celebrate their 25th anniversary by attending a live theatre production — a first for Jack. She’s looking for a romantic night out, but he rather be at home watching sports on TV.
Backstage, the director is nervous and the actors are impossible. Add in Jack’s antics and you’ve got the recipe for what’s billed as “a laugh out loud exploration of theatre, relationships, and second chances.”
First produced in 1989 by Piggery Theatre in North Hatley, Quebec, Foster’s play brings eight actors to the stage under the direction of Margaret Monis. In choosing to open the season with this play, the Guild has chosen well.
Frequently compared to famed American playwright Neil Simon, Foster has written more than 75 comedic plays. In late 2016, his body of work saw him named an Officer of the Order of Canada.
As for the Guild’s new season, it marks a continuation of a remarkable community theatre legacy that began in 1965 and has since seen the company awarded multiple times for its work. To say the guild remains a Peterborough cultural juggernaut borders on an understatement.
Opening Night runs at 7:30 p.m. on September 19 and 20, 25 to 27, and October 2 to 4, with 1:30 p.m. matinees on September 21 and 28. Tickets are $30 for adults, $27 for seniors, and $20 for students, and are available now at www.peterboroughtheatreguild.com.
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New Stages Theatre opens its new season during Pride Week with Jonathan Wilson’s “A Public Display of Affection”
VIDEO: “A Public Display of Affection” – Interviews with Jonathan Wilson and Mark McGrinder
September also marks a new season for Peterborough’s New Stages Theatre, which will continue into next June at Market Hall in downtown Peterborough.
Artistic director Mark Wallace et al have habitually pushed the boundaries in terms of both presentation and content, and the season opener follows that script in the form of a staged reading of A Public Display Of Affection during Pride Week.
Written and performed by Jonathan Wilson, the story mixes history, comedy, and poignant reflection in equal measure as it relates Wilson’s reflections of the lives, loves, and landmarks of his queer youth on the streets of Toronto after he arrived there in 1979, as a teen, from Oshawa.
A Public Display Of Affection premiered this past spring at Toronto’s Crow Theatre and received rave reviews for Wilson’s personal insights into gay life in the big city before, during, and after the AIDS epidemic. The play was recently nominated for Outstanding New Production by the Toronto Theatre Awards.
A celebrated Canadian actor and playwright, Wilson’s past works include Kilt and My Own Private Oshawa, which was nominated for a Governor General’s Award among others. Wilson played Timon in the Canadian premiere of The Lion King, wrote and performed with The Second City Toronto for six revues, and last performed with New Stages in a staged reading of Harvey Fierstein’s Torch Song during Pride Week in 2019.
Presented in partnership with Ptbo-Nogo Pride, Wilson’s staged reading of A Public Display Of Affection is restricted to those 16 years of age and older, due to strong language, including homophobic slurs, and mature and violent themes.
New Stages Theatre is staging eight productions at the Market Hall for the 2025-26 season, each with assigned seating. For more information on the new season, visit www.newstages.ca.
Meanwhile, tickets to the 7 p.m. staging reading of A Public Display Of Affection cost $30 (with a “welcome rate” of $20 and a “pay it forward” rate of $40) and are available at tickets.markethall.org/?category=20.
Enjoy fall in all its splendour, and great art too, in North Kawartha with the Apsley Autumn Studio Tour
As he does every year, glass artist Brad Copping will be one of the artists on the 2025 Apsley Autumn Studio Tour holding live demonstrations to give visitors a behind-the-scenes look at the making of the glass art. Throughout the weekend from September 20 to 21, he will be working out of Studio F, located at 645 Jack Lake Road in Apsley, where David Smith, Susan Rankin, Jillian Messervey, and Rusty Girl will also have artwork on display and for sale. (Photo: Paul Thomas)
Oh, we do love our autumn studio tours.
With the Northumberland Hills Studio Tour this past weekend and the Kawartha Autumn Studio Tour set for the last weekend of September, next in line for visual art enthusiasts is the 32nd Apsley Autumn Studio Tour on September 20 and 21.
The self-guided tour will take participants to 12 studios in North Kawartha Township to view, up close and personal, 33 artists doing what they do so well. Painting, jewellery, glass art, sculpture, fabric art, pottery, felting, metalwork — it’s all here to take in.
From the molten heat of glass furnaces to the cool feel of carved stone, and all points in between, this is a wonderful opportunity to meet artists where they’re at, and gain insight into the creative processes they’re more than willing to talk about. Toss in the beautiful fall colours and it’s a great way to spend a weekend.
Studio tour hours are 10 a.m. to 5 p.m. each day. Participating is as easy as downloading the free Toureka! app to your phone, which provides information about all the participating artists and allows you to map out the route. For more information about the studio tour and for a link to the app, visit apsleystudiotour.com.
Still to come in October are studio tours in the City of Kawartha Lakes and the Haliburton Highlands. For details on each of those, visit https://kawarthanow.com/autumnstudiotours/.
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Classic Troubadours Live brings 1970s nostalgia to Lindsay
VIDEO: “The Songs of James, Joni, Jackson and Carole” promo
This fall marks two years since award-winning singer-songwriter Jacob Moon founded Classic Troubadours Live. The five-member ensemble has since sold out theatres across Ontario.
Lindsay’s Academy Theatre is hoping for the same result on Wednesday, September 24 when it welcomes the quintet’s tribute to the timeless music of James Taylor, Joni Mitchell, Jackson Browne, and Carole King.
The combined catalogue of that foursome is remarkable, with songs such as “Fire And Rain,” “Big Yellow Taxi,” “Running On Empty,” and “You’ve Got A Friend” barely scratching the surface of what “The Songs of James, Joni, Jackson and Carole” will deliver for the Academy Theatre audience.
Singers Alex Whorms, Ashley St. Pierre, and Selena Evangeline, joined by drummer Rob Brown and bassist Mark McIntyre, go beyond the simple imitation to honour the legacy of four of the greatest songwriters of their time. The result is a hit-after-hit concert dripping with 1970s nostalgia and rekindled memories.
Of note, Classic Troubadours Live has spawned similar tributes to artists including Sting and Peter Gabriel, Robbie Robertson and The Band, and Stevie Nicks and Sheryl Crow. The formula has clearly proven to be a winner.
