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Fleming College celebrates impactful year made possible by philanthropic community

Fleming College alumna Kerri Davies with Don Gillespie, Chair of Fleming College's Board of Governors, and Dr. Theresa Knott, Interim President of Fleming College, during the Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026. Davies, a member of the Board of Governors who graduated from Fleming's Practical Nursing program as a mature student in 1992 and went on to a decades-long career in healthcare as a nurse and administrator, has made plans for a legacy gift to support mature students enrolled in the program. (Photo: Mary Zita Payne for Fleming College)

The transformative investments made at Fleming College over the past year are an inspiring reminder of the impact community philanthropy can have on student success today and for future generations.

On Thursday, April 30, Fleming College alumni, donors, faculty, and governors gathered at the Sutherland Campus in Peterborough for a Community Impact & Appreciation Event.

The celebration saw remarks from Fleming leaders and a guided tour of some of the investments that were made possible thanks to the generosity of the community.

 

A record year of giving supports Fleming’s future

Fleming College alumni, donors, faculty, and governors gathered at the Sutherland Campus in Peterborough on April 30, 2026 for a Community Impact & Appreciation Event. In 2025-26, Fleming College benefited from a record-breaking year for philanthropy, with donor support totalling an impressive $3.57 million in new gifts and commitments. (Photo: Mary Zita Payne for Fleming College)
Fleming College alumni, donors, faculty, and governors gathered at the Sutherland Campus in Peterborough on April 30, 2026 for a Community Impact & Appreciation Event. In 2025-26, Fleming College benefited from a record-breaking year for philanthropy, with donor support totalling an impressive $3.57 million in new gifts and commitments. (Photo: Mary Zita Payne for Fleming College)

“The very best colleges have engaged and supportive communities, and that is certainly the case here at Fleming,” said Don Gillespie, Chair of the Board of Governors. “This is a time of both significant change and immense opportunity for Fleming College.”

In 2025-26, Fleming College benefited from a record-breaking year for philanthropy, with donor support totalling an impressive $3.57 million in new gifts and commitments. These gifts are already being invested to empower student success and solidify the future of the college by supporting scholarships, enhancing student life on campus, and strengthening in-demand programming.

This comes during a time when colleges across Ontario are facing significant challenges stemming from declining student enrolment, rising costs of program delivery, and shifts in government policy, all on top of continued inflation that also affects students and their access to education.

 

A commitment to accessible education and student success

Fleming College students during the Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026. Fleming College invests donor gifts to empower student success and solidify the future of the college by supporting scholarships, enhancing student life on campus, and strengthening in-demand programming such as healthcare and skilled trades. (Photo: Mary Zita Payne for Fleming College)
Fleming College students during the Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026. Fleming College invests donor gifts to empower student success and solidify the future of the college by supporting scholarships, enhancing student life on campus, and strengthening in-demand programming such as healthcare and skilled trades. (Photo: Mary Zita Payne for Fleming College)

Despite these challenges, Interim President of Fleming College Dr. Theresa Knott noted that Fleming students remain highly sought after, particularly in high-demand sectors like healthcare and skilled trades. She added that the school’s integration with St. Lawrence College reflects the opportunity to respond to the challenges with more impact.

“Together, we can expand access, strengthen programming, and enhance our ability to meet the evolving needs of students, employers, and communities across a broader region,” Knott said. “We’re very pleased to be integrating as equal partners with a college that is similar to Fleming in so many ways. Both Fleming and St. Lawrence are institutions with strong community roots, shared values, and a commitment to student success.”

Fleming’s commitment to student success is being supported by generous donors, including the Joyce Family Foundation, whose $1.5 million gift allowed the college to establish its largest-ever endowed fund for student tuition assistance in 2025.

In April, Fleming College also announced its first-ever Entrance Scholarship Program to provide bursaries for full-time domestic students, including mature learners and returning alumni and students in health and skilled trades programs. The program is being funded in part by donors, including contributions to the Fleming Forward Fund, which has reached $110,000.

Additional support was given to fuel program innovation and development through new equipment, simulation technology, and investments in Hy-Flex classrooms. The Student Administrative Council made a generous investment in student athletics.

 

Donor Kerri Davies: From mature Practical Nursing student to community leader

Kerri Davies graduating from the Practical Nursing program at Fleming College in 1992. Davies was a mother of three looking to get back into the workforce when she discovered she needed to update her education and applied to Fleming College. After graduating at the top of her class, she was immediately hired for two part-time jobs, launching a decades-long career in healthcare as a nurse and later as an administrator. (Photo courtesy of Kerri Davies)
Kerri Davies graduating from the Practical Nursing program at Fleming College in 1992. Davies was a mother of three looking to get back into the workforce when she discovered she needed to update her education and applied to Fleming College. After graduating at the top of her class, she was immediately hired for two part-time jobs, launching a decades-long career in healthcare as a nurse and later as an administrator. (Photo courtesy of Kerri Davies)

One such donor is Fleming alumna and Board of Governors member Kerri Davies, who has made a commitment to helping future students because she feels Fleming was “foundational” to her decades-long career in healthcare and strongly believes in the college’s future.

That’s why Davies has made plans for a legacy gift to Fleming College to support mature students enrolled in the college’s Practical Nursing program, from which she herself graduated in 1992.

“Kerri Davies’ story reflects the lifelong relationship our alumni have with Fleming, and how a transformative student experience can evolve into a career defined by leadership, compassion, and impact,” said Katie Pezoulas, Fleming College’s Executive Director of Advancement and External Relations. “We are very grateful for her gift and confidence in Fleming College.”

Over three decades ago, Davies was a mother of three looking to get back into the workforce after running an at-home daycare. She applied for a position at Fairhaven long-term care facility, where she had worked previously as a healthcare attendant, only to discover the educational requirements for personal support workers had changed. She immediately drove to Fleming College to explore her options and ultimately enrolled in the part-time Registered Nursing (RN) program.

“I thought it was brilliant that they started the part-time RN program,” Davies said. “It allowed adults who were working, either in other careers or at home with their families, an opportunity to get advancement and career opportunities.”

In 1991, she enrolled in Fleming’s full-time two-year Practical Nursing program. After graduating at the top of her class, she was immediately hired for two part-time jobs at the Civic Hospital (now Peterborough Regional Health Centre) and the Victorian Order of Nurses. For the next several years, she worked as a nurse in a range of settings, including at Fairhaven – a full-circle moment in her career as Davies began her working life at that facility, alongside her father who had been an orderly.

Some of the members of the inaugural graduating class of Fleming College's nursing program, which celebrated its 50th anniversary in 2025, during the Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026. Today, Fleming's full-time one-year Practical Nursing program prepares students to become a Registered Practical Nurse in the in-demand healthcare sector. (Photo: Mary Zita Payne for Fleming College)
Some of the members of the inaugural graduating class of Fleming College’s nursing program, which celebrated its 50th anniversary in 2025, during the Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026. Today, Fleming’s full-time one-year Practical Nursing program prepares students to become a Registered Practical Nurse in the in-demand healthcare sector. (Photo: Mary Zita Payne for Fleming College)

Those roles led her to her first administrative position in the healthcare sector, when she became the Executive Director of AON’s Royal Gardens Retirement Home and, when AON opened the doors to Canterbury Gardens in 2009, they hired Davies as the inaugural Executive Director.

“It was less than eight years from my graduation and I was able to put together, through my experience and from my nursing diploma from Fleming College, a resume that positioned me for leadership,” Davies said. “I went from being a community nurse, a hospital nurse, and a long-term care nurse to helping others in their careers.”

That included partnering with Fleming College to create opportunities for nursing students to do their placements in real settings.

“It helped us break down some of the stereotypes nursing students had about the experience of working in a retirement home,” she said. “Almost all of my senior team were Fleming graduates, and almost all of them came through a job placement.”

Her successful career earned Davies the Alumni Distinction Award from Fleming College as well as a Premier’s Award nomination in 2009, a City of Peterborough Civic Award in 2001, and the Business Woman of the Year Award in 2014. As an exemplary alumna and community leader, Davies was asked to join the Fleming College Board of Governors in 2020.

As for her legacy gift, Davies said she wanted to give back to the college that helped launch her career in a way that reflects her own life experience.

“I wanted to help other people in my situation, whether they’re a mother returning to the workplace or someone laid off and trying to redefine himself in a career,” she said. “I’m very confident in the future of Fleming.”

 

Showcasing how donor investments are making an impact

During Fleming College's Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026, attendees participated in a tour of the School of Health and Community Services, where guests experienced how expanded healthcare programs, flexible delivery, and simulation-based learning is playing a key role in producing the in-demand healthcare talent needed in our community, region, and province. (Photo: Mary Zita Payne for Fleming College)
During Fleming College’s Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026, attendees participated in a tour of the School of Health and Community Services, where guests experienced how expanded healthcare programs, flexible delivery, and simulation-based learning is playing a key role in producing the in-demand healthcare talent needed in our community, region, and province. (Photo: Mary Zita Payne for Fleming College)

During the April 30 event, attendees participated in a tour of the School of Health and Community Services, where guests experienced how expanded healthcare programs, flexible delivery, and simulation-based learning is playing a key role in producing the in-demand healthcare talent needed in our community, region, and province.

Nick Stone, Associate Vice President of Applied Health, explained how fully immersive lab spaces with 360-degree projections and customizable interactive touchpoints provide students preparing for careers in firefighting, nursing, and policing with practice scenarios they will encounter in the real world.

Fleming is building on its longstanding suite of healthcare programs, with recent additions includings Respiratory Therapy in 2023 and Diagnostic Cardiac Sonography in fall 2026. In addition to producing more talent, Fleming is embedding principles of resilience training into all healthcare programming to ensure graduates are equipped to face increasingly challenging environments

A guest at Fleming College's Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026 tries out a simulator. Fully immersive lab spaces with 360-degree projections and customizable interactive touchpoints provide students preparing for careers in firefighting, nursing, and policing with practice scenarios they will encounter in the real world. (Photo: Mary Zita Payne for Fleming College)
A guest at Fleming College’s Community Impact & Appreciation Event at the Sutherland Campus in Peterborough on April 30, 2026 tries out a simulator. Fully immersive lab spaces with 360-degree projections and customizable interactive touchpoints provide students preparing for careers in firefighting, nursing, and policing with practice scenarios they will encounter in the real world. (Photo: Mary Zita Payne for Fleming College)

Philanthropic support will bring this vision to life and will continue to enhance student success and strengthen Fleming’s future.

“It was a joy to welcome supporters and community leaders to campus and showcase how our innovative, simulation-based learning and expanded healthcare programs are preparing the next generation of healthcare professionals,” Pezoulas said. “It is an exciting time, and we are grateful to have support as we move forward.”

To support the future of Fleming College by donating to the Fleming Forward Fund, visit flemingcollege.ca/fleming-forward.

 

This branded editorial was created in partnership with Fleming College. If your organization or business is interested in a branded editorial, contact us.

