Susan Dunkley, Manager of Development and Outreach at the Peterborough Humane Society, is one of the local women profiled so far for "Inspire: The Women's Portrait Project", which will culminate on International Women's Day 2019 with a gala photo exhibition and fundraiser for a local women's charity. Professional photographer Heather Doughty founded the year-long project, with the support of certified makeup and lash artist Selena Wilson, as a way to tell the stories of remarkable women in the community. (Photo: Heather Doughty)
Peterborough photographer Heather Doughty always wanted to do a portrait project, so last month when she found herself thinking about how many remarkable women there were in the Peterborough area, she decided to take her spark of an idea and blow it up into an inspirational movement.
“Inspire: The Women’s Portrait Project” is just getting off the ground and Doughty has a lot of work to do in the year ahead — because she’s not just taking a few photos, she has decided to create a dynamic, introspective experience for at least 52 local women.
Doughty is accepting nominations at inspirethewomensportraitproject.com of women in the Peterborough community who inspire, support, uplift, and empower others. There are 15 different categories to choose from and every woman who is nominated will be asked to nominate two other women so that the project can grow organically.
Each woman nominated for the project has to submit a bio and choose three words that describe who they are and what they do in their communities. “Vibrant, Courageous, Kind” are the three words that describe Tracey Ormond, owner of That’s A Wrap Catering in Peterborough. (Photo: Heather Doughty)
The women who are nominated meet with Doughty and make-up artist Selena Wilson. They spend an hour or so shooting portraits in a location selected by the nominee and then three final photos are selected.
Two of the photos are shared immediately on the project website and on social media. The third portrait is top secret and will be revealed at the project’s grand finale gala on March 8th, 2019 — which just happens to be International Women’s Day.
The portrait project goes deeper than just the visual representation of these inspiring women, because each project participant has to submit a bio and choose three words that describe who they are and what they do in their communities.
“This is turning into a full experience,” Doughty says. “I go and I meet these women and they tell me their stories. It’s an interesting experience to see them coming up with all these cool ideas about who they are and what they mean to other women.”
Not only do the nominees get to see themselves through the lens of a camera, but many are asking for their three words on social media — leading to really insightful dialogue and moments of introspection.
“The project is really coming alive,” Doughty says. “There is such a connection. The women are so happy to be nominated and when they start telling their stories so much emotion comes out and this is what I’m capturing.”
“Energetic, Personable, Motivated” are the three words that describe Crystal Jessup of Crystal Jessup Photography in Peterborough. (Photo: Heather Doughty)
Doughty says that many of the women have been surprised by the project feedback and they’re starting to see things in themselves that they might not have really connected with previously.
Many of these women are not in the news or not well known, so the nominations are having a big impact.
“It’s like we’re pulling these women out and saying that they are inspiring others and supporting others,” Doughty laughs. “We’re bringing these women out from the shadows and it’s so joyful.”
While the scale and scope of the project are something new for Doughty, photography has always been a part of her life. She fell in love with it as a child and she’s been shooting professionally for 10 years now. She says she feels such power every time she picks up her camera.
“That once click captures a moment forever and it’s amazing,” she explains.
Now, combining her art with the storytelling components of the project, Doughty is looking forward to watching Inspire grow over the months to come.
“The three words are so important,” she says. “The three words are where the walls come down and everyone wants to tell the stories behind those three words.”
And that’s likely what the project’s legacy will be. A legacy of helping women recognize the power of their actions, the impacts they have made in their communities, and capturing the look on their faces at that precise moment when they stand before the camera to own their success.
“That one click captures a moment forever and it’s amazing.” Heather Doughty of Heather Doughty Photography is the founder and lead photographer of “Inspire: The Women’s Portrait Project”. (Photo: Heather Doughty Photography)Certified makeup and lash artist Selena K. Wilson of SKW Beauty of Peterborough is assisting Heather Doughty with “Inspire: The Women’s Portrait Project”. (Photo: Selena Wilson)
As well as nominating women at the project’s website (there’s no specific deadline), you can also nominate a local women’s charity that will be given a fund-raising opportunity, through a percentage of ticket sales and individual donations, at the project’s gala celebration in March 2019. Nominations for charities are open until August 1, 2018.
Rock and alt-country band The Sadies headline the Gord Downie & Chanie Wenjack Fund Benefit Concert on Friday, May 11, 2018 at the Market Hall in downtown Peterborough. The event, which will feature performances by both Indigenous and non-Indigenous artists, will be emceed by Ojibway playwright and author Drew Hayden Taylor, who will also perform. All proceeds from the concert and a silent auction will be donated to the Gord Downie & Chanie Wenjack Fund to support reconciliation. (Publicity photo)
A group of Indigenous and non-Indigenous performers are coming together on Friday, May 11th at 7 p.m. at the Market Hall Performing Arts Centre in Nogojiwanong/Peterborough.
Presented by Journey Magazine Ptbo, the Gord Downie & Chanie Wenjack Fund Benefit Concert will raise money to support reconciliation between Indigenous and non-Indigenous peoples.
The show will be emceed by award-winning Ojibway playwright and author Drew Hayden Taylor from Curve Lake Nation, who will also perform. Other Indigenous performers include hoop dancer Crystal “Beany” John, the Wshkiigomang Women’s Hand Drum Group from Curve Lake First Nation, and spoken word artist Keara Lightning.
In addition to headliners The Sadies, non-Indigenous performers include Peterborough folk duo Mayhemingways (who recently opened for The Sadies) and the Thomas A. Stewart Secondary School Jazz and Combo Bands.
Tickets for the event are $40 for cabaret table seating or $25 for general admission, and are available now in person at the Market Hall box office, by phone at 705-749-1146, or online at markethall.org.
All proceeds from the concert will go to the Gord Downie & Chanie Wenjack Fund, which supports awareness, education, and acts of reconciliation between the First Peoples and the settlers of Turtle Island/Canada.
