Environment Canada has issued a winter weather travel advisory for Haliburton County overnight Wednesday (October 19).
Westerly winds and a cool air mass will allow for the development of lake effect snow bands off of Lake Huron and Georgian Bay. Precipitation is expected to switch over from rain to snow Wednesday evening, and then remain as snow overnight.
Total snowfall amounts of 5 to 10 cm are expected, with the highest amounts over higher terrain and grassy surfaces. There will also be reduced visibility in snow at times.
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Accumulations on primary roads may be closer to the lower end of the snowfall range due to warmer road temperatures. Higher accumulations are expected over higher terrain and grassy surfaces.
Precipitation will switch back over to a mix of rain and snow by Thursday afternoon.
Motorists should expect hazardous winter driving conditions and adjust travel plans accordingly. Prepare for quickly changing and deteriorating travel conditions. If visibility is reduced while driving, slow down, watch for tail lights ahead and be prepared to stop.
Surfaces such as highways, roads, walkways and parking lots may become icy and slippery. Snow squalls cause weather conditions to vary considerably; changes from clear skies to heavy snow within just a few kilometres are common.
Trent University's Champlain College was named in honour of the 17th-century French colonist and explorer Samuel de Champlain. A committee established to consider and reflect upon the legacy of Champlain has issued eight recommendations endorsed by the university's board of governors. (Photo courtesy of Trent University)
Trent University’s board of governors has endorsed the recommendations of a report on how the university should deal with the legacy of Samuel de Champlain, including by giving Trent’s next college and residence an Indigenous name from the Anishnaabemowin language.
Champlain College, the oldest college on Trent University’s Symons Campus, is named after the 17th-century French colonist and explorer who founded Quebec City and who was the first European to explore and map the Great Lakes. The college also has several pieces of artwork portraying Champlain.
In November 2021, Trent University president Leo Groarke formed a committee to consider and reflect upon the legacy of Samuel de Champlain as it relates to Champlain College, the university, and their communities.
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Questions and concerns have been raised at various times about how the university, which created North America’s first Indigenous Studies program in 1969, has recognized Samuel de Champlain, who is considered by some to be a symbol of Canada’s colonial heritage and oppression of Indigenous peoples. The decision to form the committee came shortly after Canada’s first National Day for Truth and Reconciliation, which the university commemorated in Peterborough through a Treaty Rock installation at Symons Campus.
Chaired by Marilyn Burns, the university’s vice-president of communications and enrolement, the Champlain Committee included students, alumni, faculty and staff with a mix of expertise and perspectives that include Indigenous knowledge and scholarship, ethics, history, and heritage.
Over nine months, the committee listened to delegations, received close to 150 written submissions, and hosted an event in which students were encouraged to review studies of Champlain and share their own insights and questions about his legacy.
Some students consider a bust of Samuel de Champlain by Jérèmie Giles as a symbol of oppression over Indigenous people, and artwork of Champlain by Charles Comfort as a negative image that lacks a sympathetic counterpoint expressing the Indigenous point of view. Both pieces have already been removed from Champlain College and will be permanently relocated with contextual information and corresponding Indigenous artwork. (Photos courtesy of Trent University)
The result is a 28-page report with eight recommendations that the university’s board of governors endorsed on Friday (October 14).
The recommendations include permanently moving the artwork depicting Champlain from Champlain College to the university’s archives or library with contextual information and corresponding Indigenous artwork, introducing a new “cornerstone” at Champlain College to recognize Indigenous people and language (in particular Anishnaabemowin), and retaining the name of Champlain College but adding cultural context to the name by giving Indigenous names to the college’s buildings and spaces.
The report also recommends giving Trent University’s next college and residence — to be built at Trent University’s Symons Campus by 2027 — an Indigenous name from the Anishnaabemowin language, in consultation with Elders and local First Nations.