Native plant nursery at GreenUP’s Ecology Park in Peterborough opens for the season on the Victoria Day long weekend

The Peterborough and Area Master Gardeners are longtime supporters of GreenUP Ecology Park. Every year, master gardeners provide customers with expert advice during opening weekend. After the GreenUP Ecology Park Native Plant Nursery opens for the season on May 16, 2026, they will continue to provide horticultural advice to visitors every weekend until the end of June. (Photo: Jessica Todd / GreenUP)

The weeks leading up to opening day at GreenUP Ecology Park Native Plant Nursery are among the most vibrant of the year.

Each day offers a new surprise, from migrating birds to short-lived blooms of native woodland plants in the Lath House and along the woodland trail.

It is also a bustling time, as GreenUP staff and volunteers work together to reopen the park for educational programming and prepare for the nursery to open for the season on the Victoria Day long weekend.

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Ecology Park is a space created by and for the community, so it is fitting that so many hands are involved in bringing it to life each year.

One such partnership is the Trent Learning Garden alternative settings placement, a collaboration between the Trent University School of Education and GreenUP that brings teacher candidates to Ecology Park for an immersive, two-week placement in early May.

“During the placement, teacher candidates have the opportunity to plan for and engage in garden-based outdoor education activities at Ecology Park,” explains Kelly Young, a faculty member at the School of Education. “The placement involves making connections to the Ontario curriculum and developing environmental leadership skills.”

The teacher candidates have plenty of fun while potting plants, composting, tidying gardens, and removing invasive plants.

It takes many hands to get GreenUP Ecology Park ready for the season. The annual "Untuck Day" is a favourite of GreenUP staff, who come together at the park to uncover the trees and shrubs after a long winter's nap beneath the leaves. (Photo: Hayley Goodchild / GreenUP)
It takes many hands to get GreenUP Ecology Park ready for the season. The annual “Untuck Day” is a favourite of GreenUP staff, who come together at the park to uncover the trees and shrubs after a long winter’s nap beneath the leaves. (Photo: Hayley Goodchild / GreenUP)

Another longstanding collaboration is with the Green Industries program at Thomas A. Stewart Secondary school.

Each year, high school students learn to grow herbs and vegetables that are offered for sale on opening weekend at the nursery.

By getting their hands dirty, the students benefit GreenUP while developing fundamental skills that serve them in the horticultural industry and beyond.

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Then there is opening weekend which brings hundreds of visitors to the park at once. Many volunteers are needed to set up, direct visitors through the market, and assist with carrying trees and plants to vehicles. Volunteers are invited to register to help out at greenup.on.ca/volunteer/.

The GreenUP Ecology Park Native Plant Nursery will open for the 2026 season on Saturday, May 16 from 10 a.m. to 4 p.m.

There will be thousands of native trees, shrubs, wildflowers, ferns, grasses, and vegetables available for purchase. (Pro tip: bring a wagon, bin, cardboard box, or wheelbarrow to use while shopping, because GreenUP has a limited number of carts available.)

Students in the Green Industries program at Thomas A. Stewart Secondary School have been growing herbs and vegetables, including the basil pictured here, that will be available for sale at GreenUP Ecology Park Native Plant Nursery during opening weekend on May 16, 2026. (Photo: Noreen Payette / Thomas A. Stewart Secondary school)
Students in the Green Industries program at Thomas A. Stewart Secondary School have been growing herbs and vegetables, including the basil pictured here, that will be available for sale at GreenUP Ecology Park Native Plant Nursery during opening weekend on May 16, 2026. (Photo: Noreen Payette / Thomas A. Stewart Secondary school)

This year, there are more than a dozen new species available for sale, including many woodland and wetland sedges, which are grass-like plants that “green up” early in the spring and support many pollinators and other wildlife.

Pickerel weed and American sweetflag are other new additions, which customers will find alongside other water-loving plants in the new market pond display.

GreenUP’s online stock list has more information about these and other species available for purchase. The stock list, updated every one to two weeks throughout the season, is available at greenup.on.ca/native-plant-nursery/.

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As always, the Peterborough and Area Master Gardeners will be on hand to provide advice on native plant selection and other horticultural best practices.

Rain barrels, compost canes, gift certificates, compost, and woodchips are also sold at the nursery.

However, compost and woodchips will only be available for pick-up beginning Sunday, May 17, as vehicles will not be permitted in the park on opening day due to the volume of people expected.

It is a pleasure to witness changes unfold at Ecology Park in early spring. Plants like the Pennsylvania Sedge pictured here "green up" and bloom early in the season. The GreenUP Ecology Park Native Plant Nursery will have several new woodland and wetland sedge species available for purchase in 2026. (Photo: Hayley Goodchild / GreenUP)
It is a pleasure to witness changes unfold at Ecology Park in early spring. Plants like the Pennsylvania Sedge pictured here “green up” and bloom early in the season. The GreenUP Ecology Park Native Plant Nursery will have several new woodland and wetland sedge species available for purchase in 2026. (Photo: Hayley Goodchild / GreenUP)

This year, GreenUP Ecology Park’s season opener will feature fun for the whole family.

Visitors can spend time in the natural playscape, take in a live musical performance with Newberry Enterprises, and visit fun and engaging community tables.

Speak to staff and board members about how to support GreenUP through donations, volunteer opportunities, or share ideas about how GreenUP can reinvigorate Ecology Park as an environmental education destination for children and families.

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After opening weekend, the native plant nursery will be open Thursday through Sunday from 10 a.m. to 4 p.m. until Friday, October 7.

Ecology Park is located at 1899 Ashburnham Drive. Visitors are asked to park in the Beavermead parking lot just north of Ecology Park or walk or roll their way in along the Trans Canada Trail.

For more information about Ecology Park and the native plant nursery, visit greenup.on.ca/ecology-park, email ecologypark@greenup.on.ca, or call Ecology Park staff at 705-927-1104.

New music from Peterborough’s The Weber Brothers to fill Lindsay’s Academy Theatre on May 14

The Weber Brothers performing during a sold-out album release show at the Market Hall in downtown Peterborough on May 1, 2026, featuring (left to right) Lance Anderson, Emily Burgess, Ryan Weber, Maddy Hope, and Sam Weber. The Weber Brothers will be performing at the FLATO Academy Theatre in Lindsay on Thursday, May 14. (Photo: Patricia Levert Thorne)

For all their success, both locally and in places distant, Peterborough musicians Ryan and Sam Weber can point to three simple words at the heart of all good things that have come their way: dogged work ethic.

Since knocking on the late Ronnie Hawkins’ door some 25 years ago, the brothers from Maryland, Baltimore have rarely if ever sat idle. Blessed with a loyal following that continues to gravitate to their live shows, Ryan and Sam have consistently reinvented themselves, their recorded music reflecting the diverse music genres and styles that only their combined talents can conjure up.

It took a bit but the brothers have now released a self-titled album; an 11-track compilation of new material. It’s their 18th independent album, with its title The Weber Brothers suggesting a need to introduce themselves when, in reality, that introduction was made years prior.

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On May 1st before a sold-out audience at the Market Hall in downtown Peterborough, Ryan and Sam — backed by guitarist Emily Burgess and drummer Maddy Hope, with Juno award-winning producer Lance Anderson on keyboards — released their new album.

That show marked the start of an ambitious tour that comes to Lindsay’s FLATO Academy Theatre on Thursday, May 14, with Warkworth singer and songwriter Matthew Holtby opening. Tickets to the 7:30 p.m. show cost $43 at www.flatoacademytheatre.com.

“You know the old saying, ’18th time’s a charm,'” deadpans Ryan when asked his thoughts on the new album.

“As far as our evolution goes, I don’t know if that’s something you plan or something that happens as you go. Things that happen to you, not just musically but whatever you do. All that is with you and that makes who you are in the present day. If you’re doing music, it’s going to reflect all that with even consciously trying to do that. It’s going to be there just because of what you’ve done.”

VIDEO: The Weber Brothers with The Band’s Garth Hudson (Market Hall, 2003)

For his part, Sam says their 2003 debut album, 149 Lake Street, was recorded at a time “when we still had so many things ahead of us.”

“We hadn’t done any major touring yet. As you keep releasing music, you gain knowledge and experience that’s reflected in the music. You hope for that.”

Ryan concurs, noting “We were greener than grass seed” at that time, adding “Now we’re a little less green.”

The new album, says Sam, was “quite a few years” in the making.

“We took this winter, long and cold as it was, to sort of hunker down in the studio and at my place, and finished it out.”

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Asked if the songwriting process gets easier over time, almost to the point of being second nature, Ryan says “there are two ways you can look at that.”

“It is like anything else in that the more you do it, the more you practice it, you hope that you get better at it,” he says.

“But when it comes to art, any kind of art, it’s less about you and more about opening yourself up so it can flow through. The task is getting out of its way so that can happen.”

“The more forceful you are with ideas, if you’re looking too hard, it’s not generally the best stuff,” adds Sam, adding “For me, what comes natural always translates into a decent song and how it reaches people. Keeping it simple is key.”

AUDIO: “The Weber Brothers” (2026) by The Weber Brothers

There was, however, a moment when Ryan and Sam were forceful — bold, even — and that moment started the journey that brought them, and their music, to this point in time.

The story, told numerous times to the point that it’s somewhat of a local legend, relates how two teenaged boys left their Baltimore home in the dead of night, and headed north to the Stoney Lake home of their idol, the late Ronnie Hawkins.

Offering to help with chores on the expansive property in exchange for all the music business knowledge that Hawkins could impart, Ryan and Sam’s determination and talent impressed the rockabilly music legend.

Before long, the brothers were members of The Hawks, and found themselves performing alongside the likes of Kris Kristofferson, Garth Hudson, Levon Helm, and Jeff Healey. As a continued show of reverence for all Hawkins did for them, a photo of him loomed large on the screen backdrop at the Market Hall show.

Sam and Ryan Weber with Timothy Bracken and Shane Cress in their high school band The Northern Lights in Baltimore, Maryland in the early 1990s, before they left their hometown to head north to Canada to meet their idol, the late Ronnie Hawkins. (Photo courtesy of The Weber Brothers)
Sam and Ryan Weber with Timothy Bracken and Shane Cress in their high school band The Northern Lights in Baltimore, Maryland in the early 1990s, before they left their hometown to head north to Canada to meet their idol, the late Ronnie Hawkins. (Photo courtesy of The Weber Brothers)

“Hard work,” says Sam when asked for the most important lesson that Hawkins passed on.

“It is fun, we do what we love, but it is work and it’s to be approached in a professional manner. If you put in the work and keep your mind set on that approach, it will pay off.”

“It takes focus and it takes daily practice … that was one of Ronnie’s main quotes he hit us with all the time,” adds Ryan.

“Practice and play every day. Even now, we still strive to live up to that every day. Ronnie used to say ‘If you leave your instrument for one day, you’ll notice it. If you leave it two days, other musicians will notice it. If you leave it three days, everybody is going to notice it.'”

And so the seeds of that dogged work ethic were planted, eventually bearing fruit in the form of countless sold-out gigs and an impressive discography.

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Speaking to this album release tour, Ryan says having Anderson in the mix for a few shows has been a treat.

“You know he’s going to come prepared. He brings a lot to the overall sound — he really fills things out.”

