Every Thursday, we publish live music and performance events at pubs and clubs in Peterborough and The Kawarthas based on information that venues provide to us directly or post on their website or social media channels. Here are the listings for the week of Thursday, January 31 to Wednesday, February 6.

If you’re a pub or club owner and want to be included in our weekly listings, please email our Nightlife Editor at nightlife@kawarthanow.com.

On Thursday, January 31st, Trent University’s student-run the Anne Shirley Theatre Company (ASTC) makes their long overdue return to The Theatre on King (TTOK) stage with their production of Don Zolidis’ The Brothers Grimm Spectaculathon.

Directed by first-time director Kate Mills, the show features elements from all 209 of Jacob and Wilhelm Grimm’s legendary 19th-century fairy tales, with all of their whimsy and horror, in a fast-paced comedy full of fresh new performers and a truckload of zeal.

There is little production history available online on The Brothers Grimm Spectaculathon, other than that it was written by American playwright Don Zolidis, a former middle and high school teacher who has published almost 100 plays produced more than 10,000 times in 61 countries.

However, I want to just say how pleasantly surprised I was to watch this very clever and laugh-out-loud show produced by a very talented and vibrant cast of young performers who, for the most part, I have never seen on stage before.

Simply put, The Grimm Brothers Spectaculathon is the best show I’ve seen done by the ASTC in a number of years now, and one of the most enjoyable shows I’ve ever seen to come out of Trent University.

In The Brother Grimm Spectaculathon, two narrators (Mary Grace Murphy and Jordan Shabsove) take the audience through all 209 stories collected by the Brothers Grimm in one show. Furthermore, the pair does so in trying to prove that all the stories are interconnected in one common continuity.

Sure, they take a few liberties here and there, and touch only briefly on some of the more obscure stories, but all your favourite characters are here: Hansel and Gretel, The Frog Prince, Rumpelstiltskin, Rapunzel, Snow White (or is it Sleeping Beauty … and does it matter?), Cinderella, and Lean Lisa. What? You’ve never heard of Lean Lisa? Oh, you soon will.

As a collective, eight performers (including the above mentioned narrators along with Shae-Lynn Reesor, Victoria Arbour, Warren Moore, Emma Lee, Jesse Jamieson and Hannah Lash) brilliantly bring more than 50 unique characters to life. There is a lot going on in this show, and it’d be impossible to give you a play-by-play of everything you are going to see (and honestly, you don’t want me to give away the surprises), but just some of the highlights you can expect include deals with the devil, a satanic road trip, crab people, a woman fighting a dwarf, cannibalism, awkward dating practices, and a series of bad parenting decisions.

The show takes the stories that you grew up with, strips away the sugar-flavoured Disney versions you remember, and turns them on their head with some modern real-life sensibility and occasional moments of social commentary. It’s a lot to take in, but that just means non-stop fun from beginning to end.

I cannot contain my enthusiasm for this wonderful ensemble cast of primarily newcomers to the Peterborough theatrical community. I always love seeing faces I don’t recognize take centre stage, and this show contains a feast of fresh performances. By playing a multitude of different characters, the performers show a great amount of versatility and every one of them get a chance to shine with their own place in the spotlight throughout the show, making every player a star during their own moment.

At the head of the show are narrators Mary Grace Murphy and Jordan Shabsove, who guide the audience through the zany madcap world of the Brothers Grimm. Jordan is wacky and enthusiastic, while Mary Grace maintains a certain amount of grace and poise. However, the pair is allowed to change characters, with Jordan playing the Big Bad Wolf, and Mary Grace portraying a vain and ditzy sorceress.

Other outstanding performances include Victoria Arbour as Rapunzel’s bad-decision-making mother, Warren Moore as the Frog Prince, Emma Lee as an incel king, Shae-Lynn Reesor as Little Red Riding Hood’s profanity-spewing grandmother, and Jesse Jamieson in a series of charming performances including the magic fish, Satan’s grandmother, and Little Red Riding Hood.

But possibly the performance of the night goes to Hannah Lash, who not only plays an angry cannibal dwarf and a cynical teenage Rapunzel but also performs the entire cast of Cinderella (including the animals) in one madcap solo performance.

Together this fantastic cast is completely irresistible. I’d think that one of them gave my favourite performance of the show, only until the next performer took their moment in the spotlight.