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“In the end, the Committee was confronted with the knowledge that any conclusion would be unsatisfactory based on the pull of so many impassioned views on the importance of names and symbols,” reads the report’s summary. “It was also faced with the imperative to pass judgment on a historical figure. We landed on an imperfect conclusion, as any would be under the circumstances: that Samuel de Champlain is deserving of judgment and scrutiny but, as some urged, not to be forgotten.”
“Consensus was reached by the Committee based on an educational environment and perspective: that we have learned more through this process of questioning and that learning will be better enabled by keeping the Champlain name and continually placing it in the context of the history of the Nations at the time. In particular, the Committee heeded the words of those Indigenous respondents and leaders who advocated for informing history instead of erasing it — and the reality that, if we erase history, it is likely to repeat itself and this cannot be allowed to happen.”
“By recommending the continuation of the Champlain name with historical context, and recommending Indigenous naming of particular structures and the next College as determined through extensive outreach with Elders and treaty holder First Nations, the Champlain Committee believes that truth, reconciliation and an understanding of history will be realized in its best form — through ongoing learning and dialogue.”
Pfizer-BioNTech's COMIRNATY Original/Omicron BA.4/BA.5 vaccine is one of two bivalent COVID-19 vaccines available in Ontario as a booster dose for those aged 12 years and older. Moderna's bivalent vaccine protects against the original COVID-19 virus and an earlier BA1 omicron strain. (Photo: Pfizer Canada)
In a couple of short months, we will be coming up on three years of the COVID-19 pandemic. It is hard to believe that much time has passed. Are we tired of this? Yes. Is the virus tired of us? No.
One of the challenges of a viral pandemic is that we cannot see the enemy. That makes it easier to forget about. Can you imagine if Canadians had said, “I’m tired of this war,” and gave up three years into World War 2? As we now know, more Canadians have died from COVID-19 than from World War 2 combat deaths. Our desire to forget about and move on from COVID-19 is not justified just because the enemy is too small to see with the naked eye.
While we are in a better place in the pandemic, the COVID-19 virus continues to kill and disable residents of the Peterborough Public Health region. Earlier this month, our region moved up to Very High risk on the COVID-19 Risk Index.
The increase in community risk was determined based on increases in several key indicators, including case rates, hospitalizations, deaths, percent positive PCR tests, rapid antigen tests, and wastewater data. In combination, these indicators tell us that COVID-19 is rearing its head again this fall.
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While we are learning to live in a new normal, this does not mean we should move on entirely. Our hope is that the days of school and business closures are all behind us, but those actions and other prevention methods during the pandemic were life saving. Our epidemiologists estimate that nearly 300 lives were saved in this region alone due to the preventive actions of everyone in our community. While we may not need to completely isolate ourselves again, there are many steps that each person can take every day to help prevent the further spread of COVID-19 in our community.
The personal preventive steps that saved lives at the beginning of the pandemic are the same steps that each person can take now. In the new normal, continue to monitor for symptoms, stay home if you are sick, and seek testing and treatment if you are eligible. When you choose to gather, spend more time outside or improve your indoor ventilation to move air around and filter out viruses. When you are in public, wear a tight-fitting KN95/N95 style mask when indoors around others and when the COVID-19 Risk Index level is High or Very High.
Finally, and most importantly, stay up to date on your COVID-19 vaccinations.
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The COVID-19 vaccine was first released as a two-dose primary series (three doses if you’re immunocompromised). As science has told us since, protection fades over time. With this discovery, a third dose was offered, and then a fourth dose. Now, the language the province and the National Advisory Committee on Immunization (NACI) is using is “staying up to date on your vaccination.” What does this actually mean? Well, for those over the age of five it means that you should receive your primary series of two doses (four doses for those who are immunocompromised) and then receive a COVID-19 booster dose every six months.
Why should we receive a booster dose every six months? Vaccination schedules are determined by scientists who consider several factors, including the risk of getting sick (or how much COVID-19 is actually circulating), the best timeline for your protection (or your immune systems ability to fight off COVID-19 infections), and the optimal time period to ensure side effects remain rare.