Join “The Beaver Club” at Globus Theatre in Bobcaygeon for a road trip to Newfoundland
Linda Goranson, Anna Silvija Broks, Sarah Quick, and Barb Sheffler star in the Globus Theatre production of Barbara Scheffler’s “The Beaver Club” running from September 24 to October 4, 2025 in Bobcaygeon. (Graphics: Globus Theatre)
An ambitious season that began in late May continues at Globus Theatre in Bobcaygeon on Wednesday, September 24 with the curtain rising on The Beaver Club.
The first full-length play by Toronto playwright Barbara Scheffler, this very funny tale chronicles the adventure of four women (played by Linda Goranson, Anna Silvija Broks, Sarah Quick, and Barb Sheffler) who have formed an unlikely friendship and undertake a road trip from Toronto to Dildo, Newfoundland.
Along the way, they confront their pasts, navigate their present, and embrace the future. Via skinny dipping, scrapbooking, the sharing of secrets and the promise of fresh starts, they form a bond, ultimately discovering life is better when you face it with others.
Described as “a love letter to Canada,” it couldn’t come at a better time in light of current events. Elbows up, ladies!
A graduate of the musical theatre program at Sheridan College, Scheffler tried her hand at writing murder mysteries while working as a performer. She wrote several scripts for Mysteriously Yours Dinner Theatre. After collaborating with her husband on several musicals, Scheffler penned Pirates Don’t Babysit!, which won the Best of Fringekids Award at the Toronto Fringe Festival.
Curtain at the Pigeon Lake Road venue is 8 p.m. from September 24 to 27 and October 1 to 4, with 2 p.m. matinees on September 27 and October 2, with another matinee added on October 4 due to demand. An optional dinner is available before evening performances, but note the dinners are already sold out for some of the dates, with limited availability for others.
When it comes to not showing the Peterborough Musicians Benevolent Association (PMBA) enough love, I’m guilty as charged. Like clockwork, month after month, Al Black, Jo Pillon, Norm Kastner, and Don McBride bring terrific acts to The Social in downtown Peterborough, raising funds for local musicians in need of a hand up for whatever reason. Thousands upon thousands of dollars have done much good over the years. If you’ve never been, go, with your next chance being Saturday, September 20 when The Silver Hearts, joined by special guests, take to the stage at 1 p.m. There’s no cover, but bring along a few bucks as a donation.
Full details are forthcoming, but Artsweek will be held September 28 to October 5. I’m delighted to share that news in light of the ongoing threat to municipal grant dollars provided to local cultural organizations such as the Electric City Culture Council (EC3), which organizes Artsweek. About this time a year ago, it appeared events such as Artsweek were destined to go the way of the do-do. It’s time to walk the walk. If you care, really care, about what events such as this bring to our city, do one of two things: support the events by attending or let city councillors know how you feel about any funding cuts. In fact, do both. Protesting after these events are gone is too late.
Terra Lightfoot and Melissa Payne join Blue Rodeo's Greg Keelor during a performance at "Raise a Little Shell" at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. Emceed by Greg's wife Caolaidhe, a volunteer at OTCC who helped organize the event with the aim of raising awareness of the plight of Ontario's eight native turtle species and the work of the OTCC, the event also included a presentation from OTTC education coordinator Lisa Browning and from Ontario Nature's conservation policy and campaigns director Tony Morris. (Photo: Jordan Lyall Photography for kawarthaNOW)
Blue Rodeo’s Greg Keelor was among the performers who “raised a little shell” for Ontario’s at-risk native turtle species at a private event hosted by the Ontario Turtle Conservation Centre (OTCC) in Peterborough on Thursday evening (September 4).
Billed as an evening for changemakers featuring music, conservation, and education, “Raise a Little Shell” took place at OTCC’s new facility at 2785 Television Road and followed the official opening and open house for the facility two weeks before on August 22.
Ennismore singer-songwriter and fiddler Melissa Payne and Hamilton singer-songwriter and guitarist Terra Lightfoot also entertained the crowd, book-ending presentations on the work of the OTCC and on the state of species at risk protections in the province.
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The event was emceed by OTCC volunteer Caolaidhe (pronounced Cailey) Keelor, who helped organize the event over the summer with the aim of raising awareness of the plight of Ontario’s eight native turtle species and the work of the OTCC. That included securing the appearance of the three musicians, including Greg Keelor — a task made easier by the fact the two are married.
Audience members included OTCC executive and medical director Dr. Sue Carstairs, OTCC board vice chair Colin Cassin, Ontario Nature executive director Andrés Jiménez Monge, and siblings and nature lovers Mary and Gerry Young, who donated their family’s 100-acre property to OTCC so it could be protected in perpetuity and used for conservation purposes.
After an introduction to the evening by Caolaidhe and a performance by Payne, OTTC education coordinator Lisa Browning spoke to the audience about the work of OTCC. She first thanked Caolaidhe for her work in organizing the event and the Youngs for donating their family property to the OTCC, which had outgrown the space at its former Chemong Road facility.
“Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025 was emceed by OTCC volunteer Caolaidhe (pronounced Cailey) Keelor, who helped organize the event over the summer with the aim of raising awareness of the plight of Ontario’s eight native turtle species and the work of the OTCC. (Photo: Jordan Lyall Photography for kawarthaNOW)
Formerly known as the Kawartha Turtle Trauma Centre, the Ontario Turtle Conservation Centre is a non-profit registered charity that takes in and rehabilitates injured turtles from all over Ontario. The only hospital specializing in wild turtles that is accredited by the College of Veterinarians of Ontario, OTCC depends on volunteers, both those who are in the facility and those who bring in the turtles, as well as the veterinarians and vet techs who treat the turtles.
“Through our volunteers and through our staff, we’ve been able to help 1,888 patient turtles so far this year,” Browning said. “Last year, we did reach a record number 2,300, and that’s the most we’ve ever had come in in one year before.”
“We’ll see where the numbers are at by the end this year, but hopefully our increase in numbers every year is because more awareness is being spread and people know what to do when they find an injured turtle.”
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With road mortality the greatest threat to turtles after habitat loss, Browning explained how injured turtles come to the OTCC from as far away as Dryden in northern Ontario — a 20-hour drive to Peterborough.
The OTCC has a program of “turtle taxi drivers,” where volunteers sign up to relay the turtles to the hospital with other drivers, with the OTCC coordinating the drivers. Sometimes a turtle will first be transported to a veterinarian or vet clinic to stabilize the turtle before it is transported to the OTCC.