Select future shows will see keyboardist Jesse Whitely guest as well as Rico Browne, a longtime musical collaborator and on-and-off member of The Weber Brothers Band.

The band itself features Burgess, a multiple Maple Blues Award winner. And then there’s Hope on drums; an exciting gig for the young player who honed and refined her talent at the numerous blues jams held at the now-closed Jethro’s on Hunter Street West.

“We could tell the potential was great,” says Ryan of seeing and hearing Hope perform for the first time, adding “She’s putting the time in. That’s what you really have to do … be open to hearing things from people who know. She’s got that fire of somebody just getting going. That’s exciting for us.”

“Maybe that’s what Ronnie saw in us,” chimes in Sam.

Gordon Lightfoot, Ronnie Hawkins, and Kris Kristofferson (front row) and Robin Hawkins, Ryan Weber, James McKenty, and Sam Weber (back row) at Hawkstone Manor on Stoney Lake in 2016. (Photo: Leah Hawk / Facebook
Gordon Lightfoot, Ronnie Hawkins, and Kris Kristofferson (front row) and Robin Hawkins, Ryan Weber, James McKenty, and Sam Weber (back row) at Hawkstone Manor on Stoney Lake in 2016. (Photo: Leah Hawk / Facebook

From the outside looking in, what countless live music fans have seen over all these years are two brothers who, from all appearances, get along well and are on the same page musically as well as personally. Still, brothers being brothers, is that really the case at all times away from the public eye?

“It’s natural because it is all we’ve ever known,” assesses Sam. “We complement each other. We each have our strong points and weaknesses. The two of us, together, create one balanced person.”

“Each of us on our own — not balanced,” adds Ryan, “We’re Ying and Yang. I’m Yang. Those moments (of familial stress) are pretty rare. Maybe that’s because we’ve done this so long, we know how to do it at this point.”

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And so, with the new songs getting their due and the album itself available for digital purchase on Bandcamp or by messaging The Weber Brothers via Facebook, one of two questions remain: Does the new album represent the best recorded work Ryan and Sam have done to date?

“This album is the best at this time,” says Ryan, adding “It came through us at this time because now is the time for it. I don’t rank any album we’ve done. I’ll leave that to somebody else to do. I just know I really love this album.”

“It’s a different thing, and that’s what we strive for with every album,” adds Sam. “Try new stuff and see what sticks.”

The second question? For all their talent, passion and drive, how is it The Weber Brothers haven’t been signed by a major record label and been granted all the next-level trappings that go with that?

“We continue to strive and play for whoever is there,” says Ryan.

“If the room is packed, great. We’ll play to that. If it’s a little less, we’ll play to that. It’s really about touching whoever you can. That said, we’re ready when they are. Here we are, baby.”

VIDEO: “Before We Arrive: The Story of The Weber Brothers” trailer (2016)

In offering his perspective, Sam recalls the words of another mentor.

“Bobby Watson said it’s a wonder to him why success has to be this brass ring up in the clouds, when true success is loving what you do and moving people with your music.”

“If you’re striving for something outside of that, it’s easy to get discouraged,” he adds. “You just have to remember why you started playing music in the first place — because you love it.”

For more information on The Weber Brothers, including their albums and performance videos, visit www.weberbrothers.com.

Sam Weber and Ryan Weber from the cover of their 2026 self-titled album. (Photo courtesy of The Weber Brothers)
Sam Weber and Ryan Weber from the cover of their 2026 self-titled album. (Photo courtesy of The Weber Brothers)

See ‘Made in Kawartha Lakes’ artwork at 8th annual show and sale held in Lindsay for the first time

The eighth annual Made in Kawartha Lakes Show + Sale brings together more than 50 local and regional artists, artisans, and organizations to share one-of-a-kind pottery, paintings, textile art, photography, sculptures, and more. This year's eighth annual event on May 23 and 24, 2026 is taking place for this first time at Victoria Park Armoury in downtown Lindsay, after being held in Bobcaygeon and Fenelon Falls in previous years. (Photo courtesy of Kawartha Lakes Arts Council)

Kawartha Lakes alone contributes around $43 million to Ontario’s cultural sector GDP, part of which can be attributed to the many talented artisans, jewellers, painters, potters, textile artists, and other makers who call the region home.

You can see many of these artists based in Kawartha Lakes and surrounding areas during the eighth annual “Made in Kawartha Lakes Show + Sale” returning for the weekend of Saturday, May 23 and Sunday, May 24 at its new location at the historic Victoria Park Armoury at 210 Kent Street West in downtown Lindsay.

“It’s an opportunity for our members as well as others who are outside of our membership to promote their work, get out into the community, network with other vendors, and show off what local artists in our area are doing,” says Christina Patton, operations and communications coordinator of the Kawartha Lakes Art Council.

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The official community arts council for the City of Kawartha Lakes, the Kawartha Lake Art Council is a non-profit organization with the goal to accelerate the awareness and appreciation of arts and culture in Kawartha Lakes. Made in Kawartha Lakes was one of the council’s first initiatives, first held in 2018.

Running from 10 a.m. to 4 p.m. each day, this year’s event will see more than 50 artists showing and selling paintings, jewellery, pottery, textiles, woodworking, and more, along with organizations such as Bobcaygeon’s Globus Theatre and Fenelon Falls’ The Grove Theatre.

The event will also feature local food vendors and live music to create an immersive and lively experience for people of all ages.

The eighth annual Made in Kawartha Lakes Show + Sale will feature painters, potters, fibre artists, jewellers, and many other artistans in the region who help contribute $43 million to Ontario's GDP. This year's event on May 23 and 24, 2026 is taking place for this first time at Victoria Park Armoury in downtown Lindsay. (kawarthaNOW collage of photos courtesy of Kawartha Lakes Arts Council)
The eighth annual Made in Kawartha Lakes Show + Sale will feature painters, potters, fibre artists, jewellers, and many other artistans in the region who help contribute $43 million to Ontario’s GDP. This year’s event on May 23 and 24, 2026 is taking place for this first time at Victoria Park Armoury in downtown Lindsay. (kawarthaNOW collage of photos courtesy of Kawartha Lakes Arts Council)

For the first time, Made in Kawartha Lakes is taking place at Lindsay, after being held at the Kawartha Settlers’ Village in Bobcaygeon last year and in Fenelon Falls in prior years.

“We’re trying to make it an event that showcases throughout the different communities here,” says Patton, who notes the new location is ideally located downtown.

“It does offer the opportunity for us to connect more with downtown initiatives that are happening, such as the farmers’ market and the (Lindsay Downtown) BIA. It will give us more of a community connection and it’s accessible by foot so that we can piggyback off of people already being out in the community.”

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Patton adds that there aren’t always a lot of opportunities outside of markets for artists to connect in person with other artists and buyers.

“Even if it doesn’t necessarily contribute to a sale, there are so many things that can come out of networking with other people,” says Patton.

“There aren’t a lot of art markets left in our community. We don’t have a lot of things like this to show off artists and artisans who are working in our community and doing crafts like woodworking or metal work which aren’t so commonplace, aren’t easily reproduced, and are made by hand. I think it’s really important and just continues to show the value of supporting artists who are doing this in our community.”

Based just west of Kawartha Lakes in Beaverton, Once Upon a Design encompasses Wendy Cho's bold designs inspired by the world of children's books and the personalities of animals. The small business is one of more than 50 local artists and artisans who will be participating in the eighth annual Made in Kawartha Lakes Show + Sale being held at Victoria Park Armoury in downtown Lindsay on May 23 and 24, 2026. (Photo courtesy of Kawartha Lakes Arts Council)
Based just west of Kawartha Lakes in Beaverton, Once Upon a Design encompasses Wendy Cho’s bold designs inspired by the world of children’s books and the personalities of animals. The small business is one of more than 50 local artists and artisans who will be participating in the eighth annual Made in Kawartha Lakes Show + Sale being held at Victoria Park Armoury in downtown Lindsay on May 23 and 24, 2026. (Photo courtesy of Kawartha Lakes Arts Council)

This year, the Kawartha Lakes Art Council is planning to host a reception the Friday before the event for vendors, council members, and sponsors to connect with one another.

“We are trying to create more opportunities for vendors and our members generally to connect with one another and have opportunities to learn together,” says Patton. “I’ve definitely seen lots of chatter between vendors who are admiring each other’s work or looking for opportunities to collaborate, so it’s always great when we see that as well.”

This year, Made in Kawartha Lakes will see the return of the passport program, encouraging attendees to make a purchase of any dollar amount, including at food vendors, to earn a stamp. Once they receive three stamps, attendees will be entered to win two $250 cash prizes, with one winner picked each day.

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Patton notes this year’s event has been made possible with community support from the Kawartha Art Gallery, IG Wealth Management Mabee & Associates, Infinity Fine Homes, and a cultural development grant from the City of Kawartha Lakes.

“We’re really grateful for them to help support arts and culture and continue helping us to make events like this possible,” says Patton.

Admission to Made in Kawartha Lakes is by donation to the Kawartha Lakes Arts Council. For a full list of vendors, visit kawarthalakesartscouncil.com/events/mikl-2026. For updates on the event and the reception, follow the Kawartha Lakes Arts Council on Facebook or Instagram.

Soaps by Phoenix Soap Company displayed during the 2025 Made in Kawartha Lakes Show + Sale. The local company will be returning for the eighth annual event being held at the Victoria Park Armoury in downtown Lindsay on May 23 and 24, 2026. The show will feature a range of locally made works of art, including paintings, sculptures, woodworking, and photography. (Photo courtesy of Kawartha Lakes Arts Council)
Soaps by Phoenix Soap Company displayed during the 2025 Made in Kawartha Lakes Show + Sale. The local company will be returning for the eighth annual event being held at the Victoria Park Armoury in downtown Lindsay on May 23 and 24, 2026. The show will feature a range of locally made works of art, including paintings, sculptures, woodworking, and photography. (Photo courtesy of Kawartha Lakes Arts Council)

‘Not just a symbol’: Red Dress Day gathering in Nogojiwanong-Peterborough calls for action on MMIWG2S+ crisis

Residents of Nogojiwanong-Peterborough gathered at Peterborough City Hall on May 5, 2026 to commemorate Red Dress Day at an event led by the Urban Indigenous Working Group in collaboration with the City of Peterborough. May 5 has been recognized as the National Day of Awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQI+ People (MMIWG2S+) since 2010. (Photo: Jordan Lyall / kawarthaNOW)

As red dresses adorned the windows of Peterborough City Hall, local Indigenous leaders called on the community to go beyond remembrance and to take action.

Residents of Nogojiwanong-Peterborough commemorated Red Dress Day on Tuesday (May 5) at an event led by the Urban Indigenous Working Group in collaboration with the City of Peterborough.

“Red Dress Day is not just a symbol, it’s a call to action,” said Chief Laurie Carr of Hiawatha First Nation.

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Chief Carr was joined by representatives from the City of Peterborough, Peterborough County, and Curve Lake First Nation, including Chief Laurie Hockaday and councillor Arnold Taylor.

The commemoration featured drumming and dance performances, an official proclamation made by Peterborough mayor Jeff Leal, and the raising of a symbolic red hand flag.