For COVID-19 vaccines, the best evidence now is that you will likely need an additional dose at least every six months. The exception to this is if you have had a COVID-19 infection recently. Some research suggests that an infection can provide some protection for about three months. So it’s recommended to schedule your next dose for at least three months after a COVID-19 infection.
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We are now fortunate enough to have not one but two bivalent vaccines available in Ontario.
The Moderna bivalent COVID-19 vaccine protects against the original COVID-19 virus and an earlier BA1 omicron strain, but has a slightly higher dose. In previous Moderna COVID-19 vaccines, this higher dose has shown to give slightly better protection than the Pfizer COVID-19 vaccine. The Pfizer bivalent COVID-19 vaccine protects against the original COVID-19 virus and the more recent BA4/5 omicron strain.
You may hear lots of discussion around which is better but, while the science tells us both are safe and better than the traditional vaccine dose, it isn’t clear whether one or the other will be better. This is in part because we don’t know what variant will be dominant in the future. So, for my advice, staying up to date with any bivalent COVID-19 vaccine is better than not staying up to date at all.
A dose every six months is not too bad to stay up to date on protections in an ongoing pandemic, is it? I get my car’s oil changed more frequently than that, and the vaccine is important life-saving protection for myself and those around me.
Have your fortune read during Historic All Hallows' Eve at Lang Pioneer Village Museum in Keene on October 28 and 29, 2022. (Photo: Larry Keeley)
Did you know that candy corn, the “love it or hate it” Halloween treat, was invented in Philadelphia in the late 19th century to celebrate farmers and was originally called “chicken feed?”
You can find out about the history of this and other modern-day Halloween traditions at Historic All Hallows’ Eve, which runs from 6 to 9 p.m. on Friday and Saturday (October 28 and 29) at Lang Pioneer Village Museum in Keene.
You’ll discover the origins of trick-or-treating and learn a rhyme for “soul-caking” at the Milburn House. The tradition of giving soul cakes was celebrated in Britain and Ireland during the Middle Ages to commemorate the dead, and “soulers” visited homes carrying hollowed-out turnip lanterns with a candle inside to represent a soul trapped in purgatory (North American settlers used the native pumpkin, which was much larger and easier to carve).
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You can also find out about the history of coffins and body snatching at the Carpenter Shop, witness a traditional 1890s Halloween party at the Town Hall, and take part in some party games.
While Halloween is a settler custom, you can also learn about Indigenous traditions at Aabnaabin Camp. Sit by the bonfire to hear the Michi Saagig people’s tale of the malevolent spirit Wendigo, and find out about the Wyandot peoples’ mortuary custom known as the Feast of the Dead.
Find out what your future holds from Madam Fortune, stop by the Tinsmith Shop to feel what is lurking in the mystery crocks, see the swamp water bubbling in the cauldron in the Witches Lair, and visit the Print Shop to listen to an 1800s fairy tale. You can also learn about the history of candy corn at the General Store (cast your best guess at the number of candy corns in the jar).
Celebrate Halloween and discover how modern-day Halloween traditions came to be during the family-friendly Historic All Hallows’ Eve at Lang Pioneer Village Museum in Keene on October 28 and 29, 2022. (Photo: Elizabeth King)
Learn about paranormal investigations undertaken at Lang Pioneer Village Museum by ghost hunters the Paranormal Seekers and see some of the specialized equipment they use to make their “discoveries.”
Take a tractor and wagon ride or wander the village as the Backwoodsmen perform murder ballads, and see if you can locate the friendliest ghost in the village (he may have a special prize for you). Participate in a Halloween scavenger hunt by finding all the scarecrows.
You can also stop by the Keene Hotel for some hot chocolate and treats or visit the Peterborough County Agricultural Heritage Building for a grilled cheese sandwich.
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Come disguised to blend in with the spirits and ghosts lurking in the village or have your face painted once you arrive. Children will receive treat bags at the end of the evening to enjoy on their way home.
While some of the origin stories of Halloween customs during this historical tour can be dark, Historic All Hallows’ Eve is not a frightful experience and is suitable for the entire family.