“We’ve even had volunteer pilots fly turtles to us, from some of those farther places, and this is all on their own time,” Browning said. “This has been very useful, and they want an excuse to fly as well, so they get to fly and help a turtle at the same time.”
Ennismore singer-songwriter and fiddler Melissa Payne performs at “Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. (Photo: Jordan Lyall Photography for kawarthaNOW)
Browning also spoke about the OTCC’s hatchling program. Turtles admitted to the hospital are often hit by vehicles before they’ve had a chance to lay their eggs, and the OTCC can collect, incubate, and hatch the eggs, and then release the hatchlings back into their mother’s wetlands.
So far this year, the OTCC has had over 9,000 eggs incubating. The eggs hatch in the fall and the OTCC looks after the hatchlings over the winter before releasing them into the wild the following year.
The OTCC is also involved in road mortality mitigation projects to prevent turtles from getting hit by vehicles by working with Animex and Eco-Kare to spread awareness of the importance of eco-passages, which allow turtles and other wildlife to safely travel under a road.
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“Education is also key to conservation and our centre has a fine focus on this,” Browning said. “From our teaching hospital to our public education centre that you’re in here, education is what drives conservation forward.”
Browning shared a list of the threats to Ontario’s eight species of freshwater turtles, largely caused by human activity.
One of the biggest threats is habitat loss, including the loss of wetlands to development and road fragmentation (when roads are built through wetlands). As well as being struck by road vehicles, turtles are also injured by boat motor propellers and fishing hooks. Other threats include predation by raccoons, which are prevalent in urban environments, and poaching of turtles for the illegal pet trade.
Ontario Turtle Conservation Centre (OTCC) executive and medical director Dr. Sue Carstairs (second from left) at “Raise a Little Shell,” a conservation awareness event held on September 4, 2025 in the education centre of OTCC’s new facility on Television Road in Peterborough. (Photo: Jordan Lyall Photography for kawarthaNOW)
After her presentation, Browning brought out the OTTC’s “education ambassador,” Andrea the Blanding’s turtle, who has been at the OTTC since 2005 after she was hit by car and her shell, which is made of bone and keratin, was damaged. After treatment at the OTTC, most turtles will recover from shell damage and will be released back into the wild. However, Andrea lost one eye and the other eye was damaged when she was hit by the car so she is blind in both eyes.
“She’s really struggles to find food on her own,” Browning said. “She will not forage for food, and that’s why she’s still with us. We have to hand feed her.”
For turtles like Andrea that cannot be released back into the wild, the OTTC has permits to keep them in the facility so they can help spread awareness by participating in education programs.
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“A lot of turtles do go back home again,” Browning said, noting the volunteers help with the releases. “Last year we released 5,000 turtles back home to where they came from. All the adults are going home within a kilometre of where they were found, and all the hatchlings are going back to their mothers’ homes all across Ontario.”
“Every turtle saved really is a big win for their population, because the hatchings have a one per cent chance of survival in the wild, and it can take 15 to 20 years for them to reach maturity and reach an age where they can reproduce. It can take an adult snapping turtle 60 years for one of its babies to replace it in the population.”
Browning also explained how turtles are the “caretakers of our wetlands” by eating sick and dead plants and animals in the water, helping to keep harmful bacteria levels low, and they also help disperse the seeds of native plants as they travel between water and land. Healthy wetlands act as a natural filtration for drinking water, provide natural flood mitigation, and provide natural carbon storage to combat climate change.
Ontario Turtle Conservation Centre (OTCC) education coordinator Lisa Browning shares information about the work of OTCC and the importance of conserving Ontario’s eight native turtle species during “Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. (Photo: Jordan Lyall Photography for kawarthaNOW)
Concluding her presentation, Browning said people can help by advocating for turtle road signs and eco-passages in their area, calling the OTCC if they find an injured turtle, volunteer with or support the OTCC or other turtle conservation organizations, and use citizen science apps like iNaturalist to help record any observations about turtle populations.
After Browning’s presentation, Hamilton singer-songwriter and guitarist Terra Lightfoot performed for the attendees. Lightfoot, who is now living in the Haliburton Highlands, is a friend of Caolaidhe, who gave her the nickname “Terra Turtle” because she herself has rescued some turtles, including with the assistance of Leora Berman’s Turtle Guardians organization in Haliburton.
Following Lightfoot’s performance, Ontario Nature’s conservation policy and campaigns director Tony Morris spoke about the state of species at risk protections in Ontario.
Ontario Turtle Conservation Centre (OTCC) education coordinator Lisa Browning introduces OTTC’s “education ambassador,” Andrea the Blanding’s turtle, during “Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. Andrea has been at the OTTC since 2005 after she was hit by car and her shell was damaged. Although her shell has healed, Andrea was blinded after being hit by the car and cannot be released back into the wild. (Photo: Jordan Lyall Photography for kawarthaNOW)
Founded in 1931, Ontario Nature is a charitable conservation organization with the mission to protect wild species and wild spaces through conservation education and public engagement.
Representing over 9,000 individual members across the province and with around 130,000 supporters, Ontario Nature also has 150 member groups that make up its nature network and works as a land trust, with 26 nature reserves totalling over 3,000 hectares of land across Ontario.
“I was asked to speak about the state of species at risk and their protections in Ontario, and I feel a little bad because I’m going to bring the mood down, quite considerably unfortunately,” Morris said.
Hamilton singer-songwriter and guitarist Terra Lightfoot, who is now living in the Haliburton Highlands, performs at “Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. (Photo: Jordan Lyall Photography for kawarthaNOW)
Morris pointed out that there are currently around 270 species that are currently listed at risk under provincial legislation in Ontario, compared to 200 species in 2017.
“This is a pattern that exists around the world,” Morris said. “We’ve kind of entered, as a society, the sixth mass extinction due to habitat loss over exploitation, pollution, and climate change. There’s been a 73 per cent decline in the size of monitored wildlife species around the world. This is based on data from over 5,000 species around the planet.”
He provided a timeline of how species at risk legislation has evolved in the province since the original Endangered Species Act was passed in 1971 by the Ontario government — the first provincial government to do so — to changes made most recently by the Ford government that have significantly weakened protection for species at risk.