Again, there is a lot going on in this very fast-paced show, so it is impossible to give out a shout-out for every performance, except to say that you will be delighted by what you see this vibrant cast can do. Whoever cast these performers together did an amazing job.

I also can’t express how truly funny this show is. The acting is deliciously over the top, but it works for this type of play. The jokes are both obvious and subtle, and the comedic timing by the cast hits each target. Honestly, anybody can read a funny line, but it takes skill and timing to have that line make an impact, and the performers in this show hit the mark again and again and again.

Part of the success of The Brothers Grimm Spectaculathon is due to its whimsical sense of charm and fun. In the cold bleak months of winter, sometimes it’s just good to watch something that can be silly yet smart at the same time. Not every show needs to be filled with metaphysical monologues or joyless and pretentious melodrama. Sometimes the best show you can bring to the stage is something that’ll make the audience laugh.

The Brothers Grimm Spectaculathon is a bright turning point for the ASTC. I’d like to thank the people who had a part in selecting this show for the 2018-2019 lineup.

It’s been a long while since ASTC has been at TTOK, but their return is truly a triumph. It’s going to be a cold few days in Peterborough this weekend, and nobody wants to be outside. Instead, head to TTOK and warm up your soul with this wonderful show. You will be disappointed if you miss it. It won’t be the cold that will make your face hurt — it’ll be from all the laughing you’re going to do.

Congratulations to Kate Mills and her fantastic company. They have something to be very proud of with The Brothers Grimm Spectaculathon. I can’t wait to see what they put on next.

The Brothers Grimm Spectaculathon runs from Thursday, January 31st to Saturday, February 2nd at TTOK, with performances beginning at 7 p.m. The show continues for three additional performances the following weekend on the Peterborough Theatre Guild stage.

Tickets are $15 at the door, and will also be sold in advance during business hours outside of Wenjack Theatre and in the TCSA Office at Trent University until February 8th.

Throughout the month of March, Toronto-based horror film festival Blood in the Snow is taking its operations on the road for a four-city tour, with Peterborough’s Market Hall Performing Arts Centre the first stop on its blood-stained trail.

Dedicated to promoting the best in independent Canadian horror cinema, Blood in the Snow will be showing four feature films and five shorts over two consecutive evenings at the Market Hall during the first weekend of March. And while all the films are calculated to thrill local horror fans, many of the films also feature have strong Peterborough connections.

“I’m excited about coming to Peterborough,” says Blood in the Snow’s founder and festival director Kelly Michael Stewart, a former resident of Peterborough. “It mixes so many things from my experiences of coming to Peterborough and making films and I’m really excited about bringing this thing we do in Toronto to Peterborough. I think the audience is going to be blown away with what we’re doing.”

The origins of Blood in the Snow began 12 years ago. Working as a screenwriter as well as a contributing writer for the horror film fan magazine Fangoria, Kelly was showing monthly films at a now-defunct movie house when he got the idea for a yearly film festival that would be dedicated to showing Canadian made horror films.

“I started hosting a monthly film night called Fright Night, and I started getting more and more Canadian content each month,” Kelly recalls. “At that time, if you didn’t get your film into the Fantasia Film Festival in Montreal or Toronto After Dark, you didn’t have that many great opportunities to have your film shown.

“So I had all these filmmakers come to me about playing their films at my Fright Night events, but instead of just playing one every month I thought we should show as many of them as we could over a weekend. We decided that we should create a festival, and we held our first festival in 2012 and it did really well.”

Held at Toronto’s historical Royal Cinema on College Street every November, the Blood in the Snow festival is not only a chance for audiences to experience films they might not get a chance to otherwise see, but it is also a chance for filmmakers to come together and create alliances and new opportunities together.

“I think you’ll find that there are two groups that come to the festival — the horror fans and the filmmakers,” Kelly says.

“We have filmmakers coming from all over Canada, and they are showing each other their work and doing them on budgets that are completely reasonable and attainable. It’s amazing what they can do with limited resources, but all the films are very high quality. They stand up.

“What happens in Toronto is that everyone coms and they get inspired. They see everyone’s work and they get to talk to the actors and the crew people. People meet, and the next year they are collaborating on a film together. I see this happen every year.

“I know that Peterborough has its own film community, and I really hope that our films will help inspire the people in the Peterborough community even more to collaborate.”