Admission is $15 for adults, $10 for students and seniors 60 and older, $7 for children and youth aged two to 14, and free for children under two. Family admission is also available for $40 (for two adults and up to four youth ages two to 14). You can purchase tickets in advance from the museum’s online shop, but advance tickets are not required.
Peterborough's Mobile Support Overdose Resource Team (MSORT) reaches out to and interacts with substance users on their turf, the goal being to reduce the adverse and potentially tragic physical, mental, and emotional health impacts of a poisoned drug supply.
Trust is easy to lose but not so easy to earn. As the prerequisite for the relationships that members of Peterborough’s Mobile Support Overdose Resource Team (MSORT) have established with substance users, trust is paramount.
In fact, it’s the basis of the first few baby steps on the way to changing and possibly saving lives.
Comprised of three intensive case managers, a harm reduction specialist, and a paramedic, MSORT reaches out to and interacts with substance users on their turf, the goal being to reduce the adverse and potentially tragic physical, mental, and emotional health impacts of a poisoned drug supply.
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Some team members bring to that mission something that is key in the trust equation: lived experience.
“They have a different understanding of what’s happening to an individual and can offer services that won’t stigmatize,” explains Jessica Penner, coordinator with the Peterborough Drug Strategy.
“A well-meaning individual who is a service provider might not necessarily understand how they’re stigmatizing an individual. It’s not possible to quantify the value of being able to talk the talk, to speak to people on the same page.”
Fourcast executive director Donna Rogers concurs, saying those with lived experience “understand things at a different level.”
She adds it’s rare to come across people in a helping profession who don’t have lived experience, “particularly those that do street level work like this, whether it’s their own or that of a family member or friend. The further we go down the path of not resolving the opioid crisis, it’s tougher to find people who haven’t been personally impacted.”
Because the poisoned drug supply crisis and all the issues around that aren’t going to be resolved at any point soon, initiatives like MSORT have a place to live and breathe and do their important work.
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A collaborative pilot project that serves in Peterborough city and county, MSORT’s intent is to reduce overdoses and minimize the risk of harms related to overdose and substance use, especially opioids. Rogers explains the roots of its formation go back some five years.
“Acting (Peterborough) police chief Tim Farquharson had been to a conference and identified this street outreach model that had peers attached to it,” Rogers explains. “He believed it had lots of merit for our community. Peter Williams was the (police’s) community development person at the time. He was tasked with looking for opportunities to get something like this funded. I was one of the people who had input back then, but there were others — public health, CMHA … all of the usual suspects.”
While the home base of Peterborough’s Mobile Support Overdose Resource Team (MSORT) is located at the Consumption and Treatment Services site at 222 Simcoe Street, MSORT is primarily an outreach service. (Photo: Bruce Head / kawarthaNOW)
So it was that an application for funding, submitted by the Peterborough Police Service, was made to Health Canada’s Substance Use and Addictions Program. It proved successful, resulting in 30 months of funding. While the police service received the funding as the applicant, it hasn’t kept a cent, ensuring that Fourcast and Peterborough Paramedics have the dollars needed to operate MSORT.
MSORT uses the Consumption and Treatment Services site at Simcoe and Aylmer streets as its home base, but it is primarily an outreach service. Ideally, it would do its work seven days a week round the clock but, to stretch its funding, the team operates five days a week from 8:30 a.m. to 4:30 p.m.
According to Fourcast-affiliated MSORT program manager Sonya Trotter, establishing trust with substance users was the first hill that had to be climbed.
“(MSORT paramedic) Audrey would go out in the community and people wouldn’t have anything to do with her,” Trotter recalls. “Her uniform spoke to a system that our clients aren’t interested in. They don’t have trust because there are a lot of barriers. They experience stigma and discrimination — they don’t want any part of that.”
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Building that trust took a while, according to Trotter, but was critical to understanding the needs of substance users.
“Once you earn trust, they will allow you in to hear their stories, what they’re experiencing, and what they need to make change in their lives.”