Tony Morris, conservation policy and campaigns director with Ontario Nature, speaks about the state of species at risk protections in Ontario during “Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. (Photo: Jordan Lyall Photography for kawarthaNOW)
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Morris focused in particular on Bill 5 – Protect Ontario by Unleashing our Economy Act, which was passed in June.
“Bill 5 is absolutely devastating for healthy communities, good planning, species at risk, and the rights of Indigenous people,” Morris explained. “It was passed under the premise that we need to speed up approvals to help our economy and address threats from the south.”
“This bill is probably the most devastating piece of legislation to ever happen in Ontario. Most significantly, it eliminated the Endangered Species Act, replacing it with the far weaker Species Conservation Act.”
He gave an example of how the new legislation defines habitat only as the immediate dwellings of a species, such as its den or nesting site. That means, for a turtle, the only thing that is protected is where it nests and not where it needs to travel to in order to eat.
Colin Cassin (left), vice chair of the board of the Ontario Turtle Conservation Centre (OTCC), listens to Ontario Nature executive director Andrés Jiménez Monge during “Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. (Photo: Jordan Lyall Photography for kawarthaNOW)
Morris also noted several other changes that will weaken protection for species at risk, including the discretion of the minister responsible for the legislation replacing the advice of an independent committee of scientists when making decisions about whether a species should be listed and how, the elimination of recovery strategies, and only requiring those who are going to undertake an activity (such as development) that will harm species at risk to register that activity — without requiring them to adhere to any conditions when conducting the activity.
“In short, this is devastating for Ontario’s most vulnerable species,” Morris said. “If you think of an ecosystem like a jenga tower, each piece represents a species in an ecosystem. You start taking away those pieces and eventually that tower collapses.”
Morris shared some of the efforts by Ontario Nature to fight Bill 5 and offered suggestions for people to take action, including contacting provincial and federal politicians.
A replica of an eco-passage, designed to allow turtles and other wildlife to pass safely under roads, was set up during “Raise a Little Shell,” a conservation awareness event held on September 4, 2025 in the education centre of the Ontario Turtle Conservation Centre’s new facility on Television Road in Peterborough. (Photo: Jordan Lyall Photography for kawarthaNOW)
“Remember, it was people power that got the (provincial) government to reverse course in the Greenbelt,” Morris said, referring to the 2022 decision to restore the 15 areas of land that were redesignated or removed from the Greenbelt for development. “We can do the same thing here.”
Following Morris’ presentation, Blue Rodeo’s Greg Keelor closed out the evening with a performance accompanied by Lightfoot on guitar and backing vocals and Payne on fiddle and backing vocals.
He performed a number of songs, including the Blue Rodeo tunes “Rose-Coloured Glasses,” “It Hasn’t Hit Me Yet,” and “Lost Together,” Fairport Convention’s “Who Knows Where the Time Goes,” and a new original tune.
A young fan tries out Terra Lightfoot’s guitar during “Raise a Little Shell,” a conservation awareness event held on September 4, 2025 in the education centre of the Ontario Turtle Conservation Centre’s new facility on Television Road in Peterborough. (Photo: Jordan Lyall Photography for kawarthaNOW)
After the performance, the OTCC brought out Paddy the snapping turtle. Now 42 years old, Paddy was admitted to the OTCC in 2012. A family had purchased him as a hatchling at a pet store, unaware that it is illegal to keep a native Ontario turtle as a pet. After attending an OTCC outreach event, the family decided to surrender Paddy to the OTCC.
Paddy has remained at the OTCC as he is not a candidate for release back into the wild, due to the fact that his point of origin is unknown and he is completely habituated to humans.
For more information about OTCC, including how to volunteer and donate, visit ontarioturtle.ca. For more information about Ontario Nature, including the campaign to repeal Bill 5, visit ontarionature.org.
Blue Rodeo’s Greg Keelor checks out Paddy the snapping turtle after autographing his shell at “Raise a Little Shell” at the Ontario Turtle Conservation Centre (OTCC) on September 4, 2025. Now 42 years old, Paddy was admitted to the OTCC in 2012 when a family who had purchased him as a hatchling at a pet store surrendered him to the OTCC after they discovered it is illegal to keep a native Ontario turtle as a pet. Paddy cannot be returned to the wild because his point of origin is unknown and he is completely habituated to humans. (Photo: Jordan Lyall Photography for kawarthaNOW)
Environment Canada has issued a frost advisory in the northern Kawarthas region for early Monday morning (September 8).
The frost advisory is in effect for northern Peterborough County, Haliburton County, and Hastings Highlands.
Patchy frost is expected overnight as temperatures drop to near the freezing mark by 6 a.m. Temperatures will rise to the double digits by late morning.
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Frost may damage some crops in frost-prone areas.
Cover up plants, especially those in frost-prone areas, and take preventative measures to protect frost-sensitive plants and trees.
Environment Canada issues frost advisories when temperatures are expected to reach the freezing mark during the growing season, leading to potential damage and destruction to plants and crops.
Alderville First Nation is governed by a chief and five councillors who are elected every three years by ballot vote. The 2025-2028 chief and council are Chief Taynar Simpson (third from left) and Councillors (left to right) Lisa McDonald, Joanne Smoke, Kassie McKeown, Jason Marsden, and Amber Crowe. (Photo: Alderville First Nation)
From young people looking to move into a place of their own to seniors needing some health care support to live somewhat independently, ensuring there are homes for all is a key priority for Alderville First Nation located on the south side of Rice Lake near Roseneath.
As it is in Canadian communities off reserve, access to adequate housing is a pressing issue for Chief Taynar Simpson. To that end, Simpson and Alderville First Nation’s council are working on initiatives to help members stay housed in the community.
“We’ve built a lot of new homes and rental units for members, so increasing the housing inventory for members is front and centre for us right now,” Chief Simpson told kawarthaNOW.
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Alderville consistently has people on its waiting list for homes and also has members who are currently living elsewhere and looking to move back to Alderville.
“A lot of them see the good that’s happening in the community and they want to be part of it,” Chief Simpson said.
In addition, “we’re seeing a lot of members who have maybe never even lived in Alderville before wanting to come and move to Alderville, so we want to make sure we have enough housing for them as well as our members,” the chief explained.
Simpson said there are many youth living with their parents who are ready to move into a space of their own.