Leal said that the day was an opportunity for the city and community to “renew our commitment to meaningful action.”

Hiawatha First Nation Chief Laurie Carr speaks during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026, with Curve Lake First Nation's Shelley Knott, Indigenous relations advisor for the City of Peterborough, by her side. Pictured in the background are Peterborough city councillor Joy Lachica and Peterborough mayor Jeff Leal. (Photo: Jordan Lyall / kawarthaNOW)
Hiawatha First Nation Chief Laurie Carr speaks during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026, with Curve Lake First Nation’s Shelley Knott, Indigenous relations advisor for the City of Peterborough, by her side. Pictured in the background are Peterborough city councillor Joy Lachica and Peterborough mayor Jeff Leal. (Photo: Jordan Lyall / kawarthaNOW)

After the ceremony, attendees gathered in Confederation Square across from City Hall to share stories, bannock, and tea, courtesy of the Urban Indigenous Working Group.

Commonly known as Red Dress Day, May 5 has been recognized as the National Day of Awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQI+ People (MMIWG2S+) since 2010.

The day of commemoration was inspired and established nationally in partnership with Métis artist Jaime Black as a continuation of her REDress Project, which displayed empty red dresses in recognition of missing or murdered women.

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“The colour red is quite significant in our culture because that’s the one colour that spirit can see,” Mshkiki Gitigaan Kwe, a member of the Urban Indigenous Working Group, told kawarthaNOW in a recent interview.

Ahead of the gathering, the Urban Indigenous Working Group and Lovesick Lake Native Women’s Association hosted two workshops where community members participated in crafting felt faceless dolls and collecting red dresses that were displayed at the event.

“The faceless dolls represent our friends, family, and community,” said Em Feltham Day and Jess Vossen, two representatives of the Nogojiwanong Friendship Centre participating in the Urban Indigenous Working Group.

Em Feltham Day and Jess Vossen of the Urban Indigenous Working Group during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. Pictured in the background are City of Peterborough CAO Jasbir Raina, Peterborough mayor Jeff Leal, Peterborough County warden Bonnie Clark (obscured), and Kelvin Boissoneau of Garden River First Nation. (Photo: Jordan Lyall / kawarthaNOW)
Em Feltham Day and Jess Vossen of the Urban Indigenous Working Group during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. Pictured in the background are City of Peterborough CAO Jasbir Raina, Peterborough mayor Jeff Leal, Peterborough County warden Bonnie Clark (obscured), and Kelvin Boissoneau of Garden River First Nation. (Photo: Jordan Lyall / kawarthaNOW)
Red dresses in the windows of Peterborough City Hall to commemorate Red Dress Day on May 5, 2026. The dresses will remain in the windows until Friday, May 7. (Photo: Jordan Lyall / kawarthaNOW)
Red dresses in the windows of Peterborough City Hall to commemorate Red Dress Day on May 5, 2026. The dresses will remain in the windows until Friday, May 7. (Photo: Jordan Lyall / kawarthaNOW)

These crafts and dolls were displayed outside City Hall and in Confederation Square throughout the event. As for the red dresses placed in the windows of City Hall, they will remain there until Friday (May 8).

“We might have some of our stolen sisters wandering and looking for us, so having these dresses on display helps spirit find us,” Gitigaan told kawarthaNOW.

In response to the Truth and Reconciliation Commission, between 2016 and 2019 a national inquiry was commissioned by the Government of Canada to identify underlying social, institutional, and systemic factors contributing to violence against Indigenous women.

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According to the Assembly of First Nations, rates of violence against Indigenous women are four times higher than non-Indigenous women.

The National Inquiry into Missing and Murdered Indigenous Women and Girls determined that disproportionate rates of violence are due to “persistent and deliberate human and Indigenous rights violations and abuses” by Canadian governments and institutions.

“Their absence is not accidental,” said Chief Carr at Tuesday’s event.

Kelvin Boissoneau, an 18 year old from Garden River First Nation near Sault Ste. Marie, led attendees in an opening prayer and song during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Kelvin Boissoneau, an 18 year old from Garden River First Nation near Sault Ste. Marie, led attendees in an opening prayer and song during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)

Speaking further to systemic discrimination and the large-scale nature of the MMIWG2S+ crisis, Gitigaan said all levels of government have a responsibility in the harm caused.

She explained that this, in part, is why the May 5 gathering took place at Peterborough City Hall, saying that it is a reminder that Indigenous women are underserved and underprotected by the government.

“It sends a message to our government — it sends a message to the ones that need to hear it,” she said.

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Having been organized by the Urban Indigenous Working Group with support from Shelly Knott, advisor for Indigenous relations at the City of Peterborough, the event centred on Indigenous voices and traditional ceremonial practices.

This was demonstrated by traditional performances including jingle dancing by Kelli Marshall and drumming by Naandewegaan (Healing With Drums). These are important pieces of ceremony to show honour and offer healing, explained Marshall.

Naandewegaan performed the “Strong Woman Song,” which they described as a song of solidarity and resistance created by Indigenous women to be able to identify when someone was missing or in need.

Kevin Boissoneau, an 18 year old from Garden River First Nation near Sault Ste. Marie, led attendees in an opening prayer and song where he called on Creator for protection and healing for those affected by the MMIWG2S crisis.

Members of Naandewegaan (Healing With Drums) performing during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Members of Naandewegaan (Healing With Drums) performing during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Kelli Marshall performs a traditional jingle dance during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Kelli Marshall performs a traditional jingle dance during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)

Event organizers and Indigenous activists pointed out that building awareness and gathering in remembrance alone is inadequate in the ongoing work towards reconciliation.

“These red dresses serve as a reminder that awareness must lead to action,” Knott said.

The Urban Indigenous Working Group and local First Nation representatives said there must be movement towards action as a result of increased awareness. Such action, they say, should focus on dismantling systems that discriminate against Indigenous women and girls.

“Learn and fight for change alongside us,” Day said.

Curve Lake First Nation councillor Arnold Taylor during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. Taylor is a survivor of the residential school system and the Sixties Scoop. (Photo: Jordan Lyall / kawarthaNOW)
Curve Lake First Nation councillor Arnold Taylor during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. Taylor is a survivor of the residential school system and the Sixties Scoop. (Photo: Jordan Lyall / kawarthaNOW)

For Chief Carr, significant further action at both the local and national level is necessary to protect Indigenous women in the face of discriminatory systems.

“Racism is not in the past,” she said.

The national inquiry highlighted a number of areas where Indigenous women encounter oppression and discrimination, notably child welfare, healthcare, and the justice system.

Peterborough County warden Bonnie Clark speaks during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Peterborough County warden Bonnie Clark speaks during an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Dr. Thomas Piggott, medical officer of health with Lakelands Public Health, at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Dr. Thomas Piggott, medical officer of health with Lakelands Public Health, at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)

Looking ahead, Peterborough County Warden Bonnie Clark said the county remains committed to reconciliation and embedding Indigenous knowledge into its work.

“Reconciliation is not a one-day commitment,” Clark said.

Local non-profit and Indigenous-led organizations are continuing to host educational opportunities and commemorative events in recognition of Red Dress Day and other initiatives such as Orange Shirt Day.

Attendees at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Attendees at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Faceless dolls representing missing and murdered Indigenous women at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. Ahead of the gathering, the Urban Indigenous Working Group and Lovesick Lake Native Women's Association hosted two workshops where community members participated in crafting felt faceless dolls and collecting red dresses. (Photo: Jordan Lyall / kawarthaNOW)
Faceless dolls representing missing and murdered Indigenous women at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. Ahead of the gathering, the Urban Indigenous Working Group and Lovesick Lake Native Women’s Association hosted two workshops where community members participated in crafting felt faceless dolls and collecting red dresses. (Photo: Jordan Lyall / kawarthaNOW)

On Tuesday evening, the Nogojiwanong Friendship Centre hosted a community dinner and sacred fire in honour of MMIWG2S+. Day and Vossen expressed the importance of hosting events that are accessible to everyone regardless of daytime availability.

Throughout the ceremony at City Hall and subsequent gathering, non-Indigenous attendees were encouraged to educate themselves on the MMIWG2S+ crisis and how systemic oppression continues to impact Indigenous communities.

“This your moment to listen and to learn,” Carr said.

Red dresses representing missing and murdered Indigenous women at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Red dresses representing missing and murdered Indigenous women at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Red dresses representing missing and murdered Indigenous women at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)
Red dresses representing missing and murdered Indigenous women at an event to commemorate Red Dress Day at Peterborough City Hall on May 5, 2026. (Photo: Jordan Lyall / kawarthaNOW)

Also on Red Dress Day, Prime Minister Mark Carney announced the federal government is providing the National Family and Survivors Circle, an Indigenous organization supporting survivors and their families, with $2.6 million in funding over three years.

Carney also announced the federal government is providing $300,000 to Red Dress Alert, a pilot project that notifies the public when an Indigenous woman, girl, or 2SLGBTQI+ person goes missing. The project is being led by Giganawenimaanaanig (“we all take care of them”), formerly known as the MMIWG2S+ Implementation Advisory Committee, in partnership with the federal government and the Government of Manitoba.

The national toll-free 24/7 crisis call line at 1-844-413-6649 provides trauma-informed supports for anyone who requires emotional assistance related to missing and murdered Indigenous women, girls, and 2SLGBTQI+ people.

Two-time Giller Prize winner Souvankham Thammavongsa one of seven authors participating in this year’s Lakefield Literary Festival

Souvankham Thammavongsa won the Giller Prize on November 17, 2025 for her debut novel "Pick a Colour." She previously won in 2020 for her short story collection "How to Pronounce Knife." (Photo: The Canadian Press / Chris Young)

Two-time Giller Prize winner Souvankham Thammavongsa is one of the seven authors participating in the 2026 Lakefield Literary Festival on July 17 and 18.

Along with Thammavongsa, the lineup of Canadian authors at this year’s festival includes Kate Cayley, Plum Johnson, Merilyn Simonds, Loretta Garbutt, Marcus Cutler, Terry Fallis, and Rod Carley.

Over two days at the Bryan Jones Theatre at Lakefield College School, each author will present their latest work, engage in spirited conversations with a moderator, respond to audience questions, and sign their books. There will also be a reception with the festival authors, as well as a children’s tent at Cenotaph Park.

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The festival kicks off on Friday, July 17 at 7 p.m. in the Bryan Jones Theatre with “Looking Back, Facing Forward,” where authors Plum Johnson and Merilyn Simonds will discuss their very different books that delve into women’s intimate lives.

The bestselling author of They Left Us Everything, Johnson will present her memoir The Trouble with Fairy Tales, which is about reclaiming identity beyond traditional roles. Simonds will present Walking with Beth, a moving account of a three-year conversation with her 100-year-old friend. The conversation will be moderated by Scucog poet laureate and 2023 Canadian Bookclub Award winner Hollay Ghadery.