Earning that trust means lives have been changed in a very big way, according to Rogers. From May to August of this year, two people who MSORT interacted with went into a residential addictions treatment.
“That doesn’t sound like a lot, but to get two people stable enough to be able to make that decision and go into treatment is massive,” Rogers says.
In addition, 10 people were housed via supportive housing programs, 17 were connected to the safer supply initiative, and 33 were connected to community treatment supports. Another four, notes Rogers, applied to One City’s employment program.
With MSORT now connecting daily with 20 to 25 people at any point of time, trust has clearly been established.
“We can’t quantify how many people haven’t died because of MSORT, but we can quantify the number of lives that been changed,” says Penner.
“If we didn’t have some of these really positive outcomes, this would be even more difficult work than it already is,” Rogers adds.
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One challenge faced by an outreach program like MSORT is connected to the homelessness of many of those it serves.
“Every week, the city takes down tents and moves people along,” Trotter says. “It’s an ongoing issue. When we’re engaging people and we know where they are, that’s one thing. But the next time we go to that space, they’re gone. Sometimes we don’t find them for a couple of days.”
“What happens is they continue to destabilize. That makes it really difficult to implement a stabilization plan for them and move forward. We have a lack of housing. Getting somebody housed and stabilized is an ongoing task.”
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When it comes to meeting this challenge and the many others MSORT faces, Rogers is heartened by the tenacity displayed by those on the team.
“They’re a very skilled, compassionate group,” she says. “They are really good folks. They are extraordinary professionals. From Sonya’s leadership right through to all of the experience on the team, if someone needs something, these guys know how to go after it and get it.”
The tenacity of the MSORT team is an important part of delivering on the trust they have earned with substance users.
“System navigation isn’t about ‘I know of three places that I can make a referral for you.’ It’s about ‘I’m going to get that appointment nailed down. I’m going to get you the option to do it. If you say yes, I will move three mountains to make sure that you can get there.'”
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Still, it’s a work in progress that hangs by the slimmest of threads. On March 31, 2023, MSORT’s funding comes to an end.
Rogers says Health Canada has been approached for an extension — the Substance Use and Addictions Program can fund programs for up to five years — but, as of this writing, there was no word. She adds if confirmation of extended funding isn’t received, MSORT will be forced to wind down its operation, most likely early in the new year.
“From an efficiency of resources perspective, it’s beyond ridiculous to not have a plan for how you maintain successful programs,” Penner points out. “What kind of system does that? ‘Great job. OK, wrap it up.’ This isn’t going away. It’s not like we solved the opioid crisis.”
The Creepy Doll Museum exhibit at The Theatre on King in downtown Peterborough in 2021. (Photo: Creepy Doll Museum / Instagram)
Creepy dolls have been a staple of horror films for decades, from Hugo in 1964’s Devil Doll to Robbie’s clown doll in 1982’s Poltergeist to Chucky in 1988’s Child’s Play (and its endless sequels), so it’s no surprise that the Creepy Doll Museum is returning for the Halloween weekend at The Theatre on King in downtown Peterborough.
This is the fourth straight year that Kathryn Bahun and Ben Hatcher will display their increasing (and increasingly creepy) collection of weird discarded and donated dolls at The Theatre on King for Halloween.
The idea for the Creepy Doll Museum began in 2019 after Bahun, who had already been collecting dolls for several months, gave Hatcher a doll she has purchased at Peterborough’s Great Gilmour Street Garage Sale as a birthday gift.
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Originally designed for children, the dolls were not intended to be creepy — but for some reason they are.
“It’s because they represent innocence and childhood and playthings, so when it goes wrong it is even worse because you don’t expect it,” Bahun told kawarthaNOW in 2019. “But mostly it’s their eyes. It’s the eyes more than their expression.”
Since launching the Creepy Doll Museum, Bahun and Hatcher have collected well over 100 creepy dolls, and 20 new dolls will make their debut at The Theatre On King — “if can convince the others to make room,” according to the Creepy Doll Museum’s Instagram account.