‘The Secret Path’, written and directed by the late Gord Downie with illustrations by Jeff Lemire, tells the story of 12-year-old Chanie Wenjack who died more than 50 years ago while trying to walk 600 kilometres to his northwestern Ontario home after fleeing a residential school in Kenora. (Illustration: Jeff Lemire)
The fund, which was established about a year before Gord Downie’s death from brain cancer in 2017, arose two years after The Tragically Hip front man created The Secret Path, a personal project to tell the story of Chanie Wenjack through an music album, graphic novel, and documentary.
Gord was inspired to develop The Secret Path after learning about Chanie, a 12-year-old Anishinaabe boy who died from exposure on October 22, 1966, after escaping his forced confinement at Cecilia Jeffrey Indian Residential School near Kenora and attempting to walk the almost 600 kilometres back to his family home on the Marten Falls First Nation in Manitoba.
The Wenjack Theatre and the Chanie Wenjack School for Indigenous Studies at Trent University in Peterborough are both named in honour of Chanie.
Gord Downie’s brothers Mike and Patrick and Chanie Wenjack’s sisters Pearl Achneepineskum, Daisy Munroe, and Evelyn Baxter along with Professor David Newhouse, the school’s director, and Trent University president Dr. Leo Groarke, at the official launch of the Chanie Wenjack School for Indigenous Studies on March 2, 2018. (Photo: Trent University)
The May 11th benefit concert will be an illustration of community reconciliation in Nogojiwanong/Peterborough.
There will also be a silent auction to raise money for the Gord Downie & Chanie Wenjack Fund, including this stone sculpture from Zim Art hand carved by Zimbabwean artist Simon Chidharara. (Photo: Zim Art)
Before the show begins, there will be a silent auction from 6 to 7 p.m. and again during the intermission.
Some of the items donated so far include a hand-carved stone sculpture by Zimbabwean artist Simon Chidharara from Zim Art, an acoustic guitar from Long & McQuade, Not Forgotten Scarves from Pam Hart, a season pass to Public Energy, a bracelet from HiHo Silver, a private behind-the-scenes tour for up to 10 people from The Canadian Canoe Musuem, and various gift certificates.
To introduce the event, Shirley Williams (a member of the Bird Clan of the Ojibway and Odawa First Nations of Canada and Professor Emeritus of the Chanie Wenjack School for Indigenous Studies at Trent University) and Anne Taylor (Cultural Archivist at Curve Lake First Nation) will offer a welcoming prayer and land acknowledgement.
Mike Downie — Gord’s brother, co-producer of The Secret Path, and co-founder of the Gord Downie & Chanie Wenjack Fund — may also be speaking at the benefit, although his attendance is still to be confirmed.
The highlight of the evening for some will be a performance by rock and alt-country band The Sadies, based out of Toronto.
Called “Canada’s greatest living rock band”, The Sadies consists of brothers Dallas Good and Travis Good (who lives in Hastings west of Campbellford) on guitars, mandolin, and lead vocals, along with Sean Dean on upright bass and Mike Belitsky on drums.
The Sadies have been described as Canada’s greatest living rock band. (Illustration: Jeremy Bruneel)
The Sadies have a special connection with the late Gord Downie, having toured with The Tragically Hip and then collaborating musically with Gord on a special project.
“The Sadies have toured with The Hip probably more than any other band,” Gord once said in an interview. “I got to know them pretty well and loved their sets.”
After supporting The Hip during its 2007 World Container tour, The Sadies were invited to perform on the now-defunct CBC Radio concert series Fuse, which promoted creative collaborations between different artists.
Gord Downie performing with The Sadies in support of their 2014 musical collaboration “Gord Downie, The Sadies, and the Conquering Sun”. (Photo: Kevin Lamb)
The Sadies suggested a collaboration with Gord, and that eventually led to the 2014 album Gord Downie, The Sadies, and the Conquering Sun, for which Gord wrote the lyrics and The Sadies the music.
The Sadies were hoping to collaborate again with Gord after the May 2016 announcement of his diagnosis of glioblastoma, a type of brain cancer, but Gord died on October 17, 2017.
VIDEO: “Another Season Again” – The Sadies
VIDEO: “Crater” – Gord Downie, The Sadies, And The Conquering Sun
The Gord Downie & Chanie Wenjack Fund Benefit Concert is presented by Journey Magazine Ptbo and has been endorsed by the Kawartha Truth & Reconciliation Support Group.
Event sponsors include Brant Basics, CHEX Peterborough, Community Race Relations Committee of Peterborough, City of Peterborough, County of Peterborough, Curve Lake First Nation, Fresh Radio 100.5, kawarthaNOW.com, Kawartha Pine Ridge District School Board, KPR Elementary Teachers’ Federation of Ontario, Leon’s Peterborough, Patrick McAuley of Bowes & Cocks, Peterborough Victoria Northumberland and Clarington Catholic District School Board, PTBOCanada, Congregation of the Sisters of St. Joseph in Canada, Trent University Faculty Association, and The Wolf 101.5 FM.
To donate to the silent auction, email Sheila Howlett at showlett3@cogeco.ca.
About the Performers
Drew Hayden Taylor
Drew Hayden Taylor is one of Canada’s leading Indigenous playwrights, authors, and humorists. For more than 20 years, he has written about the world from an Indigenous perspective. His award-winning plays have been produced in Canada, the United States, and Europe.
His 2010 novel Motorcycles and Sweetgrass was shortlisted for the Governor General’s Award for Fiction, and his latest fiction work is a science-fiction collection called Take Us to Your Chief and Other Stories. He has also written numerous scripts for television series, including The Beachcombers, North of 60, and Mixed Blessings. Drew’s latest play, Cottagers and Indians, is based on a years-long dispute between cottage owners on Pigeon Lake and James Whetung, an Anishinaabe from Curve Lake First Nation, who has been planting and harvesting wild rice in Pigeon Legion and surrounding lakes. Drew also recently directed the documentary Searching for Winnetou, which explores the century-old German fascination with native North Americans including a mythical Apache warrior named Winnetou.