The festival continues at 10 a.m. on Saturday, July 18 with the children’s tent at Cenotaph Park featuring Loretta Garbut, an award-winning author and storyteller with a background as an animation voice performer for Max and Ruby and Sailor Moon, and Marcus Cutler, the author and illustrator of I Think We’re Upside Down! and I Do Not Eat Children who is known for his “silly and weird” characters.

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Back in the Bryan Jones Theatre at 3 p.m. on Saturday, “One Day Wonder” will see authors Souvankham Thammavongsa and Kate Cayley explore how the events of a single 24-hour period can define a lifetime.

Thammavongsa, a Laotian-Canadian poet and author who won the $100,000 Giller Prize in 2020 for her short story collection How to Pronounce Knife, will discuss her debut novel Pick a Colour, a sharp look at class and intimacy set within a nail salon that earned her a second Giller Prize win in 2025.

An award-winning Canadian author, poet, playwright, and theatre director, Cayley will talk about her 2025 novel Property, a gripping narrative of interconnected lives in a changing Toronto neighborhood that builds toward an unforgettable climax.

The conversation with Thammavongsa and Cayley will be moderated by Canadian writer and Order of Canada recipient Charles Foran.

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At 5 p.m., festival-goers can gather at Lakefield College School to mix and mingle with all the authors and enjoy served hors d’oeuvres and a wine and beer cash bar.

The festival concludes in the Bryan Jones Theatre at 7 p.m. on Saturday with “Light Hearts,” described as “an evening of wit and zany storytelling” with humorists Terry Fallis and Rod Carley.

A two-time Leacock Medal winner, Fallis will discuss his 2025 novel The Marionette, where a world-famous thriller writer is thrust into a real-life world of espionage, and Rod Carley will present his 2024 novel Ruff, a hilarious reimagining of William Shakespeare’s mid-life crisis as he struggles to pen a “Scottish supernatural thriller.” The discussion will be moderated by bestselling novelist and Northern Lit Award Winner Amy Jones.

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Admission to individual events at the Lakefield Literary Festival is $30 (except for the reception, which costs $50), with a $75 pass available for all the events except the reception and a $115 all-access pass for all events including the reception. Admission to the children’s tent is free.

Tickets and passes are available now at lakefieldliteraryfestival.com. Tickets are also available at Happenstance Books and Yarns in Lakefield.

The Lakefield Literary Festival was established in 1995 as a celebration of Margaret Laurence, who lived in Lakefield from 1974 until her death in 1987, but has since become a celebration of the rich literary heritage of Lakefield and the surrounding area, including the works of Catharine Parr Traill, Susanna Moodie, and Isabella Valancy Crawford, all of whom also lived and wrote in Lakefield.

The 2026 Lakefield Literary Festival takes place on Friday, July 17 and Saturday, July 18. (Poster: Lakefield Literary Festival)
The 2026 Lakefield Literary Festival takes place on Friday, July 17 and Saturday, July 18. (Poster: Lakefield Literary Festival)

Peterborough city council endorses $57 million for $170-million downtown sport and event centre

At Peterborough city council's general committee meeting on May 4, 2026, a motion to defer Mayor Leal's motion to commit the city to financing $57 million of the cost of a proposed $170-million sport and event centre in downtown Peterborough failed 6-4, with councillor Alex Bierk absent from the meeting. Councillors later approved the mayor's motion. (kawarthaNOW screenshot of City of Peterborough video)

Peterborough city council has voted in favour of committing $57 million towards the cost of a proposed $170-million sport and event centre in downtown Peterborough.

At its general committee meeting on Monday evening (May 4), city council considered a staff report from community services commissioner Sheldon Laidman with six options for next steps for the approval and construction of the event centre. Councillor Alex Bierk, one of the two councillors for Town Ward where the event centre would be located, was absent from the meeting.

Earlier in the day, Mayor Jeff Leal held a media conference to advocate for the project at the office of the Peterborough and Kawarthas Chamber of Commerce, which was also attended by city councillors Kevin Duguay and Gary Baldwin.

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Six financing options for $170-million project laid out for council

Laidman’s report to council outlined six funding options for a new event centre, summarized below.

  1. Approving $1.7 million in funding so the project can proceed to a concept and site development phase, without committing to full financing for the project.
  2. Approving $30 million in debt financing (the city’s existing debt limit) while seeking partnerships with the private sector for the remaining funding.
  3. Approving $57 million in debt financing by increasing the city’s debt limit while seeking remaining funding from other levels of government.
  4. Approving $170 million for the entire project through a combination of $70 million in debt financing by increasing the city’s debt limit and $100 million in funding through the sale of city assets.
  5. Approving $170 million for the entire project through debt financing by increasing the city’s debt limit.
  6. Not proceeding any further with the project.

At Monday’s meeting, Laidman provided council with a presentation on the proposed event centre, noting that reports for the project date back to 2015, including justifications for the project, market analyses, comparisons to other cities and their event centres, basic financial analysis for property tax increases and funding options, basic parameters for the project including seating capacity, and possible site locations.

Last August, city council approved the preferred site location as 182 Townsend Street, a city-owned property where the existing bus garage is located, and also approved a request for quotations process if council approved funding options.

Laidman explained that the impetus for the new sport and event centre is the aging 70-year-old Peterborough Memorial Centre, which does not meet new Ontario Hockey League standards or expectations of large concert promoters, and lacks modern expected amenities.

He said that addressing the deficiencies is not feasible, that $22.4 million for capital repairs would be required over the next 15 years just to keep the facility operational, and that additional costs would be incurred for structural roof enhancements to support ceiling rigging for equipment used for large-scale concerts.

Laidman said that the new event centre, at an estimated cost of $170 million, would be built between 2027 and 2031. Using debt financing to fund the centre would result in higher debt servicing costs and would reduce the city’s flexibility to use debt financing for other capital projects. According to the staff report, debt financing options would result in property tax increases ranging from around one per cent to five per cent, depending on the option selected.

He noted that increasing the city’s debt ceiling to finance the project may affect the city’s credit rating and result in higher financing costs, with his presentation stating that restricting debt financing to the existing debt ceiling of $30 million would be the “most financially sustainable approach” as it would provide flexibility for other capital projects and minimize the tax increase to less than one per cent.

Laidman also noted the real estate development that would take place in the area of the event centre, should it be built, is estimated at $270 million. Development could generate $7.5 million in tax revenue for the city, which would “come close” to covering annual debt payments over 30 years, and additional revenue could be generated from sponsorships and naming rights, ticket surcharges, and an increase in the municipal accommodation tax for hotels and motels.

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Mayor proposes city commit $57 million to project

Following Laidman’s presentation, Mayor Leal put forward a motion that combined three options from Laidman’s report:

  • That council commit one-third of the cost, approximately $57 million, towards the event centre project;
  • That staff be directed to provide a report identifying the funding plan to finance this $57 million commitment including amendments to the city’s debt limit;
  • That staff be directed to initiate proactive advocacy and explore options to acquire the remaining two-thirds of the cost, approximately $114 million, from the Government of Canada, Province of Ontario, County of Peterborough, private sector partners, fundraising, naming rights and sponsorship opportunities, and non-debt supported sources;
  • That staff be directed to provide council with a report detailing options for funds from non-debt supported sources; and
  • That $1.7 million be pre-committed in the 2027 budget to include a project manager position, site studies, and preliminary consultant services.

“I fundamentally believe that the 3Ds initiative is no longer viable — dither, delay, and defer,” the mayor said after reading his motion.

“I believe it’s time to pick a lane. Lane one is a new modern event centre that will lead to revitalization of our downtown, enhance regional economic development, and position Peterborough for Vision 2096 for the next seven years. Lane two is to continue investing in a 70-year-old building with a minimum of $20 million to keep operating, with costs not determined as yet to possibly reinforce the roof and walls, and that will be the determination of a study that’s currently ongoing.”

Leal said Peterborough MP Emma MP Harrison arranged for a meeting on the project with federal government officials, which took place on April 27, and he also met with MPP Dave Smith. He said he had received a letter from a former player with the Peterborough Petes who works with one of the largest equity firms in Canada, and that person — who Leal did not identify — has expressed interest in investing in the project.

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Councillors split over risk to taxpayers versus moving forward to secure partner funding

In responding to the mayor’s motion, councillor Keith Riel said that, while he is not opposed to the idea of a new event centre, “what I am opposed to is making financial commitments before we fully understand the risk to the taxpayers.”

He pointed out that experience shows municipal projects like this rarely stay on budget, increasing pressure on taxpayers. He also said that increasing the city’s debt capacity is “a fundamental shift in how the city manages its finances.”

“It limits our ability to invest in core infrastructure, like roads, water systems, and housing. Right now, it feels like we are committing to a project before we’ve completed the due diligence. The public expects us to ask the hard questions before, not after, we make a decision of this magnitude. I’m prepared to support moving forward cautiously, not in a way that exposes taxpayers to open-ended risk or changing our financial framework prematurely.”

Riel then attempted to introduce his own motion, but councillor and meeting chair Andrew Beamer said, under new council rules, he needed to submit his motion in advance of the meeting. Riel noted that he only had the opportunity in the afternoon to review the mayor’s motion, which had been distributed to council earlier in the morning before the mayor held his media conference.

Councillor Kevin Duguay spoke in support of the mayor’s motion, noting that the city will not be able to secure federal or provincial funding for the project if it is not prepared to commit its own funds in advance.

“If we don’t pre-commit to this project, I’m wondering how it will be possible to entice and consider a private sector investment,” he said. “We’re saying ‘We have an idea — we’re thinking about building a new events and sports facility, but we’re not prepared to commit funding.’ We’re going to have a devil of a time securing any funding from our upper levels of government and enticing the private sector to be involved.”

In her remarks, councillor Joy Lachica said city staff should be providing council with a “comprehensive funding and implementation strategy to secure the remaining two-thirds of the project cost” before the city commits one-third of funding for the project, and made a motion to defer the mayor’s motion.

“To just go today and rubber stamp this without that information brought to us from staff is short-sighted, and a deferral would be helpful to us in order to make next-step decisions,” Lachica said.

Councillor Gary Baldwin spoke against deferring the mayor’s motion, saying “We’ve kicked the cans down the road since 2015.”

“What the mayor’s motion says is we’re going to put our money up front, we’re going to commit to the project, and then seek out those partnerships. If no other partnerships come forward, we haven’t spent a nickel.”

For her part, councillor Lesley Parnell spoke in favour of deferring the mayor’s motion.

“This is the biggest project in the history of Peterborough, and we’re talking about it six months before an incoming council, and they could very easily just turn it over at their very first meeting,” she said. “It is going to definitely impact capital financing, our ability to build almost anything else in the city for decades, and definitely affect the next council and the council after that and the council after that. I think they (the incoming council) should be the ones to make the decision.”

“We can’t just have all of our eggs in this one basket. We continue to need to improve our roads and numerous other facilities throughout our city. There’s a lot of pressure from different segments within our community. A lot of it should be provincial responsibility, but it’s coming down onto us and the consequential cost of those social ills is on us. Those are all true costs, whether capital or operating, so we really have to be careful.”

Parnell said she wants a new events centre and acknowledged the issues with the Memorial Centre, “but we have to be realistic about what we can afford to do with all of our other responsibilities.”