Although horror is a niche genre, its legion of devotes is undeniable and it remains to be one of the most popular genres in the history of film. But, according to Kelly, it’s not just the thrills and the frights that make horror films so popular with audiences.

“In horror films you can say a lot of interesting things that you can’t necessarily say directly,” Kelly explains. “You can use a lot of social messages in them. A lot of horror films are a commentary of what’s going on in society at the time.”

“They are subversive, but they also often have a bit of playful quality to them. I like horror films that have a little bit of comedy to them. I don’t think you can watch something like Dawn of the Dead and take it too seriously.

“I even find Texas Chainsaw Massacre kind of funny. I saw the restoration copy of it a few years ago, and the first time you see it its creepy and based on real people, but once you get desensitized to it its actually really funny. The scene where they were trying to feed the decomposing grandfather is hilarious.”

Although I consider myself to be an aficionado of the horror genre, at the top of my head I could only name a handful of Canadian horror films, including Black Christmas, Cannibal Girls, and Seizure. But being immersed in the world of Canadian horror, Kelly points out that our nation’s film industry goes far deeper.

“We have a long history with horror films,” he says. “Black Christmas is usually the first that comes to mind, but it was Ginger Snaps that kind of set the template for the style and vibe of Canadian horror cinema.

“But if Canadian horror filmmakers have a main source of artistic inspiration, it all goes back to David Cronenberg. He’s really the granddaddy of it all for Canadians, because he was able to mix art house sensibilities and psychological drama with horror elements.

“If you work as his early catalogue, he really bounced between traditional horror films like The Fly to more psychological material like Dead Ringers and Videodrome. You’re kind of seeing that come full circle with the Soska twins who are bringing out their remake of Rabid later this year.”

For the first-ever Blood in the Snow film festival tour, Kelly and his team are bringing four films and featuring local shorts to four cities over the month of March, including Peterborough, Kingston, Ottawa and Kitchener. In most cases, the directors and other individuals involved in the films will be in attendance at each of the screenings for a Q&A after each film and to meet audience members after the screening.

For their Peterborough screenings, Blood in the Snow is bringing four feature films: I’ll Take Your Dead and Late Night Double Feature on Friday, March 1st, and E.M.P 333 Days and Alive on Saturday, March 2nd.

The films will be accompanied by five shorts featuring local filmmakers from the Kawarthas: Peanut directed by Jamie Oxenham and One More for the Road directed by Navin Ramaswaran on Friday, March 1st, and Abduction directed by Michelle Foster, No Trespassing directed by Charlie Lawton, and The Doorway directed by Michael Hayes on Satuday, March 2nd.

But, as Kelly reveals, the shorts are just a small part of the local content being featured at Blood in the Snow’s Peterborough stop.

E.M.P. 300 Days, Written and directed by Bridgenorth filmmaker Adriano Ferreri, was shot entirely in the area and features many familiar actors from the Peterborough community. As well, parts of Late Night Double Feature, which was written by Kelly, were shot in Peterborough.

“There is this idea that people don’t watch Canadian films, but we find that the people do come out to our films,” Kelly says. “Our audience increases each year. At Blood in the Snow you aren’t watching stupid sequels or dumb remakes. Instead you’re watching well-made original content by local filmmakers for local audiences.”

Although access to all of the films is available for a flat fee of $30, each film can be seen individually at a ticket price of $12.

Here’s more on each of the four feature films screening at the Market Hall:

I’ll Take Your Dead (2018)

Directed by Chad Archibald and starring Aiden Devine, Ava Preston and Jess Salgueiro. Friday, March 1st at 7 p.m.

VIDEO: “I’ll Take Your Dead” Trailer

Directed by popular Blood in the Snow contributor Chad Archibald, founder of Black Fawn Films, I’ll Take Your Dead is described by Kelly as a mob thriller with supernatural elements.

“I’ll Take Your Dead is about this guy named William, who is being blackmailed by the mob,” Kelly says. “He lives alone in the country, along with his daughter, and his job is to get rid of bodies. He has to contend with that while raising a young daughter, who is seeing ghosts in the home.

“One day they bring a body to the house to dispose, and William discovers the victim is not really dead yet. So he has to deal with a moral decision: does he kills this woman or does he save her and risk his own family? It’s really interesting and I think people will absolutely love it.”