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“It’s really a never-ending challenge to meet all of these housing needs,” Chief Simpson noted. “We are very close to finalizing the First Nations Market Housing Fund, which will allow our members to take out mortgages, the same way you’d be able to off the reserve.”
Historically, banks would never give mortgages on reserve because there’s no way for them to recoup the funds if they went into default, the chief explained.
“With our mortgage housing fund that we have in place, we are guaranteeing the loans that the banks give through a fund, so if something does happen, then we have that money to be able to reimburse the bank for any lost funds,” he said.
“It effectively allows members to take out a mortgage to buy their own home or to buy an existing home on reserve, which was never there before so we’re going to see a growth in housing just from that program.”
He said the program has been in existence for about five years and Alderville is among the first group of First Nation communities entering into that agreement with the Crown.
As well as serving his second term as chief of Alderville First Nation after also serving as a councillor, Taynar Simpson founded Wampum Records in 2001, which has since become Canada’s largest research and consulting firm on Indigenous issues. (Photo: Wampum Records)
In terms of access to rentals, Alderville has individual units, seniors’ rental units, and family rental units on reserve. For every home it advertises as available for rent, there are typically seven to eight members applying for the one residence.
Alderville also purchases homes from members looking to sell and renovates them to code and then places them back in the market.
“At one point we had 20 people who had applied for a house we were selling, which means there are 20 people who are looking for homes to buy outright in the community, so we know that we have a long way to go before we meet all of those needs,” Chief Simpson said.
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For seniors who require some support but aren’t at the level of needing long-term care, Alderville First Nation has a project underway to refurbish the former women’s shelter, which was closed by an earlier council, to become an assisted living facility.
“We’re hoping for 10 rooms for Elders who aren’t quite ready for long-term care but really shouldn’t be living unassisted in their homes,” Chief Simpson said. “This will allow a higher level of care for these individuals. There will be personal support workers on site at all times.”
“We have a lot of Elders who refuse to leave their homes and refuse to leave Alderville … this way they can stay in Alderville and have that level of care.”
The chief said the hopes are to complete the assisted living facility within the year.
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Simpson was re-elected as chief earlier this summer after serving from 2023 to 2025 (Alderville’s chief and five councillors are elected every three years by ballot vote).
The council meets bi-monthly and as often as required to govern the Alderville First Nation safely and efficiently. Each councillor is assigned various committees for programs that they are responsible for overseeing. These committees include councillors, experts (both Indigenous and non-Indigenous), and community members. Through the administration office, the chief and council govern the community.
Alderville has been home to the Mississauga Anishinabeg of the Ojibway Nation since the mid-1830s.
The main branch of the Peterborough Public Library is located at 345 Aylmer Street North in downtown Peterborough. (Photo: Peterborough Public Library)
A report on the Peterborough Public Library’s draft 2026 operational budget to be presented to the library board on Tuesday (September 9) states that three librarian positions and a full-time library CEO position previously removed from the budget will be reinstated.
At the same time, the report from the City of Peterborough’s acting director of cultural services Joe Crooks recommends a one-hour reduction in the library’s weekday hours of operation as one of three cost-saving measures.
The report notes the library’s 2026 draft budget has increased by 17.5 per cent, including a four per cent increase as a result of the library’s information technology costs being accounted for in the library’s budget instead of the city’s budget. In addition, the draft budget will increase even more by reinstating the three librarian positions and the full-time library CEO position.
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The changes follow months of controversy after a decision by city council during deliberations on the city’s 2025 budget last fall to approve the elimination of two positions at the library as well as the reclassification of some positions as lower-paid positions to save $120,000 of the city’s $411 million operating budget.
After the city’s budget was approved earlier this year, library management subsequently decided to lay off three of the library’s four full-time unionized librarians, including a children’s librarian, the adult and teen programming librarian, and the librarian who manages the library’s information systems. Two positions (an outreach coordinator and a programming assistant) would be created, resulting in a net reduction of one position.
The planned changes to staffing at the library resulted in strong community opposition, particularly by a number of concerned parents who launched an online petition that garnered over 2,600 signatures and who founded the Our Future Peterborough grassroots advocacy group.
On June 10, Our Future Peterborough issued an open letter signed by more than 100 celebrated writers, artists, educators, and performers — Margaret Atwood, Neil Young, and former Governor General Adrienne Clarkson among them. The letter received coverage from local media and national media including the CBC and The Toronto Star.
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Less than a week later, the City of Peterborough announced the staff reorganization at the library had been “paused” so the city could “consider other options for meeting budgetary constraints.”
“The city has heard and appreciates the support for library services expressed by residents and others who have advocated for the Peterborough Public Library,” a media release stated. “While the approved budget needs to be followed, the city is exploring all options to ensure the most effective means to reduce the budget while maintaining the same level and quality of service, through constructive meetings with Peterborough Public Library staff.”
The following day, the city also announced Jennifer Jones — who was responsible for implementing council’s budget decision — was no longer CEO of the library or an employee of the City of Peterborough. In addition to being the library’s CEO, Jones had been appointed the city’s director of cultural services only five months earlier, after acting as the city’s director of arts and culture for almost a year. No reason was given for her departure.
At the same time, the city announced Crooks had been appointed as acting director of cultural services.
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In a second report to update the library board on “general matters” concerning library operations, Crooks writes “Many decisions made over the last year brought unexpected workplace unease and insecurity to the library staff and board.”
“The goal this summer was to bring stability to the library, and to ensure all parties are heard and feel safe,” the report states. “Over the course of the summer a variety of initiatives have been put in place to empower the voice of the staff, leadership team, union executive, and library board.”
Those initiatives included a staff suggestion box, a survey, 28 meetings between Crooks and individual staff, labour relations meetings with the union executive, bi-weekly library leadership meetings, a joint workplace improvement session with the leadership team, union executive, and board members to review survey results and board options, and question-and-answer sessions with staff to review recommended changes.
One of those changes is the reinstatement of the CEO position within the library as a stand-alone position, rather than being part of the role of director of cultural services. As the library’s 2025 budget did not have any budget allocated for the CEO position, the 2026 budget will be adjusted to cover the reinstatement of the position.
According to Crooks, the CEO job description has been updated and recruitment is expected to begin immediately. The new library CEO will conduct the recruitment for the vacant library services manager, which is currently being held on an acting basis by Laura Gardner.