Councillor Riel said he would support the deferral, echoing Parnell’s comments by saying he doesn’t want “to saddle the next council” with the funding commitment, adding there’s no “business plan” for the project.

Councillor Duguay said he would not support the deferral, referring to the positive economic impact of event centres in other communities.

“I can appreciate some of my colleagues’ hesitancy from a financial perspective to proceed, but if we continue with our financial hesitancy, that procrastination will only lead to this facility costing more and more money and I think it would be, from my perspective, to the detriment of our community.”

Councillor Parnell said that, while an event centre will improve the community, it will not make money for the city.

“What are we going to sacrifice to get it?” she asked. “Are we going to be looking at some selling of our assets that actually do create revenue — interest — for us?”

“We do need to do our due diligence, just like you would in your own household. You really want something, but can you afford it, and what are you going to sacrifice to get it? I do want this to move forward, but I do think it’s a decision for the next council. That does give the time for staff to do much more of their due diligence, and hopefully secure some of those dollars from other sources.”

Meanwhile, councillor Baldwin said deferring the mayor’s motion would mean members of the public would not have the opportunity to delegate to city council about the project at next week’s meeting.

“I’d like to hear from the community,” he said.

Speaking against deferring his motion, Mayor Leal said that reinforcing the roof of the Memorial Centre would require an estimated $4 million or $5 million, and that the walls would have to be reinforced at additional cost. He added that the facility would have to be “offline for nine to 12 months” and that would affect city revenue as well as users of the arena.

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Deferral fails as mayor and five councillors back funding commitment

Council voted on the motion to defer the mayor’s motion, which lost 6-4, with Mayor Leal and councillors Matt Crowley, Don Vassiliadis, Beamer, Duguay, and Baldwin voting against and councillors Lachica, Parnell, Riel, and Dave Haacke voting in favour.

Returning to the debate on the mayor’s motion, councillor Baldwin offered a five-minute history of the Memorial Centre before reiterating his support for the motion.

In his final remarks, councillor Riel said “I haven’t heard one councillor say they are not in support of a new sports and entertainment centre.”

“I haven’t said it. What I’m talking about is funding this with the city’s taxpayer money. Right now on the books, we have a police station at 90 plus million, a fire hall to pay off, Miskin Law arena at 60 plus million, a transit garage to build, and then add 57 million if we have that tonight … former mayor (Daryl) Bennett said ‘I don’t see any money trees planted on the front lawn of City Hall.’ This is taxpayers’ money that’s used to do something.”

Councillor Lachica said her motion to defer did not reflect a lack of support for the project.

“The deferral didn’t have anything to do with saying no to it or putting it off for another term of council. It was simply asking that that we take the time to be fiscally responsible — take a few months for the reporting to come back.”

“We’re not taking the time to have that fiscal responsibility,” Lachica added. “There’s no more wiggle room. There’s so much uncertainty about the municipal tax debt and what that will be in 2027 and forward. In 2025, our asset management plan highlighted a 132 million annual shortfall for our backlog … We need to take all these things into consideration as we consider our municipal tax rate and the impact that this will have. This is not about saying no for another whole term. This is about saying no until we had more information.”

Council then voted on each of the five points of Mayor Leal’s motion.

Councillors voted 7-3 in favour of committing $57 million to the project, with councillors Lachica, Parnell, and Riel voting against. Councillors voted 10-0 in favour of the next three points in the mayor’s motion, related to city staff providing council with a financing plan for the $57 million, identifying options to secure the remaining funding, and providing a report to council on those options.

Councillors voted 9-1 in favour of committing $1.7 million in 2027 to hire a project manager and to conduct site studies and preliminary consultant services for the project, with councillor Lachica voting against.

Items endorsed by general committee will be considered by city council for final approval on Monday (May 11) when registered delegations will be allowed to speak.

For Brain Cancer Awareness Month, a Peterborough mom is advocating for awareness and funding in honour of her late daughter Sofie

Peterborough resident Brooke Roberts holding a photo of her late daughter Sofie while standing outside Peterborough City Hall on May 2, 2026, when it was lit up in grey, yellow, and teal in honour of Brain Cancer Awareness Month. Brooke is an ambassador for Brain Cancer Canada, a national charity that works to raise awareness and bridge the gap in funding for brain cancer research and access. (Photo courtesy of the Roberts family)

On Saturday (May 2), Peterborough City Hall was lit up in grey, yellow, and teal to join the many landmarks across the country that will be illuminated throughout May in honour of Brain Cancer Awareness Month (also called Brain Tumour Awareness Month).

The grey represents awareness, yellow honours the children who have been affected, and teal represents strength and hope.

Peterborough resident and Brain Cancer Canada ambassador Brooke Roberts stood outside the building for the occasion, holding a framed photo of her late daughter Sofie, who died on May 17, 2024 at the age of nine years old from a high-grade glioma — a type of tumour that occurs in the brain or spinal cord, arising from glial cells that support neurons.

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“A big thank you to Peterborough because living in the community and having been affected, I think it’s just really special that they would support the initiative,” Brooke says. “Being lit up all over Canada is exciting to not just start May off with a bang but to bring awareness to brain cancer, and to honour the loved ones and the families who struggle or who we’ve lost. It’s very special.”

Spreading awareness and supporting others affected by brain cancer is what Sofie would have wanted, Brooke says. An avid reader, creative, lover of the colour purple, and best friend to her younger sister Stella, Sofie had “a smile that could light up the room.” It was a smile she wore even as she underwent two craniotomies and 33 daily round trips to Toronto for radiology.

“She would even remind me of these wonderful heavenly truths about where courage comes from and she would be encouraging me,” says Brooke, adding they shared a deep Christian faith.

“Her life has impacted so many all over because of social media. We had people praying for her all over the place. I keep hearing these stories of how people have used her courage to help someone else or maybe in their own walk or to give them courage in hard times. So, the Lord’s using her in many, many ways even now, and it’s just so encouraging.”

Brooke Roberts with her daughters Sofie (left) and Stella. Before Sofie passed away on May 17, 2024 from brain cancer at the age of nine, she told her mother she hoped her experience would help other families facing similar situations. (Photo courtesy of the Roberts family)
Brooke Roberts with her daughters Sofie (left) and Stella. Before Sofie passed away on May 17, 2024 from brain cancer at the age of nine, she told her mother she hoped her experience would help other families facing similar situations. (Photo courtesy of the Roberts family)

Her daughter’s resilience, strength, and courage drives Brooke’s mission to fight for other families.

“Because her tumour was rare, she said ‘Mom, maybe one day my tumour will help another family,’ and remembering that conversation helps me to just want to jump in and help other families as much as I’m able.”

Today, Brooke continues to make Sofie’s dream a reality by being an ambassador for Brain Cancer Canada, a national charity run by a group of volunteers who have all been affected by the disease. Brain Cancer Canada funds research and technologies while advocating for effective treatment of primary brain tumours.

“Brain cancer is actually the leading cause of death in cancer-related deaths in children and young adults under 40, and yet we are significantly underfunded,” says Brooke.

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According to Brain Cancer Canada, though nine children and adults are diagnosed with brain cancer in Canada every day, brain cancer only receives three to four per cent of the funding that is raised for cancer research in Canada.

“We are significantly underfunded as a group and that’s really sad,” Brooke says. “Because of the prognosis and severity of the cancer and where it’s located, it’s extremely catastrophic in the brain. The prognosis is quite grim.”

“We’re looking at, for the most aggressive cancers, about 15 to 18 months survival rate. We’re not sure if that plays a role into how they allocate funding but if this is the case, it’s very devastating and sad. All cancers deserve equal funding.”

Brain Cancer Canada is bridging this gap through a number of initiatives, including funding research grants for scientists and neurologists as well as advocating for patient access to drugs, multiple forms of treatment, and increased availability of neuro-surgical technologies and care.

As an ambassador for Brain Cancer Canada, Brooke Roberts promotes the slogan "Go Grey for May" in honour of Brain Tumour Awareness Month and her daughter Sofie. The initiative calls on engagement to raise awareness and support the gap in funding for brain cancer in Canada. Community members are encouraged to greyscale their social media profile pictures with the official grey ribbon, share their stories, join the Gala for Brain Cancer Research on Friday, May 22, start a fundraiser, or find other ways to raise awareness. (Photo courtesy of Brooke Roberts)
As an ambassador for Brain Cancer Canada, Brooke Roberts promotes the slogan “Go Grey for May” in honour of Brain Tumour Awareness Month and her daughter Sofie. The initiative calls on engagement to raise awareness and support the gap in funding for brain cancer in Canada. Community members are encouraged to greyscale their social media profile pictures with the official grey ribbon, share their stories, join the Gala for Brain Cancer Research on Friday, May 22, start a fundraiser, or find other ways to raise awareness. (Photo courtesy of Brooke Roberts)

Though Sofie was first diagnosed with a low-grade glioma in September 2022, which she had successfully removed, it came back the following May having morphed into high-grade glioma. Her family was told there was a medicine to treat her exact rare mutation in the U.S., but they weren’t able to access it quickly in Canada.

“That’s encouraging and exciting as a family, but then you realize brain cancer doesn’t afford you that time,” Brooke recalls. “We don’t have time to wait for it to get into Canada and be approved. We don’t have time to take her to the U.S. or Europe where these treatments are readily available.”

“Brain Cancer Canada is working hard for the access to these things to be immediate for families like mine, rather than have it dangled like a carrot and yet we can’t receive it. That is our goal: to help Canada become the leader in this department and to give families access to these things.”

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Throughout Brain Cancer Awareness Month, Brain Cancer Canada and ambassadors like Brooke are using the campaign to spread awareness about underfunding, as well as the 120 different types of brain tumours and their symptoms.

“It’s such an awful disease,” says Brooke. “Because of where it lives in the body, you often lose your person before you lose them physically because it changes them. Surgeries are risky, and you often come away from surgeries with a changed person — personality, memory, physically. You lose your person, and it robs the individual of a quality of life, so we just hope and pray that one day we’ll be a leader in brain cancer initiatives in Canada.”

The goal throughout the month is to encourage others to “Go Grey in May.” Community members are encouraged to greyscale their social media profile pictures with the official grey ribbon, share their stories, join the Gala for Brain Cancer Research on Friday, May 22, start a fundraiser, or find other ways to raise awareness.

Brooke and Darren Roberts (top left) during the second annual "5K for Sofie Maye" held in 2025, where friends and family show up to walk or run in honour of Sofie Roberts, who died from high-grade glioma in 2024 at the age of nine. To raise essential funds for Brain Cancer Canada during Brain Cancer Awareness Month, and to gather Sofie's friends and family during the month she died, the family is hosting the third annual event on May 30, 2026. (Photos courtesy of the Roberts family)
Brooke and Darren Roberts (top left) during the second annual “5K for Sofie Maye” held in 2025, where friends and family show up to walk or run in honour of Sofie Roberts, who died from high-grade glioma in 2024 at the age of nine. To raise essential funds for Brain Cancer Canada during Brain Cancer Awareness Month, and to gather Sofie’s friends and family during the month she died, the family is hosting the third annual event on May 30, 2026. (Photos courtesy of the Roberts family)

For her part, Brooke will also be hosting the third annual “5K for Sofie Maye.”