Beany John
Crystal “Beany” John is Taino and Cree from Kehewin in Alberta. A champion hoop dancer and grass dancer (she is only one of two women in Canada given permission to be part of the Grass Dance Society), she has been teaching hoop dance to youth in Alberta and Ontario since 2004. She has taught at the Centre for Indigenous Theatre, Anishnabe Health Youth program, Trent University, Toronto Native Canadian Centre youth program, Native Child and Family Services and the Kehewin First Nation.
Beany’s mix of hoop dance and hip hop has been called “dynamic” and “exciting.” Her contemporary style is one-of-a-kind and she has a following of young Indigenous people throughout Canada and the United States.
Keara Lightning
Spoken word artist Keara Lightning is a nehiyaw iskwew from Samson Cree Nation and a queer femme poet. She’s been writing poetry her whole life and recently started reading her poems in public.
Keara grew up in small-town Ontario and currently lives in Nogojiwanong, where she is studying Indigenous Environmental Studies at Trent University. She likes plants, making teas, and cooking for people.
Wshkiigomaang Hand Drum Singers
Lead singer Janet McCue and Mary Alice Taylor are original members of the Wshkiigomaang Hand Drum Singers from Curve Lake First Nation. Janet is a long-time leader and advocate who dedicates her time to raising awareness for social justice, empowering the aboriginal community, providing education to local schools and museums, and supporting those marginalized by poverty. She has performed locally and internationally, sharing her music which has been described as hauntingly beautiful and heart-moving. Alice is a retired native language teacher at the Curve Lake First Nation day care.
The Wshkiigomaang Hand Drum Singers has performed for Prince Andrew at the Canadian Canoe Museum, the Peterborough Dandelion Festival, Juno Beach in France, and at many other events.
Mayhemingways
Josh Fewings and Benj Rowland of Mayhemingways.
Mayhemingways consists of Benj Rowland (lead vocals accordion, guitar, banjo, bass pedals, lead vocals) and Josh Fewings (drums, harmony vocals) and is acclaimed for mixing traditional genres like folk, country, Celtic, bluegrass and more to create their own unique sound.
In 2013, the duo released their first EP engineered by James McKenty (Blue Rodeo, Cuff The Duke, The Weber Brothers) and followed it up with a full-length album Hunter St Blues. After completing a tour last year with Canadian rocker Joel Plaskett and his father Bill for their Solidarity album, the duo released their second full-length record, Skip Land, this year.
TASS Jazz and Junior Combo Bands
The Thomas A. Stewart Secondary School Jazz and Junior Combo bands are two award-winning bands consisting of talented high school students under the direction of Vince Abrahamse.
The panelists at "Cultivating Change: Engaging Women In Political Action" held on April 26, 2018, from left to right: Laridae management consultant Lauren Hunter, 2010 Cambridge municipal election candidate Gail Moorhouse, and Selwyn Township Mayor Mary Smith. (Photo: Paul Rellinger / kawarthaNOW.com)
Besides representing Peterborough politically, what distinction do current MP Maryam Monsef and former MPP Jenny Carter share?
If you answered they are the only two women to ever represent the city at the provincial or federal level, step to the front of the line. (Editor’s note: Gillian Sandeman also represented the riding of Peterborough as a New Democratic member of the Legislative Assembly of Ontario from 1975 to 1977.)
That revelation was just one of several brought to the attention of a sold-out audience of around 80 women who gathered Thursday evening (April 26) at the Ashburnham Reception Centre for “Cultivating Change: Engaging Women In Political Action”.
“Cultivating Change: Engaging Women In Political Action” was held on April 26, 2018 at the Ashburnham Reception Centre in Peterborough.
With the central message being that when women get involved in the political process, communities change, the non-partisan event featured a panel of three women with different political experiences: longtime local municipal politician Mary Smith, veteran election campaign organizer Lauren Hunter, and former Cambridge municipal election candidate Gail Moorhouse, who now lives in Peterborough.
The presentation and ensuing discussion, co-moderated by Devon Girard and Jocasta Boone, urged women to get involved politically in their communities.
Boone pointed to the 1995 endorsement of the economic and social councils of the United Nations which set a target of 30 per cent female participation at all decision-making levels. While that target has come close to being met at the municipal politics level across Canada (28 per cent), it’s been a far different story locally.
“When we look at the last five (municipal elections) in Peterborough, only 19 per cent of candidates have been women and only 18 per cent of those have been elected,” said Boone.
“Why does this matter? When we achieve gender equity, we know our communities change. Gender equity impacts every aspect of our communities. It’s currently estimated that if we achieve gender equity it would add $150 billion to the Canadian GDP. This isn’t small stuff. We’d have a thriving economy.”
Saying “We need to lead by example, to have the viewpoints of women heard and matter,” Boone urged the audience to get involved, noting change will be the result.
“The minute there are women sitting around the table, the minute we achieve that 30 per cent, the culture (of politics) will change. Women are more inclined to collaborate. They are more inclined to work across party lines. It would not be the way it is right now if we achieve equity.”
A sold-out crowd of around 80 women attended the non-partisan “Cultivating Change: Engaging Women In Political Action” event held April 26, 2018 at the Ashburnham Reception Centre, including Kim Zippel (left), who has announced her intention to run as a municipal election candidate in Otonabee Ward, and Sheila Wood, who is eyeing a run in Ashburnham Ward. (Photo: Paul Rellinger / kawarthaNOW.com)
Earlier, Smith, Hunter and Moorhouse shared their experiences as major players in the male-dominated political sphere.
Mary Smith, the current second-term mayor of Selwyn Township, echoed the notion that more women in elected positions would prove to be a game changer.
“From what I’ve seen in local government, women are more willing to follow process and work collaboratively through that process,” said Smith, whose political career began in 1998 when she was acclaimed deputy reeve for Lakefield.
“I respect that. I think that brings us to a better place in the decision-making process in government. The more women we have on council, the more open council is to gather information to put in front of the public.”
Asked by Girard what needs to be done to motivate more women to seek elected office, Lauren Hunter said an awareness of potential candidates is key, followed by encouragement.
“We are seeing more women in positions of leadership … the more we have that, the easier it will be for the younger generation to see herself sitting around the table,” Hunter said.