Late Night Double Feature (2016)

Directed by Torin Langen, Naven Ramaswaran and Zaschery Ramelan. Friday, March 1st at 9:30 p.m.

VIDEO: “Late Night Double Feature” Trailer

Inspired by the late night TV horror shows of yesteryear, such as those hosted by horror icons like Vampira, Elvira. and Zacharie, this anthology film features two 32-minute horror films, Dinner for Monsters and Slit, with a third story featuring the filming of the late-night movie show as the wrap around.

“The film takes place during a late night taping of a horror movie TV show starring horror host Dr. Nasty,” says Kelly, who was a contributing writer and producer for the film. “We show the behind-the-scenes of the filming of the show, and then we show a double bill of two additional films within the movie.

“Dinner for Monsters is about a family of cannibals that hire a chef to cook them dinner, and Slit is more of a serious film about a guy who is hired to cut people in order to release their stress, and this guy finds this one client who is a little more disturbed than the people he’s used to, and things go awry from there.

“We also have fake commercials during it. One of the commercials, called Night Clown, is my directorial debut and we did shoot it in Peterborough, just over on Bensford Road. It’s very playful and fun.”

E.M.P 333 Days (2018)

Directed by Adriano Ferreri and starring Rosa Ferreri, Liam Davidson, and Derek Bell. Saturday, March 2nd at 7 p.m.

VIDEO: “E.M.P 333 Days” Trailer

Of all of the films being featured at the Blood in the Snow Festival, E.M.P 333 Days is the one that has the closest ties to the Kawarthas.

Described by Kelly as a post-apocalyptic thriller, the film was written and directed by Bridgenorth filmmaker Adriano Ferreri and stars his daughter Rosa as a girl trying to find her father in a new world without power, electronics, or technology.

“The film follows a girl who is a survivor of when an electromagnetic pulse is deployed,” Kelly says. “So it’s like an apocalypse, but it means that there is no electricity and that creates chaos.”

E.M.P 333 Days also co-stars local young actor Liam Davidson, who performed in 4th Line Theatre’s The Hero of Hunter Street and Lakefield College School’s recent production of Mamma Mia, and local theatrical stage favourites Derek Bell and Dan Smith.

The film has also already represented our community well by winning awards at the Rockport Film Festival in Texas and the SNOB Film Festival based in New Hampshire.

Alive (2018)

Directed by Rob Grant and starring Thomas Cocquerei, Camille Stopps and Jules Vincent. Saturday, March 2nd at 9:30 p.m.

VIDEO: “Alive” Trailer

Directed by Alberta-based filmmaker Rob Grant, Alive is a psychological thriller/mystery about a man and a woman who wake up in a doctor’s laboratory with amnesia, not knowing who they are or how they got there.

“They are all cut up and scarred and they don’t know what happened,” Kelly says. “The doctor intimidates and manipulates and punishes them under the guise of attempting to heal their wounds. You don’t know the doctor’s motivation until the very end.”

What makes Alive a must-watch film is its ending, which Kelly us careful not to reveal.

“I can’t tell you too much about it because I don’t want to give too much away, but it has the best twist ending of any film we’ve ever played at Blood in the Snow,” Kelly reveals. “We are talking Sixth Sense level of twist ending. When I saw it as a screener a year ago, I did not see where it was going.”

It should be noted that due to geographical restraints, director Rob Grant unfortunately will be unable to attend the Peterborough screening of Alive.

For film fans and horror fans alike, the Blood in the Snow festival is a real treat for Peterborough audiences. It’s a chance to see some unique films and celebrate Canadian cinema.

For more information and to purchase all-access passes and individual film tickets, visit the Blood in the Snow website at bloodinthesnow.ca.

After a pause in January, the First Friday art crawl returns to downtown Peterborough! The roster is full for February 1st, and the event will continue in 2019 thanks to a dedicated group of artists and entrepreneurs who have taken the reins of this popular celebration of local art.

There will be a very special celebration on this First Friday when artist Joe Stable celebrates his 70th birthday. Joe has been an integral member of the arts community in Peterborough since the 1970s, so make sure to celebrate Joe and his contribution to the arts on February 1st.

Also during First Friday, at Watson & Lou there will be an open house and show of student work at Madderhouse Textile Studios and a pop-up shop by screen printing company Nish Tees accompanied by live music by Mary-Kate Edwards.