The report also notes that CUPE Local 1833 representing library staff is in active collective agreement negotiations with the city, but there is “limited information” that can be shared with the board about the negotiations.
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The report on the library’s draft 2026 operational budget states that the increased costs to the library by reinstating the CEO position and the three librarian positions will be “countered” by:
$92,571 in savings through adjustments to the staffing model at the library’s new second branch at the Miskin Law Community Complex
$61,722 in savings by reviewing contract renewals for software, and
an unspecified amount of savings by reducing operating hours of the library’s main branch on Aylmer Street by one hour Monday through Friday, closing at 7 p.m. instead of 8 p.m.
On the last point, a third report to be considered by the board reviewed the feasibility of the cost-saving suggestion of reducing the operating hours of the main library branch. An audit of main branch users during the first six months of 2025 found that only 4,451 of the library’s 77,313 weekday visitors used the library between 7 p.m. and 8 p.m. during weekdays, representing 5.76 per cent of weekday traffic and 4.01 per cent of total traffic.
“The data did not support reducing hours outside of Monday through Friday,” the report states. “Weekend numbers represent the highest level of service users. In the future, if budget constraints occur, the library CEO could analysis the numbers again and consider a reduction suggestion to 6 p.m. Currently the suggestion is to close at 7 p.m. Monday through Friday.”
The report on the library’s draft 2026 operational budget states that, once the board approves the reduced hours, “a scheduling project will launch to determine the implementation of the above changes.”
An updated budget report will be presented at the October board meeting.
Applications are open until September 30, 2025 for the second annual Senior Care Micro Grants program offered through the Greater Peterborough Health Services Foundation (GPHSF). Pictured is GPHSF executive director Vince Bierworth (left) on November 14, 2024 presenting a $5,000 cheque to Community Care Peterborough CEO Danielle Belair and donors and public relations director Chris LeBlanc. Community Care Peterborough applied for the grant to help address food insecurity within the community’s population of seniors through its Meals on Wheels program, along with grocery shopping and delivery support. (Photo courtesy of GPHSF)
Not-for-profit and community organizations within Peterborough that support older adults can apply now for one of two $5,000 grants towards their senior care projects and healthy aging initiatives.
The Greater Peterborough Health Services Foundation (GPHSF) is currently accepting applications for its annual Senior Care Micro Grants program, a funding initiative GPHSF first launched in 2024. The deadline to apply is 11:59 p.m. on Tuesday, September 30.
“The sole goal of these grants is to help seniors in our community have a better quality of life, whether that’s helping to provide nutritious food, access to medical care, health and wellness activities, mental health programming or any number of other supports,” Vince Bierworth, GPHSF’s executive director, told kawarthaNOW.
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According to a 2024 statement from Bierworth announcing the inaugural recipients, Community Care Peterborough and the Peterborough Family Health Team, it was a “difficult process to narrow down the applications” submitted for last year’s program.
“Our committee, which was made up of healthcare professionals and community members, were very impressed with the quality and variety of projects submitted,” he said.
Community Care Peterborough received a grant to address food insecurity within the community’s population of seniors through its Meals on Wheels program, along with grocery shopping and delivery support. Meanwhile, the Peterborough Family Health Team received a grant for equipment aimed at increasing ease and access to care for seniors who do not have a family doctor and are using one of the team’s two unattached patient clinics.
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“Our two recipients last year addressed very immediate issues in our community and the country at large: the increase in food costs and food insecurity within our senior population, and access to medical care,” Bierworth told kawarthaNOW. “We are happy to be a small part of the work they are trying to do.”
Applications for this year’s program are open to community and not-for-profit organizations, including medical organizations, that run programming and services, or are proposing to run programming and services, within the boundaries of the city and county of Peterborough, Hiawatha First Nation, and Curve Lake First Nation.
A maximum of $5,000 is available for each of the two grants. The grants can be used as seed money to address a new need, or as financial support for an existing program.
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According to GPHSF, proposed projects must be general in scope and inclusive of and serving as many seniors as possible. Projects must be completed within one year of grant approval, unless GPHSF grants an extension.
Senior care micro grant projects may include research, equipment, nutrition, physical activity, and mental health. Applicants must provide a project timeline and budget.
GPHSF said priority will be given to projects that have a lasting impact on the community, support emerging needs in the community, and improve the quality of life for seniors in the community.
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All grant applications must be from a not-for-profit charitable organization, with a charitable registration number, located in or serving the city or county of Peterborough.
The senior care micro grants have been made possible by the June Towle Trust. Before she passed away in 2023, Towle established a trust fund that would see money from her estate be donated to the GPHSF.
For more information and to apply, visit www.gphsf.ca/seniorcaremicrogrant/, where you can also make a donation to support the Senior Care Fund.
A student enrolled in the Peterborough Suzuki School of Music, a non-profit membership organization fostering piano music education for children through performance and community enrichment opportunities. The school promotes the Suzuki Method, a music education philosophy that believes any child can learn to play an instrument in the same way any child can learn a new language. (Photo courtesy of Lenore Parajka)
Just as any child has the potential to learn any language, so too can they learn any instrument. That is the philosophy of the Suzuki Method, a world-renowned approach to music education that was created by violinist Dr. Shinichi Suzuki in the mid-twentieth century.
The method, which emphasizes learning music through listening and imitation similar to language, is at the heart of the Peterborough Suzuki School of Music, a non-profit membership organization that fosters piano music education for children.
“It took me a long time to realize that music is not a written art form,” says Lenore Parajka, a piano instructor with the Peterborough Suzuki School of Music. “Music is not so much the notes on the page but what’s is in your ear, and the Suzuki Method really develops the ear which is vital for playing musically.”
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When learning a language, Parajka suggests, children are first immersed to the sounds around them before they begin imitating them and ultimately learn the language.
“Similarly with music, you listen the pieces even before you start lessons,” says Parajka of the Suzuki Method. “Students love this.”
Once the songs are “ingrained” in the students, they learn to imitate the songs during their lessons.
Students enrolled in the Peterborough Suzuki School of Music work together to build an organ during an organ-building workshop led by the non-profit membership organization that fosters piano music education for children through performance and community enrichment opportunities. The organization is currently seeking board members. (Photo courtesy of Lenore Parajka)
“Because the music has become internalized, often the student can already play musically,” Parajka explains. “They can hear right away if something’s right or something’s wrong. We also focus on a lot of technical challenges or technical problems because they’re not actually reading the music.”