“We each need to take it upon ourselves to find women in the community in non-traditional places. There are a lot of politicians who are lawyers or have a business background and that’s great, but that doesn’t mean that it’s only those professions that make great politicians.
“Great politicians come from all walks of life. We need to start seeking them out. Ask her to run, and then ask her to run again, and over and over until she says ‘Yes, you’re right, I do have the qualifications, I am capable and I deserve to be there.'”
Referring specifically to audience member Diane Therrien, a relatively youthful Peterborough city councillor serving her first term, Gail Moorhouse said she’s a role model for younger women to consider running.
Hunter, who worked for a time for MP Monsef, said much the same about her, noting young girls look to her with awe.
VIDEO: Devon Girard & Lynn Zimmer talk about “Cultivating Change” on CHEX
Boone, meanwhile, left the audience with several ways they can bring about change, leading to more empowerment for women while inching that gender equity percentage higher, not just in political circles but in all male-dominated scenarios.
“The first is you’ve got to show up and you did tonight,” she said. “You came out. You made the commitment of time. You made it a priority. We have to keep showing up. We can’t do this work while sitting at home. We need to show up.”
Boone also listed voting, sharing a talent with the community, volunteering with a campaign, donating cash to candidate, run for elected office, getting involved with a voter or citizen engagement initiative, advocating on an issue that matters to you personally, and engaging your network
“We can get to 30 per cent, just 30 per cent is all we’re asking for,” said Boone.
“We are 53 per cent of the population. We have networks. We can do this. It’s important that we’re having this discussion. It’s important that we’re sharing with our neighbours and our sisters and our daughters and our co-workers. It is important that this not end at nine o’clock tonight.”
Along with Boone, Girard, and Moorhouse, other organizers of the event were kawarthaNOW.com founder and publisher Jeannine Taylor, acorn30 founder and CEO Heather Watson, YWCA Peterborough Haliburton executive director Lynn Zimmer, and Louise Racine, founder of Thirteen Moons and the Peterborough International Women’s Day Conference.
There are three drive-in theatres in the Kawarthas: the Port Hope Drive-In (which is already open on weekends), the Lindsay Drive-In (which opens for the season on April 27, 2018), and the Havelock Family Drive-In (which opens for the season on May 18, 2018). Pictured is a drive-in theatre in Chicago circa 1950, when the alternative to traditional movie theatres began to gain popularity.
It’s the 85th anniversary of the drive-in theatre this year and, despite decades of challenges that have put many drive-ins out of business, the idea of watching outdoor movies from your car has endured.
Many people still relish driving out to a rural area, parking their car, heading to the concession stand for popcorn, getting comfy with some blankets and pillows, and tucking in for an evening of watching two (or more) movies.
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For the older generation, it’s partly nostalgia (how many Baby Boomers were conceived at a drive-in, we wonder?). But even young people born during the internet age of on-demand video are discovering the drive-in experience.
That’s good news for the three drive-in theatres operating in the Kawarthas, including the Lindsay Drive-In (229 Pigeon Lake Road, Lindsay) which opens for the season tonight (April 27).
The Port Hope Drive-In (2141 Theatre Rd. S., Cobourg) — Canada’s oldest continuously operated drive-in — has already been open for a few weeks, and the Havelock Family Drive-In (800 11th Line, Hastings) opens for the season on the Victoria Day weekend (May 18).
David Vahey of Omemee brought his 1955 Buick Super to the Lindsay Drive-In in 2017. Drive-in theatres were at the height of their popularity in the late 1950s. (Photo: Lindsay Drive-In / Facebook)
That’s not to say that the drive-in theatre industry isn’t continuing to face challenges. The Owen Sound Twin Drive-In Theatre at Springmount, which opened in 1950, closed permanently this year. Toronto’s only drive-in at The Docks will also not be opening this season.
Back in 2012, the Mustang Drive-In in Peterborough — with the largest screen in Ontario at the time — closed for good, when the owner was unable to afford the switch to digital projection (more on that later).
And the Port Hope Drive-in was reluctantly forced to raise its prices this season for the first time in five years, to deal with increasing costs.
Even so, 18 drive-in theatres continue to operate in Ontario, with drive-ins located in Fonthill, Grand Bend, Gravenhurst, Guelph, Hanover, Havelock, Kingston, Lindsay, London, Midland, Oakville, Oro-Medonte, Pembroke, Perth, Picton, Port Hope, Sharon, and Tilbury.
A brief history of the drive-in theatre
Invented by Richard Hollingshead of Camden, New Jersey, the first drive-in theatre opened in 1933.
The concept of the drive-in theatre was invented in the late 1920s by Richard Hollingshead of Camden, New Jersey. The story goes that his overweight mother couldn’t get comfortable in regular movie theatre seats, so Hollingshead came up with the idea of an open-air theatre.
He mounted a 1928 Kodak movie projector on the hood of his car, projected the film onto a screen made of two sheets nailed between two trees, and placed a radio behind the screen for sound. Eventually he developed a ramp system so cars could park at different heights to see the screen without being obstructed by other vehicles.
In 1933, Hollingshead received a patent for the concept, formed Park-In Theatres, Inc. and opened “Automobile Movie Theater” — the very first drive-in theatre. He charged 25 cents per person and 25 cents per car, with a maximum cost of $1. Park-It Theaters later licensed the concept to Loews Drive-In Theaters, Inc. (the origin of the phrase “drive-in theatre”), but drive-ins didn’t become popular until the advent of in-car speakers in the early 1940s. In 1946, Skyway Drive-In in Stoney Creek, Ontario (since closed) was the first drive-in theatre to open in Canada.
After some legal issues between Park-In Theaters and Loews Drive-In Theaters, Hollingshead’s original patent was overturned in 1950, and drive-ins began popping up everywhere. They were popular because they offered affordable family entertainment. People could bring their babies and kids and amorous teenagers could find some privacy from their parents in what became known as the “passion pit”.
During their peak in the late 1950s and early 1960s, there were more than 4,000 drive-in theatres in the U.S. and 250 in Canada. Drive-ins were popular because they offered affordable family entertainment.