Another theme this month is fabric arts and printmaking. Alice Olsen Williams will host an appliqué workshop at Artspace in conjunction with her show Star Song, followed later in the month with an artist’s talk from bird, buried press and the 4th Annual Artspace Book & Zine Fest, which features publications of all shapes and sizes and also paper arts such as the work of various printmakers.

Later in February, the Art Gallery of Peterborough is hosting an artist’s talk with Shelly Niro, whose exhibition ‘women, land, river’ is currently featured at the gallery, along with a free screening of her film Kissed by Lightning.

Acme Art & Sailboat Co. presents Joe Stable’s 70th Birthday Bash and Art Show

Here’s an important milestone! Lifelong artist and champion of the arts Joe Stable, operator of Acme Art & Sailboat Co, is turning 70, and on Friday, February 1st he’s hosting a birthday bash and art show.

Take the chance to say thanks to Joe for hosting shows every First Friday, and wish him congrats on the big Seven-Oh. Drop in and listen to tunes from acclaimed musician Rick Fines while enjoying a birthday cupcake or two.

The bash begins at 6 p.m. and continues until 11 p.m.

Acme Art and Sailboat Company is located at 129-1/2 Hunter Street West, 3rd floor, in downtown Peterborough. For more information, visit Acme’s Facebook page.

Atelier Ludmila presents ‘Found’ by Bradley Boyle and John Marris

Atelier Ludmila (formerly Coeur Nouveau and now operated by artist Laurel Paluck) presents a show inspired by found photographs.

John Marris and Bradley Boyle use unconventional artistic approaches to explore lost, rediscovered histories, and the possibilities therein. Rediscovered images lead to re-imagined lives and stories emerge as the images are manipulated and used as a jumping off point for creativity and exploration. This joint show presents two very different responses to found images from the past.

Atelier Ludmila is located at 129-1/2 Hunter Street West, 3rd floor (#1), in downtown Peterborough. Hours of operation are Saturdays from 11 a.m. until 4 p.m. or by appointment. For more information or to book an appointment, email ludmilaprojects@gmail.com.

The Drawing Room presents ‘Postcards from the Drawing Room’ with Esther Vincent

The Drawing Room will be hosting interactive salons at each First Friday event from now on. This February, photographer Esther Vincent will be taking portraits in The Drawing Room on the evening of Friday, February 1st.

This is a chance for public art enthusiasts to participate in the artistic process. Of course, you don’t have to have your picture taken — you can just stop by to enjoy the ambiance and watch the proceedings.

If you do choose to participate, you will have the option of getting a set of four take-away images for $10. Select costume pieces and props on hand for those who wish to use them. Photo sessions will take approximately 10 minutes.

The Drawing Room is located at 129-1/2 Hunter Street West, 2nd floor (#5), in downtown Peterborough.

Madderhouse Textile Studios hosts an open house and student show

A new textile studio has opened in Peterborough. Operated by textile artist Leslie Menagh, this studio is perfect for screen printing large bolts of fabric.

If you have ever wanted to experiment with textile and surface design, now is your chance. The studio is running intro-level workshops, and the space is available to rent if you already know your way around a screen printing studio.

This First Friday, the studio will be open to the public, presenting work from six participants in an intro to screen printing workshop developed for the New Canadians Centre. For more information about workshops or to register, email leslie@madderhouse.com.

Accessed through Watson & Lou, Madderhouse Textile Studios is on the upper floor of 383 Water St. in downtown Peterborough.

Watson & Lou host Nish Tees Pop-Up with tunes by Mary-Kate Edwards

This First Friday features a screen print extravaganza at 383 Water Street in downtown Peterborough!

As well as the open house and showing of student work at Madderhouse Textile Studios, Nish Tees (a local screen printing company run by James Hodgson) will be popping-up as well, accompanied by music local singer-songwriter by Mary-Kate Edwards.

So if you want to talk textiles, fabric sourcing, or screen printing, and see what printers in the area have been making, this is your night to drop by Watson & Lou.

Doors will be open from 6 p.m. until 10 p.m., with music starting at 8 p.m.

Watson & Lou is located at 383 Water St. in downtown Peterborough. For more information, visit www.watsonandlou.com.