Even if students have been learning to read other music along the way, they only get exposed to the songs they are playing in the final step.
“Reading is important, and we all are teaching reading as well, but the emphasis at the beginning is on the ear,” says Parajka. “Because of that, you can start children at an early age.”
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Another major component in the Suzuki Method is the role that a child’s parent plays in their learning, where they will often sit in on the instruction.
Parajka uses an analogy of a three-legged stool that cannot stand without the three supports: the child, the teacher, and the parent.
“The more the parents are involved, often the more the children enjoy it as well,” she says.
Given that, unlike other instruments, the piano is a solo instrument that can often be isolating, the Peterborough Suzuki School of Music encourages connection and community building between children learning piano. The non-profit organization annually hosts a minimum of two music recitals, two music or performance-based workshops such as theatre, a masterclass, and other community enrichment opportunities. (Photo courtesy of Lenore Parajka)
While each instructor with the Peterborough Suzuki School of Music runs their own individual private music school, including Parajka who has run a studio for 35 years, students from ages four to 18 can register for a family-priced membership with the organization to get additional opportunities for performance and connections.
In addition to running two recitals with a catered dinner per year, the Peterborough Suzuki School of Music hosts, at minimum, two music or performance-based workshops such as ukelele-playing, theatre, and organ-building.
The school also runs one annual masterclass wherein professional musicians from outside the region lead students in a full day of learning.
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Further fostering connection and oftentimes inviting the broader community to take part, the school will often host other special events, like inviting the Canadian Opera Company to perform in Peterborough.
“What all this does is it really helps foster a sense of community because piano, unlike violin or flute or cello, is a little bit isolating,” Parajka says.
“With this, students motivate each other, they provide each other with role models, and there really is a sense of community within the school.”
Lenore Parajka is one of the teachers at the Peterborough Suzuki School of Music, a non-profit membership organization fostering piano music education for children through performance and community enrichment opportunities. Parajka has maintained a busy teaching studio for about 35 years, first in Toronto and for the last 20 years in Peterborough. (Photo via Peterborough Suzuki School of Music website)
To ensure music education is accessible to all children in the community, the non-profit offers subsidies, and are always seeking donations and sponsorships, as well as new board members.
With only five to six meetings per year and no musical experience required, Parajka says the membership is a “small commitment.”
“They could even just come and decide who’s going to cater our next dinner,” she says. “Or they can be as active as they want to be.”
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The school is also looking for more “dynamic” piano teachers, who will get supportive training through the school, while also building community with other musicians and instructors — just like with the students.
“Students who join the school tend to stay longer with music than those who don’t join the school,” Parajka says. “You have mentors, you become a role model yourself, and it is a community.”
To register or make a donation to the Peterborough Suzuki School of Music, visit www.ptbosuzuki.ca. To learn more about becoming an instructor or to become a board member, email ptbosuzuki@gmail.com.
Every Thursday evening in July and August, the Bobcaygeon Music Council presents free outdoor concerts at Lock 32 in Bobcaygeon, as well as a concert series beginning in the fall and running into the spring. (Photo courtesy of Bobcaygeon Music Council)
Some well-kept secrets should never have been secret in the first place.
Take, for example, the Bobcaygeon Music Council and its continued presentation of music concerts both in and around the City of Kawartha Lakes village that hugs the Trent-Severn Waterway northeast of Lindsay.
That you may not have heard of the council, and its now close to 20 years of bringing music to the people, is no fault of those who guide it.
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While those who know, know, council-presented concerts get lost in the chatter around more publicized local cultural events, such as Peterborough Musicfest, the Peterborough Folk Festival and the like. However, since Bobcaygeon resident Andy Harris, with others, founded the council in 2006, both free and ticketed music events have habitually drawn a very loyal, and thankful, following.
Take, for example, The Dockside Sessions.
Featuring singer-songwriters Pat Temple, Emily Jean Flack, Melissa Payne, and Brennen Wilson, the October 2nd event at The Yacht Club at Gordon Yacht Harbour Marina sold out in just a few days.
That’s a nice problem to have, says council board chair Liz Byrnes — conceding that, in an ideal world, a bigger venue would accommodate the ticket hopeful.
The Dockside Sessions, presented by the Bobcaygeon Music Council at The Yacht Club at Gordon Yacht Harbour Marina on October 2, 2025 and featuring singer-songwriters Pat Temple, Emily Jean Flack, Melissa Payne, and Brennen Wilson, sold out within days of tickets going on sale on August 29. (Graphic courtesy of Bobcaygeon Music Council)
“They (Harris et al) incorporated the council as a not-for-profit charity in 2006 and initially brought three or four concerts to Trinity United Church, which has beautiful acoustics,” explains Byrnes, who initially became involved with the council in 2016.
“Somewhere along the line, they decided ‘We’ve got this beautiful setting on the canal at Lock 32. There’s a gazebo with hydro. There’s plenty of space for people to bring their lawn chairs and enjoy music.’ So around 2008 or 2009, on Thursdays in July and August in that space, they started bringing in musical acts.”
While that tradition has continued under the current board’s watch, this past May saw the council bring the Jim Cuddy Trio to the Bobcaygeon Curling Club. Byrnes notes the 330 tickets for that concert “sold in a few hours.”
“In the summer, on a low day that’s usually weather-related, maybe 500 or 600 people come out, but we’ve had close to a thousand people on both sides of the canal,” says Byrnes.
“We have regulars that come every single week and support us. We have great sponsors through our local businesses, and great support from the community. The concerts in the park are free but we accept donations.”
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The Dockside Sessions event, notes Byrnes, will be held in a “rustic” building that dates back to the late 1800s to early 1900s. While that has its own appeal, the opportunity to present the showcase in a space with more capacity than Trinity United Church was too good to pass up.
As for the event’s format, Byrnes says each of the headliners will perform their own music as opposed to covers, and give insight into their songs’ creation and related inspiration.
“Brennan, for example, doesn’t normally ever get up and sing his originals. Neither do many performers that play in bars and restaurants in the area because everybody wants to hear covers. So let’s give them a safe space where we tell people right up front ‘This is what you’re going to hear. You’re going hear their songs, their stories.'”