During the drive-in peak of the late 1950s and early 1960s, there were more than 4,000 drive-in theatres in the U.S. and 250 in Canada. Today, there are fewer than 350 drive-ins left in the U.S. and fewer than 50 in Canada.
The decline of the drive-in began in the 1970s, with the rise of home entertainment options — colour television, cable, VCRs, and video rentals — that encouraged families to stay in the comfort of their homes. The energy crisis of the 1970s also had an impact, as did the widespread adoption of Daylight Saving Time (which forced movies to start an hour later, making them less family friendly).
To supplement their declining revenues, some drive-ins (which were already showing B movies rather than first-run movies, due to restrictions from movie studios) began screening mature films and adult films. However, this created a negative image and further discouraged families from attending.
The growing real estate market and increasing property taxes also affected the viability of drive-in theatres, many of which were located in the suburbs or in rural areas. Theatre owners ended up selling to developers who built shopping malls or residential housing developments on the properties.
The Mustang Drive-in in Peterborough closed in 2012 when the owner was unable to afford the switch from film to digital projection. The Owen Sound Twin Drive-In Theatre at Springmount, which opened in 1950, closed permanently this year. Toronto’s only drive-in at The Docks will also not be opening this season. (Photo: Jay Callaghan)
Despite the decline in attendance that shuttered many theatres, the quality of the drive-in experience continued to improve. In the 1970s, the original sound system used for drive-in theatres (an external speaker hung inside a car’s window) was replaced by low-power AM broadcasts to car radios and, in the 1980s, by higher-quality FM radio broadcasts.
In the early 1990s, movie studios began offering first-run movies to drive-ins, and the drive-in theatre had somewhat of a resurgence. People could now see new and popular movies at drive-ins instead of going to a regular movie theatre.
The resurgence was short lived, however. In the 1990s and the 2000s, even more home entertainment options became available, including DVDs, larger and cheaper high-definition flat-screen televisions, and streaming internet video including Netflix. The final nail in the coffin for some drive-ins came when movie studios began to move away from producing 35mm film prints to digital, with an ultimatum issued to theatres to switch to digital in 2013.
This meant that drive-ins had to purchase high-definition digital projectors if they wanted to screen new movies. The conversion cost was $75,000 to $100,000 per screen — a difficult expense for drive-in theatres to justify with a limited number of daily screenings, and particularly for Canadian drive-in theatres that only operate for part of the year.
Still, even facing all these obstacles, drive-ins continue to make a go of it. But if you want to keep your local drive-in in business, make going to a drive-in movie a regular outing during the season.
The Lindsay Drive-In is the only two-screen drive-in in the Kawarthas. (Photo: Lindsay Drive-In)
What’s playing at local drive-ins
During drive-in season, kawarthaNOW.com publishes movie listings every week for the Lindsay, Port Hope, and Havelock drive-ins on our Movie Listings page.
This weekend (starting April 27, 2018), Lindsay Drive-In is screening Sherlock Gnomes and A Quiet Place on Screen One, and Avengers: Infinity War and Black Panther on Screen Two. The movies run nightly from Friday, April 27th to Sunday, April 29th and on Tuesday, May 1st. For more information, including ticket prices, visit www.lindsaydrivein.ca.
From Friday, April 27th to Sunday, April 29th, Port Hope Drive-In is screening Avengers: Infinity War and Black Panther. For more information, including ticket prices, visit www.porthopedrivein.com.
Both drive-ins will open seven days a week in early summer, when school is out.
The Havelock Family Drive In opens for the season on Friday, May 18th (the Victoria Day weekend). For more information, visit www.havelockdrivein.com.
Originally from Montana and now living in Toronto, singer-songwriter Rachael Cardiello brings her indie soul-folk music (and her viola) to The Garnet in downtown Peterborough on Wednesday, May 2. Rachael is touring with her brother Jon Cardiello (Wrinkles), performing as Bombshell Nightlight, who will be opening. (Photo: Michael Cardiello)
Every Thursday, we publish live music and performance events at pubs and clubs in Peterborough and The Kawarthas based on information that venues provide to us directly or post on their website or social media channels. Here are the listings for the week of Thursday, April 26 to Wednesday, May 2.
If you’re a pub or club owner and want to be included in our weekly listings, please email our Nightlife Editor at nightlife@kawarthanow.com.