Illustrator Jason Wilkins hosts an open studio and live mural illustration

As part of the First Friday festivities, accomplished illustrator Jason Wilkins will open his studio to the public and perform a live sharpie mural illustration on his studio walls.

If you haven’t already seen the caricatures, murals, and illustrations of this talented artist, you must come out and see him in action!

His downtown studio will be open to the public between 6 p.m. and 11 p.m. on February 1st. Accessed through Watson & Lou, Jason Wilkins’ studio islocated on the upper floor of 383 Water Street.

Artspace hosts appliqué workshop with artist Alice Olsen Williams

Don’t miss the wonderful exhibition of quilts by textile artist Alice Olsen Williams that is currently on display in the gallery at Artspace. Artspace will be open to the public on the evening of First Friday, so that may be a good time to drop in.

On Saturday, February 9th, there will be a free beginner-friendly appliqué workshop with the artist. This is a great opportunity to get appliqué tips from a pro. All fabric and materials will be provided, but if you have fabric scissors, please bring them along. The workshop will run from 2 p.m. until 4 p.m.

Artspace is located at 378 Aylmer Street in downtown Peterborough and offers barrier-free access (to all but Gallery 2) and free admission during regular open hours: Tuesday to Friday from noon to 6 p.m. and Saturday from noon to 4 p.m. Parking is available in the municipal lot on Hunter Street between Aylmer and George. For more information, call 705-748-3883 or visit artspace-arc.org.

Artspace hosts artist’s talk with bird, buried press in conjunction with the annual Book & Zine Fest

Later in February, it will be time for the annual Artspace Book & Zine Fest, happening on Saturday, February 23rd from 10 a.m. to 5 p.m. This is a great event if you are interested in zines, comics, graphic novels, and paper arts such as woodcuts, screen prints ,and other methods of printmaking.

In conjunction with the Book & Zine Fest, a free talk with Elisha Rubacha and Justin Million of bird, buried press is being offered at 7 p.m. on Wednesday, February 20th. bird, buried press publishes the work of Ontario-based writers and artists and all of their books are assembled by hand. The topics of conversation will be writing, publishing, and the business of small presses.

Artspace is located at 378 Aylmer Street in downtown Peterborough and offers barrier-free access (to all but Gallery 2) and free admission during regular open hours: Tuesday to Friday from noon to 6 p.m. and Saturday from noon to 4 p.m. Parking is available in the municipal lot on Hunter Street between Aylmer and George. For more information, call 705-748-3883 or visit artspace-arc.org.

Meta4 Contemporary Craft Gallery hosts free embossing workshop

Make a night of it on First Friday and get creative yourself! Meta4 Contemporary Craft Gallery will host a free metal embossing workshop from 6 to 10 p.m. on February 1st.

You can also just drop in and see their selection of art and crafts from the area.

META4 is located at 164 Hunter St. West in Peterborough. Hours of operation are Sunday from noon to 4 p.m., Monday from 11 a.m. to 5 p.m., and Tuesday to Saturday from 10 a.m. to 5 p.m. For more information, e-mail ptbo@meta4gallery.ca, call 705-874-9444, or visit www.meta4gallery.ca.

Art Gallery of Peterborough hosts free artist’s talk with Shelley Niro and a free screening of her film

Indigenous artist Shelley Niro’s exhibition ‘women, land, river’, curated by Lori Beavis, continues at the Art Gallery of Peterborough during February, and the gallery is hosting two related events this month.

First up is an artist’s talk on Sunday, February 17th from 2 to 4 p.m., where Niro and Beavis will discuss the artwork and Niro’s remarkable art practice, which spans three decades. The talk is free to attend and open to the public.

Then, on Thursday, February 21st from 7 to 9 p.m., the gallery will host a free screening of Niro’s 2009 film Kissed by Lightning. A remarkable tale of spiritual awakening set in the deepest winter in the woodlands of Canada, the film is a multi-dimensional and multi-layered love story symbolically based on the 14th-century Iroquois legend of Peacemaker and Hiawatha.

VIDEO: “Kissed by Lightning” Trailer

The Art Gallery of Peterborough is located at 250 Crescent Street in downtown Peterborough and is open from 11 a.m. to 5 p.m. Tuesday to Sunday. It offers free admission, barrier-free access, and a gallery shop. Parking is available in the Del Crary lot. For more information, call 705-743-9179 or visit agp.on.ca.