Singer-songwriters Emily Jean Flack, Melissa Payne, Pat Temple, and Brennen Wilson will perform at The Dockside Sessions, presented by the Bobcaygeon Music Council at The Yacht Club at Gordon Yacht Harbour Marina on October 2, 2025. The concert sold out within days of tickets going on sale on August 29. (Collage courtesy of Bobcaygeon Music Council)
Flack, for one, is looking forward to the opportunity to do just that.
No stranger to Bobcaygeon — Flack has performed as part of the council’s summer offering, as has Payne, and, going back even further, at fiddle and stepdance contests in the village — she welcomes the opportunity to again perform in a familiar and comfortable setting.
“You can’t just have music happening in the big cities,” says the Ennismore resident, adding “Good stuff happens in the smaller towns as well.”
Having grown up in a family rooted in the tradition of Canadian Celtic music, Flack’s performance journey began in the step dancing realm before she transitioned to piano and singing.
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In 2019, her debut EP Throwing Shapes, which combines her love of pop music with her Celtic music roots, brought her to an international stage, taking her across Canada, the UK and Ireland. Her subsequent debut full-length album How You Love Me, further expanded her sound.
Flack’s live performances, meanwhile, combine her original songs with Celtic instrumental pieces and percussive step dancing. Along the way, she has shared stages with Natalie MacMaster, Leahy, Shane Cook, and many others.
And then there’s her commitment to educating others. She has taught, lectured, and performed at the University of Limerick in Ireland, University College Dublin and the University of Toronto, sharing her knowledge of both traditional and modern music and dance. In short, she’s rarely idle.
“I don’t want to downplay my recorded music because that’s its own thing, where you get to be super creative and explore the music you write in a totally different way, but it’s really fun when you get to the live stage and actually do it,” she says.
VIDEO: “Throwing Shapes” – Emily Jean Flack
As for her songwriting process, Flack says she’s “always been very melody-centred; I don’t think I’ve actually ever started a song with just lyrics … maybe once.”
The Dockside Sessions, she says, will check a lot of boxes for her.
“It would be worthless doing music without others doing it too, and others coming to listen. I always look forward to being able to listen and collaborate. We’re all doing a very similar thing maybe but probably approaching it completely differently, talking about different things.”
“I know Melissa (Payne) a little bit. We sang a together years and years ago, so I’m looking forward to seeing her, but also meeting the other two (Temple and Brennen). I’m so excited.”
“The (music) industry is one heck of a whirlwind I don’t know I fully comprehend yet. Sometimes it’s perceived as ‘Oh, you’re on stage’ but, no, it’s all about the people sitting there listening and giving you their time. I’m very grateful that I get to keep doing this.”
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Meanwhile, not lost on Byrnes is Bobcaygeon’s growing reputation as a destination location for those looking to enjoy top-tier entertainment. Not only is the council’s staging of concerts a draw, but there’s also Globus Theatre, which stages productions pretty much year-round at its Pigeon Lake Road venue.
But the Bobcaygeon Music Council is about more than the live show experience. Thanks to donations from businesses and individuals, a week-long summer music for youths aged eight and older offers vocal and band instruction provided by professional musicians and music teachers. In addition, the Bobcaygeon Music Council Bursary Fund annually assists music students in or from Bobcaygeon.
When all is said and done, Byrnes derives her greatest pleasure from the simplest, but purest, of things.
“I enjoy sitting and listening to the music. I enjoy walking around the park and talking to the business owners that sponsor us and thanking them for that, and them saying
‘This is a great show.’ That’s very cool.”
For more information about the Bobcaygeon Music Council and upcoming concerts, visit www.bobcaygeonmusic.com.
Gauvreau Accounting Tax Law Advisory in Peterborough recently spearheaded its fourth annual "Gear Up for Good" campaign which resulted in 207 fully stocked backpacks for Peterborough kids in need heading to school in September. (Photo courtesy of Gauvreau Accounting Tax Law Advisory)
It began as “a one-time gesture of goodwill” four years ago but has grown into an annual initiative, providing more than 800 backpacks stocked with school essentials for Peterborough children in need.
Gauvreau Accounting Tax Law Advisory in Peterborough recently announced its fourth annual “Gear Up for Good” campaign distributed 207 fully equipped backpacks for children heading back to class at the beginning of September.
Once again, the backpacks were provided to children in late August through Big Brothers Big Sisters of Peterborough and the Kawartha Haliburton Children’s Foundation. Participants also received snacks from Quaker Oats, haircuts from Union Barber, gift cards for future haircuts from Angela & Company Salon, and pizza dinners from Domino’s Pizza.
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“What started with the simple idea of filling a few backpacks to help kids in need, has grown into a core tradition at our firm,” Robert Gauvreau, CEO and founder Gauvreau Accounting Tax Law Advisory, told kawarthaNOW.
“Each year, as our business grows, so does our commitment to giving back. What began as a one-time gesture of goodwill has now become a growing movement. Each year, we’ve been able to reach more children, thanks to increased donations, community partnerships, and a shared commitment to make a difference.”
Businesses and community members donated needed items, which included backpacks, lunch bags and sandwich containers, water bottles, pens, crayons, pencils, pencil cases, pencil sharpeners and erasers, markers and highlighters, scissors, calculators, and more. Peterborough business Ricart Branded Apparel & Promo alone donated 100 backpacks.
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Along with support from local businesses and community members, 200 staff of Gauvreau Accounting Tax Law Advisory participated in the campaign, including by donating, packing, and coordinating.
For Gauvreau, the campaign is all about helping young students start off the school year with what they need to succeed.
“It’s inspiring to hear stories about children who walk into school with the tools they need, and many for the first time,” Gauvreau said. “That’s why we keep showing up year after year. And as long as there’s a need, we’ll be here to help meet it.”
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Gauvreau added “Gear Up for Good” has flourished because of the community-wide effort.
“The success of this campaign comes down to people. Our team, our clients, and our community rallying together with a shared belief that every child deserves the chance to thrive. That kind of unity is powerful.”
According to Tiffany Arcari, Gauvreau Accounting Tax Law Advisory’s community manager, every single contribution made a big difference — from organizing and donating items, to packing supplies, to showing up on the distribution day.
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As was the case last year, the firm aimed to put together 200 backpacks and, like last year, exceeded the goal.
“This wouldn’t have been possible without the support of our local media, community, and the efforts and donations from our entire team,” Arcari said.
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