8pm - Special Olympics Peterborough fundraiser ft Standard Electric w/ Lagan & Derelict (donation at door)
Frank's Pasta and Grill
426 King St. E., Cobourg
(905) 372-2727
Friday, April 27
9pm-12am - Karaoke; 12am - DJ
Saturday, April 28
7pm - The Spirits; 11:30pm - DJ Brown Sugar
Wednesday, May 2
8-11pm - Open Mic
Coming Soon
Saturday, May 5 7pm - Madman's Window; 11:30pm - DJ McPimpin
Saturday, May 12 8pm - The Breezeway Band; 11:30pm - DJ McPimpin
Saturday, May 19 8pm - Nurse Joy; 11:30pm - DJ C. Martell
Saturday, May 26 8pm - The Quickshifters; 11:30pm - DJ Mocha
Ganaraska Hotel
30 Ontario St., Port Hope
(905) 885-9254
Friday, April 27
10pm - DJ Loco Joe
Saturday, April 28
2pm & 10pm - Marty and the Mojos
Sunday, April 29
2-5pm - Red Stove Jam w/ Zacahary Shields, Mike Watson, Glen Furguson, Bob Johnson, Mark Inwards, Denis Nelson, Rick Dickerson, Angie Austin, Hope Horsfield
Coming Soon
Thursday, May 3 6:30pm - Elvis Presley Show ft Elvis impersonator Al Ross
Friday, May 4 10pm - DJ Loco Joe
Saturday, May 5 2pm & 10pm - Baz Little Rock Band
The Garnet
231 Hunter St. W., Peterborough
(705) 874-0107
Thursday, April 26
9pm - The Real Shade and guests
Friday, April 27
9pm - The Steady Swagger, Niall, The Effens ($10)
Saturday, April 28
9pm - Punk Show ft T-Rex Marathon, Strange, The Beat Abbatoir ($5)
Thursday, May 24 8pm - Peterborough LIVE presents Rockafellas w/ Broken Harmony, The Heartless Romantics, M.J. & The Beetus, Goombas, Rhys Climenhage ($15 for all-access festival pass or $10 per show, in advance at www.ticketscene.ca/events/21027/)
Saturday, May 26 8pm - Peterborough LIVE presents Mayhem w/ The Divided Line, Odd Ones, Jagged, My Affected Reality, Outshined, Present Tense ($15 for all-access festival pass or $10 per show, in advance at www.ticketscene.ca/events/21057/)
Friday, May 4 6:30pm - Dinner and Elvis Impersonator Al Ross
The Social
295 George St. N., Peterborough
(705) 874-6724
Friday, April 27
10pm - Nashville Night
Saturday, April 28
6:30-9:30pm - International Jazz Day Peterborough presents Carrie Chesnutt Quartet (no cover); 10pm - Saturday Night Live ft High Waters Band
Coming Soon
Saturday, June 2 10pm - Ivory Hours w/ Paper Shakers
Southside Pizzeria
25 Lansdowne St. W., Peterborough
(705) 748-6120
Fridays
9am-12pm - Open mic ($2)
Turtle John's Bar & Grill
4620 County Road 45, Cobourg
(905) 377-9113
Coming Soon
Sunday, May 13 12pm - Grand Opening ft dance performances by #M Dance works, DJ Chris, face painting and jumping castle (fundraiser for The Northumberland Hills Hospital Foundation)
Turtle John's Pub & Restaurant
64 John St., Port Hope
(905) 885-7200
Friday, April 27
10pm - Rocky's Birthday Bash ft Head Case
The Venue
286 George Street North, Peterborough
(705) 876-0008
Coming Soon
Friday, June 1 7pm - RiseUp TV Tour Spring 2008 hosted by Roger Boucher and ft Ian Kurz, Taylor Merrick, Missy Knott, and more ($10)
While anyone can fall victim to the Canada Revenue Agency scam, elderly people are especially vulnerable as they may not check with family or friends before providing financial information to a scammer.
Spring is tax season, and it’s also scam season.
Police services across the Kawarthas are reminding residents to beware of the Canada Revenue Agency (CRA) scam, which is very active right now.
“This scam is evolving from year to year and becoming more sophisticated and more believable,” says Detective Constable Keith Calderwood with Peterborough Police Service Fraud Unit.
The scammers pretend to be CRA employees, claim that you owe the government money, and often threaten you with arrest if you do not pay.
Recent versions of the scam demand that you pay using gift cards, including iTunes and Steam cards. For telephone scams, the scammers often spoof the incoming number that appears on your call display so it appears to be legitimate.
On Monday alone (April 23), Peterborough police received 36 calls from residents reporting they had been contacted by income tax fraudsters. Recently, a local college student was scammed out of more than $1,500 after responding to a fake CRA email where she provided the scammers with all of her personal and banking information.
The City of Kawartha Lakes Police Service and the Northumberland detachment of the Ontario Provincial Police (OPP) have also reported calls from residents about the CRA scam.
Police are reminding residents to never provide identity or financial information or payment to someone who claims to be from the CRA, whether by telephone or in email.
CRA will never contact you by telephone or email to ask for identity or financial information, threaten you with arrest, or demand payment using gift cards. There are some legitimate reasons why CRA may contact you by telephone or email. In those cases, you should always verify by calling the CRA directly at 1-800-959-5525 (corporate income tax) or 1-800-959-8281 (personal income tax).
“These scammers are extremely aggressive and convincing,” Calderwood says. “If you get one of these calls, do not act (by giving them information). Hang up, call a trusted family member, friend, and call your bank.”
If you receive a scam phone call, report it to the Canadian Anti-Fraud Centre toll free at 1-888-495-8501. For more information, visit the Canadian Anti-Fraud Centre website.
If you have been a victim of fraud (meaning you have lost money to a scammer), contact your local police service.
The Canadian Canoe Museum held its annual general meeting on April 25, 2018 where it reviewed highlights from 2017, its 20th anniversary year, and announced the appointment of three new board members: Dr. Jenny Ingram, Vicky Grant, and Kevin Malone. (Photo courtesy of The Canadian Canoe Museum)
The Canadian Canoe Museum held its annual general meeting last night (April 25) and welcomed three new members to its Board of Directors.
The new board members are Dr. Jenny Ingram, Vicky Grant, and Kevin Malone (see bios below). The museum also announced that Wendy Cecil and Vicky Martins have retired from the board.
Board and staff members also shared the museum’s highlights from 2017 with meeting attendees.
“The museum has come a long way, and for this, we have an array of steadfast supporters and staff members to thank,” said the museum’s executive director Carolyn Hyslop. “Whether we’re looking back, or looking ahead, it’s clear that our supporters are the lifeblood of our organization. Our community of contributors pulls together.”
A key element of the annual general meeting was progress on the new museum facility to be built at the Peterborough Lift Lock on the Trent-Severn Waterway, including an update on the $65 million capital campaign.
“We received foundational financial support from leadership donors as well as the County of Peterborough, the City of Peterborough, the Government of Ontario and the Government of Canada,” said board chair John Ronson. “We couldn’t be more grateful. While we have much more work to do to reach our campaign goal, we are well on our way.”
New Board Members
The three new board members of The Canadian Canoe Museum: Dr. Jenny Ingram, Vicky Grant, and Kevin Malone.
Dr. Jenny Ingram
Dr. Jenny Ingram is a specialist in internal and geriatric medicine In Peterborough. She is the founder and principal investigator at the Kawartha Regional Memory Clinic, a specialty geriatric and clinical research facility. Jenny is also the founding chair of both the Peterborough Council on Aging and the Peterborough Chapter of Osteoporosis Canada.