A few of the many discarded and donated dolls in the Creepy Doll Museum. (Photos: Creepy Doll Museum / Instagram)
The Creepy Doll Museum will be on display at The Theatre on King (171 King Street, Peterborough) from 6 to 8:30 p.m. on Friday and Saturday (October 28 and 29). Each doll is accompanied by its own biography.
Tickets are $10 at the door or pay what you can. There is no need to book your visit in advance this year, although you may need to wait if The Theatre on King venue reaches its occupancy limits. Face masks must be worn inside the venue.
For more information, visit the Creepy Doll Museum on Facebook or Instagram.
"Haze" (acrylic on canvas, 24" x 24") by Kawarthas artist Jenny Kastner is one of the many artworks donated by local artists for the Art Gallery of Peterborough's annual "It's All About ART" online auction, running October 21 to November 5, 2022 in support of the Gallery's exhibitions, programs, and educational opportunities. (Photo courtesy of the Art Gallery of Peterborough)
The Art Gallery of Peterborough is holding its annual “It’s All About ART” auction online again for the third year in a row, giving people a unique opportunity to bid on original fine artwork created by Peterborough-area artists.
The silent auction opens for bidding at midnight on Friday, October 21st and continues until bidding closes at 9 p.m. on Saturday, November 5th. You can preview auction items now by visiting the auction website, where you can register to participate in the bidding when it opens.
The annual auction is an important fundraiser for the Art Gallery of Peterborough which, since its founding in 1974 by a group of dedicated volunteers, has been sustained by the contributions of members, donors, and supporters. By participating in the auction, you can build your art collection while supporting local artists and the Art Gallery of Peterborough’s exhibitions and programming for everyone in the community.
VIDEO: It’s All About ART
According to Art Gallery of Peterborough Director Celeste Scopelites, local artists have been very generous with their donations to the auction this year, with over $34,000 worth of artwork donated. Participating artists either agree to donate 100 per cent of the winning bid to the Gallery, or they can split the proceeds equally between themselves and the Gallery.
As well as multiple photos of each piece of artwork in the auction and the current bid, the auction website includes information about the artist and the donated piece — providing an opportunity to promote the talent of Peterborough-area artists to a global audience.
“We’ve tried to do as much as possible to bring awareness of the creativity that’s here in our community,” Scopelites says, adding people have lots of opportunity to find a piece that speaks to them.
“Mosses” (2015, photographic print on Epson Semi lustre paper in maple frame with museum glass, 40″ x 50″) by Peterborough photographer Arnold Zageris is one of the many artworks donated by local artists for the Art Gallery of Peterborough’s annual “It’s All About ART” online auction, running October 21 to November 5, 2022 in support of the Gallery’s exhibitions, programs, and educational opportunities. (Photo courtesy of the Art Gallery of Peterborough)
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The auction includes pieces from well-known local artists as well as newer artists, with artwork including paintings, sculpture, ceramics, and more.
“There’s a real scope of amazing work this year,” says Scopelites.
Pieces up for auction this year include paintings by Peer Christiansen, Jenny Kastner, Rob Niezen, and John Climenhage, photography by Arnold Zagaris, sculpture by Christy Haldane, drawing by Kathryn Durst, relief printing by Jeff Macklin, carved wood by John Boorman, and many more. Items will continue to be added to the auction until the start of bidding.
Scopelites reminds those participating in the auction to make sure to check their bids before the auction closes to avoid disappointment.
“You have to pay attention at the end of the auction,” Scopelites says. “Those last few hours are always really exciting for us.”
The Art Gallery of Peterborough’s annual “It’s All About ART” online auction, running October 21 to November 5, 2022, raises funds to support the Gallery’s programming and exhibitions, such as Peterborough artist Peer Christensen’s “Landscapes of Conveyance” exhibition in the main gallery in 2022. Christensen is one of the many local artists who have donated artworks to the auction. (Photo courtesy of the Art Gallery of Peterborough)
For those who prefer to see the artwork in person rather than online, you can visit the Art Gallery of Peterborough at 250 Crescent Street for the auction preview exhibit, on now until November 6.