Held on Saturday, May 30, the event will see dozens of Sofie’s friends and family members walking or running five kilometres, often while donning her favourite colour purple. With a barbeque, silent auction, and a community of loved ones coming together, Brooke says it brings light to what is otherwise a difficult time of year for the family.

“That’s a heavy month for us because we lost Sofie on the 17th of May. but filling that month will all these things is just really helpful and good,” says Brooke. “There are lots of tears and lots of laughter. It’s a great way to get through a tough month.”

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Through 5K for Sofie Maye, Brooke hopes to raise at least $5,000 to support Brain Cancer Canada.

“I tell people you can come and walk or run or crawl, but we’re going to get it done,” says Brooke. “All of my drive to do what we do is to honour her. She did many, many, many hard things over the course of the three years. We can do these hard things, too, with her courage as quite an example for the rest of us.”

To donate to 5K for Sofie Maye, visit braincancercanada.akaraisin.com/ui/fundraise/p/ed281fed9d09425ba92d4d943f71eab4.

Peterborough resident Brooke Roberts holding a photo of her late daughter Sofie while standing outside Peterborough City Hall on May 2, 2026, when it was lit up in grey, yellow, and teal in honour of Brain Cancer Awareness Month. Brooke is an ambassador for Brain Cancer Canada, a national charity that works to raise awareness and bridge the gap in funding for brain cancer research and access. (Photo courtesy of the Roberts family)
Peterborough resident Brooke Roberts holding a photo of her late daughter Sofie while standing outside Peterborough City Hall on May 2, 2026, when it was lit up in grey, yellow, and teal in honour of Brain Cancer Awareness Month. Brooke is an ambassador for Brain Cancer Canada, a national charity that works to raise awareness and bridge the gap in funding for brain cancer research and access. (Photo courtesy of the Roberts family)

encoreNOW – May 4, 2026

encoreNOW for May 4, 2026 features (from left to right, top and bottom) Tommy Youngsteen at Bancroft Village Playhouse and Peterborough's Market Hall, Public Energy's presentation of "Finding Home" at the Peterborough Theatre Guild, Ian Thomas at Lindsay's Academy Theatre, the Peterborough Symphony Orchestra with the Peterborough Singers at Emmanuel United Church, "Quiet in the Land" at the Peterborough Theatre Guild, and "You're a Good Man, Charlie Brown" at Port Hope's Capitol Theatre. (kawarthaNOW collage)

encoreNOW is a bi-weekly column by Paul Rellinger where he features upcoming music, theatre, film, and performing arts events and news from across the Kawarthas.

This week, Paul highlights Tommy Youngsteen’s CCR tribute shows in Bancroft and Peterborough, Public Energy’s presentation of the family-friendly play Finding Home: A Salmon Journey Upstream on stage at the Peterborough Theatre Guild, Juno award-winning singer-songwriter Ian Thomas at Lindsay’s Academy Theatre, the Peterborough Symphony Orchestra’s performance of The Creation featuring the Peterborough Singers, the Peterborough Theatre Guild’s staged reading of the award-winning historical drama Quiet in the Land, and the Capitol Theatre’s staging of the family musical You’re A Good Man, Charlie Brown.

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Catch Tommy Youngsteen’s CCR tribute in Bancroft and Peterborough

VIDEO: Tommy Youngsteen performing CCR

For all the large venues in big cities that Tommy Youngsteen has performed at over 16 years, the classic rock tribute supergroup has found a most welcoming home in Bancroft.

Back in January, it was announced the band would headline one show of its Creedence Clearwater Revival tribute at the Bancroft Village Playhouse in May, but the promoter discovered quite an appetite for the band and the iconic music it covers. The result? Now three shows will be staged — one on Thursday (May 7) and two on Friday (May 8) — at the Tweed & Company Theatre-operated venue.

If that’s not enough, following the Bancroft shows, the band will be heading to downtown Peterborough to perform at the Market Hall on Saturday (May 9).

Tommy Youngsteen has two things going for it. First, its stage lineup is comprised of multiple Juno Award-winning musicians who have performed with the likes of The Sam Roberts Band, The Arkells, Serena Ryder and The Trews.

And then there’s the music for the band’s latest tribute show. Originally formed under a different name in 1959, Creedence Clearwater Revival — lead singer, lead guitarist, and chief songwriter John Fogerty along with his brother Tom Fogerty and Doug Clifford and Stu Cook — recorded a staggering 14 consecutive Top 10 singles from 1969 to 1971, and was, in fact, the first major act signed to appear at the Woodstock festival.

It was impossible during that period to not hear a CCR song coming over the radio at any given time. The list of singles is endless, with a number of those so-called “swamp rock” songs, such as “Fortunate Son,” adopted as a part of the rebellious soundtrack of the turbulent Vietnam War protest years that defined the era.

Add to that such classics like “Suzie Q,” “Proud Mary,” “Lodi,” “Born on the Bayou,” and “Bad Moon Rising” and it’s there’s little wonder as to why CCR was inducted into the Rock and Roll Hall of Fame in 1993, or that the 1976 compilation album Chronicle remains entrenched on the Billboard 200 listing 50 years after its debut.

Tommy Youngsteen takes to the Bancroft Village Playhouse stage at 7:30 p.m. on May 7, and at 3 and 7:30 pm on May 8, with tickets $46.50 plus tax at www.villageplayhouse.ca. The Market Hall show, meanwhile, is an 8 p.m. start with $59 tickets available at www.markethall.org.

 

Beagle and Sojo taking the kids on a enlightening trek upstream at the Peterborough Theatre Guild

Public Energy Performing Arts is presenting "Finding Home: A Salmon Journey Upstream," a theatre show geared to young audiences aged 5 to 12 produced by Animacy Theatre Collective and Theatre Direct Canada, at the Peterborough Theatre Guild on May 9, 2026. Created and performed by Alexandra Simpson and Morgan Brie Johnson and featuring puppetry, clown, dance, and live music, the show follows two Lake Ontario salmon who make the challenging journey up the Humber River. (Photo: Kathryn Hanson)
Public Energy Performing Arts is presenting “Finding Home: A Salmon Journey Upstream,” a theatre show geared to young audiences aged 5 to 12 produced by Animacy Theatre Collective and Theatre Direct Canada, at the Peterborough Theatre Guild on May 9, 2026. Created and performed by Alexandra Simpson and Morgan Brie Johnson and featuring puppetry, clown, dance, and live music, the show follows two Lake Ontario salmon who make the challenging journey up the Humber River. (Photo: Kathryn Hanson)
There’s something for the kids on the horizon … and it’s really quite something.

On Saturday (May 9), the Peterborough Theatre Guild on Rogers Street in East City welcomes an original work for children by Alexandra Simpson and Morgan Brie Johnson of Toronto’s Animacy Theatre Collective, produced by Theatre Direct.

A five-time Dora Mavor Moore Award nominee which won a coveted statue for Outstanding New Play – Theatre for Young Audiences, Finding Home: A Salmon Journey Upstream is a rare family-oriented offering from Public Energy Performing Arts, and a last-minute addition to their 2025-26 season courtesy of a grant from the Community Foundation of Greater Peterborough.

Featuring puppetry, clown, dance and live music, the funny and heartwarming play explores friendship, growing up, and the annual Lake Ontario salmon run. At its centre are salmon besties Beagle and Sojo, played by Simpson and Johnson.

All is fine in their world until Beagle gets the urge to set off on an upstream adventure, with or without Sojo. Together, the pair discover it’s tough to swim against the current of the Humber River as they face a variety of challenges together, from fishermen and pollution to rocks and rapids. Along the way, Beagle and Sojo learn what it means to be a real friend, how beautiful it is to complete your life cycle, and just why salmon really are the rock stars of the fish world.

There aren’t nearly enough shows geared toward kids aged five to 12. This is a good one that promises wonderful memories that will linger long after the curtain falls.

Tickets to the 4 p.m. show are priced right at $15 for adults and just $5 for children, plus fees, available through publicenergy.ca. And if there are worries the little ones will grow restless, well, no worries — you’re looking at 50 minutes, start to finish.

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Ian Thomas hasn’t gone anywhere, as Lindsay-bound tour proves

VIDEO: Ian Thomas “Not Gone Yet” Tour Promo

When you want to tell the world you’re still here and relevant as a singer and songwriter, naming your tour “Not Gone Yet” is a pretty good start.

More than 55 years after Ian Thomas launched his music career, the Hamilton native is very much still here, this tour heralding that pronouncement. In fact, the tour, which makes a stop at Lindsay’s FLATO Academy Theatre on Saturday (May 9), is Thomas’ first with a full band since way back in 1981.

That’s good news for the nostalgic many who still recall Thomas’ hit songs such as “Painted Ladies,” “Liars,” “Right Before Your Eyes,” “Pilot,” and “Hold On.” And there are many, as evidenced by the grand reception many a Canadian artist of years gone by has received at events such as Peterborough Musicfest and at theatre shows right across the country.

There’s much to like about Thomas, and has been since he won a 1974 Juno Award for Most Promising Male Vocalist of the Year. In addition to his songwriting and performing, he portrayed Dougie Franklin on The Red Green Show and even did a guest turn for an episode of SCTV, appearing alongside his brother, comedian Dave Thomas.

But make no mistake: it’s the music that has brought Thomas to this point, still touring after all the years. That journey has not only included his own work but also his 2016 to 2018 collaboration with Murray McLauchlan, Cindy Church, and Marc Jordan for the “Lunch at Allen’s” concert series that toured Ontario.

Tickets to the 7:30 p.m. concert cost $73.50 (plus taxes and fees) at flatoacademytheatre.com.

 

Peterborough Symphony Orchestra and Peterborough Singers unite to present Haydn masterpiece

VIDEO: “The Heavens Are Telling the Glory of God” (Haydn) – Peterborough Singers (2025)

When two Peterborough cultural institutions come together to present an evening of music, that’s more than deserving of our attention.

On Saturday and Sunday (May 9 and 10) at Emmanuel United Church in Peterborough — the concert home of the Peterborough Singers — the choral group will collaborate with the Peterborough Symphony Orchestra (PSO) to present composer Joseph Haydn’s widely hailed masterpiece The Creation.

Written in 1797-98, the oratorio depicts and celebrates the creation of the world as narrated in the Book of Genesis. As such, it’s most fitting that a sacred place is the setting for this concert, with the acoustics of the church making it an ideal setting for the vocal portions of the composition.

The Creation is structured in three parts, and scored for soprano, tenor and bass soloist, chorus, and symphonic music. For both performances, sopranos Karoline Podolak and Shannon McCracken, tenor Jacob Abrahamse, baritone Alexander Dobson, and bass William Kraushaar will be front-and centre, as will be longtime PSO conductor Michael Newnham.

In fact, Newnham will give his usual pre-concert talk prior to both concerts, enlightening his audience on the background of the piece they’re about to experience.

Saturday’s concert is a 7:30 p.m. start, with Sunday’s matinee performance beginning at 3 p.m. Tickets cost $53 and are available at thepso.org.