In 2016, Ingram received the Irma M. Parhad Award for Excellence from the Consortium of Canadian Centres for Clinical Cognitive Research, and the Glenn Sawyer Service Award from the Ontario Medical Association for outstanding contributions to the medical profession and the community.
Vicky Grant
Vicky Grant is from the Loon Clan, Teme-Augama Anishnabai Qway (Deep Water Woman), whose traditional territory is the Temagami area in northern Ontario. She is a Status Indian registered as a member of the Temagami First Nation, a status given to her through Canada’s Indian Act.
Grant says her most important roles in life are those of wife, mother, and grandmother. In her work and in her volunteer activities throughout her career, always with a passionate voice, Grant has always been and continues to be an advocate for more robust Indigenous engagement. She has served on boards for a number of foundations locally, provincially, and nationally, including as chair of the Board of Directors for Community Foundations of Canada.
Kevin Malone
Kevin Malone is Managing Director of BMO Private Banking with BMO Financial Group. With many years of experience serving corporate, ultra and high net worth clients, Malone n and his team work with wealthy Canadian families and assist in managing their complex wealth management needs. He has an MBA from the Richard Ivey School of Business, University of Western Ontario, a Bachelor of Arts (Honours) from Queen’s University, and a certificate from the Sauder School of Business Family Enterprise Advisor Program, University of British Columbia.
Malone is active in the community, including as a trustee of Lakefield College School, a director and past president of Duke of Edinburgh Award Program’s National Board, and has served on the fundraising committees for a number of not-for-profit organizations including Nature Conservancy of Canada, Stratford Express, and Dixon Hall. He is a recipient of Her Majesty the Queen Golden Jubilee Medal (2002) and Diamond Jubilee Medal (2012).
"You know something's important to you when it appears as your birthday cake", one of the photos in the "Life by Bike" SPARK Photo Festival exhibit on display at GreenUP in downtown Peterborough until the end of April. (Photo: Cam Douglas)
If you have walked past GreenUP lately on Aylmer Street in downtown Peterborough, you may have stopped to view the various photos in the windows on the north side of the building.
Each week, GreenUP provides a story related to the environment. This week’s story is by Jaime Akiyama, GreenUP Coordinator of Transportation Programs.
These photos are part of GreenUP’s SPARK Photography Festival exhibit. All of the photos were submitted under the same theme ‘Life By Bike’.
GreenUP is intrigued about the various ways that bikes have found places within the lives of local community members.
We regularly meet people who have incorporated a bicycle into their lives, and even some who have chosen to build their life around their bikes.
“This Is Why We Ride”. (Photo: Peter Laurie)
For some, riding a bike means ease and convenience for a morning commute; for others, it is the challenge and satisfaction of a bit more speed or control. The Life by Bike exhibit captures these motivations and more.
Some images portray a reflection of a special connection to nature and community, while others catch a glimpse of happiness and freedom, echoing the joy that one may feel when buzzing down a trail with the wind in their face.
Many people in our community have made the shift towards active and sustainable transportation by embracing the bike.
To Jenn McCallum and her husband John, life by bike represents a lifestyle.
“For John and me, this means riding a bike to commute to and from work, buying groceries and running errands, and for exercise,” Jenn explains. “We ride bikes all year round, including in the winter!”
Having a life by bike can expand the role of the bike, transforming it from merely a tool for travel, to a way to make connections with the world.
“Environmental Education by Bike”. (Photo: Jenn McCallum)
“One of the gifts of being a year-round cycle commuter is that I feel more in touch with the weather and the changing seasons,” shares Peterborough community member Peter Laurie.
“If we have two days of a strong north wind, I know it tangibly; I dress a little more warmly to match the drop in temperature, and I know that the ride home from work will be a bit more of a challenge. It always makes me smile a bit when I hear people at work complaining about the weather, when their sole exposure to it has been from their car.”
“Building up the courage”. (Photo: Jaime Akiyama)
For Susan Sauve, life by bike is all about freedom.
“Freedom to get around my community, knowing that if my eye condition worsens, I will still be able to get around easily,” she says.
“In that sense, using my bike for all kinds of adventures, from big shopping expeditions to travel, provides me with peace of mind. I don’t need my car, it is an extra and when the time comes, I can let go of it without too much sadness.”
This sense of freedom and independence is echoed in the lives of youth and other community members that have chosen or that need to use bikes for transportation.
Riding doesn’t always come easy.
“I learned to ride as a child, but I didn’t ride a bike throughout my teen years,” Jenn reflects. “When I graduated from university in 2008, John helped me purchase my commuter bike, and taught me how to ride again. This has led to more time in the saddle. I’ve learned that there is a certain type of joy that only riding a bike can bring!”
Regardless of how or why life by bike happens, the common theme expressed, is joy.
“The phrase ‘life by bike’ does a great job of expressing how much I love experiencing our community and the surrounding countryside from the perspective of two wheels, whether commuting or riding recreationally,” Peter says.
“East City Bike Gang”. (Photo: Jaime Akiyama)
“There’s something elemental about the act of climbing on and starting to pedal that awakens my inner six year old, and from that point on it’s all about going fast and feeling the wind on my face.”
A sentiment that is shared by a real six year old, William VanDerHerberg.
“My bike goes fast. It’s easier than walking. It’s better than driving and it helps the community.”
“Refueling”. (Photo: Karen Halley)
Whether a bike is used for pursuits related to fitness, convenience, the environment, economics, or fun, it is being incorporated into lives of our community members.
GreenUP shares the joy of our community members as we support their life by bike through programs and events that celebrate bikes and bike culture in Peterborough.
Life by Bike will be on exhibit until the end of April with a reception at the GreenUP Store on Saturday, April 28th at 12:30 p.m.
Additionally, bring your bike and join for the SPARK Spin guided bike tour of the South Spin route that travels approximately 10 kilometres to view SPARK exhibits in the south end of Peterborough, looping back to conclude at the Publican House Restaurant in East City.
The ride is $10 or pay-what-you-can. Registration is required at peterboroughmoves.com and the tour is weather permitting.