“Even though online is wonderful, it’s still not the same as actually being in front of the art piece,” notes Scopelites.
The Art Gallery of Peterborough’s decision to host an online auction with an in-person preview exhibit began during the pandemic in 2020, when the Gallery learned of a small art gallery in New Brunswick doing the same thing.
For those who prefer to see the artworks in the Art Gallery of Peterborough’s “It’s All About ART” online auction in person, the Gallery is hosting an auction preview exhibit until November 6, 2022. (Photo: Zach Ward / We Design Group)
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The Art Gallery of Peterborough hosted an online auction again in 2021 and, when making plans for the 2022 auction, decided to continue online rather than returning to an in-person auction where hundreds of people would have to gather in one room.
“For our audience, we have a mixture of people still feeling cautious of the pandemic, so we thought it best to do it online again,” Scopelites explains.
While the Art Gallery of Peterborough has once again adapted to the realities of the pandemic, Scopelites points out that hasn’t dampened people’s enthusiasm for art and for supporting local artists.
Andrew Ihamaki, Education Programming Coordinator at the Art Gallery of Peterborough, giving a gallery tour to local children. Through fundraising events like the “It’s All About ART” auction and the support of other local businesses, the Art Gallery of Peterborough can continue to support and showcase the work of local artists and provide programming to the community. (Photo courtesy of the Art Gallery of Peterborough)
“The intimate experience that you have with artwork is something that people really have missed,” Scopelites says. “Over this year, we find they’re eager to come in and experience the art, to spend time in the space. It is also kind of rejuvenating to be with art.”
Participating in this year’s “It’s All About ART” auction is a great way to rejuvenate your own love of art, while also supporting the Art Gallery of Peterborough and local artists.
The Art Gallery of Peterborough’s annual “It’s All About ART” online auction runs from October 21 to November 5, 2022. (Graphic courtesy of the Art Gallery of Peterborough)
The presenting sponsor of the 2022 “It’s All About ART” auction is LLF Lawyers, with Electric City Real Estate the event sponsor and Ashburnham Realty the hosting sponsor.
Auction sponsors are Ash Nayler Photography, George Ripoll BMO Private Wealth, Kim Wood TD Wealth, Scotia Wealth Management Lipsett Landry Group, and Limestone Bed & Breakfast. In-kind sponsors are We Design Group and Christensen Fine Art. Media partners are kawarthaNOW, Classical 103.1 FM, Move 99.7, and Pure Country 105.
This branded editorial was created in partnership with the Art Gallery of Peterborough. If your business or organization is interested in a branded editorial, contact us.
Peterborough police have charged a Toronto man with manslaughter and other charges in connection with a sudden opioid death in Peterborough six month sago.
On April 13, Peterborough police went to a Hunter Street East residence in response to a 47-year-old man found with vital signs absent.
“The Peterborough Police Service thoroughly investigates all sudden deaths to help with closure for the families and ensure public safety in our community,” reads a media release. “In this case, when further information came to light about the circumstances, a criminal investigation was launched and an arrest warrant for the accused issued on October 5, 2022.”
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Last Monday (October 10), Peterborough police were made aware that the accused man, 24-year-old Tshierry Cite of Toronto, had been arrested on a separate matter in Toronto.
Cite was returned to Peterborough where he was arrested and charged with manslaughter, causing death by criminal negligence, and trafficking in a Schedule 1 substance opiod (other than heroin).
The accused man was held in custody and appeared in court on Tuesday (October 11).
Anyone with further information is asked to call the Peterborough Police Crime Line at 705-876-1122 x555 or Crime Stoppers at 1-800-222-8477 or online at www.stopcrimehere.ca.
Bobcaygeon's Globus Theatre presents Comedy October at the Lakeview Arts Barn kicks off with Jennine Profeta's all-female comedy ensemble "Girls Nite Out" on October 21 and 22, 2022, followed by Linda Kash's "Klusterfork's Hilarious Hallowe'en" on October 29. (kawarthaNOW collage)
Bobcaygeon’s Globus Theatre is launching its fall season with “Comedy October” — two must-see stand-up and improv comedy shows led by two of Canada’s most well-known comediennes, Jennine Profeta and Linda Kash.