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Anne Chislett’s “Quiet in the Land” garners a staged reading at Peterborough Theatre Guild

The cast and creative team of the Peterborough Theatre Guild's staged reading of Anne Chislett's award-winning historical drama "Quiet in the Land" on May 10, 2026. (Graphics: Peterborough Theatre Guild)
The cast and creative team of the Peterborough Theatre Guild’s staged reading of Anne Chislett’s award-winning historical drama “Quiet in the Land” on May 10, 2026. (Graphics: Peterborough Theatre Guild)

While the Peterborough Theatre Guild has put a bow on its 2025-26 six-play season, there remains one final piece of business on the Guild Hall stage.

On Sunday (May 10), a staged reading of Anne Chislett’s historical drama Quiet in the Land will be held at the Rogers Street venue in East City.

In an Amish community in Ontario during World War One, Yock Bauman (Travis Edge) struggles against his family’s pacifist beliefs and the expectations of his faith. As war rages abroad, he is drawn toward a path that could change his life forever, testing his loyalty, love, and place in the world.

Set against a time when many Canadian men answered the call to serve, the play explores the deep divisions that arise when personal conviction collides with tradition. At its heart is Bauman’s search for identity, and the cost of choosing between the life he has always known and the one that he feels compelled to pursue.

Quiet in the Land has been with us for quite some time, having premiered in 1981 at the Blyth Festival in Blyth, Ontario. It was subsequently remounted over a number of years at such venues as the Toronto Free Theatre and the Stratford Festival, the fact that it won a Governor General’s Award in 1983 creating the subsequent demand.

Directed by Beau Quarrie and stage managed by Lynn Braun and Sharon McLeod, the Peterborough Theatre Guild production also features Joe Bezubiak, Mary Delaney, David Geene, Theo Geisman-Blank, Tristina Haines, Cheryl Lyon, Chancellor McGuigan, Natalie Melendro, Darragh O’Connel, Kevin O’Neill, Tom Quinn, Mark Scanlon, Kalla Tahon, Gail Woodhouse, and Lauren Yandt.

Ticket to the 1:30 p.m. staged reading cost $15 at www.peterboroughtheatreguild.com

 

Port Hope’s Capitol Theatre is reminding us Charlie Brown is still a good man

Amir Haidar will perform in the title role of "You're A Good Man, Charlie Brown" from May 15 to 31, 2026 at Port Hope's Capitol Theatre. Based on the beloved comic strip by Charles M. Schulz, the Tony award-winning musical comedy also features Jillian Mitsuko Cooper as Sally Brown, AP Bautista as Lucy Van Pelt, Matt Pilipiak as Snoopy, Kyle Golemba as Schroeder, and Ben Kopp as Linus Van Pelt. (Photo: Sam Moffatt)
Amir Haidar will perform in the title role of “You’re A Good Man, Charlie Brown” from May 15 to 31, 2026 at Port Hope’s Capitol Theatre. Based on the beloved comic strip by Charles M. Schulz, the Tony award-winning musical comedy also features Jillian Mitsuko Cooper as Sally Brown, AP Bautista as Lucy Van Pelt, Matt Pilipiak as Snoopy, Kyle Golemba as Schroeder, and Ben Kopp as Linus Van Pelt. (Photo: Sam Moffatt)

I wore out the pages of a lot of books when I was kid, but few were as tattered as my Peanuts paperbacks. I just couldn’t get enough of Charlie Brown, Lucy, Linus, and all the rest of Charles M. Schulz’s quirky kid characters — and Snoopy, of course.

Add to that yearning my infatuation with the TV specials based on the books. There was something about hearing jazz pianist Vince Guaraldi’s Peanuts theme song that captured my attention and kept it.

All these years later, good on Port Hope’s Capitol Theatre for staging You’re A Good Man, Charlie Brown — the opening production of what is a very busy 2026 at the historic venue.

Opening with a pay-what-you-can preview performance on Friday, May 15, the Tony Award-winning musical with book, music, and lyrics by Clark Gesner details the adventures of Charlie Brown and the entire Peanuts gang as they explore life’s big questions, all while playing baseball (another love of mine that fuelled my love affair with the series), struggling with homework, swooning over crushes, and celebrating their friendship.

A big plus is this production is directed and choreographed by Capitol artistic director Rob Kempson, who has a fine reputation for bringing the goods when it comes to musical theatre productions. Shane O’Regan, meanwhile, is handling the music direction. The show features Amir Haidar in the title role, with Jillian Mitsuko Cooper as Sally Brown, AP Bautista as Lucy Van Pelt, Matt Pilipiak as Snoopy, Kyle Golemba as Schroeder, and Ben Kopp as Linus Van Pelt.

This promises to be a lot of fun, both for longtime Peanuts fans and kids primed to discover the gang for the first time.

Curtain is 7:30 p.m. from May 15 and 16, 21 to 23, and 28 to 30, with 2 p.m. matinee performance on May 17, 23, 24, 30 and 31. Tickets, at $50 for adults, $40 for ages 13 to 30 and $22 for kids 12 and under — all plus fees — are available at capitoltheatre.com.

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Encore

  • One of the great mysteries in my world is how Peterborough native Elyse Saunders isn’t the country music superstar she deserves to be. Don’t get me wrong — Saunders is doing incredibly well, her clear talent only exceeded by a fierce work ethic. But much more should be coming her way and soon. It’s time.

    Meanwhile, Saunders is nominated for two CMAOntario Awards — Female Artist of the Year and Video of the Year. Better still, Saunders has been pegged to perform at the May 31 awards show in Port Credit. Bet on her performing “Cowboy Up,” her latest single.

    Years ago, when she was a teen, I first interviewed Saunders. I can say, with no shortage of admiration for all she’s accomplished since, that I knew her when. It’s time more hopped on board.

  • Peterborough’s surest sign of summer’s imminent arrival has been made clearer recently, with Musicfest’s recent releasing of the details of three concerts to be held at Del Crary Park in 2026.

    On June 27, Canadian rocker Gowan — a Scarborough high school pal of mine back in the day — will open the 39th free concert series, followed by rising Canadian country music artist Tyler Joe Miller on July 15 and, on July 29, by cover band extraordinaire Dwayne Gretzy, which is making its sixth Musicfest appearance.

    The full concert schedule will be announced very soon. That’s exciting, but what really has me smiling is Musicfest is bringing back it’s pre-concert Future Sounds series that will again give young and up-and-coming musicians a stage at the park. Better still, word is that will be featured on every concert night, not just on a select few.

Mayor advocates for $170-million event centre in downtown Peterborough just hours before council debates the project

Peterborough mayor Jeff Leal, Peterborough and Kawarthas Chamber of Commerce president and CEO Brenda Whitehead, Peterborough Downtown Business Improvement Area (DBIA) board chair Deanna Guttman, and Paul Harris-Lowe of the city's economic development working group during a media conference at the Chamber's office on May 4, 2026 where the mayor advocated for a new event centre in downtown Peterborough. (Photo: Jeannine Taylor / kawarthaNOW)

Just hours before Peterborough city council is set to consider a staff report on a proposed $170-million multi-use sport and event centre in downtown Peterborough, Mayor Jeff Leal held a media conference to advocate for the project.

On Monday morning (May 4) at the office of the Peterborough and Kawarthas Chamber of Commerce, the mayor was joined by Chamber president and CEO Brenda Whitehead, Peterborough Downtown Business Improvement Area (DBIA) board chair Deanna Guttman, and Paul Harris-Lowe of RBC Dominion Securities, who is a member of the city’s economic development working group.

Alongside a sign reading “Vision 2096” and renderings of event centres in Sudbury and Brantford, Leal said the city needs the event centre to replace the aging Peterborough Memorial Centre.

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A statement from the mayor’s office notes the Peterborough Memorial Centre “is already unable to host modern events and that capability will continue to deteriorate as it ages.” City staff have estimated it would cost $22.4 million over the next 15 years to keep the 70-year-old city-owned facility operational.

“We need to think about the next 70 years of Peterborough,” Leal said. “This is a generational opportunity for our community.”

“A new event centre will revitalize our downtown by driving foot traffic and encouraging investment. It will transform our waterfront and stimulate economic growth and development, and it will make Peterborough a regional hub and tourism destination for the next 70 years.”

Leal referred to the new $45-million Canadian Canoe Museum, which was funded through a combination of public and private sources, as an example of how an event centre can draw visitors to the city. The museum saw more than 115,000 visitors in 2025, with more than two thirds coming from outside the region, generating an estimated $10.5 million in visitor spending and contributing almost $7 million to regional GDP, based on the Tourism Regional Economic Impact Model.

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The Chamber and DBIA are also supporting the project, with Whitehead calling it an “economic opportunity.”

“Aging infrastructure limits our ability to attract major events and stay competitive,” she said. “A modern event centre strengthens Peterborough’s role as a regional hub while driving the kind of downtown activity that supports businesses across the entire region, and promotes opportunities for growth and further community development.”

For her part, Guttman said the event centre would be an investment in the future of the downtown.

“Facilities like this bring consistent energy, attract visitors, and create the conditions for local businesses to grow and thrive,” she said. “The DBIA strongly supports moving this project forward as a catalyst for long-term economic development and vibrancy in Peterborough’s core.”

Paul Harris-Lowe said a new event centre would bring businesses and their employees to Peterborough.

“A city which has the ability to provide activities in both the arts and in sports is a city business leaders are attracted to,” he said. “An event centre that Peterborough can be proud of will go a long way to attracting new business to Peterborough and making our city the hub for central-East Ontario.”

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What is still unknown is how the city would pay for a new event centre.

At its general committee meeting on Monday evening, city council will consider a staff report from community services commissioner Sheldon Laidmen with six options for next steps for the approval and construction of the event centre, including how it could be financed by the city.

With a council-approved location at the site of the existing city bus garage on Townsend Street, the event centre is proposed as a 155,000-square-foot building seating 5,800 people with an estimated construction cost of $170 million — representing one of the largest single capital investments in the city’s history.

The six options to be presented to general committee on Monday night include:

  1. Approving $1.7 million in funding so the project can proceed to a concept and site development phase, without committing to full financing for the project.
  2. Approving $30 million in debt financing (the city’s existing debt limit) while seeking partnerships with the private sector for the remaining funding.
  3. Approving $57 million in debt financing by increasing the city’s debt limit while seeking remaining funding from other levels of government.
  4. Approving $170 million for the entire project through a combination of $70 million in debt financing by increasing the city’s debt limit and $100 million in funding through the sale of city assets.
  5. Approving $170 million for the entire project through debt financing by increasing the city’s debt limit.
  6. Not proceeding any further with the project.
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Debt financing options would result in property tax increases ranging from one to five per cent while also affecting the city’s ability to finance other capital projects.

The staff report also acknowledges that the actual construction cost for a new event centre may exceed $170 million.

“Large-scale recreation and entertainment facilities have historically experienced construction cost escalation during the design and procurement phases,” the report reads.

The staff report assumes the timeline for the project would be 2027 to 2031, which would place the project in the term of the next city council elected in October.

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