From April through to September, GreenUP, along with B!KE and the City of Peterborough, offers programs to help you embrace life by bike. Information on Shifting Gears, Bike Night, #kidsonbikesptbo, SPARK Spin, and more can be found at peterboroughmoves.com.
These programs are provided with the generous support of the Ontario Trillium Foundation and local partners. If you have questions or would like to get involved, please contact Jaime Akiyama, GreenUP Transportation Programs Coordinator at 705-745-3238 or jaime.akiyama@greenup.on.ca.
The Skills Arena and the Kube are flexible and integrated learning spaces at Fleming College's Kawartha Trades and Technology Centre (KTTC). The American Institute of Architects has recognized KTTC, designed by Perkins+Will, with a 2018 Education Facility Design Award. (Photo: Scott Norsworthy)
The Kawartha Trades and Technology Centre (KTTC) at Fleming College in Peterborough has received a 2018 design excellence award from the American Institute of Architects (AIA).
KTTC was one of 10 winners — and the only Canadian one — of the AIA’s Education Facility Design Awards, announced by the AIA’s Committee on Architecture for Education on April 13, 2018.
The Education Facility Design Award recognizes cutting-edge designs that enhance student learning.
The Kawartha Trades and Technology Centre (KTTC) at Fleming College. (Photo: Tom Arban)The Kawartha Trades and Technology Centre (KTTC) at Fleming College. (Photo: Tom Arban)
To be eligible for the award, an architect must demonstrate exemplary practice and the design must meet a host of criteria, including enhancing learning in classrooms, balancing function with aesthetics, establishing a connection with the environment, being respectful of the surrounding community, demonstrating high-level planning in the design process, and integrating sustainability in a holistic fashion.
The 87,000-square-foot KTTC, which opened in September 2014, was designed by international architecture and design firm Perkins+Will.
The building houses trades and technology programs including carpentry, plumbing, electrical, welding and heating, refrigeration and air conditioning, as well as programs such as Graphic Design – Visual Communication.
The Kawartha Trades and Technology Centre (KTTC) at Fleming College. (Photo: Scott Norsworthy)The Kawartha Trades and Technology Centre (KTTC) at Fleming College. (Photo: Scott Norsworthy)
“The Kawartha Trades and Technology Centre is a beautiful, light-filled space that, we believe, has attracted more non-traditional students to the trades,” says Maxine Mann, Dean of the School of Trades and Technology at Fleming College.
“The flexible, multi-disciplinary design of the learning spaces allows for better integration of the trades, similar to a real-world work site, and ensures students are prepared to work in all types of settings whether it’s residential, industrial or commercial.”
The AIA’s project description states that the KTTC “brings together theoretical teaching and applied learning in a dynamic new environment that emphasizes program visibility, technology and collaborative learning.”
The Kawartha Trades and Technology Centre (KTTC) at Fleming College. (Photo: Scott Norsworthy)
“Connected to the existing main social and academic building, the KTTC houses SMART classrooms, faculty offices and administrative spaces, as well as teaching workshops, bulk project storage, and a 27,000-square-foot flexible multi-disciplinary project space called the ‘learning factory.’
“Inside, on the upper level, a large common area with WiFi enabled lounge areas, chalkboard walls and presentation areas overlook the central Learning Factory, offering a dynamic venue for users of the building and campus alike. Organized in a split level that engages the topography of the site and conceived as two interlocking, shed-like volumes, the building’s form is loosely derived from an industrial typology.
“A cladding of Corten steel and fibre-reinforced cement panels reinforces this theme, presenting a distinctive new face to the campus that blends harmoniously with the natural surroundings. Aligned with the main north-south axis of the campus, the building is conceived as a new gateway inviting pedestrian movement from the adjacent student residences and Sport and Wellness Centre.”
Students at work at The Kawartha Trades and Technology Centre (KTTC) at Fleming College. (Photo courtesy of Fleming College)
"Library Commons" will be the name of the new public space at the southwest corner of Simcoe and Aylmer streets, part of the City of Peterborough's redevelopment plans for the Peterborough Public Library. Renovations of the library building were completed earlier this year, and the newly renovated library opened to the public on January 30, 2018. (Photo; Jeannine Taylor / kawarthaNOW.com)
The new public space at the southwest corner of Simcoe and Aylmer streets, beside the newly renovated Peterborough Public Library in downtown Peterborough, will be named “Library Commons”.
The City of Peterborough and LLF Lawyers made the announcement today (April 25) after three weeks of public voting on one of seven possible preselected names. Of more than 500 votes cast for the seven names, “Library Commons” was the most popular at 186 votes — edging out the next most popular option “Firehouse Square” by 32 votes.
The voting results are as follows: Library Commons (186 votes), Firehouse Square (154 votes), Robertson Davies Square (102 votes), Carnegie Square (42 votes), Brigade Square (35 votes), W.A. Howard Commons (10 votes), and Dr. Thomas Greer Square (9 votes).
When the square opens to the public, a plaque will be installed commemorating this community space with the name “Library Commons”. An official opening ceremony will be held once the development of the square is complete.
“Thank you to LLF Lawyers for partnering with the city on the creation of Library Commons,” says Mayor Daryl Bennett. “The public square is another example of engaging with residents, community groups, and the private sector as we build a complete community,”
Architect’s concept drawing of the new public plaza to be adjacent to the new Peterborough Public Library, with Bethune Street at the left (west), Aylmer Street at the right (east), and Simcoe Street at the top (north). (Drawing: Daniel J. O’Brien & Associates)
LLF Lawyers sponsored the new public space with $100,000 over 20 years, securing the naming rights from the city for the space. Instead of choosing to name the space itself, the legal firm worked with city staff to compile a short list of seven names that reflect the community’s heritage and history and demonstrate a commitment to public access to and use of the space.
“The name identifies well with the geographical area of our community and reflects the importance of our new public library,” says Bill Lockington, a partner with LLF Lawyer. “‘Meet me at the Library Commons’ will become a familiar expression, encouraging public gathering at the square.”
Some members of the community have criticized the naming process, stating that the name of a female or Indigenous leader in the Peterborough area should have been included among the options.
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