“Comedy October” kicks off with Jennine Profeta’s all-female comedy ensemble “Girls Nite Out” returning to the Lakeview Arts Barn on Friday and Saturday (October 21 and 22).
The show originated 15 years ago, the brainchild of Second City alumna and Bobcaygeon resident Profeta and her long-time colleague and Globus’s artistic director Sarah Quick, as part of Globus Theatre’s second season. Since then, the show had toured across Canada with a revolving cast of Canadian Comedy Award Winners and CBC comedy regulars, including Profeta and most recently Elvira Kurt, Diana Frances, and Karen Parker.
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The following Saturday (October 29), Peterborough’s Klusterfork Entertainment — founded by Linda Kash along with Pat Maitland and Ian Burns — makes its debut at the Lakeview Arts Barn with “Klusterfork’s Hilarious Hallowe’en.”
Led by Kash — best known as Canada’s original Philly Cream Cheese Angel and for her roles in Waiting for Guffman, Best in Show, Seinfeld, Fargo, and many more — the show will feature some of Canada’s most beloved comedic improvisors creating characters and scenes from thin air following suggestions from the audience.
All three comedy performances include an optional pre-show dinner and, for audience members who want to try their hand at improv, an optional masterclass led by one of the performers featuring tips, tricks, and improv games. No experience is necessary. The masterclass takes place from 4:30 to 5:30 p.m. on the evening of the performance at Globus’s downtown Bobcaygeon box office location at 90 Bolton Street.
The first two shows of Globus Theatre’s fall season feature stand-up and improv comedy shows led by two of Canada’s most well-known comediennes, Jennine Profeta and Linda Kash. (Graphic: Globus Theatre)
Tickets for each performance are $42.50 (show only), $57.50 (masterclass and show), $87.50 (dinner and show), or $102.50 (masterclass, dinner, and show). All prices are subject to HST and a $2 ticket fee.
Tickets are available online at globustheatre.com or by calling the box office at 705-738-2037.
After Comedy October, Globus Theatre’s fall season continues with Murder at the Match: A World Cup Murder Mystery from November 17 to 26 and Cinderella – A Traditional British Panto from December 8 to 18.
Kait Dueck is the new festival director of the ReFrame Film Festival effective October 18, 2022. (Supplied photo)
Kait Dueck is the new festival director of the ReFrame Film Festival.
An artistic administrator and volunteer coordinator with over a decade of experience in the field, Dueck most recently worked as house manager and volunteer coordinator of Showplace Performance Centre — the primary venue of the annual festival prior to the pandemic.
“In my capacity as house manager at Showplace Performance Centre for over a decade, I had the distinct pleasure of working closely with the ReFrame team, which was the highlight of my every season,” Dueck says in a media release. “I am humbled to be a part of the legacy established by ReFrame’s incomparable staff, board and volunteers, and will strive to continue this level of excellence in the enrichment of the social and cultural fabric of our community.”
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A Peterborough resident, Dueck attended the integrated arts program at PCVS and is an alumnus of Carleton University, Trent University, and Fleming College. Her formal education has focused on gender studies, environmental studies, and the arts through a justice-based lens. She is also a theatrical performer.
“I am elated to have the opportunity to marry my greatest passions at ReFrame Film Festival: social and environmental justice, arts and culture, and the Peterborough-Nogojiwanong community,” Dueck says.
Dueck begins her role as festival director on Tuesday (October 18), taking over from Jay Adam, who was in the role for the past five years.
“ReFrame is pleased and excited to have Kait joining us,” says ReFrame board chair Jim Hendry. “Her long association with the festival as house manager for our main venue, Showplace, and her commitment to the social justice and environmental principles the festival is built around made her stand out among a number of highly qualified applicants for the festival director position.”
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